Awards
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In the wake of a presidential election that saw calls to its crisis hotline increase by nearly 700%, The Trevor Project is taking a moment to celebrate some good news, courtesy of pop star Dua Lipa. Explore Explore See latest videos, charts and news See latest videos, charts and news On Tuesday (Nov. 19), the […]
Rare Beauty by Selena Gomez; Jelly Roll with Power to the Patients; and Becky G with NPR’s Tiny Desk Concerts’ “El Tiny” Takeover are among the winners of the fourth annual Anthem Awards. The awards, presented by the Webby Awards, recognize the purpose and mission-driven work of individuals, companies and organizations.
Other Gold Anthem Award winners include Google; George Lucas Educational Foundation; Gayle King with The Schoolys; Keke Palmer with Google’s ‘Black-owned Friday’; The Metropolitan Museum of Art; Amazon Music; GLAAD; and the Clinton Global Initiative.
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“This year’s Anthem Awards Winners are a crucial reminder of the many inspiring and courageous leaders around us committed to creating change,” Patricia McLoughlin, Anthem Awards general manager, said in a statement.
The Anthem Awards also honor individuals with special achievement awards for their commitment to spurring long-lasting change. This year’s Special Achievement Winners include Teun van de Keuken, for his work to promote ethical consumption and business practices through the chocolate brand Tony’s Chocolonely; Padma Lakshmi, for her work to promote social justice, empower women, and create a broader understanding and appreciation of different cultures through food; and Christy Turlington Burns, in recognition of her commitment to improving maternal health outcomes and advocating for mothers everywhere.
This year’s Anthem Award Winners were selected from more than 2,300 submissions from 34 countries by the International Academy of Digital Arts & Sciences (IADAS). Anthem Award judges are leaders from across the impact industry with expertise that spans the Anthem cause areas – diversity, equity, & inclusion; education, art, & culture; health; human & civil rights; humanitarian action & services; responsible technology; and sustainability, environment, and climate.
The Anthem Awards were launched in 2021 to highlight social impact work happening around the globe. The awards were founded by The Webby Awards in partnership with the Ad Council, Born This Way Foundation, Feeding America, GLAAD, Mozilla, NAACP, NRDC, WWF, and XQ.
Fans can watch each winner’s “Call to Action Speech” in the Anthem Winners Gallery at anthemawards.com/winners.
Chris Stapleton and Ashley Gorley were top winners of the 2024 ASCAP Country Music Awards, celebrating the songwriters and publishers of country music’s most-performed ASCAP songs of the past year. The awards were presented at an invitation-only gathering in Nashville on Monday (Nov. 18).
Stapleton received the ASCAP Country Music Songwriter/Artist of the Year honor. Gorley won his 11th ASCAP Country Music Songwriter of the Year honor, which is more than anyone else in the 62-year history of the ASCAP Country Music Awards.
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Stapleton and Gorley will be competing for song of the year at the CMA Awards on Wednesday. Stapleton is nominated for co-writing his own hit “White Horse”; Gorley for co-writing “I Had Some Help,” the Post Malone smash featuring Morgan Wallen. Fun Fact: Stapleton and Gorley, both Kentucky natives, were born just 34 miles and less than one year apart. Stapleton was born in 1978 in Lexington; Gorley in 1977 in Danville.
Stapleton’s “White Horse” (co-written by ASCAP member Dan Wilson) and “Think I’m in Love with You” were among ASCAP’s 50 most-performed country songs of the year.
Gorley co-wrote Wallen’s megahit “Last Night,” which is the ASCAP Country Song of the Year. Co-written by JKash and Gorley, the song marks Gorley’s fourth ASCAP Country Song of the Year win. He previously won for “You Proof” (2023), “One of Them Girls” (2021) and “You’re Gonna Miss This” (2009).
Sony Music Publishing, Kobalt Songs Music Publishing, Domain Capital Group, Poppy’s Picks, Prescription Songs and Rap Kingpin Music shared in the honor for “Last Night.” The Grammy-nominated single spent 16 non-consecutive weeks at No. 1 on the Billboard Hot 100 in 2023.
Gorley had a total of 11 songs among ASCAP’s 50 most performed country songs of the year. The others, and the artists who made them famous, are: “All I Need is You” (Chris Janson), “Bulletproof” (Nate Smith), “Cowgirls” (Wallen), “God Gave Me a Girl” (Russell Dickerson), “I Had Some Help” (Wallen and Post Malone), “Save Me the Trouble” (Dan + Shay), “This Town’s Been Too Good to Us” (Dylan Scott), “Truck Bed” (Hardy), “World On Fire” (Nate Smith) and “Young Love & Saturday Nights” (Chris Young).
