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Great songs have a life of their own. Consider “I Will Always Love You.” Dolly Parton’s original is the stuff of legend. Whitney Houston’s cover for the all-conquering The Bodyguard soundtrack, iconic.
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Now, there’s the Roland Abante’s heart-wrenching rendition for America’s Got Talent.
Abante, a fisherman from the Philippines, left nothing to chance as he belted out the classic ballad, hitting an array of high notes, with force, control and enough feel to touch everyone in the room.
A standing ovation awaited.
“Look at everyone here. They’re going crazy for you,” remarked Sofia Vergara. “People love you.” This qualifier performance she said, was a “good job tonight, you’re amazing.”
Did Simon Cowell like it? No, not exactly. “Somehow, I loved it,” he remarked. The acerbic Brit recounted how, during his emotional audition, Abante was “singing your life out on stage there. That’s what makes this competition exciting. People who come from all over the world to fulfill their dreams.” America, he remarks, “loves you.”
Fellow judge Howie Mandel remarked, “the perfect song, the perfect voice, it was spectacular. When he sang I will always love you, you just made everyone in the world love you. This was memorable. I believe this was the performance of a final.”
Heidi Klum loved the performance too, remarking that if there was access to a golden buzzer to push him through to the final, she’d hit it.
Sadly, there isn’t. Just two performers from this round go through. Now it’s America’s turn to vote.
Following his audition earlier in season 18, Abante, speaking through an interpreter, explained that he caught fish in the morning, and was a courier and ride-share driver through the rest of the working day. The extent of his stage activity back home is singing karaoke. Judging by his performances on the AGT stage, that lifestyle could be about to change.
Watch the performance below.
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Taylor Swift won nine awards at the 2023 MTV Video Music Awards, which were held at Prudential Center in Newark, N.J. on Tuesday (Sept. 12). That’s just one award off the single-night record. Peter Gabriel won 10 awards in 1987.
This brings Swift’s career VMAs tally to 23, second only to Beyoncé on the all-time VMAs leaderboard. Beyoncé has won 30 VMAs, counting two with Destiny’s Child and two as half of The Carters.
Swift’s “Anti-Hero,” which topped the Billboard Hot 100 for eight weeks, a new personal-best for the superstar, won video of the year. This was her fourth win in the category, extending her record for the most wins in the category. She previously won for “Bad Blood” (with Kendrick Lamar, 2015), “You Need to Calm Down” (2019) and “All Too Well: The Short Film” (2022).
In addition to extending her record for most wins – no one else has won more than two – Swift is the first artist in VMA history to win back-to-back awards in this category.
Swift also extended her record as the artist with the most video of the year wins for videos that she directed or co-directed. She co-directed “You Need to Calm Down” with Drew Kirsch and was the sole director of both “All Too Well: The Short Film” and “Anti-Hero.”
Swift also won in a separate category – best direction – for “Anti-Hero.” It’s her third win in that category in the past four years, following wins for “The Man” (2019) and “All Too Well: The Short Film” (2022). Swift is the third director to win three times in this category, following David Fincher and Spike Jonze. Swift and Fincher are the only directors to win back-to-back awards in this category. Fincher’s back-to-back awards were for directing Madonna’s “Express Yourself” (1989) and “Vogue” (1990).
Swift won song of the year for “Anti-Hero.” None of the previous five winners in this category have gone on to win the Grammy in that category, but “Anti-Hero” (which Swift co-wrote with Jack Antonoff) has a very good chance of doing just that. Swift has yet to win in that Grammy category, and a lot of people think it’s about time.
And Swift won best pop for the second time for “Anti-Hero,” having won eight years ago for “Blank Space.” Only Britney Spears and Justin Timberlake have won more times (three) in the category. (Timberlake’s tally includes two awards with NSYNC.) NSYNC presented the award to Swift.
Swift’s other wins on the night were artist of the year, album of the year (for Midnights), show of the summer, best cinematography and best visual effects. (Swift didn’t personally work in the latter two capacities on her “Anti-Hero” video, but the VMAs give all artists credit for technical awards their videos win.)
