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Idles’ Tangk rolls to the summit of the U.K. chart, for the British rock outfit’s second leader.
The best-seller at the midweek point, Tangk (via Partisan) completes its mission to the top with physical sales accounting for 85% of its opening week result, including a market-leading volume on vinyl, the Official Charts Company reports.
Formed in Bristol, England, Tangk is Idles’ fifth studio album and fifth U.K. top 10 appearance, including a leader with 2020’s Ultra Mono.
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It’s been a fine start to the year for Idles, whose five members attended the 2024 Grammy Awards, where the group snagged nominations for best rock album for Crawler and best rock performance for “Crawl!”.
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Meanwhile, Paloma Faith nabs a sixth U.K. top 10 with The Glorification of Sadness (RCA), new at No. 2. The London-born singer-songwriter has once led the Official Chart, with 2017’s The Architect, and now has three albums with a No. 2 peak, following 2012’s Fall To Grace and 2014’s A Perfect Contradiction.
Noah Kahan‘s Stick Season (Republic Records) completes the podium, down 1-3 after a single week at the top.
The late, great Bob Marley is surging on the Official U.K. Albums Chart, published Friday, Feb. 23, following the release in U.K. cinemas of the biopic Bob Marley: One Love.
Bob Marley & The Wailers’ evergreen collection Legend (Tuff Gong) rises 18-2. Forty years after its release, the LP has now logged a staggering 1,122 weeks on the Official Albums Chart, including 12 non-consecutive at No. 1. Only one album has racked-up more weeks on the tally — ABBA’s Gold with 1,138 weeks, and counting.
According to the Official Charts Company, this marks the first time Legend has charted inside the top 10 since 2020. Further down the list, Bob Marley & The Wailers’ classic LP from 1977 Exodus vaults 93-36.
Liverpool indie rock act Crawlers earn a first-ever U.K. top 10 with The Mess We Seem To Make (Polydor), their debut LP. It’s new at No. 7. Crawlers earned a top 40 spot with their 2022 EP Loud Without Noise, which reached No. 22.
Finally, new releases from Pet Needs (Intermittent Fast Living at No. 17 via Xtra Mile), Cast (Love Is The Call at No. 22 via Cast Recordings), Yeat (2093 at No. 24 via EMI), Steve Hackett (Circus and the Nightwhale at No. 30 via Inside Out), Blackberry Smoke (Be Right Here at No. 31 via 3 Legged) and Booter Bee (True Stories at No. 34 via Zeromileage) crack the top 40.
Beyoncé has her first U.K. No. 1 in 14 years, as “Texas Hold ‘Em” blasts to No. 1.
The country-tinged song powers to No. 1 on the Official U.K. Singles Chart, published Friday, Feb. 23, following a No. 9 debut the previous week.
Lifted from the forthcoming LP Renaissance Act II (via Columbia/Parkwood Ent) project, due out March 29, “Texas Hold ‘Em” is Beyonce’s sixth U.K. No. 1. Bey’s last was her Lady Gaga collaboration “Telephone,” which she dialed up for a chart leader back in March 2010.
Before that, the Houston, TX-raised star’s last solo No. 1s were 2008’s “If I Were a Boy,” “Beautiful Liar” with Shakira (2007), “Déjà vu” with Jay Z (2006) and “Crazy in Love” with Jay Z (2003). As a member of Destiny’s Child, Bey bagged a brace of U.K. No. 1s – “Independent Women” (2000) and “Survivor” (2001).
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Following 2023 breakthroughs by Luke Combs and Morgan Wallen, and now a No. 1 with “Texas Hold ‘Em,” country music is “undergoing something of a resurgence” in the U.K., notes the OCC, a market typically dominated by electronic, pop, rock, hip-hop and indie music.
The runner-up on the latest tally is Benson Boone’s “Beautiful Things” (Warner Records), up 3-2 for a new chart peak, while Teddy Swims’ “Lose Control” (Atlantic) completes the podium, up 4-3, also a peak position.
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The top new entry belongs to Dua Lipa’s “Training Season” (Warner Records), new at No. 4, for the British pop star’s 15th U.K. top 10 single.
