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Cher joins The Rolling Stones with at least one new No. 1 on a Billboard songs chart in each of the last seven decades. We recap the biggest winners, the best performances, and all the top highlight moments from the 2023 MAMA Awards. Mitski’s ‘My Love Mine All Mine’ remains at No. 1 on the […]
Jimmy Barnes has fallen ill just days after opening the Mushroom 50 Live concert in Melbourne.
The Australian rock legend was hospitalized and received treatment after contracting bacterial pneumonia, forcing the cancelation of a planned performance on the seas.
“I’m sorry to let you know that I’ve been receiving intravenous antibiotics over the last 36 hours to treat bacterial pneumonia,” he writes on a social post.
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“Unfortunately,” he continues, “this has stopped me travelling to Noumea to join Rock The Boat 2023 as planned. My band will still perform on board, together with my daughter Mahalia and other special guests.”Barnes went on to apologize “for the inconvenience and disappointment this has caused,” and points out his doctors have ordered two days’ bed rest. “The timing couldn’t be worse.”
He’s expected to make a full recovery in time to perform live at By The C in Torquay, on Saturday, Dec. 2.
When it comes to dominating the national charts, no one can touch Barnesy, as he’s affectionately known in these parts.
The Scotland-born singer has 15 leaders on the ARIA Chart, an all-time record, most recently topping the tally last December with Blue Christmas (via Liberation/Universal). Including his five leaders with Cold Chisel, Barnes boasts an unprecedented 20 No. 1s, comfortably eclipsing the Beatles (with 14), Madonna (12), Eminem and U2 (11).
Barnes has overcome several health issues in recent years. In 2022, he wiped clear his touring schedule when surgeons gave him the news that he required back and hip surgery.
He also underwent back surgery in 2014, which kept him in hospital on Fathers Days (Sept. 7)
The 67-year-old singer is twice inducted into the ARIA Hall of Fame, first with Cold Chisel (in 1993), and again as a solo artist (2005), and is the first Australian solo act to have a No. 1 album in every decade since the 1980s.
The rocker was in full voice at the top of the Mushroom 50 Live concert at Melbourne’s Rod Laver Arena, where he delivered a two-song performance of “No Second Prize” and his signature song, “Working Class Man.”
For a seventh straight decade, Cher has earned a new No. 1 on a Billboard songs chart, as her latest hit, “DJ Play a Christmas Song,” jingles 3-1 on the Dec. 2-dated Dance/Electronic Song Sales survey. The track is the lead single from the pop diva’s first holiday album, Christmas.
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Cher joins the Rolling Stones with at least one new No. 1 on a Billboard songs chart in each of the seven decades from the 1960s through the 2020s (excluding any Bubbling Under rankings).
Cher scored her first No. 1 as half of Sonny & Cher, when “I Got You Babe” topped the Billboard Hot 100 dated Aug. 14, 1965.
In the 1970s, she logged a trio of Hot 100 No. 1s of her own: “Gypsys, Tramps & Thieves” in 1971, “Half-Breed” in 1973 and “Dark Lady” in 1974. She also claimed another No. 1 with Sonny, “All I Ever Need Is You,” on the Adult Contemporary airplay chart in 1971.
In the 1980s, Cher landed a pair of No. 1s on the Adult Contemporary chart in 1989 with “After All,” with Peter Cetera, and “If I Could Turn Back Time.” In the next decade, Cher returned to No. 1 on the Hot 100 with “Believe” in 1999, and it also crowned the Dance Club Songs tally. She notched two more No. 1s on the Dance Club Songs list that decade: “Strong Enough” and “All or Nothing.” (Cher additionally topped other Billboard rankings that decade, such as the now-defunct Hot Singles Sales and Dance Singles Sales charts.)
In the 2000s, Cher achieved three more No. 1s on the Dance Club Songs chart with “Song for the Lonely” (it also topped the Dance Singles Sales list) and “A Different Kind of Love Song” in 2002, and “When the Money’s Gone” in 2003. The following decade, she racked up further No. 1s on Dance Club Songs with “You Haven’t Seen the Last of Me” in 2011 and “Woman’s World” in 2013.
The Rolling Stones, meanwhile, began their streak of No. 1 songs in seven straight decades just a month before Cher, when “(I Can’t Get No) Satisfaction” hit No. 1 on the Hot 100 dated July 10, 1965. They most recently led a songs survey with “Living in a Ghost Town,” which ruled the Rock Digital Song Sales chart dated May 9, 2020.