Gorley was nominated last week for induction to the Songwriters Hall of Fame; eligible voting members have until midnight ET on Dec. 22 to turn in their ballots.
Sony Music Publishing was named ASCAP Country Music Publisher of the Year for the 11th time, with 24 of this year’s most-performed songs. Sony Music Publishing Nashville CEO Rusty Gaston accepted the award.
Among Sony Music Publishing’s top songs are “A Bar Song (Tipsy),” Shaboozey’s mega-hit that has spent 17 weeks at No. 1 on the Hot 100, as well as “Can’t Break Up Now” (Old Dominion and Megan Moroney), “If You Go Down (I’m Goin’ Down Too)” (Kelsea Ballerini), “Texas Hold ‘Em” (Beyoncé), “Outskirts” (Sam Hunt), “Bulletproof” (Nate Smith), “Save Me the Trouble” (Dan + Shay), “I Can Feel It” (Kane Brown), “Light On in the Kitchen” (Ashley McBryde) and “Austin” (Dasha).
ASCAP CEO Elizabeth Matthews, ASCAP chairman of the board and president Paul Williams and ASCAP vice president of Nashville membership Mike Sistad handed out awards. Rising duo Everette performed their recent single “High and Lonesome.”
A complete list of ASCAP Country Music Award winners can be found at: ASCAP.com/countryawards24.
As K-pop continues its meteoric rise on the global stage, the industry’s biggest award show sets a new milestone with its first-ever U.S. date for its 25th anniversary.
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This week, on Nov. 21, 2024, the MAMA Awards will be held at Hollywood’s iconic Dolby Theater, marking the first time the event has crossed over to the States since its introduction in 1999. Widely regarded as one of the premiere K-pop events of the year, the MAMAs have spent the last 25 years growing from a music video awards ceremony in a Seoul theater to a multi-day, international affair across Asia. This year, the 2024 MAMA Awards will kick off with one night in Los Angeles before jumping to two days at the massive Kyocera Dome stadium in Osaka, Japan.
“Taking a first step is challenging, but at the same time, it’s meaningful,” MAMA’s chief producer Yoon Shin Hye shares with Billboard. “We strive to present various stages with an unmatched scale and provide unique experiences to global fans.”
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This year’s theme, “Big Blur: What is Real?,” encapsulates MAMA’s commitment to pushing boundaries and exploring ways to reshape and rethink the music industry. Meanwhile, legendary K-pop producer and music executive J.Y. Park will link with Anderson. Paak for a meeting of the musical minds, as HYBE and Universal Music’s LA-based girl group KATSEYE will team up with another local troupe in the Los Angeles Rams Cheerleaders.
In this exclusive preview of this year’s show MAMA’s chief producer Yoon Shin Hye, delves into the vision and execution behind this year’s event. From overcoming the logistical challenges of hosting in two countries to crafting unique collabs that embody the MAMA spirit, the CJ ENM executive offers an inside look at the dedication and innovation driving the award show to evolve at its 25th anniversary.
Congratulations on what’s sure to be the biggest MAMA Awards. While I know having a ceremony in the U.S. was spoken about in the past, what happened to make it officially occur this year?
Yoon Shin Hye: Looking back on our 25-year MAMA heritage, MAMA has been held across Asia including Macao, Singapore, Hong Kong, Vietnam and Japan and evolved to become the world’s No. 1 K-Pop awards, which started as the “Mnet Asian Music Awards.” Over the course of our 25-year journey, MAMA Awards has realized the value of “MUSIC MAKES ONE” with the growth of K-pop, and has established our own unmatched system and know-hows through facing and overcoming countless challenges. This has paved the way to host MAMA Awards in the U.S.
How long did it take to confirm MAMA in LA?
Every year as we hold KCON LA, I could feel the strong passion of fans in the U.S. and thought 2024 would be the right time to take a first step in the U.S. with the growth of K-pop. In the planning phase, we came up with the concept of “BIG BLUR,” as it’s about blurred boundaries between time and space, online and offline, imaginary and reality, language and culture, I thought it would be fun to run the MAMA Awards in relays from U.S. to Japan, and this perfectly fits to this year’s story.
How did the Los Angeles lineup come together?
As MAMA Awards is taking a significant first step in the U.S., we thought it would be meaningful to have rookies. So, we made a lineup for the first MAMA Awards in the U.S. with rookie artists. Plus, we have J.Y. Park, who marks the 30th anniversary of his debut, and RIIZE, who have special memories in the U.S. The group debuted in LA, and this year marks the first year of their debut and they are set to show something about their debut stories at MAMA Awards.