Swift wasn’t the only artist who set records at the 2023 VMAs. Take a look:
Nicki Minaj won a record fifth award for best hip-hop for “Super Freaky Girl.” She previously won for “Super Bass” (2011), “Anaconda” (2015), “Chun-Li” (2018) and “Do We Have a Problem” (featuring Lil Baby, 2022). Minaj, who also emceed this year’s show, is pulling away from Drake, who is in second place with three wins in the category.
Ice Spice won best new artist. (She, of course, also has a Swift connection, having been featured on a remix of Swift’s “Karma,” a No. 2 Hot 100 hit.) This is the sixth consecutive year that a female artist has won in this category. Ice Spice follows Cardi B (2018), Billie Eilish (2019), Doja Cat (2019), Olivia Rodrigo (2021) and Dove Cameron (2022). Of those artists, all but Cardi and Cameron went on to land Grammy nominations for best new artist. Ice Spice is expected to follow suit.
Shakira won two awards – the Video Vanguard Award and best collaboration for “TQG,” on which she teamed with Karol G. This is the second year in a row that the Video Vanguard recipient has also won in a competitive category that same year. Last year, Nicki Minaj won best hip-hop for “Do We Have a Problem” (featuring Lil Baby).
This is the third time in the past four years that a pairing of two women has won in the collaboration category. “Rain on Me” by Lady Gaga with Ariana Grande won in 2020. “Kiss Me More” by Doja Cat featuring SZA won in 2021. In addition, two previous category winners were pairings of two women – “Beautiful Liar” by Beyoncé and Shakira won in 2007, followed by “Telephone” by Lady Gaga featuring Beyoncé in 2010.
Blackpink also won two awards – group of the year and best choreography for “Pink Venom.”
“Seven” by Jungkook featuring Latto won song of summer. Jungkook won in the same category two years ago as a member of BTS for their smash “Butter.” Both songs reached No. 1 on the Hot 100.
“Calm Down” by Rema and Selena Gomez was the inaugural winner in the new best Afrobeats category. The versatile Gomez won best pop 10 years ago for “Come and Get It.”
Anitta won best Latin for the second year in a row. She won this year for “Funk Rave” and won last year for “Envolver.” Anitta is the second artist to win back-to-back awards in this category. J Balvin won three years running (2018-20).
Stray Kids won best K-pop for “S-Class.” They were nominated last year but lost to Lisa for “Lalisa.” Lisa was nominated this year as a member of Blackpink.
Tomorrow X Together won Push performance of the year. It’s the second year in a row that a South Korean band has won in that category. Seventeen won last year.
Måneskin won best rock for “The Loneliest,” one year after winning best alternative for “I Wanna Be Your Slave.” Måneskin is just the second act, following Green Day, to win in both categories. The award for rock has been presented in every year but one since 1989. The award for best alternative originated in 1991, but went on hiatus from 1999 to 2019.
Dove Cameron, last year’s winner for best new artist, won video for good for “Breakfast.”
Lana Del Rey’s “Candy Necklace” (featuring Jon Batiste) won for best alternative, making her the first female solo artist to win in the category. Note: The category was on hiatus between 1999 and 2019.
After notching her second Billboard Hot 100 No. 1 hit with “Paint The Town Red,” on Tuesday (Sept. 12), Doja Cat unveiled the tracklist for her upcoming fourth studio album, Scarlet. Explore Explore See latest videos, charts and news See latest videos, charts and news Expected to drop next Friday (Sept. 22), Scarlet will be 15 […]
A trio of songs from Olivia Rodrigo’s new album Guts top Billboard’s Hot Trending Songs chart, powered by X, for Sept. 16, paced by “The Grudge” at No. 1. Billboard’s Hot Trending charts, powered by X, track global music-related trends and conversations in real-time across X, viewable over either the last 24 hours or past […]
Drake season is quickly approaching, as the 6 God nears the release of his forthcoming album, For All The Dogs. Slated to drop on Sept. 22, the OVO general announced during his Austin tour stop on Monday (Sept. 11) that the project’s first single will drop this week. “I’m even going to say something tonight […]
Doja Cat is on pace for a second week at No. 1 on the U.K. singles chart with “Paint The Town Red” (via Ministry of Sound), though she faces a real challenge from Olivia Rodrigo.
