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Somehow, Kaylee Shimizu makes singing look like a glorious gymnastics routine — all style, grace, strength, athleticism.
Hailing from Ewa Beach, Hawaii, the 17-year-old got everyone’s attention during the Blind Auditions with a cover of the Beatles’ “Golden Slumbers.”

She earned a four-chair turn. “We’re just stunned right now. Your voice was just dazzling, it was so creative it was so musical,” John Legend remarked at the time, her future coach. “You know you could win The Voice, right,” he added. “You have so much confidence delivering these impossible notes.”

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Then, in the Knockouts, more knockout stuff with a performance of Aretha Frankin’s “Ain’t No Way,” lifted from the late legend’s Lady Soul album from 1968.

Nothing would stand in Shimizu’s way of competing in the Playoffs, which she launched into with a cover of master producer Quincy Jones’ “You Put a Move On My Heart” featuring Tamia, from 1999.

Shimizu breathes blues, and jazz, into the song, punctuated with her trademark dynamite runs and big, showy high notes.

“It really is phenomenal that you are the age that you are, and your voice has this much control and depth and range. Your low voice is really gorgeous. I love the warmth in it,” Legend enthused. “The fact that you can do that and then go to those notes in the stratosphere that almost no one on the planet can hit, you’re ready for this. You are ready to be a big star. You’re so special Kaylee.”

Special, however, doesn’t always win talent shows. Luck can play a part in it. Bad luck, too, as Kaylee Shimizu found out. The teen was eliminated, as were Kristen Brown and Taylor Deneen.

Team Legend singers Azán, Lila Forde and Mac Royals advance to The Voice season 24 Live Round, where they’ll be joined by Huntley, Nini Iris and Mara Justine (Team Niall); Jordan Rainer, Jacquie Roar and Ruby Leigh (Team Reba); and BIAS, Tanner Massey and Kara Tenae (Team Gwen).

Watch Shimizu’s performance on NBC‘s The Voice below.

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The music of Mushroom, its mighty roster, and the chutzpah, energy and x-factor of its late leader Michael Gudinski was on display Sunday, Nov. 26 for Mushroom 50 Live, an all-star concert celebrating the independent music company’s half century.

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Billed as a “once-in-a-lifetime event,” the show at Melbourne’s Rod Laver Arena was a conveyer belt through a musical time machine, taking the audience for a non-linear stroll through the history of Mushroom, glued together with interviews, tributes, vintage reels and footage of MG.

When Jimmy Barnes delivered a fiery performance at the top of the show, a statement was made — strap in.

Barnes, the rock legend who boasts more No. 1 albums on the ARIA Chart than any other artist, and who fronted Cold Chisel, the quintessential Aussie rock band, performed two of his signature songs, “No Second Prize” and “Working Class Man.”

“It is so nice to be here celebrating 50 years with Mushroom,” Barnes told the crowd. “I was singing with Mushroom for 40 of those years. The other 10 I was watching Mushroom and watching the bands they were developing. It’s such an honor to be here. We’ve got a lot of friends in this room, a lot of friends here I can feel them, even the ones who aren’t here, I can still feel them,” Barnes noted, a nod to his old mate MG. “They’re in my heart.”

The hits kept rolling. Vika & Linda performed “I’m Living in the ‘70s,” a classic from Skyhooks, the glam rock band that gave MG and Mushroom its breakthrough. Amy Shark spun a fresh interpretation of Kylie Minogue’s “Can’t Get You Out of My Head,” DMA’S turned their attention to “Silver” and “Lay Down,” Frente returned to “Ordinary Angels,” Paul Kelly hit “Before Too Long” and a cover of Sunnyboys’ “Alone With You,” Christine Anu sang “My Island Home.”

Anyone who has signed to Mushroom “will tell you that that it feels like a family, and tonight feels like an extension of that family” explained Missy Higgins, who made several trips to the stage.

Goanna’s Shane Howard, a late addition to the lineup, had the audience on its feet early with a rousing performance of “Solid Rock,” a statement song that sounds as relevant now as it did on its release in the early ‘80s.

Mushroom’s recognition of the great artistry of Australia’s Indigenous music community was in full view as Yothu Yindi got the room shaking with “Djäpana (Sunset Dreaming)” and “Treaty”, then Dan Sultan orchestrated a pin-drop moment with his rendition of the late, great Archie Roach’s “Took The Children Away.”

Both of MG’s kids, Kate and Matt, spoke on the night. “He created a family environment that extended to artists as well as his staff and the whole music industry,” Kate enthused. “Dad was incredibly proud that a song which was written in our family home at Mount Macedon by a Melbourne band became a global hit.” That song was The Temper Trap’s “Sweet Disposition,” and, naturally, Dougy Mandagi and Co. were on hand to deliver the goods.