What went into the collaborations between J.Y. Park and Anderson .Paak, and KATSEYES with the LA Rams Cheerleaders? Take us through the process.
We wanted to show and present collaborations that have never been seen anywhere else only at MAMA Awards, and what only MAMA can make it happen. This year marks the 30th anniversary of J.Y. Park’s debut — he’s a renowned K-pop producer and K-pop artist — and Anderson .Paak is a Grammy Award winner. Anderson .Paak also has a strong interest in K-pop and recently directed a film about K-pop titled K-Pops! and, as it happens, the two artists are of the same Miryang Park clan [a Korean clan originating from the southeastern city of Miryang in South Korea].
On top of that, we have another special collaboration between the global girl group KATSEYE and the Los Angeles Rams Cheerleaders. We brought ideas about what we can only do in LA, what can be seen only at MAMA and to present performances with a diverse group of artists and become one through music at MAMA.
Actor Park Bo Gum will be the host for the U.S. date. How are you and he preparing?
Park Bo Gum has been with MAMA as a host since 2017 and he hosts the show with sincerity and delivers what MAMA wants to tell about its value and story. We’re confident that we can deliver our message and story well with our host, Park Bo Gum, at the MAMA Awards US. Park is also looking forward to hosting.
What challenges have you faced or do you anticipate facing to successfully hold the MAMA Awards in LA for the first time?
MAMA tries a new thing every year. We strive to present various stages with an unmatched scale and provide unique experiences to global fans. This year, the MAMA Awards will take place in the U.S. and Japan in relays and be broadcast live around the world. This reflects our commitment to bringing people together around the world. This year’s concept especially means opening and creating a new world of MAMA that transcends dimensions of time and space. We decided to host MAMA Awards in two different regions, starting in LA on the 21st and then moving over to Osaka for two days. Taking a first step is challenging, but at the same time, it’s meaningful. Given the time difference and distance, it wasn’t easy to arrange a meeting to prepare and discuss, but the whole process was meaningful and fun to work toward the same goal with artists and staff to create a great show.
The Dolby Theater in Hollywood is a very different venue than the Kyocera Dome. How do you create a seamless experience between a theater and a stadium?
LA Dolby Theatre is a symbolic place to many and home of the Oscars, where the Academy Awards is held every year; it’s like the heart of Hollywood. For the past few years, MAMA Awards has been held at a dome-style venue, and Dolby Theatre has its own mood as a venue and different characteristics. We are going to show something different from our previous MAMA stages and artists will take the stage in a different way at the distinctive venue.
With Los Angeles opening the MAMA Awards this year, can you share the ways you’ll establish the “Big Blur: What is Real?” theme? It’s very interesting but somewhat abstract.
MAMA has always wondered what kind of a new thing will be created when new technology meets art, and has visualized and created stages with that idea. MAMA’s concepts have been comprehensive ones, reflecting trends and environmental changes like the world shifting from analog to digital age, and globally being connected online in this digital era. At this year’s MAMA, we wanted to talk about chaos caused by rapid technological change in our time, which is happening faster than ever and how technological advancement and convergence across industries are affecting the music industry. We also reflected our willingness to create MAMA’s own “NEW THING” that crosses boundaries between imaginary and reality, time and space and online and offline. And we wanted to ask a question of “What is Real?” and make people think about what kind of music they really like.
Historically, MAMA has been a place for new TV projects or teasers to be announced, like Produce 48 or Boys Planet. Are there any surprises for audiences this time?
As we have been taking an uncharted path, MAMA will be full of ever-evolving performances. We are working hard to meet high expectations. MAMA is one “big live show,” and will have many surprising moments. Although watching performances in clips is becoming more common these days, I’m sure it will be much more fun to watch it live.
The 58th annual CMA Awards are set for Wednesday, Nov. 20 at Nashville’s Bridgestone Arena. Two-time CMA Award entertainer of the year winner Luke Bryan returns to co-host with NFL hall of famer Peyton Manning and reigning CMA entertainer of the year Lainey Wilson. Morgan Wallen leads this year’s nominees with seven nominations, including for entertainer of the year, followed by Cody Johnson and Chris Stapleton with five nominations, and Post Malone and Lainey Wilson with four nominations.
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The eligibility period for the 2024 show, which will air live on ABC at 8 p.m. ET, is July 1, 2023 to June 30, 2024. The 58th Annual CMA Awards is set to broadcast live on Wednesday (8:00–11:00 p.m. ET) on ABC and next day on Hulu.
