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Emilia, Big One and Callejero Fino’s “En La Intimidad” rules the Billboard Argentina Hot 100 chart (dated March 18) for a fourth week. It joins Bizarrap and Shakira’s “Bzrp Music Sessions, Vol. 53” as the only other title to crown the ranking for at least four weeks in 2023.
Karol G and Shakira’s “TQG” holds steady at No. 2 for a third week, encompassing its entire run on the chart. TINI’s “Cupido” rebounds 4-3, while BM’s “M. A. (Mejores Amigos)” climbs 5-4 for a new peak after it held strong at No. 5 for a four consecutive weeks. Plus, Lil Cake and Migrantes also make progress as “Mercho,” featuring Nico Valdi, rises to its No. 5 high.
Argentinian Ecko earns his first top 10 on the 100-deep tally as “Te Escapas De Mis Brazos,” his partnership with Callejero Fino and El Perro, ascends 14-10. The rapper had reached a No. 37 high with first entry “Matatan,” with Cazzu, Brray, Alan Gómez, Kaleb Di Masi and Dj Tao, in March 2022. While Fino ups his top 10 career count to five, El Perro secures his second top 10.
The week’s Greatest Gainer honors goes to Ke Personajes’ “Pobre Corazón,” featuring Onda Sabanera, which rallies 54-16. It’s the highest ranking for the Colombian cumbia ensemble, while Argentinian Ke Personajes reached No. 1 through their featuring turn on Luka Ra’s “Ya No Vuelvas,” which also features La K’onga, in February.
Nicki Nicole’s “No Voy a Llorar :’)” takes the Hot Shot Debut of the week, at No. 36. It’s her highest start since “Ya Me Fui,” with Bizarrap and Duki, opened at No. 15 in July 2021.
Elsewhere, seven other songs debut this week, starting with Wisin, Emilia and Lyanno’s “Tu Recuerdo” at No. 63. La Planta, Bm and Alejo Isakk’s “Discoteca,” featuring Locura Mix, follows at No. 72. Plus, Puerto Rican trap artist Young Miko achieves her first entry with “Lisa” at No. 74. Meanwhile, Mambo Kingz and DJ Luian make their comeback after almost four years with “Más Rica Que Ayer,” with Anuel AA, at No. 75.
Further, Mya and Cali y El Dandee’s “Legendaria” bows at No. 78. Lolo OG, Callejero Fino, and Alejo Isakk’s “Azote (remix)” debuts at No. 84. And lastly, Milo J scores his third entry with “Morning” at No. 97.
Chris Brown becomes only the fifth artist to reach 10 No. 1s on Billboard’s R&B/Hip-Hop Airplay chart as “Under the Influence” captures the crown of the list dated March 25. The coronation caps a journey for the sleeper hit, which first appeared as a track on the deluxe edition of Brown’s 2019 Indigo album and blew up on TikTok in 2022 to ignite a successful radio campaign.
“Influence” climbs from No. 2 to rule R&B/Hip-Hop Airplay. The song is the most-heard song on U.S. monitored R&B/hip-hop and adult R&B radio stations, with 21.7 million in audience impressions in the week ending March 16, a 2% increase from the prior week.
With “Influence,” Brown nabs his 10th No. 1 on R&B/Hip-Hop Airplay and is the fifth artist to cross the double-digit barrier since the chart launched in 1992. Drake leads all acts, with 29 champs, followed by Usher (15), Lil Wayne (12) and Brown and Beyoncé (10 each).
Here’s a full recap of Brown’s 10 leaders:
Song Title, Artist (if other than Chris Brown), Weeks at No. 1, Date Reached No. 1“Say Goodbye, six, Oct. 14, 2006“Deuces,” featuring Tyga & Kevin McCall, nine, Sept. 11, 2010“Look at Me Now,” featuring Lil Wayne & Busta Rhymes, eight, April 2, 2011“Loyal,” featuring Lil Wayne & French Montana or Too $hort or Tyga, eight, June 7, 2014“New Flame,” featuring Usher & Rick Ross, four, Oct. 25, 2014“Hold You Down,” DJ Khaled featuring Chris Brown, August Alsina, Future & Jeremih, five, Nov. 15, 2014“All Eyes on You,” Meek Mill featuring Chris Brown & Nicki Minaj, one, Sept. 26, 2015“No Guidance,” featuring Drake, 27, Aug. 24, 2019“Go Crazy,” with Young Thug, 29, Aug. 22, 2020“Under the Influence,” one (to date), March 25, 2023
Among Brown’s 10 No. 1s, “Influence” wraps the longest journey to the top spot. It enters the summit in its 21st week on the list, passing the 20-week trek that “Loyal” needed to its reign in 2014.
