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Taylor Swift’s “Anti-Hero” (EMI) hasn’t budged from the U.K. chart summit since its release, and it looks set to stay for a little while longer.
“Anti-Hero,” the lead track from Swift’s tenth and latest studio album, Midnights, leads the midweek chart and is on the path for a month-long stint at No. 1.
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At three weeks, it’s already TayTay’s longest-running leader in the U.K., eclipsing the two-week reign for 2017’s “Look What You Made Me Do.” And it appears to have fresh legs following the Nov. 7 release of a new version featuring producer Jack Antonoff’s solo project Bleachers.
Meanwhile, several top 10 tracks are eyeing new peaks, including Oliver Tree and Robin Schulz’s viral hit “Miss You” (Atlantic), rising 7-3 on the chart blast; Meghan Trainor’s “Made You Look” (Epic), up 9-4; and Venbee & Goddard’s club tune “messy in heaven” (Columbia), up 8-5.
Following the theatrical release of Black Panther: Wakanda Forever, Rihanna’s “Lift Me Up” (Def Jam) could enjoy a lift, improving 12-8 on the midweek survey.
Rising Afrobeats artist Rema is on target for his first U.K. top 10 single, as “Calm Down” (Mavin) looks to improve 16-10, thanks in part to a new remix featuring the vocals of Selena Gomez.
Based on midweek sales and streaming data collated by the Official Charts Company, Bugzy Malone and Teedee are in pole position for the week’s top debut, with “Out Of Nowhere” (Bsomebody) set to appear at No. 17, while Brit Award-winning rapper Stormzy could add to his growing collection of chart hits with “Firebabe” (0207/Merky), new at No. 18 on the chart blast. If it holds its momentum, “Firebabe” will give the grime star his 27th top 40 entry.
The festive season is coming, and the Queen of Christmas is on the way. Mariah Carey’s evergreen hit “All I Want For Christmas Is You” (Columbia) is poised for another return to the top 40, blasting 66-36 on the midweek tally.
Carey’s signature song set an Official Chart record in December 2020 when it finally reached No. 1, after 26 years. No song had spent more weeks in the top 40 before completing the journey to the top.
Several weeks later, Wham’s “Last Christmas” (RCA) set a new mark by reaching the summit for the first time, 36 years after its initial release. “Last Christmas” is on the move once again, flying 94-45 on the midweek chart.
All will be revealed when the Official U.K. Singles Chart is published Friday (Nov. 18).
Louis Tomlinson strolls to a lead in the U.K. chart race with Faith In The Future (via BMG). But there’s a Boss to contend with.
Tomlinson, the former One Direction star, leads the Official Chart Update with Faith In The Future, his second solo effort. As a member of 1D, Tomlinson triumphed over the national albums survey on four occasions, and his debut solo set, 2020’s Walls, peaked at No. 4.
The home straight could have some obstacles for Tomlinson, as Bruce Springsteen’s Only The Strong Survive (Columbia) sits close behind in second place.
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Springsteen’s 21st studio album is a collection of soul covers. To date, the Rock And Roll Hall of Famer has 22 U.K. top 10 albums, including 12 No. 1s — equal third-best among solo acts, after Robbie Williams (14) and Elvis Presley (13), respectively.
According to the Official Charts Company, fewer than 1,200 chart sales split the two albums at the halfway point.
As it currently stands, the top five is closed out by a trio of former leaders, Taylor Swift’s Midnights (down 2-3 via EMI), Drake & 21 Savage’s Her Loss (down 1-4, via OVO/Republic Records), and Ed Sheeran’s = (up 10-5, via Asylum).
Christmas is just around the corner, and the festive releases are ready to make the annual march into the charts.
British classical crossover stars Aled Jones and Russell Watson could bag a third U.K. top 10 as a duo with Christmas With Aled & Russell (BMG). It’s new at No. 8 on the chart blast.
Andrea Bocelli’s family record A Family Christmas (via Decca), featuring son Matteo and daughter Virginia, could be this week’s big gainer, notes the OCC, lifting 58-13 on the midweek chart for a possible new peak position.
Just outside the top ten at the midweek point is Nigerian artist Wizkid with his fifth LP More Love, Less Ego (Columbia). It’s on track for a No. 12 debut, which would become the Afrobeat act’s career U.K. peak, improving on the No. 15 best for 2020’s Made in Lagos.
