Awards
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With the United States government repeatedly failing to protect the rights of LGBTQ+ people — and more specifically, transgender people — everywhere, a star-studded group of performers is coming together to celebrate queer excellence in defiance of the systems of oppression surrounding them. On Thursday (March 13), LGBTQ+ non-profit organization GLAAD announced the list of […]
Awards season might be over, but a number of A-list stars are ready to keep the celebrations going on Saturday at the 2025 Truth Awards. On Thursday (March 13), the show’s organizers Better Brothers Los Angeles and The DIVA Foundation announced the official slate of performers and presenters for the annual awards ceremony celebrating Black LGBTQ+ […]
Nikki Glaser got the ultimate vote of confidence on Thursday (March 13) when the comedian was announced to return as host for the Golden Globes next year, 10 months ahead of the 2026 ceremony. The comedian made her hosting debut at the awards show in January, leading the CBS broadcast to 10.1 million viewers and […]
Selena Gomez is proud of her Only Murders in the Building co-stars! So much so, that when Steve Martin and Martin Short’s SAG Awards arrived, she wanted to deliver them to the actors herself. In a clip posted to the popular Hulu series’ social media accounts, Gomez is seen with Michael Cyril Creighton and the […]
Stephen Schwartz, who wrote both music and lyrics to all the songs in Wicked, is about to become even more “Popular.” The veteran songwriter is set to receive the 2025 Johnny Mercer Award at the Songwriters Hall of Fame Induction and Awards Gala on Thursday, June 12, at the Marriott Marquis Hotel in New York City.
The award presentation will come near the midpoint between the November 2024 release of Wicked, which quickly became the highest-grossing film ever based on a Broadway musical, and the November 2025 release of a sequel, Wicked: For Good. Both films are based on the 2003 stage musical Wicked.
Schwartz, 76, has won three Oscars, four Grammys, four Drama Desk Awards and a Golden Globe. He has received six Tony nominations, in addition to receiving their Isabelle Stevenson Award in 2015 for his support of young artists.
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The Mercer Award, the highest honor bestowed by the SHOF, is reserved for a songwriter or songwriting team who has already been inducted into the SHOF and whose body of work upholds the high standards set by Mercer, wrote dozens of hits from the 1930s through the 1960s. (Learn more about Mercer here.) Schwartz was inducted into the Songwriters Hall of Fame in 2009.
“With every lyric and melody, Stephen invites us on an unforgettable journey,” SHOF chairman Nile Rodgers said in a statement. “From his iconic list of award-winning musicals, including Godspell, Wicked and Pippin, Stephen continually proves that he is the only person who can turn a simple story into a Broadway musical masterpiece, one catchy chorus at a time!”
Schwartz won his first two Oscars – best original song for “Colors of the Wind” from Pocahontas and best original musical or comedy score for that same film, in tandem with Alan Menken, who received the Johnny Mercer Award in 2017. Schwartz won his third Oscar – best original song for “When You Believe” from The Prince of Egypt – by himself.
Schwartz is the second Mercer recipient in the past three years who is largely known for his work in theater. Tim Rice, who teamed with Andrew Lloyd Webber to write such classics as Jesus Christ Superstar and Evita, won the award in 2023.
Schwartz has been a major force in the American musical theater since the early 1970’s, when he had three hit shows running on Broadway – Godspell, Pippin, and The Magic Show.
Four of Schwartz’s songs – two from stage musicals and two from films – have become top 20 hits on the Billboard Hot 100. “Day by Day” from Godspell (credited to Godspell) reached No. 13 in 1972. The Jackson 5’s cover version of “Corner of the Sky” from Pippin reached No. 18 in 1972, Vanessa Williams’ “Colors of the Wind” from Pocahontas hit No. 4 in 1995, and Whitney Houston & Mariah Carey’s “When You Believe” from The Prince of Egypt reached No. 15 in 1999. The latter film was DreamWorks’ first animated feature.
Schwartz’s other musicals, in addition to those already named, include The Magic Show, The Baker’s Wife, Working, Rags, Children of Eden, and the upcoming The Queen of Versailles, which is slated to open on Broadway this fall. His other films, in addition to those already named, include The Hunchback of Notre Dame and Enchanted.
In the classical field, Schwartz collaborated with Leonard Bernstein on Mass and composed the opera, Seance on a Wet Afternoon. He has also released two singer/songwriter albums, Reluctant Pilgrim and Uncharted Territory.
Under the auspices of The ASCAP Foundation, Schwartz runs musical theater workshops in New York and Los Angeles, and serves on the ASCAP Foundation board. He is also a member of the Council of the Dramatists’ Guild.
