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Sabrina Carpenter love the taste of chart victory. The U.S. pop artist and actor leads Australia’s charts once more with “Taste” and Short n’ Sweet, respectively.
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When the ARIA Singles Chart was published late Friday, Sept. 27, “Taste” was on top for the fifth straight week, lifting her total number of weeks at No. 1 this year to eight – more than any other artist. The next best is Benson Boone, with six total weeks at the ARIA Chart summit, all clocked up by “Beautiful Things.”
With “Taste” in the lead, the podium is closed out by Lady Gaga and Bruno Mars’ “Die With A Smile” and Shaboozey’s “A Bar Song (Tipsy),” respectively.
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Over on the ARIA Albums Chart, Short n’ Sweet logs a fourth non-consecutive week at No. 1, ahead of Katy Perry’s new arrival 143, dropping in No. 2.
That’s Perry’s fifth top 10 album following Teenage Dream (No. 1 for two weeks in 2010), Prism (No. 1 for one week in 2013), Witness (No. 2 in 2017) and her recent LP Smile, which peaked at No. 2 in 2020.
Meanwhile, Keith Urban swings in with High, new at No. 3. The Aussie country star played a surprise gig in his hometown Brisbane, ahead of the release of High, his 11th studio effort. He’ll return in the second-half of 2025 for a major arena jaunt.
A six-time ARIA Award-winner, Urban previously hit No. 1 on the ARIA Chart with The Story So Far (in 2012), Fuse (2013), Ripcord (2016) and The Speed Of Now Part 1 (2020).
Also new to the top tier is homegrown indie band The Rubens, new No. 4 with SODA, their sixth album. SODA is the band’s fifth top 10 appearance after 2012’s self-titled debut (peaking at No.3), 2015’s Hoops (No. 2), 2018’s Lo La Ru (No. 3) and 2021’s 0202 (No. 1 for one week).
The Rubens have collected a brace of ARIA Awards, and in January 2016 won triple j’s Hottest 100 countdown with “Hoops.”
Blossoms are blooming on the midweek U.K. chart with Gary.
Hailing from Stockport, England, the indie-rock act leads the Official Chart Update with Gary (via Odd Sk Recordings), their fifth full-length album.
If it holds its course, Gary will give the band a fourth leader following their self-titled debut from 2016, Foolish Loving Spaces (from 2020) and Ribbon Around The Bomb (2022), while 2018’s Cool Like You peaked at No. 4.
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The strongest challenge comes from Chappell Roan and her former chart-leading debut album The Rise And Fall of a Midwest Princess (Island). Based on midweek sales and streaming data published by the Official Charts Company, Midwest Princess is a little over 2,000 chart units behind Gary in second place.
Scottish singer and songwriter Tom Walker could complete the podium with I Am (Relentless), his sophomore album. It’s new at No. 3 on the chart blast. Previously, the Brit Award-winning artist led by chart in 2019 with his debut What A Time To Be Alive.
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Also eyeing a top 10 debut is Katy Perry with her sixth LP 143 (EMI). It’s set to start at No. 4 on the national tally, for what would be the U.S. pop star’s fifth top 10 title and highest-charting effort in the U.K. since Prism led the chart in 2013.
Meanwhile, the xx’s Jamie xx could nab a second solo top 10 with In Waves (Young). The followup to In Colour, which peaked at No. 3, the British producer’s latest is set to start at No. 6. As a member of the xx alongside Romy and Oliver Sim, Jamie has snared two U.K. No. 1s with Coexist (in 2012) and I See You (2017).
Further down the midweek chart, West Yorkshire rock act Terrorvision could nab a career high with We Are Not Robots (Total Vegas), set to bow at No. 7; Future could score a fifth U.K. top 10 with Mixtape Pluto (RCA), on track for a No. 9 bow; and post-punk Manchester outfit Ist Ist could land a first-ever top 10 appearance with Light A Bigger Fire (Kind Violence), new at No. 10 on the chart blast.
Over on the midweek singles chart, Sabrina Carpenter looks likely to extend her reign with “Taste” (via Island). Carpenter’s latest hit is heading for a fifth week at No. 1, which would extend her record as the solo female artist with the most combined weeks at No. 1 in a calendar year. Currently, her three leaders have notched a combined 16 weeks at No. 1. Chappell Roan could have something to say about it. The U.S. pop phenom is “closer than ever to her first UK No. 1 single,” the OCC reports, as “Good Luck, Babe!” sits at No. 2, fewer than 2,000 chart units from the leader.