The spirit of Christmas and the spirit of Elvis Presley collided Wednesday night (Nov. 29) for NBC’s all-star Christmas at Graceland special.
Post Malone, Kasey Musgraves, Alanis Morissette, John Legend and Lana Del Rey led the holiday special line-up, which helps to celebrate the legacy of the late King of Rock ‘n Roll.
When it came Del Rey’s time in front of the cameras, she didn’t mess about. The “Summertime Sadness” singer performed a trademark moody rendition of “Unchained Melody,” a hit for the Righteous Brothers’ in the mid-60s. Elvis, of course, turned the song into a piece of history with a stirring performance on June 21, 1977 at the Rushmore Plaza Civic Center in Rapid City, South Dakota. Elvis passed less than two months later, at the age of 42.
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More than a decade has passed since Del Rey introduced herself to the world with “Video Games,” lifted from her second studio album (and major label debut) Born to Die from 2012.
Her ninth and most recent LP, 2023’s Did You Know That There’s a Tunnel Under Ocean Blvd, bowed at No. 3 on the Billboard 200, and is one of her nine top 10 appearances on the chart, a list that includes two No. 1s (with 2014’s Ultraviolence and 2017’s Lust For Life).
Christmas at Graceland marks the first live musical televised holiday special of its kind at the late Presley’s 13.8-acre Memphis, Tennessee estate, and featured never-before-broadcast footage of the legendary singer. In 1982, Graceland was opened to the public as a museum, which draws hundreds of thousands of visitors annually to honor the life of Presley.In addition to Del Rey, other artists taking part in the Christmas at Graceland special were country star Kane Brown, newly named CMA entertainer of the year Lainey Wilson, Lana Del Rey, 2024 Grammys best new artist nominee The War and Treaty.
Watch Lana Del Rey’s performance below.
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Taylor Swift took to social media to celebrate her boyfriend’s new Chiefs record. Travis Kelce also scores his first No. 1 with his new track ‘Fairytale of Philadelphia’ that he sings with his brother, Jason Kelce. A trailer for BTS’ new docuseries has dropped. The eight-part series will debut on Disney+ on Dec. 20th. Selena […]
Billboard has more than 200 different weekly charts, encompassing numerous genres and formats.
While established artists often compete for a spot on the Billboard Hot 100 songs chart and Billboard 200 albums ranking, which track the most popular songs and albums of the week, respectively, up-and-coming talents typically start off on genre-specific lists.
Here’s a look at 10 titles by artists who appear on surveys for the first time on the Dec. 2-dated charts:
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Wyatt Flores
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The singer-songwriter from Stillwater, Okla., arrives on Billboard’s charts for the first time with his breakout single “Please Don’t Go,” and his two sets The Hutson Sessions and Life Lessons. The track, released in July 2022 via OEG Records, debuts at No. 43 on Hot Country Songs with 3.4 million U.S. streams (up 26%) Nov. 17-23, according to Luminate. TikTok has been a significant factor in the song’s growing profile, as a portion has been used in over 40,000 clips on the platform.
Flores’ 2022 debut four-track EP The Hutson Sessions (which includes “Please Don’t Go”) debuts at No. 19 on the Heatseekers Albums chart with 3,000 equivalent album units earned, and his new seven-track set Life Lessons enters at No. 24 (2,000 units). Flores released Life Lessons Nov. 17 on OEG/Island/Republic Records – his first release on a major label.
Flores is currently on the road on his Times Are Getting Hard Tour, which runs through mid-December. On Dec. 7 and 8, he’ll support recent Billboard first-timer Charles Wesley Godwin at Nashville’s Ryman Auditorium.
Ye Vagabonds
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The Irish folk duo, comprising brothers Diarmuid and Brían Mac Gloinn, scores its first Billboard chart appearance, thanks to “The Parting Glass,” with boygenius. Released Nov. 17 on Interscope Records, the collaboration debuts at No. 10 on the Alternative Digital Song Sales chart with 1,000 sold.
“The Parting Glass” is a traditional Scottish folk ballad, also popular in Ireland. It’s often sung at the end of a gathering of friends, similar to “Auld Lang Syne.” On the new version, boygenius’ Phoebe Bridgers, Julien Baker and Lucy Dacus trade vocals, while the Gloinn brothers provide instrumentation. The song was released as a tribute to the late Sinead O’Connor, who also recorded it for her 2002 album, Sean-Nos Nua. The cover art for the new song is a photo of O’Connor, with proceeds going towards the Aisling Project, an after-school initiative to help children growing up in disadvantaged areas of Dublin, Ireland.