Gracie Abrams, 25, was announced two weeks ago as the recipient of the SHOF’s other major honorary award, the Hal David Starlight Award. That award, named after the Oscar- and Grammy-winning lyricist, is presented to young songwriters who are making a significant impact in the music industry with their original songs.
Previously announced 2025 SHOF inductees are George Clinton, Ashley Gorley, Rodney “Darkchild” Jerkins, Mike Love, Tony Macaulay and three members of The Doobie Brothers (Tom Johnston, Michael McDonald and Patrick Simmons).
A songwriter with a notable catalog of songs qualifies for induction into the SHOF 20 years after the first commercial release of a song.
At the first official Academy of Country Music Awards show in 1966 — held in Los Angeles and hosted by Bonanza actor Lorne Greene — Buck Owens took home top male vocalist, Bonnie Guitar won top female vocalist, and a young upstart named Merle Haggard snagged new male vocalist.
Two years prior, artist Tommy Wiggins, songwriter Eddie Miller and Red Barrel Niteclub owners (and married couple) Mickey and Chris Christensen had formed the ACM, then called the Country and Western Music Academy, to represent country music in the Western states, counterbalancing the Nashville-based Country Music Association, which launched in 1958.
Since then, the ACM has celebrated and advocated for the growth of country music, both domestically and abroad. In 2022, it moved its headquarters to Nashville, and the academy now boasts a membership of over 5,000 globally.
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On May 8, the ACM will host the 60th edition of its awards show at Ford Center at the Star in Frisco, Texas. ACM CEO Damon Whiteside says the ceremony — which became the first major awards show to exclusively stream live for a global audience on Amazon Prime in 2022 — will celebrate the year’s top artists while also honoring past winners and award-show milestones. Those landmarks include Marty Robbins taking home the first artist of the decade award in 1969, Loretta Lynn becoming the first woman to win entertainer of the year in 1976, Garth Brooks snagging six awards in one night in 1991 (a feat since replicated by Faith Hill and Chris Stapleton) and Miranda Lambert leading all winners with 37 career trophies.
Loretta Lynn onstage in 1973.
Courtesy of ACM
During the Frisco festivities, the academy will also highlight the important work of Lifting Lives, the ACM’s philanthropic partner that provides financial, disaster, mental and other aid to the country music community.
“We’re looking at developing a show that’s going to feel current because we obviously need to honor the current nominees,” Whiteside says, “but there’s also a real desire for us to showcase the legacy of the show because it’s always charted its own course. We want to showcase what differentiates us.
“It’s a little bit of a past/present/future approach,” Whiteside adds. “It’s going to be a really iconic night and a great way to look back and look forward and celebrate where we are right now as an industry.”
From left: Jordan Davis, ACM CEO Whiteside and Carly Pearce at the ACM Honors in 2024.
Terry Wyatt/Getty Images for ACM
You moved the ACM’s headquarters to Nashville from Los Angeles in December 2022. How do you differentiate yourself from the Country Music Association, and how have you upheld the original mandate of representing Western states?
We really grappled with whether we should make the move when I came into the job [in 2020]. That was definitely one of my first orders of business, coming in, that the board asked me to do some research on. Over a few months, I looked at the pros and cons [of the Nashville move], what it meant from a historical perspective, a strategic perspective and a financial perspective in moving all of our operations and our staff and knowing we probably would lose staff by moving.
COVID then hit within that process, and we were out of the office for about two years. During that time, it became more and more apparent that it made sense to be in Nashville because probably over 90% of our constituents are in the Nashville market, from our board of directors to all of our industry members and artists.
What about the organization’s original mission?
When we started back in the ’60s, there was no support for artists on the West Coast — they were shunned, basically, by Nashville, and there was no one looking out for them or for their interests. Also, there wasn’t really a bridge between the studios and television and country music. That’s really why we were formed in the first place, to create that bridge. But over time there’s been less need to be in that role because, thankfully, country is ubiquitous now. It just made sense for us to move here strategically.
From left: June Carter Cash, Johnny Cash, Marie Osmond and Robert Duvall in 1991 when Cash received the ACM Pioneer Award.
Courtesy of ACM
How did you decide where in town to relocate?
We did not even consider Music Row as a place to move — it just didn’t feel authentic for us. Nor did we want to encroach on traditional Music Row. Wedgewood Houston offered us an opportunity to be in an emerging area of town that’s still very convenient, and there’s a lot of music companies opening here. Our positioning is that we are the renegade organization, so we should be somewhere a little more gritty and edgy. That’s ultimately why we landed where we landed.
The ACM Awards’ previous slogan was “Country Music’s Party of the Year.” How have you moved away from that?
