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Ariana Grande is gearing up to release her new album ‘Eternal Sunshine.’ The singer has revealed a few song titles and has been announced as a musical guest on ‘SNL’ next month. Nicki Minaj has invited comedian and actor Katt Williams on tour. Questlove defends Sexyy Red after she is announced to perform at the […]
Ye (formerly known as Kanye West) and Ty Dolla $ign’s “Carnival” debuts at No. 1 on Billboard’s Streaming Songs chart dated Feb. 24, the former’s fourth No. 1 and the latter’s first.
The top-performing song from the duo’s collaborative album Vultures 1 earned 23.5 million official U.S. streams Feb. 9-15, according to Luminate. That’s despite just six days of availability during the tracking week; the album was released Feb. 10.
Ye reigns on Streaming Songs for the first time since “Hurricane” led for a week in September 2021. His other rulers on the list, which began in 2013, include “All Mine” in June 2018 and “I Love It,” with Lil Pump, in September 2018.
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Between “Hurricane” and the release of Vultures 1, which accounts for 13 Streaming Songs appearances in all on the Feb. 24 ranking, Ye’s best rank had been a No. 8 peak with “Hot Shit,” on which he was billed as a lead act alongside Cardi B and Lil Durk, in July 2022.
Meanwhile, Ty Dolla $ign garners his first Streaming Songs leader with “Carnival.” The rapper first reached the chart in 2014 with “Paranoid,” featuring B.O.B (No. 36), and his highest rank on the tally had been his featured turn on Post Malone’s “Psycho,” which debuted and peaked at No. 2 in March 2018. As a lead act, his best had been “Hot Girl Summer,” billed as a lead alongside Megan Thee Stallion and Nicki Minaj, which debuted and peaked at No. 6 in August 2019.
The next-highest debut from the 13-song pack of Vultures 1 debuts is “Fuk Sumn,” which bows at No. 10 via 13.3 million streams.
As part of its No. 1 debut on Streaming Songs, “Carnival” also reigns on R&B/Hip-Hop Streaming Songs and Rap Streaming Songs.
Concurrently, as previously reported, “Carnival” bows at No. 3 on the multi-metric Billboard Hot 100. In addition to its streams, the song also earned 4,000 downloads.
Its parent album, Vultures 1, also scored a No. 1 debut, premiering atop the Billboard 200 via 148,000 equivalent album units earned.
For Black History Month, Billboard is celebrating by highlighting some of the greatest Black executives in music, and today we’re celebrating MVD publicists Massah David and Miatta Johnson. The sibling duo, who are repping Liberia, founded the boutique creative agency MVD Inc. with the goal of amplifying Black storytelling, and they do it by producing […]
It’s official: Taylor Swift is the biggest-selling recording artist on the planet, again.
The pop music superstar is crowned on the IFPI’s 2023 Global Recording Artist of the Year Award, an honor that recognizes the top artist across physical sales, downloads and streaming.
The dominance of K-pop is on display, as four acts from the genre crack the IFPI’s top 10: SEVENTEEN (No. 2), Stray Kids (No. 3), TOMORROW X TOGETHER (No. 7) and NewJeans (No. 8). Also, IVE and NCT Dream make their first appearances in the IFPI Global Artist Chart Top 20, at No. 12 and No. 15, respectively.
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However, it’s Swift who takes back-to-back titles and the glory.
And, as she tends to do, Swift makes history by becoming the first artist to top the IFPI tally on four occasions — doing so in 2014, 2019, 2022 and now 2023.
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According to the trade body, the artist award and chart is the first and only ranking to accurately capture the popularity of artists across streaming channels, alongside digital and physical album and singles sales on a global basis, across the calendar year.
Swifties propelled their hero to a “stellar year” during which she ignited charts around with globe with her Midnights LP and the “Taylor’s Version” releases of the Speak Now and 1989 LPs. Also, her record-breaking The Eras Tour, which is currently midway through a seven-stadium run in Australia, helped “lift engagement with her entire catalog on streaming platforms around the world,” reads a statement.
This “phenomenon,” notes the IFPI, was demonstrated by the second life given to “Cruel Summer,” which initially dropped with 2019’s Lover but took flight on charts as she toured the globe.
