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Like magic, the soundtrack for Wicked: For Good materializes at No. 1 on the ARIA Albums Chart.
For Good is, of course, the sequel to Wicked, the soundtrack for which peaked at No. 3 on the ARIA Chart in December 2024, and bounces on the latest frame, up 30-15.
Co-stars Ariana Grande and Cynthia Erivo contribute vocals to many of the 11 new tracks, including “Every Day More Wicked,” “Wonderful” and the closer, “For Good”. Although not a Grande solo effort, Wicked: For Good marks the sixth time she has appeared at No. 1 on the ARIA Chart, following My Everything (from 2014), Dangerous Woman (2016), Sweetener (2018), Thank U, Next (2019) and Eternal Sunshine (2024), which holds at No. 29 on the current chart. For Erivo, it’s her first stint in the Australian chart penthouse.
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Also new to the tally, published Friday, Nov. 28, is Australian pop-punk band SoSo’s So Much For Second Chances, new at No. 4. “We are absolutely blown away,” reads a statement from the band. “This is something we are incredibly proud of and we owe it all to our SoSo Crew: you know who you are!”
Produced by Stevie Knight (Yours Truly, Stand Atlantic, Between You & Me), Second Chances could be closely followed by new music. “This means so much to us as an independent band,” the statement continues, “we can’t wait to share what we have cooking up next.”
Melbourne rockers The Smith Street Band bag a ninth top 50 album with Once I Was Wild, new at No. 14, while Midnight Til Morning are close behind with their debut EP, Afterglow, new at No. 16. The pop-punk outfit was formed during the Netflix competition series Building The Band. Despite being eliminated in the semis, the group has enjoyed international success, including sold-out shows in North America, the U.K. and Europe, and in Australia, the homeland of bandmates Conor Smith and Mason Watts. Midnight Til Morning are signed to and managed by Michael Chugg’s Chugg Music.
The Fab Four make another impression on the Australian chart as the fourth and latest instalment of the Beatles‘ Anthology series starts at No. 20. The first, Anthology 1, led the chart for two weeks in 1995, the year in which the original eight-part TV series aired. Anthology 2 hit No. 2 the following year and Anthology 3 peaked at No. 3 later in 1996. All four of the albums are packaged as the Anthology Collection, new at No. 32. According to ARIA, the Beatles have notched 14 No. 1s on the national albums chart.
Over on the ARIA Singles Chart, Olivia Dean retains top spot for a second week with “Man I Need,” which she performed at the 2025 ARIA Awards in Sydney, and again for a special open-air concert at Fleet Steps. The English singer’s former No. 1 album, The Art of Loving, enjoys a lot of love in these parts, lifting 4-2. Also, Dean’s “So Easy (To Fall In Love)” (up 5-4 ), “Nice To Each Other” (up 9-8) and “Let Alone The One You Love” (up 36-25) are all on the move, each improving to new peak positions.
The top debut this week belongs to K-pop boyband Stray Kids, with Do It. It’s new at No. 10, the group’s best chart performance in Australia, easily eclipsing the No. 64 peak for 2023’s Lalalala. Stray Kids have an Aussie connection: Felix was born in Sydney and Bangchan was born in Seoul, raised in Sydney.
Canadian singer and writer Tate McRae lands another top 20 start with “Nobody’s Girl,” at No. 19.
And finally, Tame Impala is, once again, the only homegrown artist with a single in the top 50, as “Dracula” dips 28-33.
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5 Seconds of Summer enjoys the hottest possible start on the ARIA Albums Chart as Everyone’s A Star! (Universal) debuts at No. 1 — and gifts the pop-rock band a chart record.
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With their latest chart crown, confirmed last Friday, Nov. 21, the Sydney four-piece becomes the first act in the history of the ARIA Charts to hit No. 1 with their first six studio albums.
That record dates back to 5 Seconds of Summer (in 2014), and includes Sounds Good Feels Good (2015), Youngblood (2018), Calm (2020) and 5SOS5 (2022). For the record, 5SOS’s live album, LiveSOS, cracked the top 10, peaking at No. 7 in 2014.