All will be revealed when the Official U.K. Singles and Albums Charts are published late Friday, Feb. 27.
The long drought is over for Snow Patrol, as the alternative rock act nabs the U.K. No. 1 with The Forest Is The Path (via Polydor).
The Northern Irish-Scottish band, comprised of Gary Lightbody, Johnny McDaid and Nathan Connolly, previously led the Official Chart with 2006’s Eyes Open – almost two decades ago.
The leader at the midweek stage, The Forest Is The Path is Snow Patrol’s eighth studio album, and eighth top 10 appearance.
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“We are absolutely over the moon, it’s our first Number 1 album in 18 years and we’re overjoyed,” reads a statement from Snow Patrol to the Official Charts Company. “Thank you so much to everybody who bought it and streamed it, and everybody that helped us make it, and everybody that’s helped us over these last 30 years.”
Also arriving on the chart is London Grammar’s fourth studio album The Greatest Love (Ministry of Sound), new at No. 3. It’s the best-seller on wax this week. The Greatest Love is London Grammar’s fourth top 10 appearance, a tally that includes two leaders (2017’s Truth Is a Beautiful Thing and 2021’s Californian Soil).
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Meanwhile, Eminem’s former leader The Death of Slim Shady (Coup de Grace) roars back into the top 5 following the release of an “Expanded Mourner’s Edition.”
Over on the Official U.K. Singles Chart, published Friday, Sept. 20, Sabrina Carpenter completes a fourth week at No. 1 with “Taste” (Island).
It’s the third U.K. chart leader this year for Carpenter, lifting her total weeks at No. 1 in 2024 to 16, the OCC reports. With that effort, she becomes the solo female artist with most combined weeks at No. 1 in a calendar year.
Olivia Newton-John also clocked up 16 weeks in 1978, by way of Grease duets with John Travolta on “You’re The One That I Want” (nine weeks) and “Summer Nights” (six weeks).
Finally, after her performance at last week’s VMAs, Chappell Roan’s “Good Luck, Babe!” (Island) rebounds 3-2, its equal peak position. Also, the U.S. pop artist’s “HOT TO GO!” improves 11-9, a new peak, and “Pink Pony Club” makes its Official Chart debut at No. 21, for Roan’s fourth U.K. top 40 appearance (“Red Wine Supernova” hit No. 31).
Missy Higgins is back on top with The Second Act (via Eleven/EMI), which debuts at No. 1 on Australia’s albums chart.
Higgins’ first full-length LP in six years, The Second Act opens at No. 1 on the ARIA Chart, published Friday, Sept. 13, for her fourth career leader.
The Second Act arrives 20 years after the release of Higgins’ breakthrough debut The Sound Of White, which dominated the tally for seven non-consecutive cycles.
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Her sophomore set On A Clear Night (from 2007) and third collection The Ol’ Razzle Dazzle (2012) also led the chart, while Oz (2014), Solastalgia (2018) and Total Control (2022) all cracked the top 3.
“I could not be happier or more grateful. This album was just so important to me and I just want to say a massive thank you to all the fans. I’m so touched,” she comments, as her album hits the ARIA Chart summit. “I wanted this No. 1 more than any other album I think. It’s 20 years since The Sound of White went No. 1 so I feel like the luckiest person alive to still be doing what I do to this day. Thank you guys to much. This means the world to me.”
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With that feat, the Melbourne singer and songwriter becomes only the seventh Australian artist in history to have No. 1 albums in at least three consecutive decades.
The Second Act is the fifth homegrown album to hit No. 1 in the past month, a lineup that includes recordings by Lime Cordiale, Tones And I, Amy Shark and Cold Chisel.
Higgins will be inducted into the ARIA Hall of Fame, during the annual ARIA Awards, set for Nov. 20 at Sydney’s Hordern Pavilion.
Also new to the national chart is Ten Days (Atlantic/Warner), by prolific British electronic music producer Fred Again. That’s one better than USB from June this year, which peaked at No. 4. Earlier in 2024, Fred Again embarked on unique tour of Australia – a “pop-up” jaunt, which sold almost one quarter of a million tickets, without any marketing spend.
Further down the tally, legendary Pink Floyd guitarist David Gilmour lands at No. 6 with Luck and Strange (Leg/Sony), his fifth solo album.