“We are immensely proud to award the IFPI Global Recording Artist of the Year Award to Taylor Swift for the fourth time, as she continues to redefine the limits of global success,” comments Lewis Morrison, director of charts and certifications at IFPI. Swift “is a singular talent and her commitment to her craft and her fans is truly phenomenal.”
The IFPI Global Recording Artist of the Year Award is now celebrating its 11th year, and is presented to the leader of the IFPI’s Global Artist Chart, also released today.
Top 20 IFPI Global Recording Artist Chart 2023
1 — Taylor Swift2 — SEVENTEEN3 — Stray Kids4 — Drake5 — The Weeknd6 — Morgan Wallen7 — TOMORROW X TOGETHER8 — NewJeans9 — Bad Bunny10 — Lana Del Rey11 — Ed Sheeran12 — IVE13 — SZA14 — Eminem15 — NCT DREAM16 — Zach Bryan17 — Travis Scott18 — Kanye West19 — Post Malone20 — King & Prince
Previous IFPI Global Recording Artist Chart No. 1 Artists
2022 — Taylor Swift2021 — BTS2020 — BTS2019 — Taylor Swift2018 — Drake2017 — Ed Sheeran2016 — Drake2015 — Adele2014 — Taylor Swift2013 — One Direction
A&R veteran Tim Glover is named as president of A&R, Pulse Records, Billboard can confirm.
Glover joins the team from Interscope Geffen A&M, where he served as executive VP of A&R since 2022, and held the position as senior vp of A&R before that.
In his new role, announced today (Feb. 21), Glover works specifically on the Pulse Records division of Pulse Music Group, the umbrella company, and reports jointly to Scott Cutler, co-CEO of Pulse Music Group; Josh Abraham, co-CEO of Pulse Music Group; and Ashley Calhoun, president, Pulse Music Group.
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During his time at Interscope, Glover was the point person for the label’s partnerships with Dreamville — which has included such artists as J. Cole, JID and Ari Lennox, among others — and LVRN, including Summer Walker and 6LACK, as well as working with Tierra Whack and more than a dozen other artists at the label.
“Tim’s creative ability has led him to sign and work with some of the world’s top recording artists,” reads a statement issued jointly by Abraham, Cutler, and Calhoun. “We want our artists at Pulse Records to work with the very best in executive talent and Tim will be a key part of the team as we continue to build.”
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The experienced recruit joined Interscope in 2014, was promoted to senior vp in March 2019, and in 2021 was named to Billboard’s 40 Under 40 list of trailblazing young executives in the music business.
At Pulse, Glover will continue to A&R select projects with Interscope, a rep tells Billboard.
Launched in June 2023, Pulse Records is a part of Concord Label Group and is distributed through the company’s longtime relationship with Universal Music Group.
Since then, Pulse Records formed an artist development joint venture with ISO Supremacy, the new record label founded by platinum recording artist and Pulse Music Group publishing client, Brent Faiyaz. Through that arrangement, Pulse and Faiyaz signed Tommy Richman to Pulse Records.
Also, Pulse Records recently signed New Zealand-born, South African artist 9lives, a leader in the Sigilkore scene, a rap subgenre which blends cloudrap, hyperpop, and electronic, working with the likes of Trippie Redd, Rico Nasty, JELEEL!, Kanii and Odetari.
The Pulse team “is synonymous with artist creativity, artist development, building a strong creative community, and they go out of their way to customize their A&R strategies to the unique needs of each and every artist,” comments Glover in a statement announcing his appointment. “I look forward to big things ahead.”
If imitation if the greatest form of flattery, Kylie Minogue should feel mighty chuffed indeed following the release of Boy George’s new single, “Religion.”
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The former Culture Club frontman this week shared the standalone single “Religion,” one of two songs included in the audiobook of his 2023 memoir Karma: My Autobiography (the other, “Suddenly I’m Wiser,” is not widely available on streaming platforms).
When “Religion” dropped on DSPs, X (formerly known as Twitter) had words. Eagle-eyed social media users spotted the cover art’s close resemblance to that of Minogue’s Tension album, which led the U.K. and Australian albums charts following its release in 2023.