It’s the sixth homegrown title to lead the chart in 2025, including 5OS’s Calum Hood, whose solo effort Order Chaos Order led for one cycle in June.
5SOS returned to Australia last month for a brief promo trip, including a fan-led press conference in Melbourne and their induction to the Australian Walk of Fame in Sydney.
It’s an all-Australian 1-2 on the albums survey, as the 40th anniversary edition of Jimmy Barnes’ For The Working Class Man (Mushroom Music) digs in at No. 2. The Scotland-born Australian rock legend boasts more No. 1 albums in Australia than any other artist. A two-time ARIA Hall of Fame inductee, Barnes has 16 chart leaders as a solo act, and another six with Cold Chisel.
Thanks to 5SOS and Barnesy, as he’s affectionately known in these parts, Taylor Swift’s Life of a Showgirl (Republic/Universal) is finally bumped from the throne, down 1-3, ending six consecutive weeks at the top.
Soulful Sydney newcomer Don West opens his account at No. 25 with his debut album Give Me All Your Love, while Byron Bay punk rock quartet Mini Skirt starts at No. 36 with their sophomore effort, All That We Know (Orchard). It’s their first appearance on the chart.
The 2025 ARIA Awards were presented on Wednesday night in Sydney, but the impact is still being felt on the national charts.
Following her performance of “Man I Need” (Universal), rising English singer Olivia Dean scores her first No. 1 on the ARIA Singles Chart, as the song lifts 2-1. Dean followed up her ARIAs performance with an outdoor set at Fleet Steps, and she’ll be back next year for a tour proper.
After winning two ARIAs, Kevin Parker’s Tame Impala bites into the ARIA top 30 with “Dracula” (Columbia/Sony). It’s up 34-28, a new peak position, and is the only homegrown cut in the top 50.
You Am I was inducted into the ARIA Hall of Fame, and had the final word on the evening with a two-song performance of “Heavy Heart” and “Berlin Chair,” both of which appear on The Dollop & The Wallop: The Best Of (Sony). The career retrospective is new at No. 15 on the ARIA Albums Chart.
Finally, RÜFÜS DU SOL collected four nominations at the ARIAs and are currently on the road, in support of their fifth studio album, Inhale/Exhale (Rose Avenue Records/Warner). The tour is breathing new life into the album, lifting 47-39.
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Taylor Swift hits the ARIA Charts for six, as the U.S. pop star extends her reign with The Life Of A Showgirl (via Republic/Universal) and its lead single, “The Fate Of Ophelia.”
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As Swift’s latest album completes its sixth week atop the national albums tally, published Friday, Nov. 14, Paul Kelly bags the top new release with Seventy (EMI), his 28th studio album. Seventy opens at No. 2 on the ARIA Chart.
The 70-year-old Kelly is one of Australia’s most-cherished singer-songwriters, boasting a collection of 16 ARIA Awards, induction into the ARIA Hall of Fame (in 1997), and four No. 1 albums with Life Is Fine (No. 1 for one week in 2017), Nature (one week in 2018), Songs From The South: 1985-2019 (one week in 2019), and Paul Kelly’s Christmas Train (one week in 2022).
Homegrown pop-punk band Teen Jesus and the Jean Teasers makes a glorious top ten debut, with GLORY (Community Music), their second studio album. Hailing from Canberra, the four-piece snagged the Michael Gudinski Breakthrough Artist award at the 2024 ARIA Awards, after opening the ceremony with a performance, and cracked the ARIA top 10 with 2023’s I Love You (peaking at No. 6).
Spanish superstar Rosalia makes her first top 50 in Australia with Lux (Columbia/Sony), new at No. 15. Lux is already a hit, everywhere. Following its release, the collection accumulated 42.1 million streams in its first 24 hours, the biggest global tally by a female, Spanish-speaking artist.
Meanwhile, veteran Australian country artist James Blundell nabs a top 40 entry with Patience Wins (AMB/MGM), his 12th studio album. It’s new at No. 25.
Western Australia singer-songwriter Stella Donnelly grabs her third top 40 appearance with Love and Fortune (DOT/RMT), new at No. 31. Donnelly previously made a mark with 2019’s Beware Of The Dogs (No. 15) and 2022’s Flood (No. 29).
