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For the fifth consecutive year, Australia’s recorded music industry posted growth in 2023 – all thanks to streaming and Aussies’ love of wax.
According to wholesale data published by ARIA, the nation’s record market lifted by 10.9% to A$676 million ($442 million), powered by subscriptions to music streaming brands.
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That rate of growth for Australia, a top 10 market, the IFPI confirms in its newly-published Global Music Report, is in line with international trends.
Spotify, Apple Music, YouTube Music, Tidal, and the full slate of subscription platforms now generate 69% of the industry’s total value, or $467.6 million ($305 million), up by 13.9% year-on-year, reports ARIA, the labels trade association.
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Also reporting gains for 2023 is the space for ad-supported streaming models, up 15.3% jump to $68.3 million ($44 million).
All digital products combined, including downloads and video streams, account for a sum upwards of A$616.1 million ($403 million), a 12% year-on-year lift. In other words, more than 90 cents in the record industry’s dollar is generated by digital.
Vinyl albums are an ongoing sweet spot, posting gains of 14.1% to A$42.1 million ($27 million), a sum more than twice that of the dwindling market for CD albums (A$17 million or $11 million, down 16%), for decades the record industry’s diesel engine. The rate of growth for vinyl, however, appears to be slowing.
An overall strong market report is masking a problem that Australia’s music community is trying desperately to crack — how to break more homegrown in Australia and abroad?
Where the IFPI’s GMR is flush with case studies on the success of Afrobeats, Latin music, K-pop, and blockbuster acts from North America and the U.K., acts from the land Down Under aren’t stealing the limelight.
“While Australia remains the 10th largest music market in the world – and Aussies clearly love music,” comments ARIA CEO Annabelle Herd, “it remains harder than ever for our local artists to reach these audiences.”
ARIA’s end-of-year charts “paint a clear picture of this,” notes Herd, with only four Australian albums impacting the top 100 for 2023, led by INXS‘ hits collection The Very Best (at No. 58), and three singles, none of which were released during the reporting period. The best-placed Australian artist on the year-end singles tally was The Kid Laroi with his 2021 Justin Bieber collaboration, “Stay.”
“Achieving cut-through becomes increasingly difficult for artists as the growth rate of subscription and ad supported streaming models continues to increase year on year,” notes Herd, “while nearly all other growth rates have eased compared to 2022.”
The Albanese federal government listened to the industry’s dilemmas, and, in 2023, activated Creative Australia, the centerpiece of the federal National Cultural Policy, Revive, which its architects hope will turn Australia into a music powerhouse.
Among the government’s promises is the launch of Music Australia, a reimagined national music development agency that would support and invest in the development of Australian contemporary music, and now led by founding director Millie Millgate. The Music Australia Council, effectively the Music Australia board, includes legendary concert promoter Michael Chugg and Future Classics founder and CEO Nathan McLay.
The government’s National Cultural Policy is an ambitious year-long action plan, structured around five interconnected pillars and underpinned by a commitment for new, additional investment totaling A$286 million (US$202 million) — record levels of arts funding. Music Australia alone is funded to the tune of A$69 million ($44 million) over four years.
“We are fortunate that compared to other major global markets, our growth rates paint a favorable picture for the future of music in Australia,” adds Herd. “Music is valuable, it is popular and it is growing. We look forward to working with the industry and government to ensure that message is heard and that value is increasingly used to support our incredible local talent.”
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It’s Monday, March 25th and we run down all the Taylor Swift news! Shakira reveals she wants to collaborate with the “Cruel Summer” singer, while The Eras Tour opener, Sabrina Carpenter, reflects on her tour experience with her. Taylor Swift’s boyfriend Travis Kelce is in talks to host ‘Are You Smarter Than A 5th Grader?’ Kendrick Lamar sparked a lot of conversation online after taking some pointed shots at Drake with his surprise feature on Future and Metro Boomin’s track “Like What” off their new album ‘We Don’t Trust You.’ The Canadian rapper has seemingly responded to being called out at his concert in Florida. Billboard reveals a new No. 1 on the Hot 100. Brazilian pop star Luísa Sonza talks about the importance of therapy. Tems reveals 5 things you didn’t know about her music and more!