That was our tagline and position for many, many years. Especially being in Las Vegas [where the ACMs were held annually from 2003 to 2019, except for 2015], it made a lot of sense. During COVID, when we [presented] our first show in Nashville in September 2020, we did it at three venues [Grand Ole Opry House, Ryman Auditorium and The Bluebird Cafe], and we named that night “A Special Night of Heart and Hits.” That really changed the tone and the vibe of the show.
We carried that over the following year. And then when we went back to Vegas [at Allegiant Stadium in 2022], we sort of brought back the party of the year, but with being on a new platform with Amazon, they had a lot of feelings about how we could reposition ourselves.
And then, moving back to Texas in 2023 following the [awards’] 50th anniversary being there [in 2015], the feeling was we just have other sorts of stories to tell around what the show is beyond being a party. “Party” sells it a little short.
Toby Keith played “Courtesy of the Red, White and Blue (The Angry American)” at the 2002 ACM Awards, in the wake of the attacks of Sept. 11, 2001.
Courtesy of ACM
What comes after the 60th anniversary?
For 2026, we may do a major pivot again and define what’s the future of the academy. This year is a very special year, but next year is going to be kind of turning the page. It’ll be a fresh new year. We don’t know yet where we’ll be. We don’t know what [outlet] we’re going to be on. Everything’s a new day in 2026, so it’s going to be the evolution of the ACM Awards, but we’re excited about that because it’s a blank slate.
The show is co-owned by Dick Clark Productions. [DCP is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.] What is the key to your working relationship?
The relationship started in 1979, which is pretty incredible to think about. Dick Clark hosted many times and then came on as executive producer in ’79, and shortly after that his son [R.A. “RAC” Clark] got involved. He was with us for all those decades as well, and now we have Raj Kapoor [as showrunner]. It’s been a really great partnership. Both sides bring so much to the table.
We consider ourselves the country music experts, and we’re the ones running the award side of it, making sure our members and industry are engaged. We lean in for a lot of the talent asks and make sure our brand and the industry are being represented properly. Dick Clark Productions provides all the production resources and really puts the show together from a television/streaming perspective. We both have an equal seat at the table.
Garth Brooks swept the ACM Awards in 1991.
Courtesy of ACM
In 2022, you became the first major awards show to move to a streaming platform when you debuted on Prime Video. What did you learn from that first year?
That’s probably one of my top moments in my five years. The first year going into it, none of us had any idea what we were doing in terms of what the impact would be on the show. How do you suddenly produce a live show with no commercial breaks? Typically, you’re using those breaks to make set changes.
But what we found was it actually improved the process of booking the show, planning the show and the show experience itself. Because it was such a quick two hours, top to bottom, it forced everyone to be even more on their toes in terms of the show’s pace and, because of it being jam-packed with music, it felt like a true music concert. I think what we’ve carried forward is keeping the show really tight. There’s no time to get bored because you’re constantly moving.
The challenge of streaming is that they do not report viewership. The music industry wants to know how many people are watching. I don’t know the numbers. [But] if you’re feeling the bump, then does it matter how many people are watching?
We do have a sense that we’re on par with where we’ve traditionally been with the show, if not more than that. Plus, we’re global. We’re in over 230 countries and territories, live and on demand. Now we’re getting a much larger international reach.
How much does the show’s status as a global event influence picking a host? It was Dolly Parton for two years — once with Garth Brooks — and now it’s Reba McEntire, who hosted or co-hosted 12 times between 2002 and 2019.
Dolly Parton’s a global superstar. In any market around the world, if you saw your Prime Video home screen with Dolly, you’re probably going to be interested. Reba is very similar. She’s a legend as well. This is her 18th time hosting [or co-hosting]. The other part is both of them are multigenerational. They’re relevant now. The multigeneration piece is big because it brings in all audiences.
Reba came to us prior to last year and really wanted to be part of the 60th-anniversary legacy of this show because she feels very connected to it, and she’s had a huge impact on what this show is. That’s when we signed her to a two-year deal to [host in 2024 and 2025].
Taylor Swift at the ACM All-Star Jam in 2009.
Courtesy of ACM
We are seeing more labels in New York and Los Angeles sign country acts, while artists including Post Malone, Beyoncé and Ringo Starr are incorporating elements of country into their music. How does the ACM embrace that, in terms of the awards show and the organization?
We haven’t addressed it yet. We have had a lot of conversations with our board about it, and everyone is in agreement that we need to figure it out. But we need to do it in the right way and not make a rush move, because we want to make sure we’re protecting the integrity of the vote and that the members spend a majority of their time in country music versus a one-off project.