Ye Vagabonds have released three LPs: Ye Vagabonds (2017), The Hare’s Lament (2019) and Nine Waves (2022).
Nicotine Dolls
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The New York City-based band lands on Billboard’s charts for the first time, thanks to its cover of Tina Turner’s classic hit “The Best.” The song, released Nov. 17 on Nettwerk Music Group, debuts at No. 9 on Rock Digital Song Sales with 1,000 sold. TikTok has been a key factor in the song’s rise, as the cover went viral on the platform leading up to its official release.
Nicotine Dolls are fronted by lead singer Sam Cieri and also comprises John Hays (guitar), John Merritt (bass) and Abel Tabares (drums). Cieri appeared on NBC’s America’s Got Talent in 2022 and was part of the second national tour of the musical Once (playing one of the leads, Guy) in 2016-17.
Turner’s original recording only reached No. 15 on the Hot 100 in 1989, but has since become one of her seminal songs. The track is her second-most-streamed song in the U.S. in her career (after “What’s Love Got To Do With It”), since Luminate began tracking music data in 1991.
Ocean Alley
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The Australian psychedelic rock band draws its first Billboard chart placement with its single “Confidence.” The song, released in 2018 on the act’s album Chiaroscuro, debuts at No. 27 on the Hot Rock & Alternative Songs chart with 2.6 million U.S. streams (up 35%), boosted by buzz on TikTok. It’s also new at No. 15 on Hot Alternative Songs and No. 21 on Hot Rock Songs.
Ocean Alley, from the Northern Beaches of New South Wales, Australia, has released four LPs: Lost Tropics (2016), Chiaroscuro (2018), Lonely Diamond (2020) and Low Altitude Living (2022). The latter two sets both reached No. 3 on the Australian Albums chart. The band comprises Nic Blom, Baden Donegal, Lach and Mitch Galbraith, Angus Goodwin and Tom O’Brien.
Sistek & Sadie Rose Van
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Both artists score their first Billboard chart entry, as their collaboration “Pull You Closer,” released Sept. 29 on Armada Music, begins at No. 36 on Dance/Mix Show Airplay (up 17% in plays). Sistek, a DJ and producer from Santiago, Chile, has been releasing music since 2017. He has also collaborated with Rosie Darling, Ethan Hodges and Mark Mendy, among others. Sadie Van Rose, from Southern California, has released over a dozen songs, all since 2019, including tracks with Ryan Ennis and Matoma.
Maxine Ashley
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The singer-songwriter reaches Billboard’s charts for the first time with her single “Somebody Else.” Released Oct. 13 on JBR, it debuts at No. 40 on Rhythmic Airplay (up 34% in plays). Ashley has been releasing music since 2014. She dropped her debut four-track EP Intuition in 2019 and collaborated with Black Coffee and Sun-El Musician on “You Need Me” in 2021. The song is from Black Coffee’s Subconsciously, which won for best dance/electronic music album at the Grammy Awards in 2022.
Saxl Rose
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The multi-instrumentalist, producer and touring musician earns his first-ever Billboard chart hit, thanks to his featured appearance on Jacob Webb’s “All In.” The song, released in August on Next Paradigm, debuts at No. 23 on Smooth Jazz Airplay (up 32% in spins).
Saxl Rose (real name: Antonio Hancock; his name is a play on his go-to instrument, the saxophone, and Guns N’ Roses’ Axl Rose) has performed onstage alongside many other artists, including Chris Brown, Paramore, The Used and Wiz Khalifa. Earlier this year, he collaborated with Motionless in White on a “synthwave” version of the group’s viral track “Werewolf.” He is also active on social media, where he posts videos of himself adding his signature saxophone solos to popular songs.
Cody Webb
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The singer lands his first Billboard-charting hit, thanks to “Out of This World.” The track, which he self-released in November 2018, debuts at No. 24 on the Holiday Digital Song Sales chart with 1,000 sold. Webb released his debut self-titled six-track set in 2016. He has served up a string of songs in 2023 alone, including “If Daddy Didn’t Have a Truck,” “Don’t Grow Up Too Fast” and “Peaches.” Outside of his own recorded music, he’s also written songs for other artists, including Luke Combs (“Memories Are Made Of”).