Also aiming for a top 20 debut is U.S. roots-rock act Larkin Poe, with seventh album Blood Harmony. It’s set for a No. 15 entry, for what would be the band’s first top 40 entry.
And finally, Christine & The Queens are poised for a top 20 return with Redcar les adorables étoiles (prologue) (via Because Music), new at No. 17 on the chart blast. The French act has impacted the U.K. chart on three occasions, including a No. 2 on debut for 2016’s Chaleur Humaine, and a No. 3 peak for its 2018 followup Chris.
All will be revealed when the Official U.K. Albums Chart is published Friday (Nov. 18).
Move over Taylor Swift, Drake and 21 Savage are the new rulers of the U.K. albums chart.
On the latest survey, published last Friday (Nov. 11), Her Loss (via OVO/Republic Records) roars to No. 1, for Savage’s first-ever U.K. leader, and Drake’s fifth, following Views (2016), Scorpion (2018), Dark Lane Demo Tapes (2020), and Certified Lover Boy (2021).
The collaborative hip-hop sets ends the reign of Swift’s Midnights (EMI) at two weeks. Midnights dips 1-2 on the current Official U.K. Albums Chart.
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Starting at No. 3 is First Aid Kit’s Palomino (Columbia), the second top 5 from the Swedish folk duo (sister act comprising sisters Johanna and Sara Söderberg) following 2018’s Ruins (No. 3).
Also enjoying a top flight entry is Luke Evans’ sophomore studio LP A Song For You (BMG), new at No. 4 for the actor and singer’s first appearance in the top 5. That’s an improvement on the No. 11 peak for Evans’ 2019 debut, At Last.
Meanwhile, Japanese-Australian singer and songwriter Joji bows at No. 13 with Smithereens (12tone Music/Warner), his third album and the followup to 2020’s Nectar (No. 6 peak).
Irish crooner Daniel O’Donnell enjoys a 42nd top 40 entry with I Wish You Well (DMG TV), new at No. 16.
British electronic punks the Prodigy return to the top 20 with The Fat Of The Land (XL Recordings), their third studio effort. The album, which features the hits “Firestarter,” “Breathe” and “Smack My B**** Up,” reenters at No. 19 following the release of a 25th anniversary edition, spanning two LPs. Fat Of The Land peaked at No. 1 after its original release in 1997, and it’s the leader on the latest Official Vinyl Albums Chart.
Finally, Liverpool rock band Crawlers make their first impression on the Official Chart with their debut mixtape Loud Without Noise (Polydor), at No. 22, while U.K. jazz quintet Ezra Collective enjoys a first top 40 slot with Where I’m Meant To Be (Partisan), new at No. 24. Ezra Collective previously charted with You Can’t Steal My Joy, which peaked at No. 70 following its release in 2019.
Taylor Swift’s “Anti-Hero” (via EMI) enters a third week at No. 1 on the U.K. chart, a new career-best streak for the U.S. pop superstar.
With its third-consecutive cycle atop the Official U.K. Singles Chart, published last Friday (Nov. 11), “Anti-Hero” supersedes Swift’s 2017 hit “Look What You Made Me Do” (two weeks at No. 1) as her longest leader.
“Anti-Hero,” the first track on Swift’s 10th and latest studio album, enjoys a push thanks to a fresh cut featuring Bleachers, the project of Midnights producer Jack Antonoff.
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As their collaborative collection Her Loss (OVO/Republic Records) blasts to No. 1 on the U.K. albums chart, Drake and 21 Savage make a serious dent on the singles survey.
Three tracks from the album — the maximum allowed under Official Chart rules — debut in this week’s top ten: “Rich Flex” (No. 3), “Major Distribution” (No. 5) and “Circo Loco” (No. 7).
Drake’s career tally of U.K. top 40 hits now lifts to 79, while 21 Savage’s total is eight.
Further down the list, Meghan Trainor’s viral number “Made You Look” (Epic) continues its steady climb, up 14-8. It’s the U.S. pop artist’s first appearance in the top 10 for six years, since her “Marvin Gaye” collaboration with Charlie Puth went to the top in 2015.