On paper, and with 36 artists doing their part, Mushroom 50 Live looked like a logistical nightmare. No doubt it was, though the production team and the artists, the majority performing on a rotating main stage, with several others on a second stage in the round, pulled it off.

The evening reached its climax with Mark Seymour’s mini-set, which included Hunters & Collectors’ “Throw Your Arms Around Me.” Seymour performed the much-loved, often-covered song in a virtual duet with Ed Sheeran, whose own solo rendition of the song leads-off the recently-released Mushroom tribute album, 50 Years Of Making Noise. Gremlins did their sneaky work on Sheeran’s video link. No biggie. The audience lapped it up, both in the room and back home.

The free-to-air Seven Network hosted the marathon, four-hour special event and won the night. Mushroom 50 Live was the most-watched entertainment show of the evening, capturing 557,000 metro viewers, according to OzTAM data, with 490,000 tuning in for the late session and 350,000 caught the finale. Across the nation, some 830,000 people tuned in, according to Mushroom.

“We’re one of the great music countries of the world and Melbourne is the music capital of Australia,” Matt Gudinski, chairman and CEO of Mushroom Group, said as he looked down the barrel of the Seven Network’s cameras. It’s a business that was “created to nurture and promote Australian talent.” And today, “we’re passionate as ever about discovering new talent that can be embraced by the world.”

Mushroom 50 Live was part of the ALWAYS LIVE 2023 program, a 17-day statewide celebration of contemporary live music supported by the Victoria Government through Visit Victoria.

Albums by Troye Sivan, Genesis Owusu, Gretta Ray and Jen Cloher are among the finalists for the 19th annual Australia Music Prize, announced Thursday, Nov. 29.
Sivan has a chance of extending his winning streak, which earlier this month saw the Aussie pop star clean up at the 2023 ARIA Awards with four wins, including song of the year and best solo artist. The Perth, Western Australia-raised singer and songwriter is one of nine artists nominated for the AMP, earning a nod for Something to Give Each Other, his ARIA Chart-topping third studio album.

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Meanwhile, Owusu can go a perfect two-from-two with Struggler, his sophomore effort. The Ghana-born, Canberra-raised hip-hop-meets-funk artist won the AMP in 2021 for Smiling with No Teeth.

Cloher, the singer, songwriter and guitarist, is recognized on the shortlist with I Am The River, The River is Me, her third AMP nomination after chances at the 2013 and 2017 editions.

Gretta Ray is no stranger to industry accolades, having triumphed in the Vanda & Young Global Songwriting Competition and Triple J Unearthed contest earlier in her career. Making Positive Spin, her second album, was “such a joyous, rewarding process,” she explains. The collection “heavily focuses on the theme of gratitude, and after touring it throughout Australia and the U.K. over these past few months, being shortlisted for this prize has me feeling more grateful than ever.”

Also in the running are longplays by Angie McMahon (Light, Dark, Light Again), Floodlights (Painting Of My Time), Mo’Ju (ORO,PLATA,MATA), Polaris (Fatalism), and RVG (Brain Worms).

One of the top honors in Australia’s music awards calendar, the AMP celebrates “the album as an art form,” regardless of commercial success.

Those eligible Australian artist albums were released during the period Jan. 1 to Oct. 27, 2023, with the winner snaring A$30,000 ($20,000), courtesy of headline sponsor SoundMerch. Almost 450 eligible albums were considered this time by a judging panel of industry experts.

“It’s always an honor to be shortlisted for the AMP, I know how rigorous a process goes into deciding on the final nine,” comments Cloher in a statement unveiling the shortlist. “To be honest, it’s the only music award that I take seriously on this continent.”

Spearheaded by founder and prize director Scott Murphy, previous AMP recipients include Sampa the Great (twice), the Avalanches, Courtney Barnett, the late Gurrumul, and the most recent champ, King Stingray.

The winner for 2023 will be announced during an event held next Wednesday, Dec. 6 at the APRA AMCOS offices in Sydney. Universal Music Australia labels EMI, Virgin and Island Records continue their support of the AMP by contributing funds which enable nominees to attend the finale.

2023 AMP shortlist:

Angie McMahon – Light, Dark, Light AgainFloodlights – Painting Of My TimeGenesis Owusu – StrugglerGretta Ray – Positive SpinJen Cloher – I Am The River, The River is MeMo’Ju – ORO,PLATA,MATAPolaris – FatalismRVG – Brain WormsTroye Sivan – Something to Give Each Other

As a teaser for the new music that she has on the horizon, former Fifth Harmony member Ally Brooke dropped “Gone to Bed” this past September as a way to go back to her pop roots.
In a new interview with Billboard News, Brooke breaks down her latest single. “I love it so much, it’s basically about two lovers. You want to see your lover but you don’t and you end up seeing that person, and you’re like ‘Man, I really should’ve gone to bed,’” she explains.

