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Miley Cyrus should take the bouquet once again in the U.K. chart race, as “Flowers” (via Columbia) takes a considerable early lead.
Cyrus’ latest hit is “flying” on the midweek chart, the OCC reports, and is well-placed to snag a fifth consecutive week at No. 1 on the Official U.K. Singles Chart, when it’s published late Friday (Feb. 17).
“Flowers” is easily Miley’s longest-reigning No. 1 in the U.K., beating the single-week runs for her previous leaders “We Can’t Stop” and “Wrecking Ball,” both from 2013.
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Also on the latest chart blast, PinkPantheress could pounce to a new peak position — and a career high — with “Boy’s a liar” (Warner Bros). The tune, which is juiced-up by the release of a remix featuring rising U.S. rapper Ice Spice, lifts 15-4 on the Official Chart Update.
The BBC Sound of… 2022 winner has three top 40 singles to her name, with “Boy’s a liar” last week giving her a first-ever top 10 appearance.
Meanwhile, Coi Leray’s viral number “Players” (Uptown/Republic Records) is shuffling up the chart, and is on the verge of giving the U.S. rapper a first top 10. It’s up 12-11 on the midweek survey.
Finally, Linkin Park makes a noteworthy impact on the chart blast with “Lost” (Warner Bros), a previously unreleased track which features vocals from the band’s late leader singer Chester Bennington.
It’s set to appear at No. 16 on the chart blast, for the nu metal act’s 18th U.K. top 40 appearance. “Lost” is one of six unreleased songs on Meteora 20, the 20th anniversary edition of their sophomore album. Meteora 20th Anniversary Edition will be released through Warner Records on April 7.
Miley Cyrus “Flowers” (Columbia) continues to grow in the U.K., where it logs a full month at No. 1.
Accumulating more than 9.3 million streams during the latest cycle, “Flowers” continues its streak as the most-streamed track in the U.K. for a fourth consecutive week.
“Flowers” is by some distance Miley’s longest-reigning No. 1 in the U.K., beating the single-week runs for her previous leaders “We Can’t Stop” and “Wrecking Ball,” both from 2013.
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After enjoying a second, viral life on TikTok, U.S. R&B singer Miguel continues his march up the U.K. chart with “Sure Thing” (Jive). Miguel’s 2010 release lifts 6-4 for a new peak.
Hotly-tipped British singer and songwriter PinkPantheress nabs her first U.K. top 10 with “Boy’s a liar” (Warner Records), up 45-8 on the latest chart, published Feb. 10. “Boy’s a liar” flies following the release of a remix featuring rising U.S. rapper Ice Spice. PinkPantheress won the BBC Sound of 2022, an annual poll that has previously been awarded to the likes of Adele, Sam Smith, Haim and Jessie J.
Also cracking the U.K. top 10 is Tiësto and Tate McRae’s party number “10:35” up 13-10. “10:35” becomes Tiësto’s fifth and Tate’s second U.K. top 10 appearance.
Finally, there’s new peaks for U.S. rapper and singer Coi Leray, as “Players” (Uptown/Republic Records) improves 19-12; Australian rapper and singer The Kid LAROI’s “Love Again” (Columbia) rises 18-16; Afrobeats artist Libianca’s “People” (5K) bounces 22-17; Philadelphia singer and songwriter Lizzy McAlpine makes her top 40 debut with “Ceilings” (Harbour Artists & Music) up 50-27; Pink’s collaboration with Fred Again, “Trustfall” (RCA), soars 59-28, for the Philly native’s 38th U.K. top 40 single; and U.S. teen D4VD (pronounced David) snags a second top 40 entry as “Here With Me” (Darkroom) improves 46-40.
SZA’s SOS jumps back to No. 1 on the Billboard 200 albums chart (dated Feb. 18), collecting an eighth nonconsecutive week atop the list. It earned 100,000 equivalent album units in the U.S. in the week ending Feb. 9 (up less than 1%), according to Luminate.
The last album by a woman with eight weeks at No. 1 was Taylor Swift’s Folklore, more than two years ago, as it notched its eighth and final week atop the list on the chart dated Oct. 31, 2020.