Venbee and Goddard enjoy a first top 10 appearance with “messy in heaven” (Columbia), up 11-9, while London rapper K-Trap (real name Devonte Kasi Martin Perkins) sees “Warm” (Thousands) heat-up following the release of a remix with Skepta. It’s up 47-18.
Also, Fredo bounces with “I’m Back” (PG), new at No. 33 for the London rapper’s 16th top 40 appearance.
Finally, Japanese-Australian singer and songwriter Joji lands two tracks in the top 40, both lifted from this third studio album Smithereens (88rising/Warner Records). “Glimpse Of Us” reenters at No. 34, and “Die For You” bows at No. 39.
Drake and 21 Savage’s collaborative album, Her Loss, debuts at No. 1 on the Billboard 200 chart (dated Nov. 19) with the year’s biggest week for an R&B/hip-hop set and the fourth-largest streaming week ever for any album.
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Her Loss launches with 404,000 equivalent album units earned in the U.S. in the week ending Nov. 10, according to Luminate. Streaming activity drove the bulk of that sum, to the tune of 513.56 million on-demand official streams of its 16 tracks.
Her Loss is the 12th No. 1 for Drake and the third leader for 21 Savage. Drake now solely has the third-most No. 1 albums on the Billboard 200 chart, since the list began publishing on a regular weekly basis in March of 1956. Ahead of him are only The Beatles, with a record 19 No. 1s and Jay-Z with 14. Drake was previously tied with Bruce Springsteen, Barbra Streisand and Taylor Swift, each with 11 No. 1s on the Billboard 200.
Her Loss was announced on Oct. 22 and then-slated for an Oct. 28 release. On Oct. 26, its release was postponed to Nov. 4. The set was released via streaming services and as an album download via digital retailers. A physical release for the set on CD or any other format has not been announced.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Nov. 19, 2022-dated chart will be posted in full on Billboard‘s website on Tuesday (Nov. 15). For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of Her Loss’ 404,000 equivalent album units earned, SEA units comprise 391,000 (equaling 513.56 million on-demand official streams of the set’s tracks), album sales comprise 12,000 and SEA units comprise 1,000.
Biggest Week for an R&B/Hip-Hop Album in 2022: Her Loss tallies not just the largest week for any R&B/hip-hop set in 2022, but the biggest since Drake’s own Certified Lover Boy debuted at No. 1 more than a year ago, with 613,000 units on the Sept. 18, 2021-dated chart. Among all albums in 2022, Her Loss nets the third-biggest week by units earned, trailing only the No. 1 debuts of Taylor Swift’s Midnights (1.578 million; Nov. 5 chart) and Harry Styles’ Harry’s House (521,000; June 4).
Fourth-Largest Streaming Week Ever: Her Loss captures the fourth-largest streaming week ever for an album, by total on-demand official streams of its combined tracks (513.56 million). Drake owns three of the top four biggest streaming weeks, and half of the top 10 largest weeks.
The Nos. 1 and 2 biggest streaming weeks were logged by the debut frames of Drake’s Scorpion (745.92 million in 2018) and Certified Lover Boy (743.67 million, 2021), respectively. Swift’s Midnights debut is No. 3 (549.26 million, 2022) and Lil Wayne’s opening week with Tha Carter V is No. 5 (433.02 million, 2018). Nos. 6-10 are the debuts of Post Malone’s beerbongs & bentleys (431.34 million, 2018), Juice WRLD’s Legends Never Die (422.63 million, 2020) and Lil Uzi Vert’s Eternal Atake (400.42 million, 2020), the second week of Drake’s Scorpion (390.98 million, 2018) and the opening frame of Drake’s More Life (384.84 million, 2017).
A Dozen No. 1 Albums: Drake’s even dozen No. 1 albums on the Billboard 200 continues to pull him closer to Jay-Z, who has the record for the most No. 1s among solo acts, with 14. The Beatles have the most No. 1s among all artists, as the Fab Four has 19 leaders. Below is a list of every act with at least 10 No. 1 albums on the Billboard 200, since the list began publishing on a regular weekly basis in March of 1956.