Tetris KellyDrake turns the drama with him J.Cole and Kendrick Lamar up a notch. Well, Taylor Swift after learn Spanish for a new collab, as Sabrina carpenter thanks her and her boyfriend, maybe getting a new job. We got a friend on top of the Billboard Hot 100 and he pops in to talk to us. And we rewind back to women and music to hang backstage with Luísa Sonza and Tems.
Tetris KellyWelcome back to Billboard News. I’m Tetris Kelly is Monday, March 25th. And it’s a whole new week of news, but this first story is the latest in a long lasting feud.
DrakeI got my fckin head up high, my back straight, I’m ten fcking toes down.
Tetris KellyDrake seems to address Kendrick Lamar continuing the long standing feud.
DrakeThere’s not a ngga on this earth that could fck with me in my life.
Tetris KellyDrake had this to say it is recent concert and the internet is assuming he’s talking about Kendrick Lamar in the viral video.
Tetris KellyOn Friday Kendrick called out Drake and J. Cole on Future and Metro Boomin ‘s new track “Like That.”
Tetris KellyThat’s Kendrick Lamar addressing Drake and J. Cole song “First Person Shooter.” Where J. Cole tried to claim the three rappers are the best in the game, but this beef is over a decade old back in 2013 Kendrick had this to say on Big Sean’s “Control.”
Tetris KellyBack then Drake told Billboard, “It just sounded like an ambitious thought to me. That’s all it was. I know good and well that Kendrick is not murdering me at all in any platform. So when that day presents itself, I guess we can revisit the topic.”
Tetris KellyWell, it looks like we’ve come full circle, Drake.
Watch the full video above!
Tetris Kelly:With a new track from Cardi B and a battle between two Warner Brothers, will anybody be able to unseat Ariana’s latest No. 1? Last time I talked to you, you were at No. 8 on the Hot 100, and now No. 4. Teddy Swims:Look at us. We’re going all the way. Tetris Kelly:This […]
American Idol saved one of the best for last — Julia Gagnon.
Raised in Cumberland, Maine, the 21-year-old college student has spent time in the school of hard knocks.
Gagnon was born in Guatemala, and put up for adoption as a baby. Childhood in the U.S. was mostly a blast, surrounded by a loving family. But she experienced bullying in school.
“In Maine, not a lot of people look like me. And it was really hard to deal with,” she explained in the pre-recorded spot. It still touches a raw nerve.
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Gagnon was always curious about her birth family, and in her late teens embarked on a journey to find them. Her father hired a private investigator, and in 2020 located the youngster’s birth mother, Sara.
“She did let me know that she didn’t want me to go,” Gagnon said, adding that Sara conceded she wasn’t able to provide a better life.
The Idol stage would provide a platform for Gagnon to “do something for” her birth mom. “I felt really helpless, because I can’t go to her in Guatemala. It’s really far. But she’s really proud of my voice. And she wanted to see me do something big.”
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For an amateur singer, there are few bigger stages than Idol.
As the final audition for season 22, Gagnon brought out the big guns. The hopeful sang Aretha Franklin’s “Ain’t Not Way,” peppered with high notes, and low, feel, control, power and oozing soul. That big thing, it happened.
Proof of it came when the judges Luke Bryan, Katy Perry and Lionel Richie gave a standing ovation.
“Did that come out of your mouth,” Richie remarked. “I am in shock. I grew up with Aretha Franklin. There are certain songs you just don’t sing. Because you can’t touch the original. You just made it not only your song, but you did things that were just beyond. That was amazing. That was absolutely outstanding.”
Bryan was touched by her “amazing falsetto,” and Perry was convinced that she has “several soul singers” inside her.” Not just one. You could go really far. You could be top 10.”
She’s certainly going to Hollywood. Gagnon earned the final Platinum Ticket for the season.
Watch the performance from ABC’s American Idol below.
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With 1987’s “Never Tear Us Apart,” INXS released into the world a love song that resonates to this day, and presented for most of us a first glimpse at the real-life fairytale city that is Prague.
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Now, to celebrate the 35th anniversary of its creation, INXS revisits the iconic song and its stunning music video with a streaming time capsule, featuring behind-the-scenes footage, deleted scenes and interviews with the late frontman Michael Hutchence.
