bbnews
Page: 155
In less than two months, the-ever first North American music industry climate summit will happen at the USC Campus in Los Angeles. Today (Dec. 14), the event is announcing a robust list of speakers and programming for the day-long event.
Happening Feb. 5, the Summit will feature speakers including Lindsay Arell, head of sustainability at ASM, Maggie Baird the founder of Support + Feed, John Fernandez, the director of the Environmental Solutions Initiative at MIT, Adam Gardner, the co-founder and Co-Director of REVERB (and also the guitarist and vocalist for Guster), Garrett Keraga, the senior manager of sustainability, policy & advisory at ClimeCo, Cassie Lee, the CEO of Sound Future, Michael Martin, the CEO and founder of r.World & Effect Partners, Amy Morrison, the president & co-founder of the the Music Sustainability Alliance, Lesley Olenik the vice president of touring at Live Nation and Jake Perry, the director of operations at C3 Presents.
Other speakers will represent companies including TAIT, CES, Coca Cola, Overdrive Energy Solutions and Rock-it Global. Additional speakers will be added before the event. Panels will be moderated by GreenBiz Chairman & Co-founder Joel Makower and address climate-related problems specific to the music economy including carbon emissions from fan travel, waste management, clean energy options and much more. See the complete Summit program below.
The Music Sustainability Summit is being produced by The Music Sustainability Alliance, an organization that provide science-based solutions, business case analyses, best practices, and tools for operational change across the industry. Tickets for the event — running 9 a.m. to 5:30 p.m. — are available on a sliding scale between $25 and $200 and are available now.
“We welcome all, the climate curious and the climate experts,” Music Sustainability Alliance co-founder and president Morrison said upon the Summit’s announcement. “There will be something for everybody.”
Music Sustainability Summit 2024 Program
Our Place in the World, Welcome from the MSA: Get grounded in space in time with Amy Morrison and Michael Martin, co-founders of the MSA, and Joel Makower, founder of GreenBiz – the most vital resource for greening the economy on the planet.
What’s the Problem?, The New Music Sustainability Basics: Emissions and waste are hard to measure, so we’ve gotten the experts to do it for us. MIT presents an overview of the music industry decision makers from a sustainability lens, showing us where to place our emphasis – ClimeCo brings a holistic picture of the problems we face, based on interviews from players across the music landscape. Finally, Cassie Lee from Sound Future shows us how to leverage the power of live events as a catalyst for climate innovation.
The Artist-Activist Spectrum, Artist Discussion: You’re small, you’re huge. You’re an activist first, you’re an artist first. Most likely, you’re somewhere in between. Join artists from all over the spectrum as they speak openly about the challenges, anxieties, and joys of climate action. And learn how to most effectively support them in their quest for impact.
What We Eat Matters, Food, Carbon, and Equity: “Plant-based eating is the single biggest way to reduce your impact on the earth.” – Univ. of Oxford. This conversation will explore how the music business can set precedent for other industries. From catering, to concessions, to community outreach, we will shine a light on how to eat more sustainably for the planet and each other. This conversation will show the opportunities artists and the music industry have, to shift to a more equitable food system and how they can impact local communities.
That’s Trashy!, Waste Management: It’s the most visible problem in the live music industry: millions of plastic cups, food containers, and pounds of food waste. No one likes it, it’s expensive, and there’s a solution. Join the people engineering the future of zero waste venues, and hear directly from waste haulers and concessionaires about the pain points of the transition.
Dark Days for Diesel, New Horizons for Power: Diesel generators are like the gas-powered leaf blower of the music industry: dirty, loud, and carbon-polluting… but familiar and reliable. As clean energy technologies become more widely available, festivals are leading the way in innovative power solutions to shift the industry away from fossil fuels. Meet the experts battery-powering the revolution and learn how you can hop on the train before it leaves the (solar-powered) station.