Also in the top 10 on the new Billboard 200, Shania Twain captures her sixth top 10-charting album, as her latest studio effort, Queen of Me, debuts at No. 10.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Feb. 18, 2023-dated chart will be posted in full on Billboard‘s website on Tuesday (Feb. 14). For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of SOS’ 100,000 equivalent album units earned in the week ending Feb. 9, SEA units comprise 99,000 (up less than 1%, equaling 135.4 million on-demand official streams of the set’s tracks), album sales comprise 500 (up 2%) and TEA units comprise 500 (up 8%). SOS has yet to be released for sale on any configuration other than a digital download album.
The last R&B/hip-hop album with at least eight weeks atop the list was Drake’s Views, which 13 nonconsecutive weeks at No. 1 (May 21-Oct. 8, 2016). SOS has the most weeks at No. 1 for an R&B/hip-hop album by a woman, or an R&B album by a woman, since Mariah Carey’s Music Box spent eight nonconsecutive weeks at No. 1 in late 1993 and early 1994. SOS has the most weeks at No. 1 for an R&B album by any act since Usher‘s Confessions ruled for nine nonconsecutive weeks in 2004.
R&B/hip-hop and R&B albums are defined as those that have hit or are eligible for Billboard’s Top R&B/Hip-Hop Albums and Top R&B Albums charts, respectively.
Four former No. 1s trail SZA, as Swift’s Midnights rises 3-2 (62,000 equivalent album units; down 9%), TOMORROW X TOGETHER’s The Name Chapter: TEMPTATION falls 1-3 (48,000; down 70%), Morgan Wallen’s Dangerous: The Double Album climbs 6-4 (46,000; up 8%) and Metro Boomin’s Heroes & Villains dips 4-5 (nearly 46,000; down 3%).
The Weeknd’s The Highlights vaults 41-6 with 45,000 equivalent album units earned (up 207%). The best-of effort contains such hits as “Blinding Lights” and the resurgent “Die for You” (from The Weeknd’s studio albums After Hours and Starboy, respectively). On the new chart, the TEA and SEA units for those songs contribute to The Highlights, as a song’s activity is assigned to the artist’s album with the most traditional album sales in a week. (The Highlights sold nearly 1,000 copies in the latest tracking week, while After Hours and Starboy each sold under 1,000.) A week ago, the TEA and SEA for the songs were directed to After Hours and Starboy, respectively, as they outsold The Highlights that week.
Bad Bunny’s chart-topping Un Verano Sin Ti rises 8-7 with 45,000 equivalent album units earned (up 16%), while Drake and 21 Savage’s former leader Her Loss falls 5-8 with 43,000 (down 2%).
Harry Styles’ former No. 1 Harry’s House returns to the top 10, climbing 13-9 (38,000; up 51%), following its win for album of the year at the Grammy Awards (Feb. 5). The set also took home the trophy for best pop vocal album, while Styles additionally performed on the show, singing the set’s single “As It Was.”
Twain closes out the top 10 of the new Billboard 200, as her latest studio album, Queen of Me, debuts at No. 10 with 38,000 equivalent album units earned. Of that sum, album sales comprise 34,000; SEA units comprise 3,500 (equaling 4.92 million official on-demand streams of the set’s tracks) and TEA units comprise 500. Twain previously visited the top 10 with Now (No. 1 in 2017), Greatest Hits (No. 2; 2004), Up! (No. 1, 2002), Come On Over (No. 2, 1997) and The Woman In Me (No. 5, 1996).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Bizarrap and Shakira hold strong atop the Billboard Argentina Hot 100 chart as “Bzrp Music Sessions, Vol. 53” leads for a third consecutive week on the Feb. 4-dated ranking.
While Luck Ra’s “Ya No Vuelvas,” featuring La K’Onga and Ke Personajes, remains at No. 2, “Muñecas,” the partnership by TINI, La Joaqui and Steve Aoki, lifts 5-3; the closest La Joaqui and Aoki have been to the top 10 the 100 title-deep chart.
Miley Cyrus’ “Flowers” drops 3-4, while Cris Mj, Duki and Nicki Nicole’s “La Marisola,” featuring Standly, dips 4-5. Plus, Argentinian urban artist BM secures his first top 10 with “M. A. (Mejores amigos)” as the track ascends 13-7 in its ninth week.