Speaking at the top, Andrew Farriss, INXS’ co-songwriter, keyboardist and guitarist, recounts the song’s origins. Those orchestral stabs were initially carved out on guitar, which he played in a “very bluesy type way.” When Hutchence first heard the song, “he laughed,” Farriss explains. “He thought it was funny, because for us it was so different.”
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Hutchence changed his mind. He took the demo tape, lived with it, crafted the lyrics and the melody. A hit was born.
Director Richard Lowenstein had shot footage of Prague’s medieval architecture on 8mm black and white film. The juxtaposition of those images and INXS’s sublime song happened by chance. By a moment of serendipity.
The band was in the studio watching the rushes, as the song poured out of the control room. It worked.
The video, which has notched more than 100 million views on YouTube, was filmed in freezing conditions in Czechoslovakia, a world away from the beaches of Sydney.
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“The spirit of the people there is fantastic, that’s what I love, it really makes you appreciate what you have so much,” comments Hutchence in the five-minute behind-the-scenes video, which Billboard exclusively premieres below. The singer loved the country, and its history, though so much has changed in those three-and-a-half decades.
INXS is no longer an active band. Hutchence is no longer with us, dying in 1997 at the age of 37. Then, in November 1989 the Velvet Revolution while led to the end of communist rule in Czechoslovakia. Five years after the shoot, the country was separated into Slovakia and the Czech Republic. Lowenstein’s music video captured a time before the rest of the world caught on. Today, the Czechia capital is a hot-spot for tourists, a destination for stag and hen parties.
“There were numerous hurdles to gain access to film in Prague at that time,” INXS saxophone and guitar player Kirk Pengilly tells Billboard via email. However, “being able to cinematically utilize the city’s beautiful, romantic architecture and landmarks as a backdrop was incredibly special and fitting for this song. Our week-long stay allowed us to fully immerse ourselves in the city’s charm and culture.”
“Never Tear Us Apart” is a gem in INXS’ catalogue, from one of the band’s most successful albums, Kick, which peaked at No. 3 on the Billboard 200. The third single from Kick, it peaked at No. 7 on the Billboard Hot 100 and is one of four tracks from the LP — along with “New Sensation,” “Devil Inside”, and ”Need You Tonight”— to reach the top 10 on the Billboard Hot 100 (the latter hit No. 1).
Last year, the surviving members of INXS — Garry Gary Beers, Pengilly and brothers Andrew, Jon and Tim Farriss — reunited in central Sydney for a presentation of four billion combined streams. “Never Tear Us Apart” alone has notched up more than 850 million streams across all platforms.
Watch the behind the scenes video below.
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Ariana Grande‘s Eternal Sunshine (via Republic Records) continues to blaze over the U.K. chart.
The leader at the midweek mark, Grande’s seventh studio album enters a second week at No. 1 on the Official U.K. Albums Chart, where it’s her fifth leader after Dangerous Woman (2016), Sweetener (2018), thank u, next (2019) and Positions (2020).
Eternal Sunshine holds off the Weeknd’s The Highlights (Republic Records/XO), which lifts 3-2 for its equal peak position. The Canadian R&B star’s hits collection has now logged 163 weeks on the U.K. tally, none of them at No. 1.
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The highest new entry this week belongs to Kacey Musgraves, whose sixth studio LP Deeper Well (Interscope) digs in at No. 3. That’s a career best for the U.S. country artist, and third top 10 appearance following 2018’s Golden Hour (No. 6) and 2021’s star-crossed (No. 10).
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Deeper Well is the best-seller on vinyl during the most recent chart week, the Official Charts Company reports.
Also new to the chart is Justin Timberlake’s sixth studio collection, Everything I Thought I Was. It’s new at No. 5 for JT’s sixth top 10 – a list that includes his solo leaders Justified (2002), FutureSex/LoveSounds (2006), The 20/20 Experience (2013), plus The 20/20 Experience – 2 of 2 and 2018’s Man of the Woods, both of which peaked at No. 2.
Hotly-tipped newcomer Caity Baser bags her first U.K. top 10 album with Still Learning, the Southampton-born, Brighton-based artist’s 13-track debut mixtape. It’s new at No. 7. Baser was nominated for the 2024 BRITs Rising Star award, won by The Last Dinner Party.