Riordan
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The DJ makes his Billboard chart debut with “Needle on the Record.” The song dropped Nov. 10 on REALM Records and debuts at No. 11 on Dance/Electronic Digital Song Sales. Riordan, from the United Kingdom, has released eight house tracks on streaming services, all since 2020.
Melinda Lindner
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Lindner notches her first Billboard chart hit thanks to her new cover of “White Christmas.” The song, released Oct. 20 on her holiday album Melinda Lindner… At Christmas on Heaven Records, debuts at No. 25 on Adult Contemporary. Lindner has been releasing music, including other covers of popular hits, since 2020. She released her debut eight-track studio album It Only Happens With You in July.
Lindner’s new recording was produced by Michael Lloyd who, notably, hit the Hot 100 in 1975 as a member of the trio Cotton, Lloyd & Christian with its cover of Peter and Gordon’s “I Go to Pieces.” He also produced songs by Shaun Cassidy and the Osmonds in the ‘70s and Belinda Carlise’s No. 3-peaking 1986 hit “Mad About You.”
Irving Berlin wrote “White Christmas” for the 1942 film Holiday Inn, and it has since become a holiday standard. Bing Crosby’s recording, with Ken Darby Singers and John Scott Trotter and His Orchestra, debuted on the Hot 100 in 1958 (the chart’s inaugural year) and peaked at No. 12 in 1962. The song has re-entered the Hot 100 every year since 2018. Last season, it reached No. 16, its highest rank since its 1962 peak. One other version of “White Christmas” has charted on the Hot 100: The Drifters’ 1956 classic, featuring Clyde McPhatter and Bill Pinkney, reached No. 88 in 1962.
“It’s been a forever dream of mine to have my first Billboard hit,” Lindner tells Billboard. “‘White Christmas’ is one of my and my mom’s very favorite holiday songs. It has a very special place in my heart.”
Jason Mraz has barely put a foot wrong during his stint on Dancing With The Stars.
The two-time Grammy Award winner stayed true to form Tuesday night (Nov. 28), for the semi finals of ABC’s DWTS.
Fresh from topping the leaderboard with a perfect score, Mraz and his dance partner Daniella Karagach had two bites at the cherry. First up, a Viennese Waltz, a routine performed to his own song “I Won’t Give Up”. The performance was “refined,” remarked Carrie Ann Inaba. But it wasn’t perfect, earning a score of 27 out of 30.
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Next up, the duo did the double with a Paso Doble, dancing to “Diablo Rojo” by Rodrigo y Gabriela. The pressure was on, but they didn’t show it as their efforts landed a perfect 30 out of 30. Inaba said she was “looking for magic,” and “that dance was magic.”
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Bruno Tonioli remarked that Mraz was so good, he looked like a “man possessed by the devil”.
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Would dancing like the devil be enough to get Mraz to the finals? Well, the short answer is yes. The 57/60 scorecard was enough to place Mraz and Karagach in fourth place. The longer answer involves a twist, which sees all five groups of contestants advance to the finale, with the judges’ scores from the semis carrying over.
Last week, the 46-year-old singer did the business on Dancing With The Stars, now in its 32nd season, as the celebrity dance-off paid tribute to Taylor Swift. After voicing his concerns on an early exit, Mraz and Karagach nailed it, earning a perfect score of 40 from the judging panel for their Argentine Tango to “Don’t Blame Me.” And in the “Relay Dances,” the pair bagged the additional three points for a perfect night out — and a spot at the top of the leaderboard.
In a recent interview with GLAAD, Mraz recounted his performance with Swift during her Speak Now world tour in 2011, and praised her work as an ally to the LGBTQ community. “It’s beautiful,” he said of Swift’s kinship. “If you want your music to be popular, you’re going to hopefully have it be heard by all ears. Therefore, you’re representing all ears, and you should be inclusive of all ears.”
Dancing with the Stars airs Tuesdays at 8 p.m. ET on ABC and Disney+.
Somehow, Kaylee Shimizu makes singing look like a glorious gymnastics routine — all style, grace, strength, athleticism.
Hailing from Ewa Beach, Hawaii, the 17-year-old got everyone’s attention during the Blind Auditions with a cover of the Beatles’ “Golden Slumbers.”
She earned a four-chair turn. “We’re just stunned right now. Your voice was just dazzling, it was so creative it was so musical,” John Legend remarked at the time, her future coach. “You know you could win The Voice, right,” he added. “You have so much confidence delivering these impossible notes.”