Notably, the new champ also secures a milestone achievement for co-writer Davido, who captures his first No. 1 on R&B/Hip-Hop Airplay as a songwriter. The Afrobeats star, as an artist, earned his career best rank with a No. 13 high for “Fall” in 2019.
Elsewhere, “Influence” wins a third term at No. 1 on the Mainstream R&B/Hip-Hop Airplay chart, which measures the most-played songs on U.S. monitored R&B/hip-hop radio stations, despite a 2% weekly drop in plays. It also enters the top 10 on Pop Airplay with a 12-10 rise with essentially a net movement in plays in latest tracking week. It’s his second top 10 on Pop Airplay in a little over two years, since “Go Crazy,” with Young Thug, capped a 14-week run in the top 10 on March 27, 2021. “Crazy” was his first Pop Airplay top 10 since “Don’t Wake Me Up” hit No. 6 in 2012.
Thanks to its standing at R&B/hip-hop and pop radio, “Influence” holds at its No. 6 peak thus far on the all-genre Radio Songs chart. There, it registered 55.4 million in total audience for the week, essentially even with its performance in the previous frame.
U2 is on the brink of ending a decade-long drought in the U.K., where the Irish rockers’ Songs of Surrender (via Island) is cantering to No. 1.
The collection will be tough to overcome in the chart race. Based on midweek sales and streaming data, Songs of Surrender is outselling the rest of the top 5 combined, according to the Official Charts Company, and should become the band’s 11th leader when the chart proper is published late Friday (March 24).
The last time U2 was crowned on the U.K. chart was 2009 with No Line on the Horizon, while subsequent releases Songs of Innocence (from 2014, peaking at No. 6) and Songs of Experience (from 2017, peaking at No. 5) both cracked the top 10.
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On Songs of Surrender, Bono, The Edge, Adam Clayton and Larry Mullen Jr. revisit — and rework — 40 songs from across their 40-plus year career, including “One,” “Bad,” “Who’s Gonna Ride Your Wild Horses,” “I Still Haven’t Found What I’m Looking For,” “Desire,” “With Or Without You,” “I Will Follow,” and more.
The compilation, a companion to singer Bono’s recent memoir, Surrender: 40 Songs, One Story, leads the Official Chart Update, ahead of Miley Cyrus‘ Endless Summer Vacation (RCA), set to dip 1-2.
The Rock And Roll Hall of Famers could see another hits collection surge into the top 40. The November 2006 compilation U218 Singles (Mercury) reenters the midweek chart at No. 33, having peaked at No. 6 following its initial release.
Meanwhile, Brighton, England indie-rock foursome Black Honey could stick a second top 10 record with A Fistful of Peaches (FoxFive). It’s new at No. 3 on the Official Chart Update, and could become the band’s highest-charting album (2021’s Written & Directed reached No. 7).
Also, U.S. pop-punk veterans All Time Low are heading for a fifth U.K. top 10 with Tell Me I’m Alive (Parlophone), new at No. 6 on the chart blast.
Finally, with Taylor Swift’s The Era Tour getting away to a buzzy start in North America, Swifties on the other side of the Atlantic are gobbling up her music, in anticipation of their turn.
Four of the U.S. pop superstar’s LPs rise on the Official Albums Chart Update: Midnights (up 12-7), 2014 (32-25), Lover (51-29) and folklore (58-37), all via EMI. Swift’s U.K. tour dates have yet to be announced.
Taylor Swift’s surprise four-pack should have an immediate impact on the U.K. singles chart.
The U.S. pop superstar last Friday (March 17) dropped a batch of recordings, including “All The Girls You Loved Before” a previously-unreleased song that didn’t make the final pressing of 2019’s Lover LP.
Perhaps it should have made the cut. “All The Girls” is on track for the week’s highest debut, at No. 7, for what would be Swift’s 22nd top 10 appearance, according to the Official Charts Company’ first chart blast of the week.