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George batted away the critics left and right.
“I’m recycling everything. It’s all the rage. Even fashion is catching on?,” he wrote in one post. In response to one particularly agitated comment, he assured the copycat image was “utter genius.” He returned serve on one poster who described the artwork as “pathetic,” and quipped that he “broke wind,” a retort to a Daily Mail headline which reads, “Boy George breaks silence after ‘copying’ Kylie’s album cover.
Both artists launched their careers in the 1980s. George (real name George O’Dowd), the flamboyant singer with Culture Club, was, for a time in the early-to-mid ‘80s, one of the most recognizable artists on the planet.
Culture Club captured six top 10 hits on the Billboard Hot 100, including a No. 1 with 1983’s “Karma Chameleon.” Its parent album Colour By Numbers peaked at No. 2 on the Billboard 200.
When the band was dissolved in 1986, George embarked on a solo career, which was briefly derailed by substance abuse, controversy and legal problems, before the singer reinvented himself as a club DJ, returned to the stage and studio, and found regular work on reality TV. In 2015, he snagged the Ivor Novello Award for outstanding contribution to British Music, one of the U.K. industry’s highest honors.
Kylie is in a purple patch. The Aussie “princess of pop” recently signed with UTA for live representation in the U.S. and Canada, as well as “acting endeavors” worldwide. Her Vegas residency has been extended, she recently won her second Grammy, for best pop dance recording with “Padam Padam,” the U.K. top 10 hit from Tension; she’s nominated for international artist of the year at the 2024 Brit Awards, where she’ll receive its Global Icon Award; and next month, she’ll scoop Billboard’s Women in Music Icon Award.
Tension is the ninth No. 1 album for Kylie in the U.K., where she is the first ever female artist — and second artist overall — to bag a No. 1 album in five consecutive decades.
Just weeks after making an unlikely U.S. chart debut, Sophie Ellis-Bextor is taking her show on the road for a first-ever headline tour of North America.
The British pop star sets a seven-date stretch, starting March 30 at San Francisco’s August Hall, followed by dates in San Diego, CA; Washington, DC, Boston, MA; Philadelphia, PA; New York, NY; and wrapping June 8 at Danforth Music Hall in Toronto, ON.
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The New York show at Webster Hall “sold out in a day,” she writes on social media. “My band and I are coming for you! Super excited. Come and dance with me.”
Ellis-Bextor is, of course, flying high with her 2001 hit “Murder on the Dancefloor,” which is synced to the final sequence in the hit dark drama Saltburn.
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The scene, in which the film’s lead Barry Keoghan dances nude to the song, kicked off a dance trend on TikTok – and saw the song power into charts around the world.
Last month, “Murder” cracked the Billboard Hot 100 for the first time, at No. 98, then lifted to No. 51, its new peak.
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In her homeland, “Murder” recently returned to its all-time peak position of No. 2 on the Official U.K. Singles Chart, and is one of her six top 10 hits there. She also boasts a No. 1 hit as the uncredited singer on Spiller’s 2000’s release “Groovejet (If This Ain’t Love)”. The track has also reentered the top 10 on Australia’s ARIA Chart.
“It actually feels really magical, and if I’m honest, I don’t think I’ve completely processed it really,” Ellis-Bextor told the BBC following the revival for “Murder”. “It’s a song I’ve been singing for over 20 years. I still love singing it. I love the way people react when I do it live. But for new people to be discovering it, for it to be making new memories with people, is kind of beautiful.”
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Ahead of her North America jaunt, Ellis-Bextor has strutted her stuff on national TV, performing the song on The Tonight Show Starring Jimmy Fallon and for the BBC’s coverage of the BAFTAs.
The English artist kicks off a tour of Continental Europe next month, starting in Groningen, Netherlands on March 1. More concerts are locked in across the U.K. and Europe later in the year.
Ye (formerly known as Kanye West) and Ty Dolla $ign have a monumental week on Billboard’s charts (dated Feb. 24), thanks to the pair’s new collaborative album, Vultures 1.