Also, Manchester, England rapper Nemzzz nabs his first slot on the Official U.K. Albums Chart appearance with his debut Do Not Disturb (Nemzzz), new at No. 17.
Finally, U.S. rock veterans the Black Crowes swoop in for an eighth U.K. top 40 with Happiness Bastards (Silver Arrow). It’s new at No. 7 on the latest tally, published Friday, March 22.
After two months, and several near-misses, Benson Boone finally scales the U.K. chart with “Beautiful Things” (via Warner Records).
The Washington-born singer and songwriter’s hit has already led Billboard’s two Global charts, and now lifts 2-1 on the Official U.K. Singles Chart.
The leader at the midweek stage, “Beautiful Things” was the most-streamed song during the full chart cycle with 6.6 million combined U.K. audio and video streams, the Official Charts Company reports.
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As Boone logs his first week at the U.K. chart zenith, he dethrones Beyonce’s “Texas Hold ‘Em” (Columbia/Parkwood Ent) after a four-week reign – Bey’s longest stint at No. 1 in the U.K. The country cut dips 1-3.
Also moving on up is Ariana Grande’s Eternal Sunshine (Republic Records) release “We Can’t Be Friends (Wait For Your Love),” lifting 3-2 for a new peak position.
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The highest new entry on the latest tally, published Friday, March 22, belongs to BTS’s V, whose “FRI(END)S” (via BigHit Entertainment) starts at No. 13. That’s V’s first solo top 20 appearance.
Also cracking the top 40 on debut is Mark Knopfler’s fundraising remake of “Going Home (Theme from Local Hero)” (BMG), new at No. 17. That’s an upgrade on the track’s original chart position; “Going Home” spent three weeks on the chart in 1983 with a peak of No. 56.
The former Dire Straits frontman assembled a starry cast of guitar heroes for the 9-minute tune, a reworking of the theme from the feature film Local Hero. “Going Home (Theme from Local Hero)” was the most-purchased song on wax during chart week, clocking over 15,200 pure sales, the OCC reports.
As previously reported, the likes of David Gilmour, Ronnie Wood, Slash, Eric Clapton, Sting, Joan Armatrading, Bruce Springsteen, Joan Jett, Pete Townshend and the late Jeff Beck are among the scores of performers on the recording, which raises funds for Teenage Cancer Trust and Teen Cancer America. “Going Home (Theme from Local Hero)” briefly took pole position in the U.K. chart race.
Finally, Dasha’s viral country breakthrough “Austin” (Warner Records) laces up its boots up and kicks into the top 20 for the first time. After soundtracking a line-dance trend on TikTok, the song lifts 25-15 in its fourth week on the U.K. chart.
The 2024 Juno Awards looked to the future of Canadian music, while also honoring its history.A quartet of acts who’ve had major breakthroughs this year won the major awards given out on the CBC-televised broadcast on Sunday night (March 24) live from Halifax, Nova Scotia.Punjabi-Canadian global star Karan Aujla won the TikTok Fan Choice award, the only fan-chosen award of the ceremony. “Sometimes I can’t believe I’m that same kid who lost my parents when I was in India, made my way to Canada, and now I’m here!” said the B.C.-based artist, one of Billboard Canada’s inaugural cover stars. “If you are dreaming, make sure you dream big.”Charlotte Cardin won album of the year for her album 99 Nights. The 2023 album has propelled the Montreal-based artist to new crossover heights, hitting No. 3 on the Billboard Canadian Albums chart, while its popular single “Confetti” reached the top 10 of the Canadian Hot 100 and spent 35 weeks on the chart. It also earned her first American chart hit, and it is currently on the Adult Pop Airplay chart. Cardin later performed the infectious earworm while actual confetti rained from the ceiling.The Beaches, meanwhile, won group of the year. Accepting the award from Nova Scotia’s own Anne Murray, who holds the record for most Junos ever with 25, the Toronto band dedicated their speech to the next generation of rockers. “To all the young girls watching, go start bands with your best friends!” They later closed the festivities with a rendition of their major breakthrough single “Blame Brett.”Both Cardin and The Beaches won awards at the 2024 Juno Opening Night Awards the night before (March 23) for pop album of the year and rock album of the year, respectively.In a white fur cape, TALK had a rock star moment performing his epic single “Run Away to Mars,” which went to No. 1 on the Adult Alternative Airplay chart last year. The Ottawa-born artist, who’s had over 400 million global streams, later took home the award for breakthrough artist of the year. In his speech, he talked about the importance of arts funding, just after Canadian Heritage Minister Pascale St.