The week’s Greatest Gainer honors goes to Lil Cake & Migrantes’ “Mercho,” featuring Nico Valdi, rallies up the chart 64 rankings: from No. 78 to No. 14; the most since Luar La L’s “Calle” also surged 64 positions (90-26) in Aug. 2022.
Elsewhere, Feid’s “Chorrito Pa Las Animas” scores the Hot Shot Debut of the week at No. 78, the Colombian’s 10th entry. Further, Rosalía’s latest single “LLYML” opens at No. 86. Plus, Callejero Fino claims his 11th career entry as “Que Te Vaya Bien” starts at No. 95.
Finally, Ovy On The Drums and Ozuna’s “Chao Bebe” debuts at No. 98.
It took more than 25 years, but Kenny Lattimore returns to the peak of Billboard’s Adult R&B Airplay chart and earns his second No. 1 with “Take a Dose.” The single, released on SoNo, advances from No. 2 to lead the list dated Feb. 11 after a 12% surge in plays that made it the most-played song on U.S. monitored adult R&B stations in the week ending Feb. 2, according to Luminate.
“Dose” gives the R&B singer his second champ on Adult R&B Airplay, following “For You” in 1997. The prior champ reigned for 17 weeks that year, and at the time, was the song with the most weeks at No. 1 in the chart’s history, from its 1993 launch. Now, it still ranks in the top-five longest runs at the summit:
Weeks at No. 1, Song Title, Artist, Date Reached No. 118, “Fortunate,” Maxwell, May 22, 199918, “So in Love,” Jill Scott featuring Anthony Hamilton, July 2, 201117, “For You,” Kenny Lattimore, April 19, 199717, “Adorn,” Miguel, Nov. 17, 201217, “Blurred Lines,” Robin Thicke featuring T.I. + Pharrell, Aug. 17, 2013
Between his two chart-topping singles, Lattimore landed four top 10s: “Days Like This” (No. 4, 1998); “If I Lose My Woman” (No. 10, 1999); “Love Me Back” (No. 8, 2015) and “Stay on Your Mind” (No. 7, 2018). In addition, he scored an additional top 10 with his debut entry on the list, “Never Too Busy,” which peaked at No. 2 in 1996.
“We did it!,” Lattimore wrote in a Twitter post. “Thanks to UAC [urban AC] radio, streaming media and fans who have supported my new album #HereToStay and this journey to “Take A Dose” reaching #1. I’m grateful for all the love and support!”
Elsewhere, “Dose” jumps 23-19 on the R&B/Hip-Hop Airplay chart, which ranks songs based on combined audience totals from adult R&B and mainstream R&B/hip-hop radio stations. There, the four-spot rise comes through a 14% weekly increase to 6.1 million in audience in the week ending Feb. 2. As “Dose” cracks the top 20, it becomes Lattimore’s second song among 15 entries to reach the mark. No surprise – “For You” is the other, as it reached a No. 10 best in May 1997.
Miley Cyrus’ “Flowers” (via Columbia) is showing staying power in the U.K., where it’s on track for a fourth consecutive week at No. 1.
“Flowers” leads the midweek chart, and is already Cyrus’ longest-reigning U.K. No. 1, eclipsing “We Can’t Stop” and “Wrecking Ball,” which both spent a single week at the chart summit in 2013.
Also on the Official Chart Update, Miguel’s “Sure Thing” continues to climb, thanks to the viral impact of TikTok. Originally released back in 2010, “Sure Thing” (Jive) is set for its first appearance in the top 5, up 7-5 on the U.K. chart blast.
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Meanwhile, Dutch DJ and EDM producer Tiësto and Canadian singer Tate McRae’s “10:35” (Atlantic/Ministry of Sound) is on the verge of a top 10 breakthrough, lifting 13-9 on the midweek survey.
Also noteworthy is Mimi Webb’s “Red Flags.” which is on the way up following the British singer and songwriter’s appearance on BBC’s The Graham Norton Show. “Red Flags” is set to improve 19-12, a new peak less than a month prior to the release of her debut album, Amelia, on March 3.