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The set by the pair, billed collaboratively as ¥$: Kanye West & Ty Dolla $ign, debuts at No. 1 on the Billboard 200 with 148,000 equivalent album units earned in the U.S. in its opening week (Feb. 9-15, following its Feb. 10 release), according to Luminate. Ye earns his 11th No. 1 album — as he passes Eminem for the third-most among rappers, after Jay-Z (14) and Drake (13) — and Ty Dolla $ign scores his first.
Meanwhile, all 16 songs on the album — Ye’s first following his string of hate speech and antisemitic remarks, which resulted in companies including Adidas and Def Jam Recordings distancing themselves from him — debut on the Billboard Hot 100, led by “Carnival” at No. 3. Ye notches his 21st top 10 hit, and Ty Dolla $ign his third, and first in a lead role.
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Here’s a look at every song, all debuts, by Ye and Ty Dolla $ign on the latest Hot 100.
Rank, Title:No. 3, “Carnival”No. 23, “Fuk Sumn”No. 26, “Back to Me”No. 30, “Talking,” feat. North WestNo. 33, “Burn”No. 34, “Vultures,” feat. Lil Durk & Bump JNo. 39, “Stars”No. 52, “Do It”No. 53, “Paid”No. 55, “Keys to My Life”No. 64, “Paperwork”No. 65, “Beg Forgiveness”No. 67, “Hoodrat”No. 79, “Problematic”No. 93, “Good (Don’t Die)”No. 94, “King”
With 16 debuts on the latest Hot 100, Ye ups his total to 157 career entries. He boasts the sixth-most in the chart’s 65-year history, after Drake (328), Taylor Swift (232), the Glee Cast (207), Lil Wayne (186) and Future (168). Ty Dolla $ign pushes his sum to 46 entries.
Thanks to their featured appearances, North West and Bump J both earn their first career Hot 100 hits. At just 10 years old, North West, the eldest child of Ye and Kim Kardashian (who divorced in 2022), is now one of the youngest acts ever to reach the chart. Among other precocious charted talents, Jay-Z and Beyoncé’s daughter, Blue Ivy Carter, hit the Hot 100 at just 7 years old in 2019, thanks to her featured turn on Beyoncé, Saint Jhn and Wizkid’s “Brown Skin Girl.” She made her overall chart debut just after making her debut in the world, as her coos are heard on Jay-Z’s “Glory,” featuring B.I.C.. The song hit Hot R&B/Hip-Hop Songs in 2012, making her the youngest billed artist ever on any Billboard chart.
Stevie Wonder is the youngest credited artist to hit No. 1 on the Hot 100, as he was 13 when “Fingertips (Part II)” led in 1963. Overall, Jordy is the youngest billed artist to have appeared on the chart, at just over 5 years old with “Dur Dur D’être Bébé (It’s Tough To Be a Baby)” in 1993.
Also notable is the debut of “Good (Don’t Die).” The song was removed from Spotify after less than four days on the streaming service, as it includes an uncleared interpolation of Donna Summer’s 1977 top 10 Hot 100 hit “I Feel Love.” The song has since been removed from all other streaming services and for purchase. Hours after the release of Vultures 1, Summer’s estate claimed “copyright infringement” and disapproved of the use of the alleged sample. “Kanye West … asked permission to use Donna Summer’s song I Feel Love, he was denied … he changed the words, had someone re sing it or used AI but it’s I Feel Love … copyright infringement!!!,” the estate posted in an Instagram Story on the official Donna Summer account Feb. 10.
That isn’t the only sampling issue regarding the album. Ozzy Osbourne called out Ye and labeled him an antisemite after an earlier version of “Carnival” included a live performance of Black Sabbath’s “Iron Man.” Plus, R&B artist Dijon posted to Instagram Stories Feb. 9, a day before the album’s release, suggesting that he was unaware that his song “Good Luck” was being sampled on the track “Stars.”
Jack Harlow’s “Lovin on Me” lands a sixth nonconsecutive week atop the Billboard Hot 100. With the song, which first led for a week in December, the rapper doubles his previous longest reign, as “First Class” ruled for three weeks in 2022. He has also led with “Industry Baby,” with Lil Nas X, for one week in 2021.