It’s the followup to Rattle That Lock, which reached No. 2 in 2015. As a member of Pink Floyd, ARIA reports, he notched 20 ARIA Top 50 albums, including leaders with Wish You Were Here (in 1975), The Wall (1979), The Division Bell (1994) and Pulse (1995).As a member of Pink Floyd, he has racked up 20 top 50 albums, hitting the summit with Wish You Were Here in 1975, The Wall in 1979, The Division Bell in 1994 and Pulse in 1995 (their biggest-selling collection, The Dark Side Of The Moon, reached at No. 2 here in 1973).
Over on the ARIA Singles Chart, Sabrina Carpenter’s “Taste” (Island/Universal) holds top spot ahead of Billie Eilish’s “Birds Of A Feather” (Interscope/Universal) and Lady Gaga’s collaboration with Bruno Mars, “Die With A Smile” (Warner/Universal), respectively.
Its Sabrina Carpenter for the win on Australia’s charts as Nick Cave and The Bad Seeds enjoy the top album debut.
Carpenter’s sixth studio album and first leader, Short n’ Sweet (via Island/Universal), extends its stay at the ARIA Chart summit for a second week, in doing so denying Nick Cave a homegrown leader with Wild God, new at No. 2.
It’s the alternative lock legends’ 14th ARIA top 10 album, and the followup to Ghosteen, which peaked at No. 2 in 2019. Nick Cave’s 2021 collaboration with Dirty Three leader Warren Ellis, Carnage, also reached No. 2.
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Cave has collected eight ARIA Awards for his solo or group work, took out top spot in 2013 with Push The Sky Away, and was inducted into the ARIA Hall of Fame in 2007. Wild God is Cave’s first release in these parts through a new deal with PIAS/Inertia.
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Billie Eilish completes the podium with Hit Me Hard And Soft (Interscope/Universal), up 4-3.
Oasis’s hyped 2025 reunion tour has been a hot story in Australia, where live dates have yet to be announced. That excitement spilled over with the 30th anniversary edition of the Britpop-era heavyweights’ debut album Definitely Maybe (Big Brother/Orchard), which enters the top 10 for the first time, at No. 10. Definitely Maybe peaked at No. 23 in 1994, according to ARIA.
Meanwhile, the Manchester rockers’ sophomore album from 1995, (What’s The Story) Morning Glory?, blasts back into the top 40, flying 71-27.
Oasis has impacted the ARIA Albums Chart Top 50 with nine titles, including a five-week stretch at No. 1 in 1996 for Morning Glory and for one week in 1997 with Be Here Now. Their last studio album, 2008’s Dig Out Your Soul, peaked at No. 5 in Australia.
Carpenter completes the chart double as “Taste” reigns for a second week on the ARIA Singles Chart, published Friday, Sept. 6. “Espresso,” meanwhile, stays hot at No. 2; “Please Please Please” is at No. 4, and Carpenters lands a fourth top 10 on the latest frame, as “Bed Chem” improves 11-10.
With the chart-topping successes of “Espresso,” “Please Please Please” and “Taste,” the U.S. singer and actor has logged five total weeks at No. 1 so far in 2024, more than any other female artist.
Life is sweet for Sabrina Carpenter, as the U.S. pop star lands at No. 1 on Australia’s albums chart and completes a top-three sweep of the national singles tally.
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Carpenter’s Short n’ Sweet (via Island/Universal) debuts at the summit of the ARIA Albums Chart, published Friday, Aug. 30, for her first leader in the land Down Under.
Short n’ Sweet is her sixth album, and first to crack the top 10. Previously, her highest-charting LP was Emails I Can’t Send, which peaked at No. 27 in 2022.
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With that hot start, Carpenter breaks a four-week unbroken stand at the summit by Australian acts (Lime Cordiale, Tones & I, Amy Shark and Cold Chisel).
Sabrina’s domination doesn’t end there. Her latest single, “Taste,” debuts at No. 1 on the ARIA Chart, ahead of “Please Please Please” and “Espresso,” respectively, for a rare trifecta. All three tracks have now logged time at the chart summit.
According to ARIA, Carpenter is the first artist to swamp the top three since April 2024, when bestie and touring partner Taylor Swift did so. On that occasion, TayTay owned the entire top 10 with tracks from The Tortured Poets Department, an historic feat. Carpenter lands another seven tracks in the top 50, and becomes the first act to secure three ARIA No. 1s in the same calendar year, since Drake did it in 2018.