Long term, we’ll likely figure out a way to allow those “coastal labels” in as long as they meet the criteria that those individuals spend a majority of their time in country music. We will find a way to incorporate them into our membership and then [they will] be able to vote.
What is something from the past 60 years that you consider sacred and don’t ever want to change about the awards show?
Our DNA of this show has always been — and always will be — that we’re a little out of the box. We’re a little left of center. In the ’60s, we had all the television celebrities hosting and we’ve really held on to that. We’ve always had a lot of film and TV talent involved in the show, so that carries through.
We’ve held on to the fact that we really maximize the out-of-genre opportunities by having out-of-genre artists collaborating. Our DNA is that we take risks. We’re progressive. We’ve [leaned] very forward in diversity the past several years especially, and we’ll continue to do that. While the artists change over the years, our identity and the DNA of the show has remained consistent. We want the show to be fun and the fans to have a great time and let loose.
The Chicks on the shoot for their video for the 1999 ACM Awards.
Courtesy of ACM
ACM Winners’ Favorite Award Show Moments
Artists and executives look back on the Academy of Country Music’s brightest nights.
Bill Anderson, two-time ACM Award winner: “The academy first began recognizing songwriters in 2007 with the advent of their Poet’s Award, and they gave me their very first one. It’s always cool to be the first at anything, and when you look at the names of some who have followed it makes it even more special: Merle Haggard, Don Schlitz, Cindy Walker, Kris Kristofferson, Willie Nelson and more. I had come to Nashville 50 years earlier with dreams of being a songwriter. Nothing could be more special than having those dreams come true… and the ACM Poet’s Award to confirm it.”
Miranda Lambert, 37-time ACM Award winner: “It’s an honor to get any award and be recognized by my peers, but getting the album of the year award is always extra special. [Lambert won the honor five times between 2008 and 2017.] Country music is about storytelling, and knowing that people took the time to listen to an album top to bottom — and love it — means a lot to me.”
Shane McAnally, two-time ACM songwriter of the year winner: “It feels very special that the ACM honors songwriters with their own category. We are usually the ones behind the scenes, but it’s always a privilege to be recognized amongst your peers. Nashville was built on great songwriting, and this community is so special. Being named ACM songwriter of the year [in 2014 and 2019] will always be a highlight of my career.”
Jo Dee Messina, ACM Award winner: “I cherish my win of the [top new female vocalist] of the year award [in 1999]. It was a moment I got to share with my mother, who was present to witness the payoff of a lifetime of support and dedication to my dreams. The ACMs’ production crew is one of a kind. They are a family that has always gone above and beyond to be sure I was taken care of with performances, presentations, nominations and anything I needed to be a part of the televised programs.”
Tigirlily Gold, ACM Award winner: “Our favorite memory is when we got to perform our song ‘I Tried a Ring On’ after winning our very first ACM Award, for new duo/group of the year, in 2024. Jelly Roll gave us a pep talk right before we went out to play, and our musical heroes Little Big Town introduced us. We will never forget that truly surreal moment! The ACMs have a magical way of making dreams come true for artists like us.”
Shania Twain, four-time ACM Award winner: “My favorite moments are always meeting people backstage, other artists that I don’t get to meet. At the beginning of my career, I lived in Nashville and I was seeing more of the country music industry around just in general. But my career has taken me so internationally that I rarely run into country artists. The ACMs are one of the only places that happens.”
Carrie Underwood, 16-time ACM Award winner: “I’m extremely honored to be the first woman to have won ACM entertainer of the year twice and the only female ever to win that award three times [in 2009, 2010 and 2020]. We had some fun celebrating those! We don’t do what we do for praise or trophies, but it means a lot to be recognized for your hard work, and none of it would be possible without all the loyal fans.”
Additional reporting by Jessica Nicholson.
This story appears in the March 8, 2025, issue of Billboard.
The Academy of Country Music has announced ACM Radio Awards nominees for the 60th ACM Awards, including double nominations for KCLR-FM in Columbia, Mo.; WHKO-FM in Dayton, Ohio; WIVK-FM in Knoxville, Tenn.; WQDR-FM in Raleigh, N.C.; WSIX-FM in Nashville; WUSN-FM in Chicago; WUSY-FM in Chattanooga, Tenn.; and WYCT-FM in Pensacola, Fla.
Winners of the ACM Radio Awards will be announced ahead of the 60th ACM Awards and celebrated during ACM Awards week.
