State Champ Radio BBLatin
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After their first collab reached the top 20 on Billboard’s Hot Latin Songs chart, Kali Uchis and Karol G linked up for “Labios Mordidos,” which debuts at No. 10 on the chart dated Dec. 9. Karol G extends her record for the most female pairings to debut in the top 10 in the list’s 37-year-old history, with five all-women collaborations.
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“Labios Mordidos” is the third preview from Uchis’ fourth studio album Orquídeas, the all-Spanish-language set due Jan. 12. The Colombian now repays the favor, after “Me Tengo Que Ir” — from Karol G’s No. 1 album Mañana Será Bonito (Bichota Season) — placed the pair at No. 19 on Hot Latin Songs last August.
“Labios Mordidos” which translates to “Bitten Lips,” arrives at No. 10 on the strength of streaming activity. The song logged 5.6 million official U.S. streams on latest tracking week of Nov. 24-30, according to Luminate. The seven-figure sum sparks a No. 9 start on the Latin Streaming Songs chart.
Further, “Labios” also begins with 500 downloads sold in the same period, enough for a No. 3 arrival on Latin Digital Song Sales.
With “Labios,” Uchis ups her career top 10 count on Hot Latin Songs to two and her first equal-billed top 10 debut. The new top 10 follows the eight-week ruler “Telepatía” (2021). The ranking blends weekly streaming, sales, and radio airplay data.
Karol, meanwhile, collects her 25th top 10, extending her second-most among women, trailing only Shakira who leads with 35 top 10s. Plus, as“Labios” debuts on the upper tier, la bichota captures her fifth all-women pair-up top 10 debut, the most by a woman in the history of Hot Latin Songs, which dates to 1986. Only one other female pair has racked up a top 10 launch without Karol G as one of the collaborators, Becky G and Natti Natasha with “Sin Pijama” in May 2018.
Here’s the full list of top 10 debuts by two co-billed women:
Debut Date, Debut Position, Title, ArtistMay 5, 2018, 10, “Sin Pijama,” Becky G & Natti NatashaNov. 23, 2019, No. 1, “Tusa,” Karol G & Nicki MinajApril 10, 2021, No. 9, “El Makinon,” Karol G & Mariah AngeliqFeb. 26, 2022, No. 1, “MAMIII,” Becky G & Karol GMarch 11, No. 1, “TQG,” Karol G & ShakiraDec. 9, No. 10, “Labios Mordidos,” Kali Uchis & Karol G
Elsewhere, “Labios” gives Uchis her second all-Spanish-language entry on the all-genre Billboard Hot 100, at No. 97. For Karol, it becomes her 29th career entry – still the most for a Latin female artist with all-Spanish-language songs.
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Enrique Iglesias and Maria Becerra unite atop Billboard’s Tropical Airplay chart as “Así Es La Vida” advances from No. 2 to lead the Dec. 9-dated ranking. The move brings back Iglesias to the lead after a nine-year break, for his eighth champ. Becerra captures her second No. 1.
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“Así Es La Vida” leads Tropical Airplay with a 14% improvement in audience impressions, to 4.8 million, earned in the U.S. in the week ending Nov. 30, according to Luminate.
The song was released Sept. 28 via Sony Music Latin and lands at No. 1 on Tropical Airplay in its ninth week. It unseats Chayanne’s “Bailando Bachata” from the penthouse after 15 weeks in charge, the third-most this decade and the longest-leading song in 2023.
“Así Es La Vida” propels Iglesias back to the top spot after “Bailando,” featuring Descemer Bueno and Gente de Zona, hit No. 1 in 2014. With over nine years to take over Tropical Airplay, it becomes the third-longest gap between No. 1s. Chayanne holds the second-longest span with a 15-year break between “Amor Inmortal” (2008) and “Bailando Bachata” (August 5-dated list). Jennifer Lopez continues to lead with the longest-break between champs — both Marc Anthony collaborations — with a 17-year wait between “No Me Ames” (1999) and “Olvídame y Pega La Vuelta” (2016).
Thanks to the new champ, Iglesias collects his eighth No. 1 on Tropical Airplay. Here’s his collection:
Peak, Title, Artist, Weeks at No. 1May 31, 2003, “Para Que La Vida,” oneJune 2, 2007, “Do You Know? (The Ping Pong Song),” oneDec. 19, 2009, “Gracias A Ti,” with Wisin & Yandel, oneSept. 11, 2010, “Cuando Me Enamoro,” featuring Juan Luis Guerra, sixDec. 31, 2011, “Ayer,” oneMarch 22, 2014, “El Perdedor,” featuring Marco Antonio Solis, oneJuly 5, 2014, “Bailando,” featuring Descemer Bueno & Gente De Zona, fourDec. 9, 2023, “Así Es La Vida,” with Maria Becerra
For Becerra, the new achievement gives her a second No. 1 on the tropical ranking. The Argentinian earned her No. 1 in her first chart visit through another bachata, “Te Espero,” with Prince Royce, in May 2022.