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Last Friday, Sept. 8, Doja Cat’s latest hit leaped to the top of the Official U.K. Singles Chart, for her first-ever leader in that territory.
According to the Official Charts Company, “Paint The Town Red” maintains a slim advantage at the midweek point – a little over 1,000 chart units.
Rodrigo’s collects positions No. 2 and No. 3 on the chart blast with “Vampire” and “Bad Idea Right”, respectively. Another, third track from her sophomore album is set to enter the top 10, “All American Bitch”. The Guts (Geffen) cut starts at No. 9 on the Official Chart Update, and is set to become the week’s highest debut. If it holds its spot, “All American Bitch” will give Rodrigo a seventh top tier effort in the U.K.
Guts, meanwhile, is streaking to No. 1 on national albums survey. As previously reported, the new release crushes the midweek U.K. albums chart with more sales and streams than the rest of the top 10 combined.
Based on sales and streaming data published by the OCC, Fred Again and Obongjayar’s “Adore U” (Atlantic) could climb 10-6, for a new high.
Kenya Grace cracked the U.K. chart for the first time last week with her viral number “Strangers” (FFRR), which entered at No. 20. “Strangers” is on the up, rising to No. 14 on the midweek survey.
Finally, Leigh-Anne should nab her second top 40 with the Afrobeats-influenced single “My Love” (Warner Records) featuring Ayra Starr. It’s new at No. 21 on the chart blast.
As a member of Little Mix, Leigh-Anne landed five U.K. No. 1 singles and a chart-topping album. Her debut solo single “Don’t Say Love” peaked at No. 11 on the national tally earlier this year.
Olivia Rodrigo’s Guts (via Interscope) will be near-impossible to catch in the race to the U.K. chart title.
Based on midweek sales and streaming data published by the Official Charts Company, Guts is currently outselling the rest of the top 10 combined.
At the halfway mark, Guts had accumulated over 33,000 chart units, the OCC reports. It’s virtually assured top spot when the Official U.K. Albums Chart is published late Friday, Sept. 15.
The followup to Sour, Rodrigo’s history-making debut from 2021, Guts has already yielded her third U.K. No. 1 single, “Vampire,” and a sixth top 10 hit, “Bad Idea Right?”
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Rodrigo holds a stack of U.K. chart records. When Sour and “Good 4 U” reached No. 1 in the same week in May 2021, she became the youngest solo artist in history to nab the chart double, aged 18 years and 3 months.
Sour also set a U.K. benchmark for the most first-week streams for a debut album. The following month, in June 2021, Rodrigo became the first female solo artist to claim three simultaneous U.K. top 5 singles with “Good 4 U,” “Déjà vu” and “Traitor.” And when “Vampire” summited this year, she was anointed as the female solo artist with the most U.K. No. 1 singles this decade.
Guts isn’t the only new release on track to impact the U.K. top 10.
Former Moloko singer Roisin Murphy is set to start at No. 2 with Hit Parade (Ninja Tune), her sixth solo studio album. If it holds its course, it would give the Irish artist her first solo top 10 appearance.
Meanwhile, the Coral’s 11th album Sea Of Mirrors (Modern Sky/Run On) is close behind at No. 3 on the Official Chart Update. The Wirral, England band should add to their six U.K. top 10 appearances. A second entry from the indie act is approaching the top 10, Holy Joe’s Coral Island Medicine Show, set to arrive at No. 13.
Electronic dance music veterans the Chemical Brothers could capture a 10th U.K. top 10 with For That Beautiful Feeling (EMI), new at No. 4 on the chart blast, while BTS singer V could complete an all-new top 5 with solo release Layover (Interscope), new at No. 5 on the midweek tally.
Finally, The xx’s Romy could land at No. 6 with her solo debut Mid-Air (Young), and Fleetwood Mac’s newly released concert recording from 1977, Rumours Live (Rhino), could score the Hall of Famers a 14th top 10 collection. It’s new at No. 9 on the chart blast.
Aerosmith’s North America farewell tour will take an extended pause after Steven Tyler suffered an injury to his vocal cords.
The 75-year-old rocker will sit it out for the next month on “strict doctor’s orders,” he writes in a social post. As a result, six dates are postponed on the band’s Peace Out tour.