The 60th Academy of Country Music Awards will be held on Thursday, May 8 at Ford Center at The Star in Frisco, Tex., and stream live on Prime Video. Reba McEntire will once again host the show. This will mark the 18th time McEntire has hosted or co-hosted the ACM Awards, placing her just one show behind Bob Hope as the most frequent host of any major awards show. Hope hosted or co-hosted the Oscars 19 times between 1940 and 1978. McEntire first co-hosted the ACM Awards in 1986 (alongside Mac Davis and John Schneider), and first served as solo host in 2002.
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Tickets are available to purchase at ACMawards.com. ACM members and those who work in the country music industry can email ticketing@acmcountry.com for direct access to ACM Awards tickets.
The full list of 60th ACM Awards nominations will be announced in the coming weeks, as will performers, presenters and detailed plans for ACM Awards week events taking place around the Dallas area.
The 60th ACM Awards marks a return to Frisco, Tex., for the third consecutive year. Ford Center at The Star in Frisco opened in 2016 and serves as the practice facility for the Dallas Cowboys, as well as the home for many major sporting events throughout the year.
The 2024 show, also hosted by McEntire, was a two-hour concert event that streamed live globally on Prime Video and the Amazon Music channel on Twitch.
The 60th Academy of Country Music Awards is produced by Dick Clark Productions (DCP). Raj Kapoor is executive producer and showrunner. Kapoor was one of three executive producers of the 2025 Grammy Awards on Feb. 2 (along with Jesse Collins and Ben Winston) and one of two executive producers of the 2025 Oscars on March 2 (along with Katy Mullen). Kapoor has received eight Primetime Emmy nominations, winning in 2022 as an executive producer of Adele: One Night Only, which was voted outstanding variety special (pre-recorded).
Patrick Menton serves as co-executive producer of the ACM Awards. Jay Penske and Barry Adelman serve as executive producers for DCP, and Damon Whiteside serves as executive producer for the ACM. John Saade will serve as consulting producer for Amazon MGM Studios.
Here’s a complete list of the 60th ACM Radio Awards nominees:
National Daily On-Air Personality of the Year
Ashley Till, Y2Kountry with Ashley Till
Big D, Bubba, Big D & Bubba
Buzz Brainard, Nick Ultra, The Music Row Happy Hour with Buzz Brainard
Cody Alan, Highway Mornings with Cody Alan
Patrick Thomas, PickleJar Up All Night
National Weekly On-Air Personality of the Year
Kelleigh Bannen, Today’s Country Radio
Lorianne Crook, Charlie Chase, Crook & Chase Countdown
Steve Harmon, Country Gold with Steve Harmon
Wayne D, Tay Hamilton, iHeartCountry House Party
Whitney Allen, The Big Time Saturday Night
On-Air Personality of the Year – Major Market
The Lo Show – Lo Sessions, KKBQ-FM, Houston
The Morning Wolfpack with Matt McAllister – Matt McAllister, Gabe Mercer, “Captain Ron” Koons, KKWF-FM, Seattle
John and Tammy: San Diego’s Morning Show, John Flint, Tammy Lee, KSON-FM, San Diego
The Scotty Kay Show – Scotty Kay, WUSN-FM, Chicago
Josh, Rachael and Grunwald in the Morning – Josh Holleman, Rachael Hunter, Steve Grunwald, WYCD-FM, Detroit
On-Air Personality of the Year – Large Market
Heather Froglear – Heather Froglear, KFRG-FM, Riverside, Calif.
Deb & Matt in the Morning – Deborah Honeycutt, Matt Malone, WFMS-FM, Indianapolis
Wayne D and Tay – Wayne D, Tay Hamilton, WSIX-FM, Nashville
The Big Dave Show – Big Dave, Stattman, WUBE-FM, Cincinnati
The Q Morning Crew with Mike and Amanda – Amanda Daughtry, Mike Wheless, WQDR-FM, Raleigh, N.C.
On-Air Personality of the Year – Medium Market
The Bee Morning Coffee Club – TJ Sharp, Bo Jaxon, Hope Breen, WBEE-FM, Rochester, N.Y.
New Country Mornings with Nancy and Woody – Nancy Wilson, Aaron Woods, WHKO-FM, Dayton, Ohio
Joey & Nancy – Joey Tack, Nancy Barger, WIVK-FM, Knoxville, Tenn.
Julie and DJ in the Morning – Julie Kansy, Dale Sellers, WPCV-FM, Lakeland, Fla.
Mo & StyckMan – Mo, StyckMan, WUSY-FM, Chattanooga, Tenn.
On-Air Personality of the Year – Small Market
Hilley & Hart – Kevin Hilley, Erin Hart, KATI-FM, Jefferson City, Mo.
Liz & Scotty in the Morning – Liz DelGrosso, Scotty Cox, KCLR-FM, Columbia, Mo.