According to CMA rules, “singles, albums, music videos and qualified music products for the annual show must have been released or reached peak national prominence during the eligibility period” to qualify. More than 7,000 members of the country music industry vote for the nominees and winners through three rounds of voting.
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Here are Billboard’s predictions on who will emerge victorious in select categories, from Melinda Newman (executive editor, West Coast and Nashville) and Jessica Nicholson (staff writer, Nashville).
Entertainer of the year
Luke Combs
Jelly Roll
Chris Stapleton
Morgan Wallen
Lainey Wilson
Newman: Jelly Roll replaces Carrie Underwood in what otherwise is a replay of last year. Wilson, who won in 2023, continues to have a strong streak, but she faces steep competition from label mate Jelly Roll, who has smashed it on his first headlining arena tour. Stapleton is looking for his first win here in eight nominations, but it’s also hard to deny two-time winner Combs and Wallen, both of whom had sold-out stadium tours this year. An extremely tough and competitive category. It also shows what a good job country music has done in building the next generation of superstars: Stapleton is the most seasoned veteran in this category, and his first solo album only came out nine years ago.
Will win: Morgan Wallen
Nicholson: Each artist nominated here has had a stellar year, with album releases and/or massive tours. Wilson won this category last year, and could very well take it home a second time. Meanwhile, her labelmate Jelly Roll has been seemingly ubiquitous this year, thanks to his Billboard 200-topping album Beautifully Broken and its corresponding headlining arena tour. Combs has previously won twice in the category, while Morgan Wallen looks to take home his first EOY win. Both have both led massive stadium tours and logged chart-topping hits. Stapleton earns his eighth nomination in the category, on the strength of recent hits such as “White Horse” and this year continued his All-American Road Show Tour. Given Wallen’s stadium-headlining status and massive all-genre chart hits this year, it seems likely that he will earn the EOY win.
Will win: Morgan Wallen
Male vocalist of the year
Luke Combs
Jelly Roll
Cody Johnson
Chris Stapleton
Morgan Wallen
Newman: The line-up repeats from last year, when Stapleton took home his seventh trophy, extending his record for most wins in the category. With his bluesy, rangy growl, Stapleton has a once-in-a-generation voice and Combs has been the only male vocalist who has been able to break his strangle-hold on the category, winning in 2019 and 2020. Stapleton faces stiff competition again, but just throw on “White Horse” or any other song from Higher and it feels like Stapleton will win again.
Will win: Chris Stapleton
Nicholson: Stapleton has taken home this category for the past three consecutive years, and given his pair of chart hits this year (the top 5 Country Airplay hit “White Horse” and top 20 hit “Think I’m in Love With You”), he’s in a good position to take home the honor again this year. However, he has quite the battle ahead of him — particularly from stadium headliner Wallen, whose collab with Post Malone was a six-week Billboard Hot 100-topper. Meanwhile, Combs has continued his own headlining stadium tour and took successful creative risks on his concept album Fathers & Sons. Johnson has shown himself a torchbearer for traditional country, with two songs he recorded earning song of the year nominations. Jelly Roll was named new artist of the year last year and his career has only skyrocketed since, with a headlining arena tour, a No. 1 Billboard 200 debut album and his joyous, megawatt personality garnering loads of media attention.
Will win: Jelly Roll
Female vocalist of the year
Kelsea Ballerini
Ashley McBryde
Megan Moroney
Kacey Musgraves
Lainey Wilson
Newman: McBryde, who has been nominated five times, and Ballerini, who has been nominated seven, are both going for their first wins here, as is Moroney, who received her first nom this year. Wilson won the past two years, while Musgraves — who took home the trophy in 2019, received her first nomination since 2020. All are deserving, but it feels like Wilson is building a dynasty that could rival that of Miranda Lambert — who won six years in a row, and then, after losing to Carrie Underwood, came back and won again. (Underwood is no slouch here, having been nominated 13 times and winning five times).
Winner: Lainey Wilson
Nicholson: Each artist has had a strong year, with headlining tours and/or album releases. McBryde, who picks up a fifth nomination in this category, released The Devil I Know. Musgraves, who previously won this category in 2019, released Deeper Well. Moroney, who headlined her own tour and opened for Kenny Chesney this year, earns her first female vocalist of the year nomination this year on the strength of releases including “No Caller ID.” Wilson, the reigning CMA entertainer of the year, also won in this category the past two years, and has been headlining her Country’s Cool Again Tour and earned a top 20 Hot Country Songs hit with “Hang Tight Honey,” ahead of her August-released album Whirlwind. Ballerini picks up her seventh nomination in the category. This past year, she earned a top 20 Country Songs hit with her Noah Kahan collaboration “Cowboys Cry Too,” an early look at her October-released new album Patterns. Still, this looks like Wilson’s to lose.