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Swift’s fresh four songs included re-recordings of Swift’s The Hunger Games tracks, plus “If This Was a Movie (Taylor’s Version),” all dropping on the eve of her The Eras Tour opener.
At the top end of the First Look chart, which captures sales and streaming data from the first 48 hours in the cycle, Miley Cyrus’ “Flowers” is on target for a 10th consecutive week at No. 1.
Calvin Harris and Ellie Goulding could have a say in that. The pair’s latest collaboration, the ‘90s rave-channeling “Miracle” is set to lift 3-2 in its second week. Meanwhile, Pinkpantheress appears to have missed the chance for a maiden No. 1 with “Boy’s a liar,” which, after several weeks at No. 2, slips to No. 8 on the chart blast.
Further down the list, BTS’ Jimin could snag his debut solo top 20 with “Set Me Free Pt. 2.” It’s new at No. 14 on the chart blast, coming soon after bandmate J-Hope cracked the top 40 (and made chart history) with his J. Cole collaboration, “On The Street.”
Finally, Lewis Capaldi could crack the top 20 with his new tear-jerker, “How I’m Feeling Now,” set to arrive at No. 19, while Irish singer-songwriter Hozier is hovering just outside the top 20 with his comeback single “Eat Your Young.” It’s new at No. 21 on the chart blast, the OCC reports, and is expected to become the “Take Me To The Church” singer’s third first top 40 single and first in eight years — since “Someone New” hit No. 19 in 2015.
All will be revealed when the Official U.K. Singles Chart is published late Friday.
Miley Cyrus nabs a rare U.K. chart double as Endless Summer Vacation (via Columbia) debuts at No. 1 on the national albums survey and “Flowers” extends its streak atop the singles tally.
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Endless Summer Vacation, Cyrus’ eighth studio album, had led the midweek chart by a wide margin and finishes the chart week in first place.
It’s the U.S. pop star’s second U.K. albums chart leader, following 2013’s Bangerz, and sixth career top 10 appearance. Also, it’s the second time Cyrus has simultaneously led both main charts, which did she with Bangerz and “Wrecking Ball.” Cyrus is the first artist to complete the double in 2023, and the first since Taylor Swift did it in October 2022 with “Anti-Hero” and Midnights.
As previously reported, “Flowers” enters a ninth consecutive week at No. 1 on the Official U.K. Singles Chart, published March 17.
Meanwhile, The Weeknd’s hits collection The Highlights (Republic Records/XO) lifts 3-2 for an equal high position in its 110th week on the chart.
Coming in at No. 3 on latest albums tally is Sleaford Mods’ UK GRIM (Rough Trade), the indie electronic duo’s 13th studio album. UK GRIM becomes the pair’s fourth top 10 LP, and a career-best position, going one better than 2021’s Spare Ribs, which peaked at No. 4.
Further down the list, legendary Northern Irish singer-songwriter Van Morrison lands his 43rd U.K. top 40 album with Moving on Skiffle (Exile), new at No. 16. It’s the followup to 2021’s Latest Record Project, Volume 1, which peaked at No. 5.
And finally, Ward Thomas earns a fourth top 40 with Music in the Madness (WTW Music), the country-pop duo’s fifth studio album. It’s new at No. 31.
Miley Cyrus takes the plaudits once again on the U.K. singles survey with “Flowers” (via Columbia), while a throwback rave tune roars to a fast start.
Calvin Harris and Ellie Goulding grab the highest new entry on the Official U.K. Singles Chart with “Miracle” (Columbia), their latest collaboration.
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The trance track bows at No. 3, for Harris’ 29th and Goulding’s 12th top 10 hit. Also, it’s their third — and peak position — as a duo following 2012’s “I Need Your Love” (No. 4) and 2014’s “Outside” (No. 6).
Meanwhile, a string of singles score top 10 peaks this week — Rema’s “Calm Down” (up 6-5 via Mavin), Lizzy McAlpine’s “Ceilings” (7-6 via Harbour Artists & Music), Libianca’s “People” (8-7 via 5K), and Strandz’s “Us Against The World” (Relentless), which gives the London rapper his first-ever U.K. top 10 entry.
Further down the list, British hip-hop artist Digga D lands his 13th top 40 with “Energy” (Black Money), new at No. 19.