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Then, in the Knockouts, more knockout stuff with a performance of Aretha Frankin’s “Ain’t No Way,” lifted from the late legend’s Lady Soul album from 1968.
Nothing would stand in Shimizu’s way of competing in the Playoffs, which she launched into with a cover of master producer Quincy Jones’ “You Put a Move On My Heart” featuring Tamia, from 1999.
Shimizu breathes blues, and jazz, into the song, punctuated with her trademark dynamite runs and big, showy high notes.
“It really is phenomenal that you are the age that you are, and your voice has this much control and depth and range. Your low voice is really gorgeous. I love the warmth in it,” Legend enthused. “The fact that you can do that and then go to those notes in the stratosphere that almost no one on the planet can hit, you’re ready for this. You are ready to be a big star. You’re so special Kaylee.”
Special, however, doesn’t always win talent shows. Luck can play a part in it. Bad luck, too, as Kaylee Shimizu found out. The teen was eliminated, as were Kristen Brown and Taylor Deneen.
Team Legend singers Azán, Lila Forde and Mac Royals advance to The Voice season 24 Live Round, where they’ll be joined by Huntley, Nini Iris and Mara Justine (Team Niall); Jordan Rainer, Jacquie Roar and Ruby Leigh (Team Reba); and BIAS, Tanner Massey and Kara Tenae (Team Gwen).
Watch Shimizu’s performance on NBC‘s The Voice below.
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The music of Mushroom, its mighty roster, and the chutzpah, energy and x-factor of its late leader Michael Gudinski was on display Sunday, Nov. 26 for Mushroom 50 Live, an all-star concert celebrating the independent music company’s half century.
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Billed as a “once-in-a-lifetime event,” the show at Melbourne’s Rod Laver Arena was a conveyer belt through a musical time machine, taking the audience for a non-linear stroll through the history of Mushroom, glued together with interviews, tributes, vintage reels and footage of MG.
When Jimmy Barnes delivered a fiery performance at the top of the show, a statement was made — strap in.
Barnes, the rock legend who boasts more No. 1 albums on the ARIA Chart than any other artist, and who fronted Cold Chisel, the quintessential Aussie rock band, performed two of his signature songs, “No Second Prize” and “Working Class Man.”
“It is so nice to be here celebrating 50 years with Mushroom,” Barnes told the crowd. “I was singing with Mushroom for 40 of those years. The other 10 I was watching Mushroom and watching the bands they were developing. It’s such an honor to be here. We’ve got a lot of friends in this room, a lot of friends here I can feel them, even the ones who aren’t here, I can still feel them,” Barnes noted, a nod to his old mate MG. “They’re in my heart.”
The hits kept rolling. Vika & Linda performed “I’m Living in the ‘70s,” a classic from Skyhooks, the glam rock band that gave MG and Mushroom its breakthrough. Amy Shark spun a fresh interpretation of Kylie Minogue’s “Can’t Get You Out of My Head,” DMA’S turned their attention to “Silver” and “Lay Down,” Frente returned to “Ordinary Angels,” Paul Kelly hit “Before Too Long” and a cover of Sunnyboys’ “Alone With You,” Christine Anu sang “My Island Home.”
Anyone who has signed to Mushroom “will tell you that that it feels like a family, and tonight feels like an extension of that family” explained Missy Higgins, who made several trips to the stage.
Goanna’s Shane Howard, a late addition to the lineup, had the audience on its feet early with a rousing performance of “Solid Rock,” a statement song that sounds as relevant now as it did on its release in the early ‘80s.
Mushroom’s recognition of the great artistry of Australia’s Indigenous music community was in full view as Yothu Yindi got the room shaking with “Djäpana (Sunset Dreaming)” and “Treaty”, then Dan Sultan orchestrated a pin-drop moment with his rendition of the late, great Archie Roach’s “Took The Children Away.”
Both of MG’s kids, Kate and Matt, spoke on the night. “He created a family environment that extended to artists as well as his staff and the whole music industry,” Kate enthused. “Dad was incredibly proud that a song which was written in our family home at Mount Macedon by a Melbourne band became a global hit.” That song was The Temper Trap’s “Sweet Disposition,” and, naturally, Dougy Mandagi and Co. were on hand to deliver the goods.