Ben & Arnie – Ben Butler, Arnie Andrews, WCOW-FM, Sparta, Wisc.
The Dr. Shane and Tess Show – Dr. Shane, Tess, WPAP-FM, Panama City, Fla.
The Cat Pak Morning Show – Brent Lane, Mel McCrae, WYCT-FM, Pensacola, Fla.
Radio Station of the Year – Major Market
KSCS-FM, Dallas-Fort Worth
KYGO-FM, Denver
WMZQ-FM, Washington, D.C.
WPOC-FM, Baltimore
WUSN-FM, Chicago
Radio Station of the Year – Large Market
KNCI-FM, Sacramento, Calif.
WDSY-FM, Pittsburgh, Pa.
WGH-FM, Virginia Beach, Va.
WQDR-FM, Raleigh, N.C.
WSIX-FM, Nashville
WWKA-FM, Orlando
Radio Station of the Year – Medium Market
KUZZ-FM, Bakersfield, Calif.
KXKT-FM, Omaha, Neb.
WHKO-FM, Dayton, Ohio
WIRK-FM, West Palm Beach, Fla.
WIVK-FM, Knoxville, Tenn.
WLFP-FM, Memphis, Tenn.
WUSY-FM Chattanooga, Tenn.
Radio Station of the Year – Small Market
KCLR-FM, Columbia, Mo.
KFGE-FM, Lincoln, Neb.
WKML-FM, Fayetteville, N.C.
WXBQ-FM, Bristol, Va.
WYCT-FM, Pensacola, Fla.
The ACM Awards are produced by Dick Clark Productions, which is owned by Penske Media Corporation. PMC is also the parent company of Billboard.
LL Cool J is set to host the 2025 iHeartRadio Music Awards, which will air live from Dolby Theatre in Los Angeles on Monday, March 17 (8-10 p.m. ET live/PT tape-delayed) on FOX. LL also hosted the show in 2022. He is the first repeat host in the show’s 12-year history.
A wide range of top acts — Bad Bunny, Billie Eilish, GloRilla, Gracie Abrams, Kenny Chesney, Muni Long and Nelly — are set to perform on the show.
LL hosted the Grammy Awards five years running, from 2012-16. He has also hosted or co-hosted the Soul Train Music Awards (1996-97), the NAACP Image Awards (2007) and the MTV Music Video Awards (2022).
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Taylor Swift and Morgan Wallen are the leading contenders for the 2025 iHeartRadio Music Awards, with 10 nods each. They are followed by Kendrick Lamar, Post Malone and Sabrina Carpenter, with nine nods each. All five artists are nominated for artist of the year, as are Billie Eilish, Doja Cat, Jelly Roll, SZA and Teddy Swims.
Lady Gaga will receive the 2025 iHeartRadio Innovator Award, which is presented to an artist who has impacted both music and global culture throughout their career. Mariah Carey will receive the 2025 iHeartRadio Icon Award. Nelly will receive the 2025 iHeartRadio Landmark Award, honoring artists whose album releases have inspired and shaped culture over multiple decades.
Swift’s record-breaking Eras Tour will be named Tour of the Century (despite the fact that we’re only one-quarter of the way through the century). The telecast will air an exclusive performance from the opening night of The Eras Tour, March 17, 2023.
The 12th annual iHeartRadio Music Awards will celebrate the most-played artists and songs on iHeartRadio stations and the iHeartRadio app throughout 2024, while also offering a preview of the hits of 2025.
The event also will be heard on iHeartRadio stations nationwide and on the iHeartRadio app.
Fan voting will determine this year’s favorite soundtrack, favorite Broadway debut, favorite K-pop dance challenge, favorite surprise guest and favorite tour tradition (all of which are new categories this year), plus these five returning categories: best lyrics, best music video, favorite tour style, favorite tour photographer and favorite on screen. Social voting began on Jan. 22 and will close on March 10 at 11:59 p.m. PT. Fans can vote by visiting iHeartRadio.com/awards.
Additional categories include label of the year and individual winners for album of the year in music’s biggest genres, including pop, country, alternative, rock, dance, hip-hop, R&B, Latin and regional Mexican formats. For a full list of categories, visit iHeartRadio.com/awards.
Executive producers for the iHeartRadio Music Awards are Joel Gallen, for Tenth Planet; and Sykes, Poleman and Bart Peters, for iHeartMedia.
Doechii is set to receive the 2025 Woman of the Year award at the annual Billboard Women in Music event. The star-studded event is taking place Saturday, March 29, at YouTube Theater at Hollywood Park in Inglewood, California.