Finally, Coi Leray’s catchy “Players” (Uptown/Republic Records) makes a midweek move, up 20-12; while The Kid LAROI’s new single “Love Again” continues to climb. The second taste from the Sydney singer and rapper’s debut album The First Time, “Love Again” (Columbia) looks set to improve 22-17.
All will be revealed when the Official U.K. Singles Chart is published late Friday.
Shania Twain’s Queen Of Me (via EMI) is all set to be crowned on the U.K. albums chart.
The iconic Canadian country star lead the midweek chart with Queen, her sixth studio album and just her second across two decades.
It if holds its course, Queen of Me will become Twain’s third U.K. chart leader following Come On Over (1998) and Now (2017), her last studio album.
According to the Official Charts Company, Raye is “hot on Shania’s heels” with My 21st Century Blues (Human Re Sources), the British singer and songwriter’s debut LP. Blues features the U.K. No. 1 hit “Escapism,” featuring 070 Shake.
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Indie rock trio Young Fathers is on track to complete the podium with Heavy Heavy (Ninja Tune), their fourth studio album. It’s new at No. 3 on the Official Chart Update, for what would be a career-best for the Scots, and an all-new top three.
Based on midweek data, Sam Smith’s Grammy Award-winning fourth album Gloria (Capitol) will be bumped from the summit after one week, tumbling 1-11.
Further down the list, The Waeve look to make a splash with their eponymously titled debut, via Transgressive. Formed by Blur guitarist and singer Graham Coxon and former the Pipettes singer Rose Elinor Dougall, the Waeve’s debut is set to debut at No. 5 on the Official U.K. Chart. As a member of Blur, the OCC reports, Graham has 10 U.K. top 40 albums under his belt. He also contributed to Duran Duran’s Future Past, which opened and peaked at No. 3 in 2021.
Finally, Beyonce is on the bounce following the announcement of a U.K. leg to her Renaissance World Tour. The U.S. superstar singer’s Renaissance (Columbia/Parkwood Ent) album could return to the top 20, at No. 19, following news of her U.K. stadium run, set for in May and June 2023.
All will be revealed when the Official U.K. Albums Chart is revealed late Friday.
Miley Cyrus’ “Flowers” (Columbia) continues to grow, as it powers to No. 1 in the U.K. for a third consecutive week.
“Flowers” accumulates more than 106,000 chart units during the chart cycle, outpacing its nearest rival, Raye’s “Escapism” (Human Re Sources) featuring 070 Shake, by more than two-to-one.
It’s the most-streamed song of the week in the U.K., with more than 12 million streams, the Official Charts Company reports.
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“Flowers” is already Miley’s longest-reigning No. 1 in the U.K., beating the single-stretch runs for her previous leaders “We Can’t Stop” and “Wrecking Ball,” both from 2013.
After going viral on TikTok, Miguel’s 2010 single “Sure Thing” (Jive) finds new life on the chart, lifting 10-6. That’s a new peak position for “Sure Thing,” and the U.S. artist’s highest ever chart place in the U.K.
This top debut this week belongs to KSI and Oliver Tree with “Voices” (Atlantic), new at No. 11. The collaborative single is KSI’s 18th and Tree’s third U.K. top 40 appearance.
The next-best new entry belongs to Australian singer and rapper The Kid LAROI, whose “Love Again” (Columbia) bows at No. 19, while his hit 2021 collaboration “Stay” with Justin Bieber reenters the top 40 for the first time in just under a year, at No. 37. “Love Again” is the second cut from the Kid’s forthcoming debut album, The First Time, which is set for release later this year
And finally, Pink gains her 37th U.K. top 40 single with “Never Gonna Not Dance Again,” produced by regular collaborators Max Martin and Shellback. It’s up 46-40.
“Never Gonna Not Dance Again” is lifted from the Philadelphia pop superstar’s ninth studio album Trustfall, due out Feb. 17.
Sam Smith kicks a hattrick of U.K. No. 1s as Gloria (via Capitol) debuts at the chart summit.