Most Billboard 200 No. 1s:19, The Beatles14, Jay-Z12, Drake11, Bruce Springsteen11, Barbra Streisand11, Taylor Swift10, Eminem10, Elvis Presley10, Ye (formerly known as Kanye West)
Taylor Swift’s Midnights falls to No. 2 on the latest Billboard 200 after spending its first two weeks atop the chart. The set earned 299,000 equivalent album units in the latest tracking week (down 13%). Lil Baby’s former No. 1 It’s Only Me dips 2-3 with 62,000 units (down 24%) and Bad Bunny’s chart-topping Un Verano Sin Ti slips out of the top three for the first time in its 27 chart weeks, as it shifts 3-4 with 58,000 units (down 8%).
Joji achieves his third top 10-charting effort on the Billboard 200 — all of which have debuted in the top five — as Smithereens opens at No. 5 with 57,000 equivalent album units earned. Of that sum, SEA units comprise 39,500 (equaling 52.95 million on-demand official streams of the set’s nine tracks), album sales comprise 17,500 and TEA units comprise a negligible sum. The set was led by the hit single “Glimpse of Us,” which became the artist’s first top 10 (and top 40) hit on the Billboard Hot 100, peaking at No. 8 on the July 2-dated list.
Rounding out the new Billboard 200’s top 10 are Morgan Wallen’s chart-topping Dangerous: The Double Album (falling 5-6 with 41,000 equivalent album units earned; though up 1%), The Weeknd’s The Highlights (6-7 with 39,000; down 4%), Styles’ Harry’s House (9-8 with 30,000; down 4%), Zach Bryan’s American Heartbreak (11-9 with 28,000; up 11%) and Steve Lacy’s Gemini Rights (17-10 with 27,000; up 32% following its release on vinyl on Nov. 4).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
For the third consecutive week, Taylor Swift dominates Australia’s main charts with Midnights (Universal) and its hit single, “Anti-Hero.”
Midnights continues its upbroken streak atop the latest ARIA Albums Chart, published Nov. 11, while “Anti-Hero” remains unchallenged atop the ARIA Singles Chart.
Swift’s 10th and latest studio album gets the better of four new releases, as Drake and 21 Savage’s collaborative album Her Loss (Republic/Universal), debuts at No. 2. The new LP has a notable impact on the ARIA Singles Chart, with four songs from it splashing in the top 10 — “Rich Flex” (at No. 3), “P***y & Millions” (No. 5), “Circo Loco” (No. 9) and “Major Distribution” (No. 10).
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A trio of homegrown recordings complete the top 5.
Japanese-Australian singer and songwriter Joji arrives at No. 3 with his sophomore set Smithereens (88R/Warner), his second No. 1 album after 2020’s Nectar.
Smithereens includes the ARIA song of the year-nominated number “Glimpse of Us,” which peaked at No. 1 on the national singles survey.
Dean Lewis lands at No. 4 with The Hardest Love (Island/Universal), the followup to 2019’s A Place We Knew, which hit No. 1 on the ARIA Albums Chart. The Hardest Love features the heartbreaking song “How Do I Say Goodbye,” which is climbing charts in the Lewis’ homeland and in the U.K. It’s up 31-29 on Australia’s current singles survey.
Homegrown indie act Slowly Slowly bows at No. 5 with Daisy Chain (UNFD/Orchard). That’s a career best for the Victorian act, besting the No. 7 peak for their third album, 2020’s Race Car Blues.
Over on the ARIA Singles Chart, Meghan Trainor’s return to doo-wop pays dividends as “Made You Look” (Epic/Sony) lifts 19-12, for a new peak position.
Finally, Glass Animals’ hit “Heat Waves” (Polydor/Universal) gathers steam as it passes a chart milestone. The slow-burner lifts 26-23 in its 101st week on the chart. “Heat Waves” broke early in Australia, where it won triple j’s Hottest 100 countdown in January 2021, and led the ARIA Chart for several months earlier this year.
SZA stitches together her sixth top 10 hit on Billboard’s Hot R&B/Hip-Hop Songs chart as “Shirt” debuts at No. 4 on the chart dated Nov. 12. The single, released Nov. 4 through Top Dawg / RCA Records, begins in the top 10 of both the genre’s sales and streaming charts as well.