Will win: Lainey Wilson
Vocal group of the year
Lady A
Little Big Town
Old Dominion
The Red Clay Strays
Zac Brown Band
Newman: This category has remained largely static—this year, The Red Clay Strays replace Midland, but the other four nominees remain the same as they have largely for the past five years. Old Dominion has won for the past six years… and Little Big Town for the six consecutive years before that and Lady A for three years in a row before that. You get the idea. Zac Brown Band has been nominated 13 times and not taken home the crown. Hot (relative) newcomers Red Clay Strays could pull off some kind of miraculous upset, but they haven’t broken through significantly yet. It’s another year for Old Dominion, who will try to look surprised when they win.
Will win: Old Dominion
Nicholson: The past year was fairly quiet for some of the nominees. Three of the nominated groups — Little Big Town, Zac Brown Band and Lady A — did not release an album during the eligibility period, though Old Dominion released the album Memory Lane, spearheaded by the title track and the Megan Moroney collab “Can’t Break Up Now.” However, ZBB joined Kenny Chesney on his 2024 tour, while Little Big Town revealed a co-headlining tour with Sugarland. New to the category this year is The Red Clay Strays, who earned a breakthrough hit with Hot 100 hit “Wondering Why” and followed with a sterling album Made By These Moments. Still, look for six-time vocal group of the year winners Old Dominion to extend their winning streak here.
Will win: Old Dominion
Vocal duo of the year
Brooks & Dunn
Brothers Osborne
Dan + Shay
Maddie & Tae
The War and Treaty
Newman: It’s the exact same duos competing this year as last year. In the last eight years, the award has gone to reigning champs Brothers Osborne six times and Dan + Shay two times. Brooks & Dunn hold the record for 14 non-consecutive wins spanning 1992-2006. The War & Treaty could score their first win here given the love Nashville feels for them and their immense talent, but we thought that last year. Dan + Shay have had a stellar year with a sold-out arena tour and hits from their album, Bigger Houses, and a holiday album. Feels like time for the pair to follow up its ACM Awards top duo win earlier this year with another CMA.
Will win: Dan + Shay
Nicholson: This year’s category features several previous nominees and winners. Brooks & Dunn, who have won in the category 14 previous times, are again nominated, thanks to their headlining Reboot 2024 tour (the duo also recently released the Reboot II album). Meanwhile, Dan + Shay released Bigger Houses, spearheaded by the single “Save Me The Trouble.” Brothers Osborne released “Break Mine” and issued a self-titled album, while The War and Treaty issued “Called Me By Your Name” and made several high-profile appearances this year. Maddie & Tae released “Heart They Didn’t Break” ahead of their 2024 EP What a Woman Can Do. Look for Dan + Shay to return to the winner’s circle here.
Will win: Dan + Shay
New artist of the year
Megan Moroney
Shaboozey
Nate Smith
Mitchell Tenpenny
Zach Top
Bailey Zimmerman
Newman: No offense to Mitchell Tenpenny, but given that he’s been having hits since 2018, it seems odd that he was nominated this year. Zimmerman should have been nominated last year but wasn’t. Zach Top is breaking through now and his star is shining brightly, but he hasn’t had the kind of year that Moroney, Shaboozey or Smith have, in part because he started later. Artists can be nominated twice for this award, and Moroney repeats her nomination from last year. It’s a solid crop of artists — and the category is loaded with acts that seem like they have long futures ahead of them. It’s a bit of a coin toss between Moroney, Smith and Shaboozey and it’s hard to bet against someone who dominated this summer’s country and pop charts like Shaboozey, but it feels like Moroney has the wind at her back.
Will win: Megan Moroney
Nicholson: Several of the artists nominated for new artist of the year reached new heights this year. Shaboozey scored a massive hit on several charts including 18 weeks (and counting) atop the Hot 100 with “A Bar Song (Tipsy).” Megan Moroney notched multiple Hot 100 hits, including “No Caller ID” and “Am I Okay?,” while Zach Top has garnered considerable buzz since releasing his debut country album Cold Beer & Country Music earlier this year, and has two songs on the Country Airplay chart at present. Nate Smith earned a multi-week No. 1 with “World on Fire,” and followed with another hit “Bulletproof.” Meanwhile, Tenpenny released his new album, The 3rd, in September. Zimmerman earned a No. 1 Country Airplay hit with “Where It Ends,” and had opening slots on tours for Wallen, Luke Bryan and Kane Brown. Still, Shaboozey’s cross-genre hit is tough to deny here.