Ariana Grande’s “yes, and?” (Republic Records) is on the rise, up 10-7, following the release of a new remix featuring Mariah Carey. “Yes, and?” has a U.K. chart peak of No. 2.
Stranger Things star Joe Keery nabs his first U.K. top 40 appearance with “End of Beginning” (AWAL/DJO), through his DJO project. “End of Beginning” rockets 100-11. That’s an “extraordinary” effort, notes the OCC, for an artist known to millions for his central character in Netflix’s Stranger Things Steve Harrington, the bully-turned-reliable chum with great hair.
Finally, Calvin Harris and Rag’n’Bone Man’s collaboration “Lovers In a Past Life” (Columbia), debuts at No. 19, for Harris’ 43rd top 40 single, and Rag’n’Bone Man’s sixth. The pair previously joined forces on 2019’s “Giant” — both are giant men — which peaked at No. 2.
It’s Friday, February 23rd and there are a ton of new music releases. Selena Gomez released her new track “Love On,” TWICE’s EP ‘With YOU-th’ is here, Jennifer Lopez dropped a music video for her track “Rebound’ and more! Taylor Swift’s Eras Tour has arrived in Sydney, Australia. Sabrina Carpenter joined Taylor on stage to […]
For Black History Month, Billboard is celebrating by highlighting some of the greatest Black executives in music. And today, we’re celebrating Top Dawg. Anthony “Top Dawg” Tiffith:You know me, I’m like behind the scenes all the time. Tetris Kelly:For Black History Month, Billboard is celebrating by highlighting some of the greatest Black executives in music. […]
A seven-year-old record on Billboard’s Alternative Airplay chart has finally been tied: blink-182’s “One More Time” spends its 20th week at No. 1 as of the March 2-dated survey, tying the mark for the longest reign in the tally’s 36-year history.
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It equals Portugal. The Man’s “Feel It Still,” which ruled for 20 nonconsecutive weeks between July and December 2017.
“One More Time” has remained at No. 1 on Alternative Airplay every week since its initial rule (Oct. 21, 2023) – the longest streak in the chart’s history, having exceeded the 18 straight frames (of 19 total) for Muse’s “Madness” in October 2012-February 2013 and Foo Fighters’ “The Pretender” (encompassing its reign) in September-December 2007.
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Most Weeks at No. 1, Alternative Airplay20, “One More Time,” blink-182 (2023-24)20, “Feel It Still,” Portugal. The Man (2017)19, “Madness,” Muse (2012-13)18, “Monsters,” All Time Low feat. Blackbear (2020-21)18, “The Pretender,” Foo Fighters (2007)17, “Uprising,” Muse (2009-10)16, “High Hopes,” Panic! at the Disco (2018-19)16, “Boulevard of Broken Dreams,” Green Day (2004-05)16, “It’s Been Awhile,” Staind (2001)16, “Scar Tissue,” Red Hot Chili Peppers (1999)
Blink-182 ties for the longest Alternative Airplay command over a quarter-century after the band first hit the chart with “Dammit (Growing Up)” in October 1997. “What’s My Age Again?” reached No. 2 in July 1999, becoming the group’s first of 16 top 10s, while follow-up “All the Small Things” became the first of the band’s five No. 1s in December 1999.
“One More Time” has led Alternative Airplay since its fourth week on the chart; it debuted at No. 29 on the Sept. 30, 2023, list, followed by a rise to No. 3 and then No. 2 before beginning its reign. In that time, two songs have hit No. 2 highs: Green Day’s “The American Dream Is Killing Me” for 11 weeks and, most recently, Cannons “Loving You” for the last five frames.
Concurrently, “One More Time” falls from its nine-week run atop Rock & Alternative Airplay to No. 4 with 5.2 million audience impressions Feb. 16-22, according to Luminate. The song peaked at No. 2 on Mainstream Rock Airplay in November 2023 and No. 36 on Adult Alternative Airplay in December.