Beyond its Tropical Airplay coronation, “Vida” makes progress on the overall Latin Airplay tally, pushing 24-17.
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Tour: Montecarlo Tour USA
Latin hip-hop artist Tornillo has announced his first-ever headlining tour in the U.S. The 25-date run will kick off Feb. 14 in Las Vegas and will see the 20-year-old Mexican artist — who has collaborated with Santa Fe Klan and Peso Pluma — play theaters across the country, including Gramercy Theatre in New York City and the El Rey Theatre in Los Angeles. Announcement of Tornillo’s U.S. tour comes after wrapping up his first headlining tour of Mexico.
Mexican rapper Dharius will join Tornillo across all dates.
See the dates below:
Feb. 14 — Las Vegas — 24 Oxford
Feb. 15 — Santa Ana, Calif. — The Observatory
Feb. 16 — Phoenix — Van Buren
Feb. 17 — Albuquerque — Launchpad
Feb. 18 — El Paso — Lowbrow Palace
Feb. 21 — San Antonio — Rock Box
Feb. 22 — Houston — Rise Rooftop
Feb. 23 — Dallas — The Studio At The Factory
Feb. 27 — Orlando — The Abbey
March 1 — Atlanta — Terminal West
March 2 — Charlotte — Underground at The Fillmore
March 3 — Philadelphia — The Foundry
March 4 — New York — Gramercy Theater
March 6 — Louisville, Ky. — Mercury Ballroom
March 7 — Milwaukee, Wis. — Turner Hall Ballroom
March 8 — Chicago — Bottom Lounge
March 9 — Minneapolis — Varsity Theater
March 11 — Denver — Marquis Theater
March 13 — Salt Lake City — The Complex
March 15 — Seattle — Neumos
March 16 — Portland — Hawthorne Theater
March 20 — Roseville, Calif. — Goldfield Trading Post
March 21 — San Francisco — Great American Music Hall
March 22 — Ventura, Calif. — Ventura Music Hall
March 23 — Los Angeles — El Rey Theatre
Karol G‘s Mañana Será Bonito tour is heading to Latin America, and her first stop is her hometown of Medellin, Colombia, where she has prepared something special for her fans. Offering the ultimate Mañana Será Bonito experience, the two-day (Dec. 1-2) sold-out event at the Estadio Atanasio Girardot is a festival of sorts that will […]
La gira Mañana Será Bonito de Karol G se dirige a Latinoamérica y su primera parada es su ciudad natal, Medellín, Colombia, donde ha preparado algo especial para sus fans. Ofreciendo la mejor experiencia de Mañana Será Bonito, el evento de dos días (1 y 2 de diciembre) con entradas agotadas en el Estadio Atanasio […]
New Music Latin is a compilation of the best new Latin songs and albums recommended by Billboard Latin and Billboard Español editors. Check out this week’s picks below.
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Edén Muñoz, Como En Los Viejos Tiempos (Sony Music México)
Singer-songwriter and producer Edén Muñoz has little left to prove at this point of his fruitful career, both as former frontman of Calibre 50 and now as a soloist. But Muñoz isn’t the type to be complacent, and is always looking to one-upping his previous releases. His latest album, Como En Los Viejos Tiempo, is no exception. As a producer, Muñoz is known for being meticulous about his sound — and the first song on the set, “Bye Bye,” is a testament to Muñoz’s broad production skills, melding his signature norteño sound with hints of cumbia, backed by big band instrumentals.