Will win: Shaboozey
Album of the year
Award goes to artist, producer(s) and mix engineer(s)
Deeper Well – Kacey Musgraves; Producers: Ian Fitchuk, Kacey Musgraves, Daniel Tashian; Mix Engineers: Shawn Everett, Konrad Snyder
Fathers & Sons – Luke Combs; Producers: Luke Combs, Chip Matthews, Jonathan Singleton; Mix Engineer: Chip Matthews
Higher – Chris Stapleton; Producers: Dave Cobb, Chris Stapleton, Morgane Stapleton; Mix Engineer: Vance Powell
Leather – Cody Johnson; Producer: Trent Willmon; Mix Engineer: Jack Clarke
Whitsitt Chapel – Jelly Roll; Producers: Andrew Baylis, Brock Berryhill, Zach Crowell, Jesse Frasure, David Garcia, Kevin “Thrasher” Gruft, Austin Nivarel, David Ray Stevens; Mix Engineers: Jeff Braun, Jim Cooley
Newman: Last year, Wilson’s Bell Bottom Country won, but her follow-up, Whirlwind, won’t be eligible until next year because of the qualifying dates (July 1, 2023-June 30, 2024). Those dates are somewhat flexible and adjusted for when an album had its greatest impact — which is how Whitsitt Chapel, which came out June 2, 2023, finds itself here. Musgraves, Combs and Stapleton have all won before, and every solo album released by Stapleton has received a nomination, so it’s impossible to bet against him. But I’m going to anyway: An album like Whitsitt Chapel doesn’t come along very often, and it is only going to grow in importance as time passes. An album about salvation and redemption with bonafide radio hits like “Need a Favor” and “Save Me,” Whitsitt Chapel changed the tenor of country radio.
Will win: Whitsitt Chapel
Nicholson: Musgraves’ Deeper Well and Stapleton’s Higher are both up for Grammy best country album nominations as well the CMA album of the year honor, further heightening their credentials here. Combs crafted his familial-focused project Fathers & Sons to great acclaim, while Johnson’s Leather included hits including “Dirt Cheap” and “The Painter,” both of which are up for song of the year. Jelly Roll’s breakthrough album Whitsitt Chapel launched multiple hits for the Tennessee native, including “Halfway to Hell” and “Need a Favor.” Musgraves, Stapleton and Combs have all won in the category, but look for awards-show favorite Stapleton to take home the win.
Will win: Higher
Single of the year
Award goes to artist(s), producer(s) and mix engineer(s)
“A Bar Song (Tipsy)” – Shaboozey; Producers: Sean Cook, Nevin Sastry; Mix Engineer: Raul Lopez
“Dirt Cheap” – Cody Johnson; Producer: Trent Willmon; Mix Engineer: Jack Clarke
“I Had Some Help” – Post Malone (Feat. Morgan Wallen); Producers: Louis Bell, Charlie Handsome, Hoskins; Mix Engineer: Ryan Gore
“Watermelon Moonshine” – Lainey Wilson; Producer: Jay Joyce; Mix Engineers: Jason Hall, Jay Joyce
“White Horse” – Chris Stapleton; Producers: Dave Cobb, Chris Stapleton, Morgane Stapleton; Mix Engineer: Vance Powell
Newman: After Wallen’s “Last Night” wasn’t nominated last year despite spending 16 weeks at No. 1, it feels like his and Post Malone’s insanely catchy “I Had Some Help,” which was Billboard’s Song of the Summer, will take the prize here. But “A Bar Song (Tipsy)” has insinuated its way into listeners’ hearts and set the record for the most weeks at No. 1 on the Billboard Hot 100 for an artist with no accompanying acts at 17 weeks. Some voters may want to go more traditional Nashville, and could go for Stapleton or Johnson, both of whom have won before — but we think we’re going to be raising a glass to Post Malone and Wallen.
Will win: “I Had Some Help”
Nicholson: The single of the year nominees for 2024 are an array of sounds, from pop-entrenched smashes, blistering country-rock tracks and staunchly country entries. All five nominated singles connected with fans this year, but the double star power of Post Malone and Morgan Wallen could be enough to earn the win.