Haul it All, Freight, Trucking, Logistics, and Shipping: Whether you’re touring with a convoy of 18-wheelers, a fleet of cargo planes, ocean freight or just an acoustic guitar, getting all your gear from place to place is top-of-mind from an emissions perspective. Learn how to design cleaner, less-wasteful touring from the ground up and what artists and tours are doing today to reduce their environmental and social impact.
The Elephant in the Car, Fan Travel: It sucks, and no one wants to talk about it: anywhere from 50 – 90% of the music industry’s emission problems come from fan transportation. Like it or not, we generate the demand, and that means we’re responsible for the planes, trains, and automobiles that get people to the show. How do we even get started? From shuttle programs, to incentivizing mass transit, to lobbying for clean energy, it’s time to bite the bullet and build a livable future for our fans and ourselves.
Our Voice, Our power, Climate Communications and Fan Engagement: We’re musicians and music business professionals, not scientists. So let’s learn how to use our best weapons – our voices – to fight climate change. Learn from climate communication experts about the most effective ways for musicians and their teams to talk about climate – without fear of getting canceled.
Processing: What Just Happened?, Moderated Group Discussion: Joel Makower of GreenBiz leads us in conversation. Now that you’ve got the lay of the land, it’s time to put it all together. Meet with your new (and old) partners on the journey. Ask questions about your place on the road to zero emissions. If you’ve got questions, chances are, you’re not the only one. In this session, the audience has a chance to join the discussion and inform what’s next.
Where do we go from here?, Onwards and upwards with the MSA: Learn what’s next for the MSA and others in the industry, including plans for getting together to help each other along, and shared resources for maintaining a high level of impact.
Since its Broadway premiere in 1981, Stephen Sondheim‘s Merrily We Roll Along has been struggling to, well, get back to Broadway. The musical about 20 years of friendship between composer Franklin Shepard, lyricist Charley Kringas and writer Mary Flynn — which unfolds onstage in reverse chronological order, starting when that friendship has dissolved and all […]
It’s Taylor Swift’s 34th birthday! In honor of the Swiftie Queen’s birthday, her ‘The Eras Tour’ Movie is available for rent. The singer also received a gift from the Chiefs co-owner and CEO Clark Hunt. Megan Thee Stallion has signed a distribution deal with WMG that will allow her to retain ownership of her music. […]
Tis the season of giving, and animal shelters are calling on Taylor Swift fans to give back on the superstar’s 34th birthday. Pennsylvania Society for the Prevention of Cruelty to Animals (SPCA) explained their now-viral #TaylorSwiftChallenge best via Instagram on Wednesday (Dec. 13), posting a photo of Swift with her rescue cat Benjamin Button and calling […]
Billboard has more than 200 different weekly charts, encompassing numerous genres and formats.
While established artists often compete for a spot on the Billboard Hot 100 songs chart and Billboard 200 albums ranking, which track the most popular songs and albums of the week, respectively, up-and-coming talents typically start off on genre-specific lists.
Here’s a look at five artists who appear on surveys for the first time on the Dec. 16-dated charts:
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
The Bites
[embedded content]
The Los Angeles-based rock group scores its first Billboard chart entry with its single “Knockin on the Door.” The track, released in April on Earache Records, debuts at No. 40 on Mainstream Rock Airplay (up 8% in plays, according to Luminate).
The song, which takes influence from 1970s and ‘80s rock ‘n’ roll groups (Van Halen, Guns N Roses, Def Leppard), appears on the act’s debut studio album Squeeze, released Dec. 1. The group comprises Jordan Tyler (vocals), Dustin Coon (guitar), Jono Richer (guitar), Zack Currier (bass) and Mark Hylander (drums/production).
Whitney Wren
[embedded content]
The singer-songwriter arrives on Billboard’s charts with “Whiskey Over Wine.” The song, released Dec. 1 on Josh Bright Productions, debuts at No. 11 on Country Digital Song Sales with 2,000 downloads sold in its opening week. It also sparks her debut at No. 29 on the Emerging Artists chart.
While “Whiskey Over Wine” is Wren’s first solo release, the Florida native has already forged a successful career outside of music. She’s an online content creator and co-hosts the C&Whit Podcast with Christen Whitman. She’s particularly active on TikTok, where she boasts over 2 million followers.