“I’m heartbroken to say I have received strict doctor’s orders not to sing for the next thirty days,” the veteran singer explains. “I sustained vocal cord damage during Saturday’s show that led to subsequent bleeding. We’ll need to postpone a few dates so that we can come back and give you the performance you deserve.”
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At the time of writing, concerts set for Detroit, Chicago, Washington, Toronto, Raleigh and Cleveland are pushed back.
All previously purchased tickets will be honored for the rescheduled dates, reads a statement from the band. Refunds will be available for those unable to attend, and anyone with questions regarding refunds are asked to contact the point of purchase.
Live Nation is producing Aerosmith’s final North American trek, which is scheduled to run through January 2024. “It’s not goodbye it’s PEACE OUT! Get ready and walk this way, you’re going to get the best show of our lives,” read a statement announcing the tour.
“Every night will celebrate the five decades of Aerosmith’s groundbreaking hits as they celebrate 50 years as America’s greatest rock band.”
Aerosmith, formed in 1970 by Tyler, guitarist Joe Perry and bassist Tom Hamilton, were inducted into the Rock And Roll Hall of Fame in 2001.
They wrapped their Deuces Are Wild Las Vegas residency in late November and are without the services of founding drummer Joey Kramer, who did not join the band when they returned from a two-year hiatus in March 2022.Rescheduled Aerosmith Tour Dates:Jan. 29 — Little Caesars Arena, Detroit, MIFeb. 14 — United Center, Chicago, ILFeb. 17 — Capital One Arena, Washington, DCFeb. 21 — Scotiabank Arena, Toronto, ONFeb. 26 — PNC Arena, Raleigh. NCFeb. 29 — Rocket Mortgage FieldHouse, Cleveland, OH
The bustling streets of New York City provided both the stage and audience for A Boogie wit Da Hoodie and Swae Lee on Thursday (Sept. 7), as they parked themselves across the newly-assembled TSX Stage to play NBA 2K24 on an 18,000-square-foot billboard.
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As Boogie and Swae sauntered into the plush designated gaming area inside the heart of Times Square, Detroit Pistons guard Cade Cunningham, tennis star Frances Tiafoe and digital marketing director for 2K Games, Ronnie 2K, were awaiting them to test their gaming prowess. For an hour, the five men huddled around the XBOX console, playing a single-game elimination-style tournament in front of New York City pedestrians, hoping to win the coveted iced-out 2K chain and, most importantly, bragging rights for the night. (Cunningham ultiamtely took home the top prize.)
“I think it’s a symbiotic relationship,” says Ronnie 2K on rappers’ affinity for the storied sports gaming franchise. “[Hip-Hop] has shown us so much love, and we show it right back by trying to create opportunities with the way we release music. It makes sense about athletes wanting to be rappers and [how] rappers wanna be athletes. It never speaks truer than in 2K, because if they can’t physically play, they can play in the digital world.”
First developed in 1999 by Visual Concepts, NBA 2K was released in November 1999 with cover athlete Philadelphia 76ers guard Allen Iverson. Over the years, NBA2K became a favorable video game franchise because of its sleek gameplay and its scintillating soundtracks. The 2K franchise previously enlisted rap heavyweights such as Jay-Z, Pharrell and Travis Scott to executive-produce their playlists — later taking things further by inviting artists like Lil Durk, Lil Wayne, Jack Harlow and Quavo to become playable characters in the game. Last year, J. Cole became the first rapper to land on the series’ cover.
“NBA 2K has become an influential platform where basketball and hip-hop culture intersect, creating a place where fans can enjoy the best of both worlds,” says David Kelley, director of partnerships and licensing at 2K Games. Our goal has always been to be a global platform for music discovery for our players. We want to both honor the culture that came before but also push that musical culture towards what’s next and upcoming, just like how NBA basketball has always done the same for hip-hop.
The previous night, 2K set up a launch event for the game in Brooklyn, where they laid out the welcome mat for many hip-hop stars, such as Boogie and Swae Lee, to experience the game in advance. 2K enthusiasts got the best of both worlds, experiencing a collision course between watching NBA stars like Cade Cunningham and Tim Hardaway Jr. compete on the gaming console and watching rappers such as Lil Uzi Vert grace the stage to perform some of their biggest hits.