Accompanied by heavy hitters in the música mexicana realm, including Gerardo Ortiz, El Fantasma and Los Dos Carnales, Muñoz zigzags across styles such as quebradita (“La Nena”), corrido (“Alias Jabón”), cumbia (“Que La Dejen Ir al Baile Sola”), huapango (“Peca de Bonita”) and norteño (“El Que Quiere Puede”). Offering a wide-ranging palate of Mexican music sounds, Como En Los Viejos Tiempos is Muñoz’s most eclectic and experimental set to date. The 18-track is the Mexican artist’s first album under Sony Music México, with whom he signed in October as a partnership with Sony Music Latin. — GRISELDA FLORES
Carin Leon & Grupo Frontera, “Alch Si” (Socios Music/ADA Latin)
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A year after their first collaborative effort, “Que Vuelvas“ — which hit the top half of the Hot 100 in January — Carin Leon and Grupo Frontera join forces again on “Alch Si.” On their new track, penned by Leon, Edgar Barrera, Horacio Palencia and Diego Bollela, and produced by Barrera, the two Mexican acts sing about getting over an ex, but not really. “I’m not crying, her memory got in my eye,” chants Frontera’s Payo Solis at the start of the country-tinged norteño track. ”I don’t drink to forget her, nor do I take advice/ To stop loving her, what number do I have to call?/ In a masochistic way, I check her Instagram/ Looking at her stories and how another guy takes her away from me/ I’m not crying, just a little tear came out,” part of the chorus goes. — JESSICA ROIZ
Thalia & Estilo Sin Límite, “Choro” (Sony Music Latin)
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Thalia ventures into the world of corridos tumbados in this fun song with Estilo Sin Límite, which encourages women to free themselves from chatty, arrogant men who seek to woo them. Powered by a tololoche, requinto and brassy instruments, the second single from her upcoming album A Mucha Honra (which the Mexican star previewed exclusively in October at Billboard Latin Music Week,) “Choro” was produced by Edgar Rodríguez from Yellow Room and executive produced by Jimmy Humilde. (It was co-written by Thalia and Dania of Estilo Sin Límite.) Its title, in Mexican slang, refers to an over-the-top person who uses his words to make people fall in love. “Choro, I know he has a very good choro/ But I don’t cry for him anymore/ I’m not like his ex-girlfriend, I do improve,” goes part of the chorus. The colorful music video, directed by Lalo González (a.k.a. Lalo the Giant,) shows both singers in suburban and rural sets alongside mariachis, partying with many, many women. It is, in the best Thalia fashion, pure feminine power. – SIGAL RATNER-ARIAS
Carlos Vives & Ryan Castro, “Los Sabanales 3.0” (Sony Music Latin)
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Carlos Vives and Ryan Castro have released their first collaboration, “Los Sabanales 3.0,” to kick off December and welcome the holiday season. The track features an updated sound and new lyrics, with both artists adding their own spin: Vives’ accordion and Castro’s thumping reggaetón beats. Bringing together two generations, the song celebrates the most popular and beloved song of the great Calixto Ochoa, preserving the original song’s essence and its most memorable verses. Vives aims to put the spotlight on iconic composers of Colombia and breathe new life to their work, making it accessible to new generations. The song is featured on Vives’ remastered and expanded album Clásicos De La Provincia. — INGRID FAJARDO
Miguel Campello, “El Sentir de los Sentimientos” (Chatarrero Records)
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This week, Miguel Campello unveils the introspective ballad, “El Sentir de los Sentimientos.” Adorned with exquisite nylon strings and trumpet riffs, and enveloped in the fervor of rumba guitar strums and his resounding flamenco vocals, the song navigates the ebbs and flows of personal contemplation. In its purest form, the composition exalts our innate human capacity to experience emotions. “[It’s] a song with rumba soul that tells the passing of the days, full of stories that make us laugh and cry because singing is feeling that you feel, ‘the feeling of feelings’“, the singer-composer wrote on his Instagram. The single is part of his upcoming release Amanecer y Anochecer, which will consist of five songs, and is a continuation of 2023’s Noche y Día. — ISABELA RAYGOZA
Milo J, 111 (Dale Play Records)
Following the EP En Dormir Sin Madrid, in collaboration with popular Argentine producer Bizarrap, Milo J showcases his musical prowess on his debut album 111. Infused with a South American bohemian essence reminiscent of tango and bolero, the album seamlessly combines traditional tones with a contemporary flair. The 16-year-old rapper delivers songs like an old soul weaving through the complexities and youth of angst.