The song has crossed over to pop radio formats, as well. It peaked at No. 13 on Adult Pop Airplay, the band’s highest rank in its career, surpassing the No. 24 best of “I Miss You” in July 2004. It’s also the trio’s first-ever Adult Contemporary entry, having reached No. 27.
“One More Time” is the second single and title cut from blink-182’s 2023 ninth studio album, following “Edging,” which ruled both Alternative Airplay and Rock & Alternative Airplay beginning in 2022. The set debuted at No. 1 on the Top Rock & Alternative Albums chart dated Nov. 4, 2023, and has earned 247,000 equivalent album units to date.
All Billboard charts dated March 2 will update on Billboard.com on Tuesday, Feb. 27.
Justin Timberlake’s Forget Tomorrow World Tour will cruise through the U.K. and Europe this summer for a run of arena shows.
Just hours after dropping “Drown,” the second single from his forthcoming LP, Timberlake unveiled a 13-date pan-European itinerary kicking off July 26 at Tauron Arena Krakow, Poland, and wrapping Sept. 8 at LDLC Arena in Lyon, France.
“When I said WORLD tour, I meant it,” reads JT’s social post announcing the run, acknowledgment that the first waves of his “world tour” announcement covered only cities in the United States and Canada.
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Earlier this month, the “Can’t Stop the Feeling!” singer added 15 more concerts to his growing trek. The tour will launch April 29 at Rogers Arena in Vancouver, B.C., and visit major cities such as Las Vegas (May 10-11), New York (Jun. 25-26) and Atlanta (Nov. 16), before concluding Nov. 20 at KFC Yum Center in Louisville, Ky.
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With the announcement of his European jaunt, eight more countries are added to his plans.
“Selfish” and “Drown” are the first cuts from Everything I Thought It Was, JT’s first solo album release in more than six years.
Due out March 15, EITIW is Timberlake’s sixth studio LP, and the followup to Man of the Woods which peaked at No. 1 on the Billboard 200 following its release in February 2018, for his fourth consecutive solo leader.
“I worked for a long time on this album and I ended up with 100 songs,” he told Zane Lowe in a recent interview for Apple Music 1. “So narrowing them down to 18 was a thing, and then, yeah, I’m really excited about this album. I think every artist probably says this, but it is my best work.”
The 10-time Grammy Award winner warmed-up for his live return with a performance last month in New York at the 1,100-capacity Irving Plaza.
More Australians will get the chance to see Pearl Jam’s swing Down Under later this year, their first in these parts for a decade.
Just 10 days after the rock legends announced a major global tour in support of their forthcoming studio album Dark Matter, Pearl Jam adds two stadium dates to their Australia lap.
As it stands, Eddie Vedder and Co. will play five dates across three Australian cities this November, starting Nov. 13 at Heritage Bank Stadium on the Gold Coast.
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Additional shows are locked in for Melbourne’s Marvel Stadium and Sydney’s Giants Stadium, following an “overwhelming response to last week’s announcement of the Dark Matter World Tour 2024,” reads a statement from Live Nation, which is producing the domestic run.
Those dates will mark Pearl Jam’s first in Australia for 10 years, and form part of an international jaunt that kicks off May 4 at the Rogers Arena in Vancouver, B.C. for a round of north America shows.
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Vedder, Jeff Ament, Stone Gossard, Mike McCreedy and Matt Cameron will then head over to Europe for June and July, return to the States in late August, and bring matters to a halt in November with two shows in New Zealand and the five Australia concerts.
Pixies will serve as support for the dates in ANZ.
All of it is in support of Dark Matter, the Rock Hall-inducted group’s 12th studio LP, due out April 19. It’s the followup to 2020’s Gigaton, which peaked at No. 5 on the Billboard 200 chart, and No. 3 on the ARIA Albums Chart and was described by some devotees as their most experimental album yet.
Produced by Andrew Watt, Dark Matter was “born in just three weeks,” according to a statement from reps, as the band mates wrote and recorded in a “burst of inspiration.” The “musicians faced one another in the same space and communicated sonically at the highest level,” the message continues.
The title track dropped earlier this month and is the musical equivalent of a boulder – heavy rock, no nonsense.