-Onge announced the government would increase the Canadian Music Fund.A number of the night’s performances motioned toward the increasingly diverse and global future of Canadian music. Dressed in a spiffy white outfit with a four backup dancers in red, Aujla performed early on, playing pop hits “Admiring You” and “Softly.” Both came from his album Making Memories, which made history as the highest-charting Punjabi debut ever on the Canadian Albums chart. Ikky, who made the album with Aujla, acted as hype man on an elevated platform.In the BillboardPunjabi Wave cover story, AP Dhillon talked about his performance at the 2023 Junos ceremony and how he lobbied to ensure majorly popular Punjabi music would have a prolonged platform at the awards. Evidently, they’ve kept their word.This year’s Junos also had the most Indigenous nominees in award history. Anita Landback, Tanas Sylliboy, Sarah Prosper set the stage with a land acknowledgment that intersected with a performance by Juno winner Jeremy Dutcher in Wolastoqey, who then joined in a duet with Elisapie on an Inuktitut version of Blondie’s “Heart of Glass.” Along with Aujla and others, it meant performances featured at least six different languages, including English and French.The Junos has struggled with star power in recent years — Drake has boycotted the last half decade, while chart-topper Tate McRae was not in attendance to accept her two awards this year — they have made up for it with improved representation of what makes Canadian music unique.This year, they also paid tribute to the country’s music history.The ceremony was hosted by pop star Nelly Furtado, who opened the ceremony with a rapid-fire medley of her multiple decades of hits: “Say It Right,” “Maneater,” “Promiscuous,” “Give It To Me,” “I’m Like A Bird” — all from the 2000s and her new one with Dom Dolla, “Eat Your Man.”Kardinal Offishall inducted “our rap Prime Minister” Maestro Fresh Wes into the Canadian Music Hall of Fame. The hip-hop hero had the first Canadian rap record to ever chart on the Billboard Hot 100 with “Let Your Backbone Slide,” was the first winner of the rap album of the year at the 1991 Junos for Symphony in Effect, and is currently amidst a wave of recognition for his place in the country’s music history. A pre-taped video featured contributions from this year’s winner, TOBi, legacy Canadian artists like Snow and American legends like Chuck D of Public Enemy. “Now, this music we love won’t ever be underestimated,” he said. He later performed a medley of his hits, including “Backbone.”A special performance honoured a handful of Canadian legends who died this year. Neo-classical Quebecois artist Alexandra Streliski paid tribute to Karl Tremblay of Les Cowboys Fringants with an instrumental piano performance. Then Allison Russell, Aysanabee, William Prince, Shawnee Kish, Logan Staats, Julian Taylor all joined together for beautiful renditions of Gordon Lightfoot’s “If You Could Read My Mind” and The Band’s “The Weight” for the late Robbie Robertson.And actor Elliot Page presented the humanitarian award to Tegan and Sara, stressing the importance of the Canadian Quin sisters’ Tegan and Sara Foundation’s important work for young queer people at a time when the rights of 2SLGBTQ+ people are under threat, including from the Alberta government. “If the world were not so hostile to 2SLGBTQ+ we would see ourselves purely as musicians,” they said, adding “we love being gay. So gay.”Here’s our report on all the winners from Saturday’s Opening Night Juno Awards.Here are the nominees in the categories that were presented on the live telecast, with winners checked.
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TikTok Juno Fan Choice
Charlotte Cardin, Cult Nation*The Orchard
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Daniel Caesar, Republic*Universal
DVBBS, Ultra*Sony
Josh Ross, Universal
WINNER: Karan Aujla, Warner
Shubh, Mass Appeal*The Orchard
Tate McRae, RCA*Sony
The Weeknd, XO*Universal
ThxSoMch, Elektra*Warner
Walk off the Earth, Golden Carrot*The Orchard
Album of the Year
Néo-Romance, Alexandra Stréliski, Secret City*F.A.B.