The track comes years after Fifth Harmony — which was reduced to Normani, Lauren Jauregui and Dinah Jane after Camila Cabello left — disbanded in 2018. During her interview, Brooke says she hadn’t seen any of her former collaborators until recently, when she and Dinah Jane reconciled at a party for the first time in five years. The reunion was healing, she shares, especially since they’ve had time to grow separately.

“We’re women now and we have grown so much and we have done our own thing, gone our own ways and gone our own path. And now we’re together in a different light,” she explains, while hinting at more reunions with the other members in the future. “I’m trying to reunite with them, so I think some sort of reunion may happen.”

In the years since her work with Fifth Harmony, Brooke dabbled in Latin music, but revealed that she ultimately missed making the pop sounds of her earlier career. “I felt I really wanted to go back to who I truly was, the pop artist that I am,” she recalls. “I recently reconnected with my former A&R from my Fifth Harmony days … he’s amazing, he’s responsible for all the hits. We recently reconnected. He played ‘Gone to Bed’ and I completely fell in love. I was like, ‘That’s my record.’”

As for what’s next for Brooke’s solo endeavors, she promises that an album is on the horizon for 2024: “There is 100 percent an album, but that will be for next year,” she says. “Fingers crossed, but it’s really true. We’re just beginning to work on it and we have a lot that’s in store.”

Watch Brooke’s full Billboard News interview in the video above.

Billboard News’ Tetris Kelly is in Tokyo for this year’s MAMA Awards and is giving us an exclusive behind-the-scenes look at the awards show’s space and stages. A Catholic priest is relieved of his administrative duties after allowing scenes from Sabrina Carpenter’s “Feather” music video to be filmed inside a Brooklyn church. Paris Hilton shared two throwback photos looking back on her friendship with Britney Spears and Lindsey Lohan. Jennifer Lopez takes fans on a “musical experience” in a newly released teaser for her upcoming album, ‘This Is Me…Now.’ Ally Brooke stopped by Billboard News and opened up about a potential Fifth Harmony reunion, her return to pop music, creating her new holiday EP ‘Under the Tree’ and more!

Kyle Denis:Sabrina Carpenter is feeling the heat, Paris Hilton takes us back in time, J.Lo teases new music, we get an exclusive look into the MAMA Awards, and we catch up with former Fifth Harmony member Ally Brooke.

What’s good, y’all? I’m Kyle Denis. It’s Tuesday, November 28th, and I am bringing you news from our New York offices.

You will probably see some of my co-workers walking around behind me. I’m filling in for Tetris because he’s in Tokyo right now for the MAMA Awards, and he got an inside look at how the show is put together.

Tetris Kelly:TOMORROW X TOGETHER, LE SSERAFIM, SEVENTEEN, ENHYPEN, ATEEZ and me? Guys, I can’t believe it. I’m in Tokyo at the Tokyo Dome for the 2023 MAMA Awards. Every artist you can think of is going to be hitting this stage, and I’m here to take you behind the scenes to the biggest event in K-pop. The MAMA Awards take place on November 28th and 29th in Tokyo, Japan. And speaking of the amazing show, I got to talk to one of the producers about what the MAMA Awards mean.

Hyoung-jin Lee:It’s different in many ways. MAMA Awards is the world’s No. 1 K-pop awards. As it incorporates different technologies. It’s the most future-oriented awards show.

Tetris Kelly:And speaking of it being high-tech, you’re a part of the performances. You helped produce this. I mean, some of my favorite stages have been at this show. BTS in 2020 was out of control. So how was it to arrange these stages?Watch the full video above!

Billboard News’ Tetris Kelly is in Tokyo for this year’s MAMA Awards and is giving us an exclusive behind-the-scenes look at the awards show’s space and stages. Tetris Kelly:TOMORROW X TOGETHER, LE SSERAFIM, SEVENTEEN, ENHYPEN, ATEEZ and me? Guys, I can’t believe it. I’m in Tokyo at the Tokyo Dome for the 2023 MAMA Awards. […]

A week after making their first appearances on Billboard charts, Jason Kelce and Travis Kelce are No. 1 for the first time. The brothers’ “Fairytale of Philadelphia” rises from No. 2, where it debuted, to No. 1 on the Rock Digital Song Sales tally dated Dec. 2. It also lands at No. 1 on the […]

Nikki Semin Han is back in business, leading TITAN CONTENT, a new U.S.-based K-pop specialist which has ambitions to disrupt the game.
Headquartered in Los Angeles, with studios there and in Seoul, TITAN is led by a leadership team that’s launched the likes of BoA, Girls’ Generation, SUPER JUNIOR, EXO, The Boyz, TWICE, ITZY and others.