Dark Matter World Tour (Australia)Nov.13 — Heritage Bank Stadium, Gold CoastNove.16 — Marvel Stadium, MelbourneNov.18 — Marvel Stadium, MelbourneNov. 21 — Giants Stadium, SydneyNov. 23 — Giants Stadium, Sydney
It’s a long, sweet southern summer for Taylor Swift, as the U.S. pop superstar dominates the Australian albums chart and her sleeper hit “Cruel Summer” climbs to No. 1 for the first time. The newly-crowned IFPI Global Recording Artist, earning plaudits for a record fourth time, Swift now sweeps the ARIA Charts like no artist has before her.For the third time in her career, Swift occupies the entire top 5 on the ARIA Albums charts, a feat no other artist has achieved even once (Michael Jackson came closest, when he posthumously nabbed the top 3 spots in 2009).On the latest tally, published Friday, Feb. 23, Swift rules with Midnights, 1989 (Taylor’s Version), Lover, folklore (all via Universal), and reputation (Big Machine/Universal), respectively. Midnights becomes her longest-reigning No. 1 on the ARIA Chart, at 15 non-consecutive weeks.
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All told, TayTay bags seven of the top 10, breaking the record for most titles by one artist in the top 10, beating her old mark of six.When Swift was confirmed by the IFPI Wednesday (Feb. 21) as the biggest-selling global recording artist of the 2023, the trade body pointed to the “phenomenon” by which her record-busting The Eras Tour increases engagement with her entire catalog on streaming platforms around the world.Lover track “Cruel Summer” is the IFPI’s case study, a song “initially released in 2019 but which topped charts around the world four years later.”It’s a good point, well made. Last week, Swift completing a three-night stand at the Melbourne Cricket Ground, and tonight enters the final straight of her The Eras Tour of Australia, produced by Frontier Touring, with the first of her four consecutive concerts at Sydney’s Accord Stadium. Those dates at the MCG, totaled over 288,000 — the most tickets sold by one artist at the towering venue, according to Universal Music Australia. Too much Taylor Swift isn’t enough for her Swifties, as “Cruel Summer” lifts 4-1 for its first stint at the top of the ARIA Singles Chart, her 11th leader. That places her in a tie with Madonna as the artist with the third most No. 1 singles in Australia, behind the Beatles (26) and Elvis Presley (14), respectively.
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It’s the seventh time Swift has notched the ARIA Chart double, extending her own record.
Also noteworthy on the latest ARIA Singles Chart is the trajectory of Beyonce’s country-leaning “Texas Hold ‘Em” (Columbia/Sony). A record-setter in the U.S., Bey’s new hit flies 38-3 for her 16th top 10 solo or duet appearance in Australia.Also, Dua Lipa bows at No. 12 on the ARIA Chart with “Training Season” (Warner Records), lifted from the British pop artist’s forthcoming third album.The top debut on the ARIA Albums Chart belongs Sydney indie duo Royel Otis, with Pratts & Pain (Ourness), new at No. 10. That’s a new career best for the pair, Royel Maddell and Otis Pavlovic, following the No. 43 peak for their 2023 EP Sofa Kings. Nominated for the Michael Gudinski breakthrough artist award at the 2023 ARIAs, Royel Otis are currently touring Australia in support of the new LP.
Add Dolly Parton to the list of millions who’re keen to hear Beyoncé’s Renaissance Act II.
The country legend and Rock Hall-inductee is, it turns out, a fully-paid-up member of the BeyHive, and thrilled with Beyonce’s recent record-setting feats.
This week, Beyonce made her debut on Billboard’s streaming-, airplay- and sales-based Hot Country Songs chart (dated Feb. 24) with her first two entries on the survey: “Texas Hold ‘Em” at No. 1 and “16 Carriages” at No. 9.
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With “Texas Hold ‘Em,” she becomes the first Black woman, or female known to be biracial, to have topped the Hot Country Songs tally.
The records don’t end there. Beyoncé makes history as the first woman to have topped both Hot Country Songs and Hot R&B/Hip-Hop Songs since the lists began as all-encompassing genre song charts in October 1958.