For Swae and A Boogie, 2K entered their lives pretty young. “When I first fell in love with NBA2K, I was a little kid, like 11, 12,” relays Lee after his first-round loss to Boogie. “We had all the early games. Me and brothers been on that. We had four controllers. So we all played and be on the same team versus the computer.
Like Swae Lee, Boogie’s love for 2K stemmed from competition, especially after winning a $20 bet against one of his friends.
“I fell in love with 2K my first time winning money off the game. I won $20,” remembers Boogie, who lost to Cunningham in the tournament finals. “When it comes down to 2K, we was playing since like 2K14. “Now that we doing things [different in-game features] like MyPlayer, and go into the park, we get to see all the cool add-ons that make the game fun.”
Besides the gaming experience, it’s the music in 2K that once again reigns supreme. This year, the NBA 2K24 Soundtrack features over 50 artists, including A Boogie, Lil Wayne, Central Cee, Ice Spice, Burna Boy, and more. The music collection will grow weekly, as fans can expect new songs to be added to the soundtrack every Friday. Def Jam Recordings partnered with 2K this year to kick off season one of their soundtrack by adding past and present hits ranging from Rick Ross’ “Hustlin” to Armani White’s “Goated” to bolster the audio experience.
“The soundtrack has always been such an important part of the NBA 2K series,” says Kelley. “We’ve built the union by continuing to innovate our soundtrack over the last 25 years of the series, including bringing in global talent – both established names and hot up-and-comers, partnering with global record labels to bring new artists to new audiences, in-game crossover series cards and so much more. Fans can now even experience exclusive drops of music in-game before it goes live on streaming services.
Released last Friday (Sept. 8), the late Kobe Bryant graces this year’s cover, after previously being featured in NBA 2K21, NBA 2K17 and NBA 2K10. Three editions are available for fans: the Kobe Bryant Edition for $69.99, the Black Mamba Edition for $99.99, and the 25th Anniversary Edition for $149.99.
Jennifer Lopez has inked a new recording and publishing partnership with BMG, Billboard can exclusively announce today (Sept. 11).
Under the global alliance, the award-winning singer and actress, better known as J.Lo, will release her forthcoming ninth studio album, This Is Me…Now—home to 13 tracks, released via Nuyorican/BMG.
The set will mark Lopez’s first studio album as a solo artist in nine years, following the 2014 release of A.K.A. on Capitol Records. That album, produced by RedOne, peaked at No. 8 on the Billboard 200 chart. In 2022, she and Maluma released the soundtrack to their film Marry Me under Universal Studios/ Sony Music US Latin.
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“We are thrilled to have the opportunity to work with her and her team to release her first album in nearly a decade,” said Thomas Coesfeld, BMG’s CEO in a statement, calling Lopez a “global superstar artist, entertainer… a phenomenon.”
Thomas Scherer, BMG’s president, repertoire & marketing, Los Angeles and New York, added: “We are both excited and proud to partner with Jennifer Lopez on this long-awaited sequel to ‘This is Me… Then.’ Clearly written with love and through experience, ‘This Is Me..Now’ is uplifting and inspiring. ‘Jenny From The Block’ is back at a point in her career when her message is bigger than ever.”
Produced by J.Lo, Rogét Chahayed, Angel Lopez, and Jeff “Gitty” Gitelman, This Is Me…Now was created during 2022 and 2023 at Lopez’s home studio in Los Angeles. Other songwriter-producers who worked on the album include songwriter-producers include Hitboy, Ink, Tay Keith, Yeti Beats, Carter Lang, Kim “Kaydence” Krysiuk, with BMG’s Brandon Riester serving as the album’s A&R.
According to the press statement, the upcoming set “is an exciting musical trilogy showcasing the triple-threat’s extraordinary talents.”
See the full This Is Me…Now tracklist below:
“This Is Me…Now”
“To Be Yours”
“Mad in Love”
“Can’t Get Enough”
“Rebound”
“not.going.anywhere.”
“Dear Ben, Pt. II”
“Hummingbird”
“Hearts and Flowers”
“Broken Like Me”
“This Time Around”
“Midnight Trip to Vegas”
“Greatest Love Story Never Told”