Doechii won the Rising Star award at the 2023 Billboard Women in Music event. She is just the third woman to progress from the Rising Star award to Woman of the Year, following Lady Gaga and Ariana Grande.
“After receiving the Billboard Women in Music Rising Star Award in 2023, Doechii has quickly gained recognition in the music industry for her bold creativity and impressive talent,” Hannah Karp, editorial director of Billboard, said in a statement. “With her genre-blending sound, Doechii is redefining what it means to be a trailblazer in the music industry. We are honored to celebrate Doechii and cheer on her continued success!”
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Billboard’s Woman of the Year award has become one of the music industry’s highest honors. Past recipients include Karol G, SZA, Olivia Rodrigo, Cardi B, Billie Eilish, Ariana Grande, Selena Gomez, Madonna, Lady Gaga and Taylor Swift.
Doechii is the second rap artist to win the award, following Cardi B in 2020. Doechii, who was born in Tampa, Florida, is the second artist from the Sunshine State to be named Woman of the Year. Grande, the 2018 recipient, was born in Boca Raton.
On Feb. 2, Doechii became the second solo woman to win the Grammy for best rap album, again following the lead of Cardi B. Doechii won for her acclaimed mixtape Alligator Bites Never Heal. Her performance of “Denial Is a River” and “Catfish” on the Grammy telecast was rated as the night’s best by Billboard‘s Jason Lipshutz.
Less than three weeks later, Doechii was named outstanding new artist at the 2025 NAACP Image Awards.
Alligator Bites Never Heal has climbed as high as No. 14 on the all-genre Billboard 200. Two of Doechii’s songs have made the top 30 on the Billboard Hot 100: “What It Is (Block Boy)” and “Denial Is a River.”
Hosted by Laverne Cox, who received four Primetime Emmy nods for Orange Is the New Black, the event will air live on VIZIO WatchFree+ at 10 p.m. ET/7 p.m. PT.
The 2025 event will also honor aespa (Group of the Year), Ángela Aguilar (Breakthrough Award), Erykah Badu (Icon Award), GloRilla (Powerhouse Award), Gracie Abrams (Songwriter of the Year), JENNIE (Global Force Award), Megan Moroney (Rulebreaker Award presented by Crown Royal Whisky), Meghan Trainor (Hitmaker Award), Muni Long (Rising Star Award Presented by Honda Stage) and Tyla (Impact Award presented by Bose).
As previously announced, honorees aespa, Aguilar, GloRilla, Abrams, Moroney, Long and Tyla will also perform at the event. Becky G, Julia Michaels, Kali Uchis, Madison Beer, Mickey Guyton, Suki Waterhouse, Summer Walker, Tanner Adell and Zara Larsson are set as presenters. Additional performers and presenters will be announced in the coming weeks.
Billboard’s global partners have expanded Women in Music with new events launched around the world. ANNA, named Woman of the Year by Billboard Italy at its inaugural ceremony, and Charlotte Cardin, honored as the latest Woman of the Year by Billboard Canada, will also be celebrated as Global Women of the Year.
VIZIO WatchFree+ will be the exclusive home to the Billboard Women in Music 2025 live channel and on-demand collection from March 17 through April 5, with the live show airing free on March 29 at 10 p.m. ET/7 p.m. PT on VIZIO TVs and in the VIZIO mobile app. The channel and on-demand collection will give viewers an inside look at the inspiring women artists shaping the music industry, featuring interviews, in-studio sessions with artists, episodic series and more.
VIZIO TV owners can watch Billboard Women in Music 2025 and the live event by opening the WatchFree+ app on their TV. For those who do not have a VIZIO TV, anyone can download the free VIZIO mobile app to their mobile device, click on the WatchFree+ button in the bottom row menu, and tune into the Billboard Women in Music 2025 channel.
Tickets are on sale now via Ticketmaster here. Prices start at $89. (Tables are also available to purchase; contact joe.maimone@billboard.com for additional information.)
Sponsors for the 2025 Billboard Women in Music event include Official Whisky Partner Crown Royal, HarbourView Equity Partners, Bose (presenter of the Impact Award), Sol De Janeiro and Honda Stage (presenter of the Rising Star Award).
This event is not affiliated with Women in Music, a nonprofit organization committed to advancing equality, visibility and opportunities for women in the musical arts through education, support, empowerment and recognition. To support the work of Women in Music, visit WomenInMusic.org.
In a first, the Polaris Music Prize is rescinding Buffy Sainte-Marie‘s wins. The Juno Awards have also revoked the singer-songwriter’s awards and her induction into the Canadian Music Hall of Fame.