Coming in at No. 2 on the ARIA Albums Chart is Aussie indie act Teenage Dads’ Majordomo (Chugg/MGM), their second album, while Sydney pop punk outfit Stand Atlantic completes an all-new top three Was Here (Hopeless Records/RKT), new at No. 3. Both are career best chart positions.
Close behind is Irish alternative rock outfit Fontaines D.C. with their fourth album Romance (XL/Inertia), new at No. 6. That’s a serious uplift from the Dubliners’ 2020 effort A Hero’s Death, which peaked at No. 26, and Skinty Fa, which topped out at No. 24 in 2022.
Finally, Travis Scott lassos a top 10 spot with Days Before Rodeo (Epic/Sony), new at No. 9. Celebrating its 10th anniversary, the Houston, TX rapper reissues his 2014 mixtape with additional material, across new formats, including streaming platforms for the first time. The original mixtape didn’t impact the ARIA Chart, though Scott has three ARIA top 10 albums to his name, including No. 1s for Astroworld (from 2018) and Utopia (2023).
Oasis are reuniting in 2025 for a tour that promises to make dreams come true for hordes of fans around the globe.
If you lived in the U.K. in the 1990s, a time when rave culture collided with indie and Britpop, Oasis was a force to be reckoned with. Record and ticket sales, newspaper column inches, Oasis hogged all of it.
When Noel and Liam Gallagher, the combative Manchester siblings, called time on their band in 2009, they walked away with an impeccable chart record.
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All seven of Oasis’ studio albums went to No. 1 on the Official U.K. Albums Chart, from their 1994 debut Definitely Maybe through to 2005’s Don’t Believe The Truth. A year after the split, in 2010, the compilation Time Flies – 1994-2009 hit the summit, giving Oasis eight leaders.
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The manner in which the group dominated the national tally is worth exploring.
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Definitely Maybe became the fastest-selling debut album in British history – and has passed 5 million sales in the U.K., where it’s 17-times platinum certified, according to the Official Charts Company.
Their sophomore effort from 1995, (What’s the Story) Morning Glory?, is the fifth best-selling album of all time in the U.K.
And their third record, 1997’s Be Here Now, was a weapon. To this day, it’s the fastest-selling album of all time, shifting 696,000 copies in just three days of its first chart week.
It’s a similar tale on the Official U.K. Singles Chart, on which Oasis landed eight No. 1s.
“Wonderwall,” their signature song, is not one of them. The most-streamed song in Oasis’ catalog in the U.K., with 397,100,000 plays, according to the OCC, “Wonderwall” peaked at No. 2 on the weekly chart back in 1995.
That domination extended to awards ceremonies, as Oasis snagged six BRIT Awards, including the Outstanding Contribution to British Music, two Ivor Novellos, and 17 NME Awards.
The group enjoyed success around the globe, including Australia, where “Wonderwall” came in at No. 1 on triple j’s Hottest 100 songs of the past 20 years, which counted down in 2013, and was voted No. 1 on the “Hottest 100” for 1995.
“Wonderwall” spent 11 consecutive weeks in the ARIA Top 10, and is certified 12-times platinum in these parts, ARIA reports.
(What’s the Story) Morning Glory? is certified eight-times platinum in Australia, having clocked up four consecutive weeks at No. 1 and 24 consecutive weeks in the top 10.Be Here Now is platinum certified, and one of the band’s six top 10 efforts on the ARIA Chart.
Oasis’s blockbuster success didn’t translate in the United States. Just three Oasis songs impacted the Billboard Hot 100, including a single top 10 for “Wonderwall” (peaking at No. 8 in 1996).
On the Billboard 200 albums chart, 11 Oasis titles have made their mark, including three top 10s, with a No. 2 best for Be Here Now in 1997.
Oasis will make their long-overdue comeback in 2025, when the band performs a run of concerts in the U.K. and Ireland, their first dates there in 16 years.
The OASIS LIVE ’25 world tour will stretch out. “Plans are underway for OASIS LIVE ’25 to go to other continents outside of Europe later next year,” reads a statement, issued Tuesday morning.
The news has lit the fuse with Oasis’ long-suffering fans in the U.K., proof of which can be seen on the midweek albums chart.
Oasis will “no doubt see a huge surge in sales this week,” according to the charts compiler, as three records get set to blast into the top 40: Time Flies… (1994-2009) (at No. 14), (What’s the Story) Morning Glory? (at No. 26) and Definitely Maybe (No. 31), which celebrates its 30th anniversary this week.