Mae Muller, the U.K. entry for the Eurovision Song Contest, is enjoying positive early feedback from her homeland. Muller’s “I Wrote A Song” (Capitol) debuts at No. 30, for her highest chart position as a solo artist. According to the Official Charts Company, it’s the first U.K. Eurovision entry to debut inside the top 40 since Blue’s “I Can,” which peaked at No. 16 back in 2011.
At the top of the tally, published March 17, “Flowers” secures a ninth week at No. 1. Its parent album Endless Summer Vacation starts at the summit of the Official U.K. Albums Chart, giving the U.S. pop star a rare chart double. Album tracks “River” (No. 16) and “Jades” (No. 27) mark their entries on the national singles survey.
There’s no end in sight for Miley Cyrus’ chart reign in Australia as the pop star snags a rare chart double.
Cyrus’ “Flowers” (via Columbia/Sony) enters a ninth week at the singles chart summit, published Friday (March 17), and its parent Endless Summer Vacation debuts at No. 1 on the national albums survey.
With Endless Summer Vacation topping the ARIA Chart, Cyrus earns a sixth top five title, and her third No. 1 — her first in a decade.
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Miley previously led the tally with Breakout (2008) and Bangerz (2013), which both spent one week in the top spot, ARIA Reports.
If Endless Summer Vacation hangs around for another week in the penthouse, Miley will equal a family record. Billy Ray Cyrus’ Some Gave All logged two weeks at No. 1 on the ARIA Albums Chart in 1992, though he hasn’t tasted life at the top ever since.
As “Flowers” extends its unbroken streak, “River,” the second single from her eighth and latest LP, starts at No. 22 on the ARIA Chart and two other tracks from it appear in the Top 100.
“Flowers” leads an unchanged ARIA top four ahead of cuts by PinkPantheress (“Boy’s a liar” via Parlophone/Warner), The Weekend (“Die For You” via Universal) and SZA (“Kill Bill” via RCA/Sony), respectively, while Morgan Wallen’s “Last Night” (Republic/Universal), from the U.S. country star’s latest, 36-track set One Thing At a Time, improves 6-5.
With the exception of Miley, no new releases debut on the top 50 of either main chart.
ARIA’s weekly charts are based on wholesale data collected from a combination of physical and digital retailers, and music-streaming services.
DJ/producer John Summit and singer Hayla jump onto Billboard‘s Hot Dance/Electronic Songs chart (dated March 18) at No. 9 with “Where You Are.” The first top 10 for both acts, “Where” starts with 1.9 million streams and 1,000 in download sales in the United States March 3-9, according to Luminate.
The collab amounts to Summit’s eighth total appearance, a run that began with “Deep End” (No. 26 peak, December 2020). Until now, that song and “Human,” featuring Echoes (March 2022), were tied as Summit’s highest-peaking tracks.
“Where” brings the second appearance for Hayla, the featured vocalist on Kx5’s “Escape” (No. 11, last June).
Concurrently, “Where” enters at No. 4 on the Dance/Electronic Digital Song Sales chart, matching the high of “Escape” last year. Summit scores his second and top-charting top 10, following “La Danza” (No. 10, March 2022).
On Hot Dance/Electronic Songs, “Where” debuts between two other newly-arriving collabs: Marshmello and Manuel Turizo‘s “El Merengue” (No. 6) and Oliver Tree and David Guetta‘s “Here We Go Again” (No. 10). The former, as previously reported, marks Marshmello’s first entry on a Billboard Latin chart.
“Here” is Oliver Tree’s second top 10, following “Miss You,” with Robin Schulz (No. 4, November). “Here” is Guetta’s landmark 20th top 10, the fourth-most among all acts since the chart premiered in January 2013; Kygo leads with 24, followed by The Chainsmokers (22) and Calvin Harris (21).
The track also extends Guetta’s record for the most Hot Dance/Electronic Songs hits overall to 75 (ahead of Kygo, with 61). “Here” bows with 1.8 million U.S. streams.
Further on Hot Dance/Electronic Songs, a fourth notable team-up, Martin Garrix and JVKE‘s “Hero,” leaps 33-17. The track earns top Streaming Gainer honors with 872,000 streams, up 48%, in the wake of the March 3 release of new remixes by DubVision and Space Ducks. The rank is the closest that “Hero” has been to its No. 13 best in two months.