The nine-track album highlights a masterful blend of acoustic and electric guitar arrangements, often intertwining the two in unexpected ways that both surprise and captivate the listener. Milo J’s lyrics are medicinal, deep and vulnerable. At strategic moments, the instrumental backdrop fades momentarily, allowing his tenor voice to take center stage and carry the emotional weight of the song. The album boasts diverse collaborations, such as “Carencias de Cordura” with Yami Sadfie, where Milo J ventures into the Andes with a pasillo that resonates across generations. In “Una Bala,” featuring Peso Pluma, he effortlessly delves into regional Mexican sounds, while he opens Pandora’s musical box with “Alumbre” with Nicki Nicole, unveiling a cinematic theme, and joins in unison with Yahritza y Su Esencia on “Te Fui a Seguir.” Romantic songs like “M.A.I” and “Deseo siempre” stand out for their lyrical sensuality, delivered with an elegance rarely found in today’s popular music. 111 demands to be listened to with undivided attention. — LUISA CALLE
Indee, “ORO”
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Immersed in the vibrant, sultry sounds of Afrobeats, Barcelona artist Indee unveils her self-released first single of the year, “Oro,” marked by golden-piano stabs and her seductive vocal delivery. Produced by Jay Kalo, the track is an ode to life and companionship, as Indee explores the quest for genuine friendships that are as valuable as gold. “In these crazy times, where everyone is chasing the spotlight/ Where is the soul of the body I touch?” she croons. The accompanying music video captures the star’s flawless dance moves and takes audiences on a journey through various iconic spots in Barcelona, showcasing the city’s dynamic backdrop. “When I speak about Gold I wanted to convey the idea of the mineral in its purest, unrefined state,” she wrote on her socials. “This song is an acknowledgement of the truly important things in life, for not all that glitters is gold.” — I.R.
Stream the New Music Latin playlist below:
Warner Music Cono Sur (which covers the Southern Cone of Latin America) and Lotus, the events production company behind Lollapalooza Chile, have launched a new label, booking and management company. Explore Explore See latest videos, charts and news See latest videos, charts and news According to both companies, this new division of Lotus also integrates […]
Daddy Yankee is closing out his farewell tour, La Última Vuelta, with a series of four back-to-back shows, dubbed “La Meta,” in his beloved Puerto Rico kicking off Nov. 30. The last show, however, will be live-streamed globally.
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Taking place Sunday, Dec. 3, at the Coliseo, the final concert, which, according to a press release, will be a “totally new show,” will be able to be streamed by fans who purchase a $20 ticket. The live stream event will be powered by streaming company Kiswe with a “state-of-the-art technology will guarantee that fans worldwide experience the passion and thrill of Daddy Yankee’s final show.”
Yankee’s La Última Vuelta trek, which kicked off last year following his retirement announcement, landed at No. 13 on the Top 40 Tours of 2022 with a total gross of over $125 million, according to last year’s Year-End Boxscore charts.
The Puerto Rican hitmaker announced March 2022 that he was retiring and would culminate his decades-long career with a world tour and his new album Legendaddy, which he dropped that same month. The set peaked at No. 1 on Billboard‘s Top Latin Albums chart (dated April 9, 2022).
“This career, that has been a marathon, I finally see the finish line. Now I get to enjoy what you all have given me. They say that I made this genre global but it was you guys that gave me the key to open the doors to make this the biggest genre in the world,” Daddy Yankee said in a statement then. “I confess that it’s the biggest treasure I can have in my career. I always worked so I didn’t fail you, so I didn’t get into problems, with much discipline, to inspire the new generation to be leaders. Today, I’m announcing my retirement from music by giving you my best production and my best concert tour.”
Born Raymond Ayala, his career exploded with 2004’s breakthrough hit “Gasolina,” launching a genre that altered the sound and business of Latin music and became a global phenomenon.
“This historic night will mark the end of a three-decade journey for one of the most iconic Latin American artists of our time,” said Glenn Booth, CEO of Kiswe. “We are thrilled that we have been chosen to help millions of fans experience Daddy Yankee’s final performance on a touring stage and witness his heartfelt farewell.”
At this point, Ivan Cornejo is no stranger to Chicago. By now, he’s performed four times in this city in a span of three months: an official Lollapalooza aftershow (Aug. 4), Lolla (Aug. 5), then again Thursday (Nov. 16) and Friday (Nov. 17) as part of his Terapia Tour. The trek marks his biggest and most ambitious outing yet in the U.S.
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“¿Cómo andamos Chicago? (How are we doing, Chicago?)” he asked at the top of his nearly two-hour set at the Aragon Ballroom on Friday, the second of his back-to-back sold-out shows. The response? A roaring crowd that welcomed the 19-year-old back to the Midwest. Wearing dark grey slacks and a silk, beige-hued shirt, Cornejo looked the part of a therapist. Even at the beginning, a voice welcomed those Cornejo’s loyal fanbase to their therapy session. “Take a deep breathe in, your session has begun.”
The emotions were palpable throughout the night. Those in attendance — from kids who were accompanied by their parents to groups of teenagers — didn’t hold back and sang every single song on Cornejo’s set at the top of their lungs.