TML Vibez
[embedded content]
The Nigerian artist reaches Billboard’s charts for the first time with “Goated,” featuring Seyi Vibez. The track debuts at No. 33 on the Billboard U.S. Afrobeats Songs chart. It’s from TML Vibez’s five-track EP Timileyin, released Dec. 1 via Vibez Inc/Dapper Music & Ent.
TML Vibez is a newcomer to not just Billboard’s charts but music as a whole. Outside of the new EP, he’s released one additional song, “Grateful Sinner,” in March.
Nasboi
[embedded content]
The singer, from Nigeria, earns his first Billboard chart appearance with “Umbrella,” featuring Wande Coal. The song, released, Nov. 24 on ETRSL/Explo Music, debuts at No. 37 on Billboard U.S. Afrobeats Songs.
TikTok has been a central factor in the song’s growing profile, as the track has soundtracked over 300,000 clips on the platform to date. On Instagram Reels, the song has been used in over 80,000 clips.
Beyond “Umbrella,” Nasboi has released one other song: “Lover Boy,” in February.
Rosaly Rubio
[embedded content]
The singer-songwriter, from the Dominican Republic, achieves her first Billboard chart hit, thanks to “Culpa Mia,” with Chimbala, The collaboration, released Nov. 8 via Vulcano Music Entertainment, debuts at No. 3 on Latin Digital Song Sales. Rosaly Rubio has released over two dozen songs, all since 2019.
As for Chimbala, the fellow Dominican artist lands his third entry on Latin Digital Song Sales, after 2021’s “Loco,” with Justin Quiles and Zion & Lennox, and 2022’s “!Wow BB!,” with Natti Natasha and El Alfa.
BTS is officially on hiatus until 2023. Nicki Minaj announced her ‘Pink Friday 2’ World Tour and teamed up with 50 Cent for a new version of her track “Beep Beep.” Kanye West & Ty Dolla $ign hosted a listening party for their upcoming joint album ‘Vultures.’ Dove Cameron opened up to Billboard’s Rania Aniftos […]
‘Tis the season for a new set of holiday-ready tracks from Katharine McPhee and David Foster. The married pair released seven new tracks for Christmas Songs in October in anticipation of the holiday season, and they spoke about their inspirations in the latest episode of Billboard News. “It’s not really a second album; the way […]
Singer, songwriter and dancer Victoria Monét gives Billboard a full behind-the-scenes look at her The Jaguar Tour, being a mother on the road, getting her first solo Billboard Hot 100 placement, love for Ciara and more!Victoria Monét:Are you hearing that?
Cameraman:Yeah, let’s hold for one second.
Victoria Monét:I can’t get no quiet around here because we’re on tour.
What’s up? It’s Victoria Monét, and this is my tour stop in New York City. And this is where I’m at the stage right down there in a little bit, so see you there!
It’s my very first tour, headlining ever. I’m doing a combination of songs from Jaguar I and Jaguar II. So you get, like, kind of two of my projects in one tour. It’s just really awesome. I’m excited to be doing this.
If I had to pick my favorite songs to perform from ‘Jaguar I and II, I think I would bookend it. My show starts with “Moment,” which is from Jaguar I, and it’s always exciting to see the crowd for the very first time. Everyone’s just, like, super in tune, all the phones are out, so that’s always really exciting. And then the finale is really fun. I do a song from Jaguar II called “On My Mama.” There’s a lot of energy surrounding it — it’s on the radio right now, so it feels very current.
The dance from the music video is somewhat viral, so I can see people doing it in the audience, so that always makes it more, like, an interactive part of the show, which feels really fun to do.
To see “On My Mama” become my first solo Hot 100 entry is really insane. I’ve been writing for so long and I’ve seen glimpses of it for my pen, but not for me as an artist, so it’s really, like, a whole new light for me. I’m super excited. I’m really grateful. I know how much it takes to get an accolade now. So I’m just thankful for everyone who is behind the scenes pushing it, every person at radio, everybody who’s streaming it and sharing with their friends and just making it go and do what it’s doing. I just have a really good understanding of what it takes to be anywhere near Hot 100. So I’m very, very thankful.