In a tight U.K. race, it’s the Lathums who take the silverware as the Nothing to a Little Bit More (via Island) debuts at No. 1.
The Wigan, England indie rock group is now two-from-two on the U.K. tally, after their 2021 debut How Beautiful Life Can Be also climbed the U.K.’s chart mountain.
“18,000 Lathums strong and we can’t thank you all enough,” reads a post on the band’s Instagram. “With the outright dedication and power of the community that we have amassed, we have managed to clinch a consecutive No. 1 album with our second body of work. This is a statement for all to hear, that the power we hold together through love and compassion can take us anywhere, and that you can never underestimate the power of the common people.”
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After taking the lead at the midweek point, the Lathums’ latest album squeezed home by just 700 chart sales, as slowthai Ugly (Method) finishes in second place.
The British rapper (real name: Tyron Frampton) now has three consecutive U.K. top 10s, including his Mercury Prize-nominated 2019 debut Nothing Great About Britain (No. 9) and his 2021 chart leader Tyron. Ugly was the week’s best-seller on wax, the Official Charts Company reports.
Further down the list, published March 10, Mimi Webb bows at No. 4 with her debut studio album, Amelia (RCA). It’s the Canterbury, England-born singer and songwriter’s second top 10 appearance, following 2021’s Seven Shades of Heartbreak, which reached No. 9.
The late Eva Cassidy earns a posthumous top 10 with I Can Only Be Me (Blix Street), a collaboration with the London Symphony Orchestra and Australian-British composer Christopher Willis.
I Can Only Be Me becomes the American singer and songwriter’s sixth top 10 title in the U.K., including No. 1s for the 1998 collection Songbird and 2003’s American Tune, both scaling the chart well after her passing in November 1996, following a battle with cancer.
Finally, De La Soul’s 1989 debut 3 Feet High (Chrysalis) rises to No. 12, a new chart high. The album is reissued following the death last month of founding member Trugoy the Dove, and follows the long-overdue release of the hip-hop pioneers’ catalog on streaming services. 3 Feet High originally peaked at No. 13 back in 1990.
J-Hope has gone where no other BTS member has tread — into the U.K. top 40 as a solo artist.
The K-pop star (real name Jung Ho-seok) makes an impact on the Official U.K. Singles Chart, published March 10, with “On The Street,” his collaboration with U.S. rapper J. Cole.
“On The Street” sneaks into the top 40, at No. 37, for the South Korean artist’s first solo appearance in the top tier, and the first for any single member of BTS.
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He’s not the first to try. Among the K-pop superstars’ solo efforts, Jungkook’s “Stay Alive” (No. 89), Jin’s “The Astronaut” (No. 61) and RM’s “Indigo” (No. 45) all charted, though none entered the top frame, the Official Charts Company reports.
The seven-piece, which has been on hiatus since 2022, has collectively scored nine top 40s on the U.K. singles chart, including four top 10s. And on the albums chart, J-Hope, Jin, Suga, RM, Jimin, V and Jungkook have together landed eight top 40s, including U.K. No. 1s for 2019’s Map of the Soul – Persona and 2020’s Map of the Soul – 7.
“On the Street” is J-Hope’s first new solo song since hopping on “Rush Hour” with Korean R&B singer Crush. He has a string of previously-released standalone efforts, “More” and “Arson,” from his 2022 solo album Jack in the Box; the 2019 standalone collaboration with Becky G, “Chicken Noodle Soup”; and a solo mixtape from 2018, Hope World.
J-Hope has had a busy year outside of his regular duties with the all-conquering BTS. His Disney+ documentary, J-Hope in the Box, is now streaming, he was recent named as ambassador for the luxury brand Louis Vuitton; and last month became the second BTS member, following Jin, to enlist for South Korea’s military military service.
All able-bodied male South Korean citizens must serve in the armed forces for at least 18 months — including the members of BTS — though the length of service may vary. Draft begins in the year they turn 18 but the men may postpone it until age 28. In December 2020, the South Korean National Assembly passed the so-called “BTS law” to allow K-pop entertainers to postpone the service until the age of 30, with a recommendation from the culture minister. In another bonus for ARMY, the lads will be free to participate in “national” events for the “public good,” according to the Korea Times.