The 31-city tour finds the 19-year-old Mexican American artist — wise beyond his years — connecting with his equally young fanbase who felt deeply his lyrics about heartbreak. Some were brought to tears. It’s the effect Cornejo’s evocative delivery has on his fanbase. Singing with such pathos, Cornejo tugs at your heartstrings with nostalgic and melancholic songs about love and loss, powered by prickly acoustic and electronic guitars. As a collective, Cornejo and his fans heal each other.
While often boxed into the regional Mexican genre, Cornejo goes beyond that style. More precisely described as alt-música mexicana, the California-born artist serenaded fans singing his sad sierreño anthems “Me Hiciste Un Loco,” “Está Dañada,” “Estás En Mi Pasado” and “Perro Abandonado,” which he said he wrote when he was going through a heartbreak.
“I was really hurt when I wrote this song. I felt really lost but more than anything, I felt like a perro abandonado (abandoned dog).”
He also sang a medley of covers, including the Plain White T’s track “Hey There Delilah,” Jesse & Joy’s “¡Corre!” and Dareyes De La Sierra’s “Hasta El Día de Hoy.” He closed with “Donde Estás,” the song that everyone was waiting for, literally fans would chant the title of the song throughout the show.
“Arriba la terapia,” he declared at the end, loosely translating to “long live therapy.”
Cornejo closes his Terapia Tour on Nov. 22 in Ontario, Calif.
In 2021, Cornejo topped Billboard‘s Latin Songwriters chart thanks to his hit “Está Dañada,” which then became only the second regional Mexican song to enter the Hot 100 tally. He won new artist of the year the 2022 Billboard Latin Music Awards and, he’s now up for top Latin album at the 2023 Billboard Music Awards for Dañado.
From career milestones to new music releases to major announcements and those little important moments, Billboard editors highlight uplifting moments in Latin music. Here’s what happened in the Latin music world this week.
NBA teams up with Nicky Jam
The NBA and Mitchell & Ness launched a limited-edition apparel collection in collaboration with Nicky Jam featuring the Miami Heat. According to a press release, the singer-songwriter “provided design input” on the merchandise — including a Heat hoodie, Hardwood Classics jersey, t-shirt, shorts and a hat.
“I’m thrilled to collaborate with the NBA and Mitchell & Ness on this new collection, bringing Miami flavor to life with the Heat’s vibrant colors complemented by locally relevant design elements,” the “El Perdón” singer expressed in a statement. “These pieces are a testament to the NBA’s cultural impact extending beyond the court into music and style. As my fans know, I’m always representing the Latin community, and it’s exciting to build on the league’s commitment to inclusiveness and diversity.”
See the collection here.
RBD Barbie dolls
Mexican supergroup RBD is getting their own Barbie dolls. The collector’s dolls — available in a set of five or sold individually as Rebelde characters Mia (Anahí), Roberta (Dulce Maria) and Lupita (Maite Perroni), Diego (Christopher von Uckermann) and Giovanni (Christian Chávez) — commemorate the group’s reunion tour after a 15-year hiatus. The dolls are decked out in emblematic concert outfits or their signature Elite Way school uniform.
“¡Y soy Rebelde! Pop stardom meets pop culture icons with the special edition RBD x Barbie dolls,” read the caption of the post shared on the Barbie instagram page unveiling the RBD Barbie dolls.
Women rule 2023 Latin Grammys
For the first time in history, women win the top four categories at the Latin Grammys. It happened on Thursday, Nov. 16, at the 24th annual Latin Grammy Awards where Karol G won album of the year (Mañana Será Bonito), Natalia Lafourcade won record of the year (“De Todas Las Flores”), Shakira, along with Bizarrap, took home song of the year (“Bzrp Music Sessions, Vol. 53”) and Joaquina won best new artist.
Lafourcade’s acceptance speech for best singer-songwriter album for De Todas Las Flores was fitting for the historical night: “I dedicate it to all women friends, let’s not stop composing, let’s not stop believing in our art, in our music.”
Belanova’s comeback
Mexican pop trio Belanova — known for 2000s hits such as “Rosa Pastel” and “Por Ti” — will make its comeback to the Vive Latino stage after a six-year hiatus, the festival announced earlier this week. Vocalist Denisse Guerrero, keyboardist Édgar Huerta and bassist Ricardo Arreola will perform at the event taking place March 16 and 17, and held for the first time at the Autódromo Hermanos Rodríguez in Mexico City.
Other artists set to perform at Vive are Maná, Hombres G, Silvana Estrada, Fito Páez, among others. See the lineup here.