“Shirt” arrives with 20.3 million official U.S. streams registered in the week ending Nov. 3, according to Luminate, enough to prompt a No. 2 start on the R&B/Hip-Hop Streaming Songs chart. In the same period, the track sold 3,000 downloads and enters at No. 9 on the R&B/Hip-Hop Digital Song Sales list. In addition, the song drew 990,000 in radio audience in the week. It ranks outside the 50-position R&B/Hip-Hop Airplay chart, though most singles are driven largely by streams and sales in their debut weeks, as airplay is traditionally the slowest-moving metric.
With “Shirt,” SZA nets her sixth top 10 on Hot R&B/Hip-Hop Songs. Here’s a look at her collection:
Song Title, Artist (if other than SZA), Peak Position, Peak Date“All the Stars,” with Kendrick Lamar, No. 5, Feb. 24, 2018“Good Days,” No. 3, Jan. 23, 2021“No Love,” with Summer Walker, No. 5, Nov. 20, 2021“I Hate U,” No. 1 (one week), Dec. 18, 2021“Beautiful,” DJ Khaled featuring Future & SZA, No. 10, Sept. 10, 2022“Shirt,” No. 4 (to date), Nov. 12, 2022
Beyond its impact on SZA’s chart ledger, “Shirt” returns another R&B veteran – Rodney “Darkchild” Jerkins – to the top tier thanks to his co-write and co-production credits. The hitmaker, whose resume includes work on defining hits such as Brandy and Monica’s “The Boy Is Mine” and Destiny’s Child “Say My Name,” cracks the Hot R&B/Hip-Hop Songs’ top 10 for the first time since January 2008. Then, he produced and co-wrote Keyshia Cole’s “Shoulda Let You Go,” featuring Amina, which exited the top 10 that month after having reached No. 7 a few weeks earlier.
Elsewhere, “Shirt” debuts at No. 3 on the Hot R&B Songs chart and gives SZA her 16th top 10 there.
Rihanna’s long-awaited return yields an immediate chart-topper as “Lift Me Up” debuts at No. 1 on Billboard’s Hot R&B/Hip-Hop Songs chart dated Nov. 12. The single, from the soundtrack to the Marvel Studios/Walt Disney Studios Motion Pictures film Black Panther: Wakanda Forever, gives the superstar her eighth champ on the list.
“Lift” traces its arrival on the Hot R&B/Hip-Hop Songs chart, which combines streaming, sales and radio airplay, to 22.6 million official U.S. streams in the week ending Nov. 3, according to Luminate. The sum sparks a No. 1 start on R&B/Hip-Hop Streaming Songs to secure Rihanna’s fifth career leader there. In the same period, the track sold 23,000 downloads and opens at No. 2 on the R&B/Hip-Hop Digital Song Sales list. On the airplay front, “Lift” registered 42.6 million in radio audience across all formats. (All airplay, regardless of genre format, contributes to a song’s rank on the Hot R&B/Hip-Hop Songs chart.)
The new champ gives Rihanna her eighth No. 1 on Hot R&B/Hip-Hop Songs, and her first in more than five years. Here’s a recap of her collection:
Song Title, Artist (if other than Rihanna), Weeks at No. 1, Reached at No. 1“Take a Bow,” one, Aug. 30, 2008“Diamonds,” 14, Oct. 20, 2012“The Monster,” Eminem featuring Rihanna, 13, Nov. 16, 2013“FourFiveSeconds,” with Ye & Paul McCartney, seven, Feb. 21, 2015“Work,” featuring Drake, 11, Feb. 13, 2016“Needed Me,” two, Sept. 24, 2016“Wild Thoughts,” DJ Khaled featuring Rihanna & Bryson Tiller, seven, July 29, 2017“Lift Me Up,” one (to date), Nov. 12, 2022
Elsewhere, “Lift Me Up,” likewise debuts at No. 1 on the Hot R&B Songs chart, where the superstar lands her sixth champ. The achievement extends her record as the female artist with the most No. 1s on the list, which began in 2012. Overall, Rihanna ranks third in the count, behind The Weeknd (nine) and Drake (seven).
On the all-genre Billboard Hot 100, “Lift” enters at No. 2.