Meanwhile, three songs are new to the Hot 100’s top 10: Beyoncé’s “Texas Hold ‘Em” bounds onto the chart at No. 2; Ye (formerly known as Kanye West) and Ty Dolla $ign’s “Carnival” debuts at No. 3; and Noah Kahan’s “Stick Season” rises to No. 10, from No. 11.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Feb. 24, 2024) will update on Billboard.com tomorrow, Feb. 21 (a day later than usual due to the Presidents’ Day holiday in the U.S. Feb. 19). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
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Harlow’s “Lovin on Me,” released on Generation Now/Atlantic Records, drew 77.8 million radio airplay audience impressions (up 2%) and 21.6 million streams (down 7%) and sold 5,000 downloads (down 7%) in the Feb. 9-15 tracking week, according to Luminate.
The single adds a fifth week at No. 1 on the Radio Songs chart, drops 3-5 after five weeks atop Streaming Songs and rebounds 20-11 after two frames atop Digital Song Sales. It concurrently leads the Hot R&B/Hip-Hop Songs and Hot Rap Songs charts, which use the same methodology as the Hot 100, for a 13th week each.
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Beyoncé’s “Texas Hold ‘Em” blasts onto the Hot 100 at No. 2, with 19.2 million streams, 4.8 million in airplay audience and 39,000 sold through Feb. 15. The track is one of two that she released Feb. 11 (with instrumental and clean and explicit a cappella versions of the song released Feb. 14), along with “16 Carriages,” which debuts at No. 38 (10.3 million streams; 90,000 in audience; 14,000 sold).
The arrival of both tracks was announced via a Verizon commercial that aired during CBS’ broadcast of Super Bowl LVIII, ahead of the March 29 release of Beyoncé’s album expected to be titled Act II, which follows her 2022 Renaissance LP.
Beyoncé lands her 22nd Hot 100 top 10 with “Texas Hold ‘Em” – which concurrently soars in as her first No. 1 on the multimetric Hot Country Songs chart; “16 Carriages” starts at No. 9 on the latter list, giving her two top 10s with her first two entries on the chart.
As previously reported, “Texas Hold ‘Em” is being promoted to country radio, among other formats, and debuts at No. 54 on the Country Airplay chart. It also begins at No. 38 on Pop Airplay, while additionally drawing play at adult pop, rhythmic, adult R&B and mainstream R&B/hip-hop formats.
“Texas Hold ‘Em” concurrently begins at No. 1 on Digital Song Sales, where it’s Beyoncé’s 11th leader.
Ye and Ty Dolla $ign’s “Carnival” enters the Hot 100 at No. 3, with 23.5 million streams and 4,000 sold from its Feb. 10 release on the pair’s collaborative album Vultures 1 through Feb. 15. As previously reported, the album, Ye’s first since his string of hate speech and antisemitic remarks, which resulted in companies including Adidas and Def Jam Recordings distancing themselves from the rapper, premieres at No. 1 on the Billboard 200 chart.
Ye adds his 21st Hot 100 top 10 and Ty Dolla $ign, his third – and first in a lead role; he previously led for a week in 2018 as featured on Post Malone’s “Psycho” and hit No. 4 in 2016 as featured on Fifth Harmony’s “Work From Home.”
“Carnival” by the pair, billed collaboratively as ¥$: Kanye West & Ty Dolla $ign, crowns Streaming Songs, marking Ye’s fourth No. 1 and Ty Dolla $ign’s first.
Benson Boone’s “Beautiful Things” backtracks to No. 4 from its No. 3 Hot 100 high; Teddy Swims’ “Lose Control” falls to No. 5 from its No. 2 best; and Taylor Swift’s “Cruel Summer” slips 4-6, following four nonconsecutive weeks at No. 1 beginning in October.
SZA’s “Snooze” descends 5-7 on the Hot 100, after reaching No. 2, as it leads the multimetric Hot R&B Songs chart for a 29th week.
Zach Bryan’s “I Remember Everything,” featuring Kacey Musgraves, retreats 6-8 on the Hot 100, after it led for a week upon its debut last September. It tops the multimetric Hot Rock & Alternative Songs and Hot Rock Songs charts for a 25th week each.
Tate McRae’s “Greedy” dips 7-9 on the Hot 100, after reaching No. 3. It also becomes McRae’s first No. 1 on the Adult Pop Airplay chart, after it dominated Pop Airplay for eight weeks.