Gloria, which features the chart-topping, Grammy Award-winning hit “Unholy,” featuring Kim Petras, tops the Official U.K. Albums Chart, equaling the result of their 2014 debut In The Lonely Hour and 2017’s The Thrill Of It All. Smith’s third and most recent album, Love Goes, peaked at No. 2 in 2020.
Gloria is also the U.K.’s best-selling LP on wax, to lead the Official Vinyl Albums Chart.
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Meanwhile, Eminem makes a long overdue return to the U.K. top 5 with Curtain Call – The Hits (Interscope), the Rap God’s hits compilation. It lifts 7-5 for its first stint in the top 5 since its release back in December 2006, the OCC reports, and its 551st week on the chart. Meanwhile, Em’s fourth studio effort, 2002’s The Eminem Show, returns to the top 40 for the first time in almost two decades, up 58-40.
Bob Dylan snags his 42nd Top 10 LP on the latest chart, published Feb. 3, with Fragments – The Time Out Of Mind Sessions 17 (Sony Music CG), the latest instalment in his “Bootlegs” series. It’s new at No. 9.
Fragments assembles new mixes, outtakes and rarities from sessions from 1997’s Time Out Of Mind, an album that peaked at No. 10 in the U.K
Just outside the top 10 on the latest frame is Diamonds & Dancefloors (Atlantic), the second studio album from Albanian-American pop artist Ava Max. It’s new at No. 11. Diamonds & Dancefloors is the followup to 2020 debut Heaven & Hell, which peaked at No. 2.
Finally, Atlanta rapper Lil Yachty sails to a career-best with his fifth studio album Let’s Start Here (EMI). It’s new at No. 32, for Yachty’s first-ever U.K. top 40.
Sam Smith is on top in the land Down Under, as Gloria (via Capitol/Universal) bows at No. 1 on the ARIA Chart.
Gloria is Smith’s fourth consecutive top 10 album in Australia, and second No. 1 after In The Lonely Hour hit the summit in 2014.
The latest LP enjoyed a lift from Smith’s recent visit to Australia, a brief summer break during which the British singer performed for competition winners and VIPs at the d’Arenberg vineyards at McLaren Vale, outside of Adelaide.
It’s not Smith’s first time atop the leaderboard in Australia this year. “Unholy” featuring Kim Petras, the hit song from Gloria, returned to No. 1 last month on the ARIA Singles Chart for a sixth non-consecutive week.
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Smith will return to Australia in October and November 2023 for a run of arena dates, produced by Frontier Touring.
Gloria is one of just three new arrivals on the latest ARIA top 40, published Feb. 3.
Further down the list, Bob Dylan’s Fragments—Time Out of Mind Sessions (1996-1997) The Bootleg Series, Vol. 17 (via Columbia/Legacy) bows at No. 26. The legendary songsmith’s album isn’t quite a new entry, but rather the latest in a series that revisits his Grammy Award-winning 1997 album Time Out of Mind, with a remix of the original set and bonus outtakes, alternate versions and live cuts.
Meanwhile, Lil Yachty sails in at No. 37 on the ARIA Chart with Let’s Start Here (Capitol/Universal), the Atlanta rapper’s fifth album, and a sonic pivot to psychedelic space rock.
Over on the ARIA Singles Chart, Miley Cyrus’ “Flowers” (Columbia/Sony) continues to bloom, for a third consecutive week at No. 1.
Australia-bred singer and songwriter The Kid LAROI returns to the national tally, this time with “Love Again” (Columbia/Sony), new at No. 14. It’s the second taste off the Kid’s forthcoming debut album, The First Time, set for release later this year.
After catching fire on TikTok, Coi Leray’s “Players” (Universal) completes the crossover with a top 40 chart appearance in Australia. The Grandmaster Flash-sampling single, a modern-day spin on the 1982 seminal hit “The Message,” arrives at No. 31.
Finally, a raft of tracks enjoy a lift on the national chart following last Saturday’s (Jan. 28) Hottest 100 countdown on triple j. The winner of the poll, Flume and MAY-A’s “Say Nothing” (Future Classic) returns at No. 4, easily eclipsing its peak of No. 16 from February 2022, while tracks from Spacey Jane, Eliza Rose, Steve Lacy and others enjoy a post-Hottest 100 bump.