Will win: “I Had Some Help”
Song of the year
Award goes to songwriter(s)
“Burn It Down”; Songwriters: Hillary Lindsey, Parker McCollum, Lori McKenna, Liz Rose
“Dirt Cheap”; Songwriter: Josh Phillips
“I Had Some Help”; Songwriters: Louis Bell, Ashley Gorley, Charlie Handsome, Hoskins, Austin Post, Ernest Keith Smith, Morgan Wallen, Chandler Paul Walters
“The Painter”; Songwriters: Benjy Davis, Kat Higgins, Ryan Larkins
“White Horse”; Songwriters: Chris Stapleton, Dan Wilson
Newman: These are all strong selections, and all reached the top 10 on Billboard’s Country Airplay chart. Though this is a songwriter’s award, credit to Cody Johnson for having an unerring song sense with both “Dirt Cheap” and “The Painter.” “I Had Some Help” is a bit of an outlier here, given its bouncy, lightweight nature, which contrasts with the more serious nature of the other songs. That — and the fact that it was an enduring crossover smash — may play in its favor, but we like it more for single of the year than song. The intensity of “Burn It Down” and “White Horse” still hit every time we hear either, and a great song should continue to wear well. A very slight nod here to “White Horse” and its driving, western swagger.
Will win: “White Horse”
Nicholson: Cody Johnson seems to be a songwriter’s not-so-secret weapon in this category, as two Johnson-recorded songs made the final nominees: “Dirt Cheap,” a solo write from Josh Phillips, and “The Painter,” written by Benjy Davis, Ryan Larkins and Kat Higgins. The song of the year category generally goes to songs with detailed storylines and/or heartfelt sentiments, and while this year’s nominated songs ranged from rock-fueled heartbreakers (“White Horse,” “Burn It Down”) to smash radio hits (“I Had Some Help”), the sentimental fan-favorite “Dirt Cheap” could take home the win.
Will win: “Dirt Cheap”
Megan Moroney, Jaron Boyer and Warren Zeiders‘ “Pretty Little Poison” were among the evening’s big winners at SESAC Performing Rights’s annual Nashville Music Awards on Sunday night (Nov. 17), as the country music industry’s annual CMA Week got underway with the first of a trio of parties held by performing rights organizations to honor the songwriters and music publishers many of the year’s most performed country songs.
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More than 400 members Nashville’s elite songwriters, publishers and other industry members gathered at the Country Music Hall of Fame Sunday night to honor the SESAC writers behind not only top country songs, but top Americana tunes such as Sierra Ferrell’s “American Dreaming” and The Avett Brothers’ “Orion’s Belt” during the glitzy shindig.
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SESAC Sr. VP/Head of Nashville Creative Shannan Hatch hosted the evening alongside senior directors, creative services ET Brown and Lydia Cahill. The event was sponsored in part by Hatef Aesthetics, Bombas, Brumate, CRVFT, Cymbiotika, Dr. Bronner’s, Eboost, Herban Essentials, Little Secrets, Monopoly, Olaplex, Osea, Pause, and Solawave.
Early in the evening, Megan Moroney performed the title track to her sophomore album, Am I Okay?, before later being honored with the SESAC spotlight award, honoring not only her work on resonant songs such as “I’m Not Pretty” and “Indifferent,” but her myriad accomplishments over the past year, including the release of her album and her three CMA Awards nominations heading into Wednesday evening’s CMA Awards (among them a nomination for female vocalist of the year).
“There’s nothing more fulfilling than writing songs. Thank you SESAC for taking care of the songwriters,” Moroney said in accepting the honor.
Boyer was named SESAC’s songwriter of the year, for his work writing hits including Jason Aldean’s “Let Your Boys Be Country,” and George Birge’s “Mind on You.” He was feted with a Gibson custom guitar as well as a custom ring from Jostens.
“Thank you, Jesus .. .without him none of us would be here,” Boyer said. “I almost retired from songwriting a couple of years ago. I had some good friends that … reeled me in to keep writing songs and here we go. I don’t know what else to say … thank you.”
SESAC’s song of the year went to Warren Zeiders’s “Pretty Little Poison,” co-written by Jared Keim. Zeiders joined with co-writers Keim and Ryan Beaver to offer a compelling performance of the song.
SESAC’s country publisher of the year honor went to Warner Chappell Music, after the publisher picked up several accolades throughout the evening.