Cold Chisel carves out another leader on Australia’s albums chart, as the homegrown rock legends blast to No. 1 with 50 Years – The Best (via Cold Chisel/Universal Music Australia).
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The career retrospective is Chisel’s sixth chart-topper and 18th top 10 appearance on the albums tally.
Formed in Adelaide, South Australia back in 1973, Chisel is the prototype Aussie rock band, both a household name and a national treasure. The band was inducted into the ARIA Hall of Fame in 1993, and frontman Jimmy Barnes was inducted as a solo artist in 2005.
With this latest chart champ, Barnes extends his lead as the artist with the all-time collection of ARIA No. 1s at 21, a tally that includes 15 solo best-sellers.
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The result is a welcome tonic for Barnes, who is recovering following another trip to the operating theater, and a cause for celebration for the Australian music industry. 50 Years – The Best is the fourth consecutive No. 1 on the ARIA Chart by an Australian act, following new releases from Lime Cordiale, Tones & I, and Amy Shark.
The latest ARIA chart, published Friday, Aug, 23, marks the longest run for local acts at No. 1 since late 2020, when Midnight Oil, Kylie Minogue and AC/DC reigned for a combined six weeks, ARIA notes.
You’d have to go back almost a decade, to 2015, for the last time when four or more different Aussie acts consecutively ruled the chart. On that occasion, Parkway Drive, triple j Like A Version 11, Boy & Bear, Hillsong and 5 Seconds Of Summer did so, for a five-week stretch.
“It’s a big day for chart numbers,” comments ARIA CEO Annabelle Herd. “Huge congratulations to Cold Chisel for a phenomenal sixth No. 1 and 18th top 10 album. It’s an extremely exclusive club of artists who can rival the band’s storied legacy and impact on Australian music over 50 years. Congratulations again to the band, their team and everyone who has contributed to such a triumph.”
Chisel will dish out the hits on a 50th anniversary national tour later in the year, The Big Five-0, which sold over 200,000 tickets sold in a matter of hours, reps say.
Coming in at No. 2 is Post Malone with his first collaboration-stacked country album, F-1 Trillion (Universal).
It’s Posty’s seventh top 10 in Australia, after Stoney (No. 5 in 2016), Beerbongs & Bentleys (No. 1 in 2018), Hollywood’s Bleeding (No. 1 in 2019), Twelve Carat Toothache (No. 2 in 2022), Austin (No. 2 in 2022) and The Diamond Collection (No. 3 in 2023).
Completing the top three is Billie Eilish’s former leader Hit Me Hard Hit Me Soft (Interscope/Universal), down 2-3.
Also new to the chart is Falling In Reverse with U.S. rock band’s fifth studio album Popular Monster (Epitaph Records/RKT). It arrives at No. 8, their career equal-best chart position (Just Like You also peaked at No. 8 in 2015).
Meanwhile, Eilish’s hit “Birds Of A Feather” holds at No. 1 on the ARIA Singles Chart, ahead of Shaboozey’s “A Bar Song (Tipsy)” (unchanged at No. 2 via Empire) and Post Malone featuring Morgan Wallen’s “I Had Some Help” (Universal), up 5-3.
Finally, the top new release on the ARIA Singles Chart — indeed, the only new release in the top 50 — belongs to Lady Gaga and Bruno Mars, as their duet “Die With A Smile” debuts at No. 10.
Amy Shark makes it three successive No. 1s in Australia with Sunday Sadness (Sony).
The Gold Coast-raised singer and songwriter cruises to the summit of the ARIA Chart, published Friday, Aug. 16 with Sunday Sadness, her fourth studio effort.
Her debut 2012 album, It’s A Happy City, released under the name Amy Cushway, didn’t chart, notes ARIA. As Amy Shark, she roared to No. 1 for one week in 2018 with Love Monster, and led the survey in 2021 for two weeks with Cry Forever.
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“Words cannot explain how much this No. 1 means to me,” she comments. “Sunday Sadness has been three years in the making and I’m so glad you all love it as much as I do. Today is a day I’ll never forget”.
Sunday Sadness completes a trilogy of No. 1s for homegrown acts on the national chart (after recordings by Lime Cordiale and Tones & I), burying a 10-month dry spell.
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Also, it’s one of four Australian-made albums to debut in the top 20, for Australian music’s “most successful week of 2024,” ARIA claims.