On paper, and with 36 artists doing their part, Mushroom 50 Live looked like a logistical nightmare. No doubt it was, though the production team and the artists, the majority performing on a rotating main stage, with several others on a second stage in the round, pulled it off.
The evening reached its climax with Mark Seymour’s mini-set, which included Hunters & Collectors’ “Throw Your Arms Around Me.” Seymour performed the much-loved, often-covered song in a virtual duet with Ed Sheeran, whose own solo rendition of the song leads-off the recently-released Mushroom tribute album, 50 Years Of Making Noise. Gremlins did their sneaky work on Sheeran’s video link. No biggie. The audience lapped it up, both in the room and back home.
The free-to-air Seven Network hosted the marathon, four-hour special event and won the night. Mushroom 50 Live was the most-watched entertainment show of the evening, capturing 557,000 metro viewers, according to OzTAM data, with 490,000 tuning in for the late session and 350,000 caught the finale. Across the nation, some 830,000 people tuned in, according to Mushroom.
“We’re one of the great music countries of the world and Melbourne is the music capital of Australia,” Matt Gudinski, chairman and CEO of Mushroom Group, said as he looked down the barrel of the Seven Network’s cameras. It’s a business that was “created to nurture and promote Australian talent.” And today, “we’re passionate as ever about discovering new talent that can be embraced by the world.”
Mushroom 50 Live was part of the ALWAYS LIVE 2023 program, a 17-day statewide celebration of contemporary live music supported by the Victoria Government through Visit Victoria.
Albums by Troye Sivan, Genesis Owusu, Gretta Ray and Jen Cloher are among the finalists for the 19th annual Australia Music Prize, announced Thursday, Nov. 29.
Sivan has a chance of extending his winning streak, which earlier this month saw the Aussie pop star clean up at the 2023 ARIA Awards with four wins, including song of the year and best solo artist. The Perth, Western Australia-raised singer and songwriter is one of nine artists nominated for the AMP, earning a nod for Something to Give Each Other, his ARIA Chart-topping third studio album.
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Meanwhile, Owusu can go a perfect two-from-two with Struggler, his sophomore effort. The Ghana-born, Canberra-raised hip-hop-meets-funk artist won the AMP in 2021 for Smiling with No Teeth.
Cloher, the singer, songwriter and guitarist, is recognized on the shortlist with I Am The River, The River is Me, her third AMP nomination after chances at the 2013 and 2017 editions.
Gretta Ray is no stranger to industry accolades, having triumphed in the Vanda & Young Global Songwriting Competition and Triple J Unearthed contest earlier in her career. Making Positive Spin, her second album, was “such a joyous, rewarding process,” she explains. The collection “heavily focuses on the theme of gratitude, and after touring it throughout Australia and the U.K. over these past few months, being shortlisted for this prize has me feeling more grateful than ever.”
Also in the running are longplays by Angie McMahon (Light, Dark, Light Again), Floodlights (Painting Of My Time), Mo’Ju (ORO,PLATA,MATA), Polaris (Fatalism), and RVG (Brain Worms).
One of the top honors in Australia’s music awards calendar, the AMP celebrates “the album as an art form,” regardless of commercial success.
Those eligible Australian artist albums were released during the period Jan. 1 to Oct. 27, 2023, with the winner snaring A$30,000 ($20,000), courtesy of headline sponsor SoundMerch. Almost 450 eligible albums were considered this time by a judging panel of industry experts.
“It’s always an honor to be shortlisted for the AMP, I know how rigorous a process goes into deciding on the final nine,” comments Cloher in a statement unveiling the shortlist. “To be honest, it’s the only music award that I take seriously on this continent.”
Spearheaded by founder and prize director Scott Murphy, previous AMP recipients include Sampa the Great (twice), the Avalanches, Courtney Barnett, the late Gurrumul, and the most recent champ, King Stingray.
The winner for 2023 will be announced during an event held next Wednesday, Dec. 6 at the APRA AMCOS offices in Sydney. Universal Music Australia labels EMI, Virgin and Island Records continue their support of the AMP by contributing funds which enable nominees to attend the finale.
2023 AMP shortlist:
Angie McMahon – Light, Dark, Light AgainFloodlights – Painting Of My TimeGenesis Owusu – StrugglerGretta Ray – Positive SpinJen Cloher – I Am The River, The River is MeMo’Ju – ORO,PLATA,MATAPolaris – FatalismRVG – Brain WormsTroye Sivan – Something to Give Each Other