Announced today (Nov. 28), TITAN’s founders and executive team includes K-pop luminaries Semin Han as chairman of the board; CEO Katie Kang; chief performance officer Lia Kim; chief visual officer Guiom Lee; and chief business officer Dom Rodriguez.

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The soon-to-be-launched venture plans to manage artists, develop new K-pop groups, and, in time, produce a raft of music festivals. TITAN will also combine “traditional K-pop training and artist development with Web3 and metaverse innovation,” reads a statement, “ushering in a new era in music and entertainment.” First signings have not yet been revealed.

“Think of TITAN like the Avengers of the K-pop community joining forces to redefine the industry,” comments Semin Han. “With a proven record of elevating global superstars, TITAN’s founders and executives have played key roles in helping shape K-pop and making it a global lifestyle with passionate fans across the world.” Together, “we’re creating a company where artists thrive, fans come first, music takes center stage, and industry disruption reigns supreme.”

K-pop is, of course, riding a global wave. Taking into consideration ticket sales, streams and online chatter, few genres have blown-up quite like it. “It’s undeniable that the genre is having a big year in music,” declares Luminate in its Mapping Out K-Pop’s Global Dominance report. Global on-demand streams (audio and video) of K-pop music topped 90.4 billion in the year to date, up 42.2% from 2022. Japan leads the way with 9.7 billion, according to the report, followed by the U.S. at 9.2 billion.

“By connecting the East and the West, TITAN plans to lead the K-pop revolution on a global scale,” adds Kang. “Not only will we utilize our vast experience and expertise to develop and create beloved K-pop artists and brands, we will also push the industry forward through savvy Web3 disruption.”

TITAN’s initial seed round was led and closed by RW3 Ventures and Raptor Group with Dreamus Company serving as a co-lead investor. Co-investors include Animoca Ventures, Sfermion, Bell Partners AB, Heros Entertainment, Infinity Ventures Crypto, Scrum Ventures, Planetarium, and Avalanche.

Jeymes Samuel, director of the critically acclaimed 2021 film The Harder They Fall, is now busy spreading the word about his second film, The Book of Clarence. And coming ahead of the Legendary Entertainment film’s Jan. 12, 2024 nationwide theater arrival is the first song from its soundtrack.

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Released today (Nov. 28) along with the film’s official trailer, “Hallelujah Heaven” is performed by Samuel himself and also features Lil Wayne, Buju Banton & Shabba Ranks. 

Jay-Z and Kid Cudi are among the additional featured guests and collaborators on the Roc Nation soundtrack, more details of which will be revealed in the coming weeks. Beyond writing and performing on the soundtrack, Samuel also composed the film’s score.

“The Book of Clarence is a film that I wanted to make for many years,” says British filmmaker Samuel in a release announcing the soundtrack’s lead song. “While I was working on The Harder They Fall and all my other projects, the story and the music for The Book of Clarence were always there percolating in my mind. There was never a question as to whether I would compose the score and write and perform on the soundtrack, as well as write and direct the movie. It was all one amazing journey where one depended on the other. But I also worked with the most awesome artists on our track ‘Hallelujah Heaven.’ Collaborating with Lil’ Wayne, Buju Banton and Shabba Ranks was so dope; I loved getting them all on the same track.”

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Samuel’s reimagined take on Hollywood’s classic Biblical epics stars LaKeith Stansfield as the streetwise Clarence, a man who is struggling to make a better life for himself and his family. Inspired by the rising power and glory of the Messiah and his disciples, Clarence stakes his own claim to a similar life as he embarks on a journey that encompasses risks as well as redemption and faith. A lyric sample from “Hallelujah Heaven” further illuminates Samuel’s unique twist on the movie’s Biblical theme:

“Hallelujah

From Hollygrove to Honolulu (Hallelujah)

Me Shabba Buju, the holy ghost will probably spook you

It’s kinda coo coo, it’s New Orleans a lot of voodoo (Hallelujah)

Pour holy water in my codeine sippin’ like yoo hoo

Goodness gracious I look at faces they look like satans (Heaven)…”

Being released through TriStar Pictures, The Book of Clarence boasts a cast that includes David Oyelowo, Alfre Woodard, Teyana Taylor and Benedict Cumberbatch. Working alongside Samuel as the film’s producers were Shawn “Jay-Z” Carter, James Lassiter and Tendo Nagenda.

The Book of Clarence

Courtesy Photo

Move over Mariah Carey, Jimmy Fallon and Meghan Trainor have unwrapped their own Christmas song. Fallon, the host of NBC’s The Tonight Show, chose the platform of ABC’s Jimmy Kimmel Live to premiere “Wrap Me Up,” a throwback doo-wop-meets-hip-hop Crimbo number. Trainor came decked-out as a red Christmas tree, Fallon wore the tux, and four […]