“Huge congratulations to Amy, her team, and her incredibly devoted fans on a third No. 1 album and a career that continues to reach new heights,” comments ARIA CEO Annabelle Herd.
“Amy at the top of the chart marks three weeks of Aussies at No. 1, on top of that, four homegrown debuts in the top 15 is an unbelievable result that our whole industry should be proud of. What a week for Ausmusic.”
Those homegrown hits include Grinspoon’s eighth studio album, Whatever, Whatever (Universal), new at No. 3; King Gizzard & The Lizard Wizard’s 26th studio album Flight b741 (VMG/UMA), new at No. 8; and First Nations hip-hop collective 3%, new at No. 12.
Meanwhile, Filipino-British singer and songwriter Beabadoobee lands her first top 10 in Australia with This Is How Tomorrow Moves (Dirty Hit/Universal), new at No. 6. That bests the No. 19 peak for her 2022 release Beatopia. Finally, DICE rolls to No. 27 with Midnight Zoo (VMG/UMA), the Perth, Australia quartet’s debut album.
Over on the ARIA Singles Chart, Billie Eilish scoops her third solo No. 1 as “Birds Of A Feather” flaps its wings, up 2-1. Eilish replaces herself on top, as her guest appearance on Charli XCX’s “Guess” dips 1-3. Earlier, Eilish reigned over the chart for two weeks in 2019 with “Bad Guy” and for three weeks with 2023’s “What Was I Made For?” Eilish’s third and latest studio LP, Hit Me Hard And Soft (Interscope/Universal), holds at No. 2.
Finally, as Marvel’s Deadpool & Wolverine slices up the global box-office, one of the songs from its soundtrack powers into the top 40: NSYNC’s “Bye Bye Bye” (Jive/Sony). Released in 2000, the song originally spent five weeks at No. 1. Thanks to its sync to the bloody opening scene of the superhero smash, “Bye Bye Bye” returns to the chart at No. 20.
Tones And I makes it two in a row as Beautifully Ordinary opens at No. 1 on Australia’s albums chart.The five-times ARIA Award winner opens at the top of the ARIA Chart, published Friday, Aug. 9, with Beautifully Ordinary, her sophomore album.
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Beautifully Ordinary is Tones’ second album, and the followup to Welcome To The Madhouse, which also debut at No. 1 in 2021. The one-time busker’s debut EP The Kids Are Coming peaked at No. 3 in 2019. Though it didn’t climb the chart mountain, The Kids Are Coming did house “Dance Monkey,” Tones’ breakthrough hit which reigned over the charts in more than 30 countries, including a record, 24-week stint atop the ARIA Chart.
Tones owns the second consecutive ARIA No. 1 by an Australian act, following Lime Cordiale’s drought-breaking leader last week with Enough Of The Sweet Talk.
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“Well, when it rains, it pours,” notes ARIA CEO Annabelle Herd. “Tones has given us two Australian No. 1s two weeks in a row. A huge congratulations to Tones and her team on this incredible achievement. We’re absolutely thrilled for you and all of your accomplishments across an outstanding career so far.”
Also new to the top tier of the national chart is the collaborative project of Bernard Fanning (former frontman of Powderfinger) and Paul Dempsey (Something For Kate). Fanning Dempsey National Park’s The Deluge arrives at No. 3.
Prior to disbanding in the 2010, Powderfinger landed six ARIA No. 1 albums, all consecutive, while Something For Kate bagged two leaders, according to ARIA. Also, two of Fanning’s four solo albums have led the chart (Tea & Sympathy and Departures) while two of Dempsey’s three solo albums have peaked at No. 5.
Ye, the artist formerly known as Kanye West, and Ty Dolla $ign earn a top 10 debut with Vultures 2, which swoops in at No. 4.
Aussie punk rockers Dune Rats drop in at No. 29 with their fifth album, If It Sucks, Turn It Up. It’s the followup to 2022’s Real Rare Whale, which peaked at No. 6.
It’s winter in Australia, though Charli XCX’s Brat summer is sweeping through the ARIA Charts. Following the release of a remix featuring Billie Eilish, Brat album track “Guess” debuts at No. 1 on the singles tally, for her first solo leader.
“Guess” is Charli’s fifth top 10 hit in Australia, after “I Love It” (with Icona Pop) in 2012 and “Fancy” (with Iggy Azalea), “Bloom Clap” and “Break The Rules” in 2014. Charli also takes a bite out of the chart with “Apple” at No. 18, and “360” moves 27-24.