WINNER: 99 Nights, Charlotte Cardin, Cult Nation*The Orchard
NEVER ENOUGH, Daniel Caesar, Republic*Universal
Mirror, Lauren Spencer Smith, Universal
Lord of the Flies & Birds & Bees, TALK, Capitol*Universal
Group of the Year
Arkells, Arkells Music*Universal
Loud Luxury, Armada*Sony
Nickelback, BMG*Warner/ADA
WINNER: The Beaches, AWAL*Independent
Walk off the Earth, Golden Carrot*The Orchard
Breakthrough Artist of the Year
Connor Price, Independent
Karan Aujla, Warner
LU KALA, LVK/Amigo*AWAL
Shubh, Inrependent
WINNER: TALK, Capitol*Universal
This article originally appeared in Billboard Canada.
It’s Friday, March 22nd and there’s a ton of new music to listen to! Shakira dropped her new album ‘Las Mujeres Ya No Lloran’ which features a track with Cardi B. Future and Metro Boomin released a collaboration album titled ‘We Don’t Trust You.’ Tyla’s self-titled debut album is finally here. And more. We went […]
Pour out a cold one, turn up the air-con: The Veronicas’ Gothic Summer has arrived.
Spanning eight sweaty, high-energy pop-punk and party tunes, Gothic Summer is the Australian duo’s first international album release in ten years and the first through John Feldmann’s Big Noise Music Group.
Feldmann, singer and guitarist with Goldfinger, produced the new collection for which the Aussie act recruited a list of top-flight collaborators including Travis Barker, Sierra Deaton, Ryan Linville (Olivia Rodrigo, Chappell Roan), Zhone (Troye Sivan, Kim Petras) and Chris Collins (Royel Otis, Matt Corby).
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“This time feels like a celebration of music, perspective and life,” the Veronicas tell Billboard via email. “Creating ‘Gothic Summer’ was an unexpected creative journey, and we can’t wait to bring the tour to the U.S.A. and reconnect with so many of our international fans.”
The Brisbane-raised act, identical twin sisters Lisa and Jessica Origliasso, cracked the ARIA top 10 with each of their previous five studio albums (their self-titled third studio album from 2014 is the last to get a full-scale international release).
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The Veronicas have led the Australian singles chart several times, including 2007’s “Hook Me Up,” 2014’s “You Ruin Me,” and 2016’s “In My Blood.”
With 2007’s “Untouched” (via EngineRoom/Sire), the Veronicas enjoyed a U.S hit when it cruised into the top 20 of the Billboard Hot 100.
In support of the new release, the Veronicas will embark on a 22-date U.S. headline tour from April 3 to May 5. The Gothic Summer trek will stop in San Francisco, Seattle, Portland, Salt Lake City, Denver, Chicago, Detroit, Philadelphia, Washington D.C., Boston, New York City, Atlanta, Dallas, Los Angeles and more, marking the group’s return to U.S. stages after almost a decade.
Gothic Summer houses the previously-released album opener “Perfect” and the neo-disco belter “Here to Dance.”
Stream it in full and check out the U.S. tour dates below.
The Veronicas ‘Gothic Summer’ Headline Tour:April 3 — The Fillmore, San Francisco, CAApril 5 — The Showbox, Seattle, WAApril 6 — Aladdin Theatre, Portland, ORApril 9 — The Complex, Salt Lake City, UTApril 10 — Summit, Denver, COApril 12 — Varsity Theatre, Minneapolis, MNApril 13 — The Rave, Milwaukee, WIApril 14 — House of Blues, Chicago, ILApril 16 — St. Andrews Hall, Detroit, MIApril 17 — Newport Music Hall, Columbus, OHApril 19 — Theatre of Living Arts, Philadelphia, PAApril 20 — The Fillmore, Washington, D.C.April 21 — Royale, Boston, MAApril 22 — Irving Plaza, New York, NYApril 24 — The Masquerade, Atlanta, GAApril 26 — Revolution Live, Ft. Lauderdale, FLApril 27 — House of Blues, Orlando, FLApril 28 — The Ritz Ybor, Tampa, FLApril 30 — The Echo, Dallas, TXMay 1s — White Oak, Houston, TXMay 4 — House of Blues, Las Vegas, NVMay 5 — The Fonda, Los Angeles, CA