Close behind is beloved punk rock act Cosmic Psychos with I Really Like Beer (RKT), pouring in a No. 32, while fellow Melburnians Icecream Hands crack the top 40 with the independently-released Giant Fox Pineapple Tree, new at No. 38, It’s the eighth album from the Aussie power pop band, and their first ARIA top 50 appearance.
Over on the ARIA Singles Chart, Taylor Swift ties a personal best as “The Fate Of Ophelia” enters its sixth week at No. 1. That effort draws level with 2022’s “Anti-Hero” as TayTay’s longest-running leader.
U.K. act Haven has the top debut with the viral number “I Run,” new at No. 8. It’s the only new release in the top 50. And finally, Tame Impala has, once again, the only appearance by an Australian artist on the chart, as “Dracula” (Columbia/Sony) improves 37-34, a new high.
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Taylor Swift’s The Life Of A Showgirl (via Republic/Universal) continues to twirl on the ARIA Charts, as it enters a fifth consecutive week at No. 1 on the national albums survey, while “The Fate Of Ophelia” retains top spot on the singles tally.
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“The Fate Of Ophelia” is Swift’s 13th chart leader in Australia and, with five weeks in the penthouse, it’s her second longest leader after 2022’s “Anti-Hero,” which logged six weeks at No. 1.
The top debut on the latest ARIA Albums Chart, published Friday, Nov. 7, belongs to Florence + The Machine, as the British alternative pop outfit’s sixth album, Everybody Scream (Polydor/Universal) opens its account at No. 4. All of Florence’s albums have cracked the ARIA top 10, including No. 1s for Ceremonials (in 2011), and How Big, How Blue, How Beautiful (2015).
Powderfinger frontman Bernard Fanning returns to the top 10 thanks to the 20th anniversary edition of Tea & Sympathy (Dew Process/Universal), his debut solo album. Tea & Sympathy re-enters at No. 7 on the ARIA Albums Chart, and leads the Australian Albums Chart, the Vinyl Chart and the On Replay Albums Chart.
The veteran Brisbane singer collected the most entries in triple j’s Hottest 100 of Australian music countdown in July, with four total songs, including three with Powderfinger and his solo number “Wish You Well” (at No. 57), lifted from Tea & Sympathy, a chart-topper following its release in late 2005.
Also new to the chart is Vitriol (GYRO), the debut from Western Australia rock outfit Cloning. It’s new at No. 12, arriving ahead of a national tour that gets underway later this month.
Radiohead is back in the headlines, as they prepare for another U.K. tour later in the year. The Rock Hall-inducted British alternative rock act is back in the charts, too, as Hail To The Chief Live Recordings 2003-2009 (via XL) appears at No. 15. The studio version of Hail To The Chief was released in 2023, hitting No. 2.
Paramore singer Hayley Williams impacts the chart with her independently-released solo album, Ego Death at a Bachelorette Party, new at No. 24. The project is an unusual one, which collects and repackages the songs Williams dropped earlier this year across her artist pages and on streaming services.
Close behind is Frankston, Victoria indie rock band the Belair Lip Bombs, which cracks the chart for the first time with Again (Third Man Records/RK), their sophomore set. It’s new at No. 25, and is one of eight homegrown recordings on the ARIA top 50. The Belair Lip Bombs are the first Australian band to sign with Jack White’s Nashville-based Third Man Records.
Further down the list, Brisbane nu-metal band Headwreck just misses out on a top 40 berth with Attitude Adjustment (Ditto). The debut collection drops in at No. 43, for Headwreck’s first appearance on the ARIA Charts.
Over on the ARIA Singles Chart, just one Australian track makes the cut, Tame Impala’s “Dracula” (Columbia/Sony), which lifts 50-37, a new peak position. And just one new single makes its mark for the first time, Lily Allen’s “Pussy Palace” (BMG), at No. 50.
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Australia’s latest chart week was pitched as a fight of two heavyweights. In one corner, Taylor Swift’s incumbent, The Life Of A Showgirl (via Republic/Universal). And in the other, Tame Impala’s long-awaited Deadbeat (Columbia/Sony).