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None of it has bypassed Dolly. “I’m a big fan of Beyonce and very excited that she’s done a country album,” writes Parton on social media. “So congratulations on your Billboard Hot Country number one single. Can’t wait to hear the full album!”
That album is Renaissance Act II, due out March 29.
Once it arrives, Act II will mark Bey’s eighth studio record. It’ll also vie to become her eighth straight No. 1 album on the Billboard 200, as all seven of her previous LPs have debuted atop the chart — from 2003’s Dangerously in Love to Renaissance, her most recent effort from 2022.
As previously reported, “Texas Hold ‘Em” and “16 Carriages” start at Nos. 2 and 38, respectively, on the all-genre Billboard Hot 100. “Texas Hold ‘Em,” meanwhile, is projected to lead the Official U.K. Singles Chart, having topped the midweek survey. If “Texas Hold ‘Em” plays its cards right when the national chart is published late Friday (Feb. 23), Bey will bag a sixth U.K. solo No. 1 single.
Both cuts were released Feb. 11, as announced in a Verizon commercial that aired during CBS’ broadcast of Super Bowl LVIII, ahead of the new album release.
While Karol G was the big winner of the night; Don Omar, Ana Barbara, and Olga Tañon received special recognitions; and mainstream acts like Kane Brown and Machine Gun Kelly took center stage, Billboard was at the media center and magenta carpet capturing all the scoop you didn’t see on TV at the 2024 Premio Lo Nuestro.
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Below, check out everything you missed from the awards ceremony on Thursday night (Feb. 22).
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Exclusive Collaborations: At the magenta carpet, a few artists revealed to Billboard their next collaborations. Eden Muñoz, for example, spoke about an upcoming bop with Alejandro Sanz, while Michelle Maciel unveiled a heartfelt tune with Yahritza y Su Esencia, slated for April.
Ana Barbara’s Dressing Room: A visit to Ana Barbara’s dressing room found the Mexican diva practicing her pluses ahead of her performance. The limber, athletic Ana Barbara, who was honored for her 30 year trajectory in music, boasted she could execute a full split today better than she ever could in her teens, when she studied ballet. “It’s all practice,” she said with a laugh. The Mexican star performed a six-minute-plus medley with several wardrobe changes.
Kane Brown’s Admiration for Carin Leon: After premiering their new single “The One” at the 2024 Premio Lo Nuestro, Carin León and Kane Brown headed to the media center, where they showed off their bromance. “He’s [like] me but in Latin form,” Brown said of León. “I am in his presence, and he’s the king for me right now. I’m honored to be part of his success. I’ve always been the outcast in country music and I feel that my song with Carin will open more doors.
RBD Leaves Premios: After being in a great mood, talking to the press at the magenta carpet, RBD members Christopher Von Uckermann and Christian Chavez left the venue disappointed. In his Instagram stories, Uckermann explained that they were supposed to have seats at a table on the floor but were given the wrong tickets, which provoked them to leave the awards show and go to dinner instead. After the mishap, it was announced on X that RBD won an award for best pop group.
The Power Couple: As rising Argentine star Emilia prepped her makeup at her trailer backstage, boyfriend Duki hung out close by. “I’m here to provide moral support,” said the Argentine rapper, also a superstar. Emilia is rehearsing for her 10 sold-out arena Movistar shows in Buenos Aires in April and May and her upcoming Velez stadiums shows in October.
Chayanne Announces Tour: After postponing his tour due to the pandemic, Chayanne unveiled at the media center that he is finally hitting the road. “The tour is beginning after five years,” he assures. “We’re kicking off in The United States on August 21 in California, and then going to Latin America and Europe in December. It’s a bit of work but we’re happy.”
Eslabon Armado’s Heartfelt Speech: In the media center, Eslabon Armado, who nabbed the Premio Lo Nuestro award for Mexican song of the year, dedicated their win to their mom who was watching the show from home. “I dedicate this to her because she’s an important part of us,” lead vocalist Pedro Tovar told the press. “People talk about Eslabon but don’t know what’s behind it. My parents are Mexican immigrants who battled for 10, 15 years to give us a future.”