The Canadian Academy of Recording Arts and Sciences (CARAS), the organization that administers the Junos, released a statement, writing that the singer-songwriter does not meet eligibility requirements following her confirmation that she is not Canadian — similar criteria that the Polaris Prize cited. It was a “not a reflection of Ms. Sainte-Marie’s artistic contributions,” CARAS writes.
CARAS says it made the decision following a thorough review and consultations with the CARAS Indigenous Music Advisory Committee.
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Sainte-Marie has faced criticism and scrutiny following a 2023 CBC investigation that cast serious doubt on her claims of Indigenous identity.
In January of this year, Sainte-Marie’s Order of Canada was terminated. On March 4, The Canadian Press reported Sainte-Marie issued a statement about the termination, saying that she returned the Order “with a good heart” and affirming that she is a U.S. citizen. “My Cree family adopted me forever and this will never change,” she added.
Sainte-Marie won the Polaris Prize — which is awarded annually by a jury of music critics to one Canadian album based on merit — in 2015 for Power In The Blood. She was also awarded a Polaris Heritage Prize, which honours albums released before the Prize’s founding in 2006, in 2020 for her debut solo album It’s My Way!
Now, those two awards will no longer be hers.
“Based on Sainte-Marie’s statement, Buffy does not meet Polaris Music Prize’s rules and regulations,” wrote the Polaris Prize. “Given Buffy’s statement regarding her citizenship, Polaris Music Prize will be rescinding all awards including her 2015 Polaris Music Prize and 2020 Heritage Prize,” the Prize states.
The PMP statement also acknowledges that not all Indigenous artists have access to government-issued paperwork, with the Prize asserting that this should not impact eligibility for the award.
The Prize’s eligibility criteria requires that nominees “be Canadian citizens or permanent residents, with proof of status provided through government-issued documentation, including passports, birth certificates, permanent resident cards, and/or Secure Certificates of Indian Status.”
Read the Polaris Prize and Juno Awards’ full statements on Billboard Canada .
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Canadian Vinyl Pressing Plant Promises to Absorb Tariff Costs for American Customers
An Ontario-based vinyl company has announced it will absorb tariff costs for American customers, receiving a mixed response.
As America imposes 25% tariffs on some Canadian imports (with others delayed until April 2), Precision Record Precision is committing to keeping prices stable for U.S. clients.
“We understand that recent tariff announcements may raise concerns, and we want to assure our US-based customers that any tariffs imposed by the US government on Canadian exports will be paid by and fully absorbed by PRP,” says a statement from CEO Shawn Johnson.
With manufacturing based in Burlington, Ontario, the company bills itself as one of the largest pressing plants in North America. The company was established in 2016 as a partnership between the massive Czech-owned vinyl manufacturer GZ Media and Canadian music distributor Isotope Music.
Some customers welcomed the decision, but the top comment on Instagram disagrees with the company.
“But the American clients SHOULD be paying the tariffs. Not the Canadian company. I understand the desire to not lose business but this is disappointing from a Canadian company and makes me question if I want to use Precision Pressing again thin [sic] the future,” the comment reads.
The trade battle between the U.S. and Canada, as well as persistent threats by the American President to annex Canada, have prompted uncertainty in the Canadian cultural industries as well as a wave of nationalism.
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Canadian Artists Hold the Top Two Spots on Billboard Albums Charts
Tate McRae is so close to superstardom.
The Calgary pop singer has notched her first No. 1 album with So Close To What, topping the Billboard Canadian Albums chart on the chart dated March 8. She bumps Drake and PartyNextDoor’s $ome $exy $ongs 4 U to no. 2, on that Canadian chart and on the Billboard 200 — a rare occasion where Canadians have the top 2 albums in both Canada and the U.S.
It marks a major ascension for the Canadian star, who has been building her profile since her breakthrough with 2020’s “You Broke Me First.” In the five years since, McRae has evolved into one of Gen Z’s biggest singers and performers.
McRae expressed her excitement at the No. 1 debut on Instagram. “????????? Are you kidding meeeeeeee Thank you Thank you Thank you 😭’” she wrote.
McRae also has 15 songs in total on the Canadian Hot 100 this week. Her highest placement is the sultry “Sports Car,” which she performed on Saturday Night Live this past weekend. That track sits at No. 11 on the Canadian Hot 100 and No. 16 in the U.S.
Drake and PartyNextDoor, meanwhile, have 16 tracks on the Canadian Hot 100 this week, though they are not as high as in the first week. The top placed song, “Nokia” drops 5-10, and “Gimme a Hug” moves down 10-39.
Overall, it’s a big week for Canadian artists on the charts.
Last Week In Canada: Billboard Live Stage Coming to NXNE