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When the results were called, Swift’s Showgirl had packed enough glitter to retain the crown, and nab another chart double.
The Life Of A Showgirl retains top spot on the ARIA Albums Chart for a third successive week. According to ARIA, nine of her 14 leaders have logged at least three cycles at the summit, including Red (three weeks), 1989 (nine weeks), Lover (three weeks), Folklore (four weeks), Evermore (four weeks), Midnights (16 weeks), 1989 (Taylor’s Version) (14 weeks) and The Tortured Poets Department (eight weeks).
Kevin Parker slides in at No. 2 on the national chart with Deadbeat, the first new album release in five years from his psychedelic pop project, Tame Impala.
All five of Tame Impala’s studio albums have cracked the top 5 in Australia starting with Innerspeaker (from 2010) and Lonerism (2012), both of which peaked at No. 4. Tame Impala’s last two albums, Currents (2015) and The Slow Rush (2020), went all the way to No. 1.
Deadbeat is the best-selling title this week on vinyl.
Tame Impala has won 13 ARIA Awards, one BRIT Award, a Grammy, and belatedly cracked the Billboard Hot 100 for the first time earlier this month with Deadbeat single “Dracula.” On the current ARIA Singles Chart, “Dracula” sinks its teeth in for a No. 40 start. Only one Tame Impala song has charted higher in Australia, “The Less I Know The Better,” which reached No. 17 in 2015. “Dracula” is the only new release, and only homegrown title, in the top 50.
Staying with the national albums survey, published Friday, Oct. 24, Aussie heartthrob Ruel debuts at No. 6 with Kicking My Feet (Virgin Music Group/Universal), his third appearance in the top 10; and London indie band The Last Dinner Party enters the top tier for the first time with From The Pyre (Island/Universal), new at No. 7.
Western Australia’s The Southern River Band open their account at No. 16 with Easier Said Than Done (Orchard), for their appearance on the chart. The rockers are added to the lineup of the support acts for AC/DC’s stadium concerts this December in Perth, produced by TEG Van Egmond.
Several other local artists make a splash on the ARIA top 40, including Melbourne rock band Camp Cope (Live At Sydney Opera House at No. 20 via PCR), singer-songwriter Wilsn (Bloom at No. 31 via Mushroom), and country singer Andrew Swift (Lucky Stars at No. 33 via ABC/Orchard), while internationals Sabaton (Legends at No. 14 via BNM/MGM) and Ashnikko (Smoochies at No. 15 via WUK/Warner) make their mark.
It’s all about Taylor Swift on the ARIA Singles Chart, too, as “The Fate Of Ophelia” holds at No. 1 for a third week. It’s one of four Showgirl songs in the top 10, though “Opalite” (down 2-4), “Elizabeth Taylor” (down 5-7) and “Father Figure” (down 6-8) are losing their grip.
Rosé makes it two records in as many weeks in Australia, where “APT.” retains top spot on the national singles chart.
Earlier, the New Zealand-born, Australia-raised BLACKPINK star ended Sabrina Carpenter’s reign on the ARIA Singles Chart, as “APT.” (via Atlantic/Warner), her collaboration with Bruno Mars, debuted at No. 1.
With that feat, Rosé (born Roseanne Park) became the first solo female K-pop star to top the tally, and just the second solo artist from South Korea to climb the chart ladder after PSY’s “Gangnam Style” spent six weeks on top back in 2012.
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“APT.” enters a second week at the summit of the ARIA Chart, marking the first time that a Korean solo artist or group has spent more than a week in the top spot since “Gangnam Style.” She’s the first solo female Korean artist to do so.
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Born in Auckland, and raised in Melbourne, Rosé relocated to South Korea aged 15, when the world of K-pop came calling. At her father’s suggestion, she auditioned for South Korean music company YG Entertainment. It was a shrewd move. The rest is music history.
Comprising Rosé, Jisoo, Jennie and Lisa, BLACKPINK is a record-smashing machine – here and everywhere. In 2022, BLACKPINK set the mark for the highest-debuting single by a K-pop group in ARIA Chart History when “Pink Venom” hit No. 1, beating the No. 2 start for BTS’ 2020 hit “Dynamite.”