And now we are headed to talk to the GRAMMY U students!Watch the full video above!
BLACKPINK renewed their contract with YG following rumors that Jennie, Jisoo and Lisa were planning to leave the agency. Taylor Swift was named Time’s Person of the Year and got candid about her new relationship with Travis Kelce, what fans can expect from ‘Reputation (Taylor’s Version)’ and her infamous phone call with Kanye West and […]
Fifty-six years ago, on July 13, 1967, Michael Jackson and his brothers entered Chicago’s One-derful studios for their very first recording session. The session produced a song called “Big Boy,” with the song marking the first time Jackson’s voice was put on tape and the first recording from The Jackson 5.
Now, the song is getting its first-ever digital release. Starting Wednesday (Dec. 7), fans can purchase “Big Boy (One-derful Version)” as part of a limited-edition release. This release is being done in collaboration with the song’s owner, Recordpool, and Swedish blockchain-based music and royalty marketplace anotherblock.
Available for $25, the “open edition” package includes the “Big Boy (One-derful Version)”, accessible through anotherblock’s player; images of master tape and agreements; downloadable song stems; and a digital vinyl B-side including “Michael the Lover” and “My Girl” along with their stems.
Available for $100, the “limited edition” includes everything in the open edition, along with newly designed artwork and nine additional songs and stems from the Steeltown sessions in 1967: “Big Boy (Steeltown Version),” “We Don’t Have to Be Over 21 (To Fall in Love),” “You’ve Changed,” “Tracks of My Tears,” “Lonely Heart,” “Saturday Night at the Movies,” “Stormy Monday” and “Under the Boardwalk.”
These packages will be available worldwide for 48 hours, starting Wednesday at noon ET via the anotherblock site.
“As a passionate MJ fan myself, I was instantly thrilled about introducing this significant piece of music history to the world and expanding the narrative of Jackson 5’s early days” says anotherblock CEO and co-founder Michel D Traore. “We engaged in numerous lengthy discussions about the recording, its meaning, history, and the optimal way to tell the story. In total, it took us about six months to piece everything together.”
The studio master recording for “Big Boy (One-derful Version)” was discovered in 2009 by journalist Jake Austen. A later version of “Big Boy,” re-recorded in a separate session, was released as The Jackson 5’s first single by Steeltown Records in January 1968. One-derful was a Chicago label in the ‘60s, located on South Michigan Avenue near Chess Records on the city’s Record Row and owned by brothers George and Ernie Leaner. Ernie’s son, Eric Leaner, and the One-derful estate are partners in the release
“For certain songs, and this one in particular, it’s evident that they deserve a special home where they won’t get lost in the mass of hundreds of thousands of songs released on the same day,” Traore continues. “Our digital vinyls are a product for the digital age, providing us with the opportunity to imbue them with a unique story. In addition to telling the story on our platform, we have crafted an in-depth editorial piece for this release that will be available alongside the recording. It presents a deep dive into the early days of The Jackson 5, complete with original photos.”
In partnership with Jackson’s mother, Katherine Jackson, a portion of the sale revenue will go to the Legacy Foundation, a nonprofit serving Lake County, Indiana, where Jackson’s hometown of Gary is located.
“Through Anotherblock’s endeavor, the Jackson family’s initial recordings of our musical heritage find a new rhythm for the digital age,” Katherine Jackson says in a statement. “It is a testament that the Jacksons’ story, just like our music, remains timeless. And the best part is that some proceeds will go to a local foundation to help the families of Gary, Indiana.”
“We keep on experimenting to expand the concept of digital ownership within the music industry,” Traore adds. “This is for sure very different from a ‘normal’ music release, and it’s interesting to try a whole new format and see what the response is. I really hope that we can replicate a part of the feeling of owning a physical vinyl record – that’s our goal with this new format!”