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Rounding out the Hot 100’s top 10, Noah Kahan’s “Stick Season” climbs to No. 10, from No. 11, with 17.8 million streams (up 7%), 15.9 million in airplay audience (up 17%) and 2,000 sold.
The song is the Strafford, Vt., native’s first Hot 100 top 10. He arrived on the chart last June with “Dial Drunk” (featuring Post Malone), which reached No. 25, and peaked at a No. 14 best among his entries prior to “Stick Season” as featured on Zach Bryan’s “Sarah’s Place” in October. Notably, Kahan wrote “Stick Season” solo, making it any soloist’s first top 10 solely written by that artist since Bryan’s “Something in the Orange” (No. 10, January 2023).
“Stick Season” – which leads the multimetric Hot Alternative Songs chart for a fifth week, after it reached No. 2 on the Adult Alternative Airplay chart in November 2022 – is the title track from Kahan’s album released that October. Sparked by its latest deluxe version, the set rebounds to its No. 3 high on the Billboard 200.
Again, for all chart news, you can follow @billboard and @billboardcharts on Billboard’s social accounts, and all charts (dated Feb. 24), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Feb. 21).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Royel Otis is one on those runs where you best get on-board, or move clear out the way.
The psychedelic indie act from Sydney has been, in the Australian vernacular, smashing it of late.
It’s been a ride. A debut headline tour of the U.K. and Europe, a national tour with DMA’S, and now a headline trek of their own; a nomination for the 2023 ARIA Awards in the Michael Gudinski breakthrough artist category; and a viral cover of Sophie-Ellis Bextor’s “Murder on the Dancefloor,” for triple j’s Like a Version spot which entered the ARIA top 40; and a slew of cosmic-chill tunes were elements of the set-up for Pratts & Pain, Royel Otis’ debut album release.
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Pratts & Pain takes its name from the pub in Streatham, south London, the local for Dan Carey (Wet Leg, Fontaines DC), who produced the new album at his home studio.
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Dropping last Friday, Feb. 16 through Andrew Klippel’s Ourness, Pratts & Pain has caught the attention of tastemakers around the globe, including the NME, which celebrates the current cover stars as “Australia’s next breakout indie heroes.”
Their special “blend of propulsive rhythms and laid-back cool” has the Grammys lauding the Aussies as one of 25 Artists To Watch In 2024.
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“Royel Otis is a testament to the art of songwriting and being unique shining through,” explains Klippel, who discovered, signed and guided the career of multiple award-winning Aussie funkster Genesis Owusu. “We’re thrilled to see the global engagement.”
Royel Otis is led by childhood friends Royel Maddell and Otis Pavlovic. Forming in 2019, the group immediately located its sound; a dreamy tug of nostalgia, catchy choruses, wrapped in jangly guitar and up-front harmonies that remind of peak MGMT — minus the synths.
The lads quickly hit their strides, releasing Campus in 2021, Bar & Grill in 2022 and Sofa Kings in 2023 – that’s three EPs is as many years. Along the way, Going Kokomo single “Kool Aid,” “Oysters In My Pocket” and others enjoyed support from BBC Radio 6 Music, triple j and the national youth broadcaster’s army of listeners.
Triple j’s listeners spoke, and voted, as Pratts & Pain single “Sofa King” landed at No. 76 on the Hottest 100 countdown last month, and made its way into a Billboard chart, debuting at No. 36 on Alternative Airplay. Album track “Velvet” has enjoyed U.K. spots with BBC R1 (Jack Saunders), BBC 6 Music (New Music Fix Daily), Apple Music 1 Matt Wilkinson + Playlist, and Radio X (John Kennedy).
In support of the album, Royel Otis is currently playing metro and regional Australian cities, for a tour presented by Frontier Touring and triple j.
“We are over the moon to have our first album out and further more beside ourselves from all the love we’ve received around the world on the release,” reads a message from the group to Billboard. “Bless ya all and thank ya even more.”
Then, from April, an extensive tour of North America, Europe and the U.K., including festival spots and recently added shows in Los Angeles and Oklahoma City.
Stream Pratts & Pain below.