BLACKPINK’s two studio albums, The Album (from 2020) and Born Pink (2022), both debuted and peaked at No. 2 on the Australian albums survey. In support of Born Pink, the pop group last year embarked on an east coast arena tour of Australia.
A reference to the Korean drinking game aparteu, or apartment in English, “APT.” is the first single from Rosé’s debut album Rosie, which is scheduled to drop on Dec. 6.
The cut bowed at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts, and opened at No. 4 on the Official U.K. Singles Chart, establishing a new record in the process.
Kylie Minogue, the queen of pop, is crowned on Australia’s albums chart with Tension II.
The new collection is Kylie’s ninth leader on the ARIA Chart, fifth in succession, and second in a year; its predecessor, Tension, logged one week at the summit in September 2023.
Tension II (via Mushroom Music) is the Melbourne-raised pop icon’s 17th studio album, and with its fast start on the chart, pushes Kylie to No. 9 on the list of acts with the most No. 1s in Australia, a tally that includes Light Years (from 2000), Fever (2001), X (2007), Kiss Me Once (2014), Golden (2018), Step Back In Time: The Definitive Collection (2019), Disco (2020) and Tension.
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She also has 10 No. 1 singles in Australia, from “Locomotion” in 1987 to “2 Hearts” in 2007, ARIA reports, and she’s on the brink of a 10th No. 1 on the Official U.K. Albums Chart.
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“It is so awesome to see Australia’s OG pop queen continuing to dominate globally and at home, bringing joy and disco into our lives,” comments ARIA CEO Annabelle Herd. “Huge congratulations to her and her team for such a phenomenal career, five consecutive No. 1 albums, and continuing to represent Australia on the world stage.”
Also new to the ARIA Chart, published Friday, Oct. 25, is Dean Lewis’ The Epilogue (Island/Universal), at No. 2. It’s a third top 10 for the triple ARIA Award winner, a tally that includes a No. 1in 2019 with A Place We Knew.
Meanwhile, New South Wales indie rock duo Skegss start at No. 4 with Pacific Highway Music (Concord/Universal), their third full-length album. Skegss now have four top 10s under their belts: 2015 EP 50 Push Ups For A Dollar peaked at No. 4; My Own Mess hit No. 2 in 2018, and 2021’s Rehearsal went all the way to No. 1.
ARIA Award winner Thelma Plum’s lands in the top 10 with I’m Sorry, Now Say It Back (Warner Music Australia), new at No. 7. It’s the Brisbane singer and songwriter’s followup to debut Better In Blak, which peaked at No. 4 in 2019.
Confidence Man impact the top 40 with 3AM (La La La) (via I Oh You/Mushroom), on which the Aussie electro-pop act takes a time-machine back to ’90s rave and clubland. 3AM (La La La) is new at No. 40.
It’s a Melbourne double on the ARIA Charts as Rosé opens at No. 1 on the singles tally with her Bruno Mars collaboration, “APT.” (via Atlantic/Warner). That’s a record-breaking feat, making Rosé the first solo female K-pop artist to lead the chart. She’s just the second solo K-pop singer to rule the ARIA Chart after PSY’s “Gangnam Style” spent six weeks at the top back in 2012.
Rosé was born in Auckland and raised in Melbourne, before making the move to South Korea, where she joined Blackpink and smashed records everywhere. In Australia, the foursome owns the highest-debuting single by a K-pop group in ARIA Chart history, when “Pink Venom” went to No. 1 in 2022.
The Brat summer is back.
Charli XCX bags her first No. 1 on Australia’s albums chart with Brat (via Atlantic/Warner), which powers home 16-1 following the release of the Brat And It’s Completely Different But Also Still Brat, the British producer and artist’s long-awaited remix album.
The new collection includes tracks reworked with the likes of The 1975, Jon Hopkins, Tinashe and Australasian stars Troye Sivan and Lorde.