Echoing its strong out-of-the-gate streaming and sales placements, the song also remains a force on multiple radio genre formats after the first full tracking week, which runs Monday – Sunday, following the song’s Oct. 28 release. It ascends 27-16 on Rhythmic Airplay, 24-18 on Adult Pop Airplay, 25-20 on Pop Airplay and 26-22 on Mainstream R&B/Hip-Hop Airplay. Plus, it repeats at No. 17 on Adult Contemporary.
After two weeks at the top of the U.K. albums chart, Taylor Swift’s golden run could come undone by Drake and 21 Savage.
The hip-hop pairing leads the midweek U.K. chart with Her Loss (via OVO/Republic Records), their first collaborative collection.
If it holds its position, Her Loss will become Drake’s fifth leader, after Views (from 2016), Scorpion (2018), Dark Lane Demo Tapes (2020), and Certified Lover Boy (2021), and Savage’s first.
Swift’s 10th and latest album Midnights (EMI) dips 1-2 on the Official Chart Update, after a two-week stint at the summit. Though nothing is certain as the race enters the second half. Swift, meanwhile, is en route to a third consecutive week atop the Official U.K. Albums chart with “Anti-Hero,” which leads the midweek survey.
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Further down the albums chart blast, Swedish folk duo First Aid Kit eye third spot with Palomino (Columbia), their fifth studio album. If it maintains its course, Palomino will give the act (Johanna and Sara Söderberg) a second top 5 effort, after 2018’s Ruins peaked at No. 3.
Close behind is Welsh entertainer Luke Evans’ A Song For You (BMG), new at No. 4 on the midweek survey, for what would be a career best chart position.
The top 5 on the chart blast is completed by the Prodigy’s third album The Fat of the Land (XL Recordings), which is re-issued to celebrate its 25th anniversary. The set, which yielded the hits “Breathe,” “Firestarter” and “Smack My B**** Up” hit No. 1 on both sides of the Atlantic following its original release in 1997.
Veteran Irish crooner Daniel O’Donnell could bag his 20th top 10 album with I Wish You Well (DMG TV), new at No. 6 on the midweek survey, while Japanese-Australian singer and songwriter Joji (real name George Kosunoki Miller) could snag his second top 10, with Smithereens (12Tone Music) eyeing a No. 8 bow.
Finally, Girl Power is back, as Spice Girls’ 1997 album Spiceworld (UMR/Virgin) makes a splash on the midweek chart at No. 12. The pop group’s sophomore album debuted at No. 1 following its initial release, and enjoys boost thanks to the release of a 25th anniversary edition.
All will be revealed when the Official U.K. Albums Chart is published late Friday (Nov. 11).
Taylor Swift is on the brink of her longest-running No. 1 in the U.K., as “Anti-Hero” takes pole in the race to the top.
The Midnights number has led the Official U.K. Chart for two consecutive weeks, equaling the reign of her 2017 single “Look What You Made Me Do.”
Based on early sales and streaming data compiled by the Official Charts Company, “Anti-Hero” is on target for a third week at No. 1, while “Lavender Haze” (6-12) and “Snow On The Beach” (8-15), featuring Lana Del Rey, are set to tumble out the top tier.
“Anti-Hero” leads the First Look chart, ahead of Sam Smith and Kim Petras’ “Unholy,” while Rihanna’s comeback track “Lift Me Up” appears set to slip 3-9.
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The big takeaway from the chart blast is the impact of Drake and 21 Savage’s collaborative album, Her Loss. Three tracks from the new LP, which dropped last Friday (Oct. 4) are set to impact the top 10: “Rich Flex” (No. 3), “Major Distribution” (No. 4) and “On BS” (No. 5).
Should the trio of tracks maintain momentum, Drake’s total of U.K. top 10 singles would rise to 37, the OCC reports, while 21 Savage could boast five.
Meghan Trainor is eyeing a rare top 10 appearance with “Made You Look,” which is on the climb in the early stages of the chart cycle. The U.S. pop singer’s latest single is set to climb 14-10, for Trainor’s fourth top 10 appearance, and first in seven years, since 2015’s leader “Marvin Gaye” with Charlie Puth.
Finally, British rapper and songwriter K-Trap appears set to be the week’s big gainer, according to the OCC, with “Warm” ready to vault into the top 20, at No. 19, what would be a peak position.
All will be revealed when the Official U.K. Singles Chart is published late Friday (Nov. 11).