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Previously, Brat peaked at No. 3 on the ARIA Chart earlier this year. Several tracks from it bounce up the singles chart, for the week starting Oct. 21, including former No. 1 “Guess” (with Billie Eilish), up from 22-16, “360” reenters at No. 43, and “Talk Talk” rebounds at No. 49. Also, Charli scores the highest new entry of the week with “Sympathy Is A Knife” debuting at No. 21; the version on the new album features Ariana Grande.
Charli XCX, who is the headliner for the 2025 Laneway Festival tour of Australia, tickets for which went on sale this week, knocks Sabrina Carpenter’s Short N’ Sweet (Island/Universal) off the chart summit after six non-consecutive weeks, down 1-2, while Rufus du Sol lands at No. 3 with Inhale / Exhale (Warner), the homegrown electronic music act’s fifth studio album.
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The trio has snagged a Grammy Award and four ARIAs; they’re nominated for four more at this year’s ceremony, set for Nov. 20 at Sydney’s Hordern Pavilion. To date, all of RDS’s albums have hit the top 3 in Australia: Atlas (2013), Bloom (2016) and Surrender (2021) went to No. 1, and Solace (2018) peaked at No. 2.
Close behind is American rockers The Offspring with Supercharged (Concord/Universal), new at No. 4. It’s The Offspring’s ninth Australian top 10 album, a tally that includes No. 1s with Smash (1994) and Americana (1998).
Though she’s finally shunted from the top of the ARIA Albums Chart, Sabrina Carpenter collects an eighth straight week at No. 1 on the singles survey with “Taste”.
Sabrina Carpenter does it again, as Short n’ Sweet holds at No. 1 for the sixth non-consecutive week on Australia’s chart. With that feat, Carpenter breaks the tie with Taylor Swift’s The Tortured Poets Department and Billie Eilish’s Hit Me Hard And Soft for the album with the longest reign on the ARIA Chart in […]
It’s another chart double for Sabrina Carpenter in the land Down Under, while Bring Me The Horizon and The Amity Affliction ensure the top end of the ARIA Albums Chart is heavier than usual.
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Carpenter’s Short n’ Sweet (via Island/Universal) holds at No. 1 on the latest tally, published Friday, Oct. 4, extending its chart reign to five non-consecutive weeks.
Meanwhile, Bring Me The Horizon’s Post Human: Nex Gen re-enters at a new peak of No. 2, following its release on physical format. That bests its No. 4 debut in May 2024.
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Chappell Roan’s seemingly unstoppable rise continues. The U.S. alternative pop diva completes the podium with The Rise And Fall Of A Midwest Princess, up 5-3 for its peak position
Close behind is Ed Sheeran’s first greatest hits album, +–=÷× (Tour Collection), new No. 4, for the superstar British singer and songwriter’s eighth top 10 album in these parts. All seven of his studio albums have hit No. 1 on the ARIA Chart.
Further down the list, Australian hardcore act The Amity Affliction opens at No. 7 with Let The Ocean Take Me (Redux), a rerecording of their 2014 album which logged a single week at No. 1, one of their five leaders (the others are Chasing Ghosts in 2012, Let The Ocean Take Me in 2014, This Could Be Heartbreak in 2016 and Misery in 2018.
Let The Ocean Take Me (Redux) is one of three homegrown debutants in the ARIA Top 40, a tally that includes Aussie hip-hop duo Posseshot with PS4: Operation Burner Rap (No. 21) and The Rions with Happiness In A Place It Shouldn’t Be (at No. 35).
There’s a noteworthy bump for Katy Perry’s 2010 hit album Teenage Dream: The Complete Confection, up 24-13 following the U.S. pop star’s performance at the AFL Grand Final. The collection led the chart for two weeks back in 2010.
Over on the ARIA Singles Chart, Carpenter’s “Taste” holds at No. 1 for a sixth consecutive week, tying with Benson Boone’s “Beautiful Things” as the longest running leader this year.
Finally, the highest new entry belongs to The Weeknd and Playboy Carti, with “Timeless”, new at No. 11. The Weeknd is currently in Australia on his rescheduled Hours Til Dawn stadium tour.
Produced by Live Nation, the trek has completed two dates at Melbourne’s Marvel Stadium (Oct. 5 and 6), and has two more to come at Sydney’s Accord Stadium, on Oct. 22 and Oct. 23.