See a full list of the evening’s honored songs below:
“Pretty Little Poison”Written by Jared KeimPublished by Warner Chappell Music, Twelve6 SequoiaRecorded by Warren Zeiders
“We Don’t Fight Anymore”Written by Pete GoodPublished by Warner Chappell Music, King Pen Songs, SMACKWORKS MusicRecorded by Carly Pearce and Chris Stapleton
“Mind on You” Written by Jaron Boyer, Michael TylerPublished by Marlowe Sinclaire Songs, MTNoize, peertunes LTD, Melodies of CTM Outlander Recorded by George Birge
“Tucson Too Late”Written by Josh JenkinsPublished by Follow Me Where I Go, SMACKWORKS MusicRecorded by Jordan Davis
“Let Your Boys Be Country”Written by Allison Veltz Cruz, Jaron BoyerPublished by Allison Veltz Sensations, Marlowe Sinclaire Songs, Hipgnosis Tunes, peertunes LTD, Songs of Porterfied Music Recorded by Jason Aldean
“Love You Again”Written by Casey Brown Published by Track & Feels, Warner Chappell Music, Tape Room Tunes Recorded by Chase Matthew
“Creek Will Rise” Written by Chris LaCorte Published by Card Tables Music, Concord Tunes, Hang Your Hat Hits Recorded by Conner Smith
“I’m Not Pretty”Written by Megan Moroney Published by Georgiamo, Sony Music PublishingRecorded by Megan Moroney
“Indifferent”Written by Megan Moroney Published by Georgiamo, Sony Music PublishingRecorded by Megan Moroney
“Can’t Have Mine”Written by Matt AldermanPublished by Aldysongs, Curb Congregation Songs Recorded by Dylan Scott
“Glory Days”Written by Seth MosleyPublished by M & M College Fund, Sony Music Publishing Recorded by Gabby Barrett
“Wine Into Whiskey”Written by Justin EbachPublished El Chapo MusicRecorded by Tucker Wetmore
“Heartless Year”Written by Ed Jurdi, Gordy QuistPublished by Three Pisces Music, Vitrolacaster MusicRecorded by The Band of Heathens
“Fox Hunt”Written by Sierra FerrellPublished by Abel Elba, Pulse WorldwideRecorded by Sierra Ferrell
“Good Together”Written by Rachael PricePublished Warner Chappell Music, 17 Lake Street Music Recorded by Lake Street Dive
“Love of a Girl”Written by Seth Avett, Scott Avett, Bob CrawfordPublished by First Big Snow Publishing, NemoIVMusic, Truth Comes True Publishing, Ramseur Family Fold MusicRecorded by The Avett Brothers
“American Dreaming”Written by Sierra FerrellPublished by Abel Elba, Pulse WorldwideRecorded by Sierra Ferrell
“Orion’s Belt”Written by Seth Avett, Scott Avett, Bob CrawfordPublished by First Big Snow Publishing, NemoIVMusic, Truth Comes True Publishing, Ramseur Family Fold MusicRecorded by The Avett Brothers
When the Country Music Association presents the 58th annual CMA Awards on Nov. 20, it will mark the latest date on the calendar that the organization’s trophy event has ever been convened.
The late date set up a precedent when the Recording Academy unveiled the nominees for the 67thannual Grammy Awards on Nov. 8, the earliest announcement date in the history of that show’s cycle. It marks the first time that both the Grammy and CMA contests have simultaneously aligned: Each has announced its final ballot, but neither has revealed any of its winners.
As a result, the differences in the two institutions’ approaches to country are even more glaring than in previous years. Houston native Beyoncè is the clearest example of the dichotomy. Her country-hybrid album, Cowboy Carter, and seven of its tracks amassed 11 Grammy nominations, making her the leading finalist in the entire contest. Her portfolio includes entries in each of the four country-specific categories: best country song (“Texas Hold ’Em”), best country album (Cowboy Carter), best country solo performance (“16 Carriages”) and best country duo/group performance (“II Most Wanted,” featuring Miley Cyrus).
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But Beyoncè’s crossover material was entirely absent from the CMA ballot.
Cody Johnson I Credit: Chris Douglas
Conversely, fellow Texan Cody Johnson tied for second in the CMA hardware royale with five nominations, including slots among the finalists for male vocalist and album of the year (Leather). But his big-voiced traditionalism was left off the Grammy list.
The disparities between the two awards shows were built into their missions. The CMA is a Nashville-based trade organization devoted to promoting the country format, and it counts plenty of marketers, media and executives among its membership. Its origins date back to the late 1950s when Music City’s leaders united out of fear that the emergence of youthful rock’n’roll could destroy country’s very existence.
The Recording Academy is a multigenre institution centered in Santa Monica, Calif., that is primarily focused on the creatives in the business.
The academy and the CMA hold many common values and purposes, which means that they share plenty of nominees. This year, 10 artists appear on the CMA list and in the Grammy country field, including Lainey Wilson, Morgan Wallen, Shaboozey, Jelly Roll and Chris Stapleton.
But the organizations’ history and structures create some specific differences, too, and the ways in which they diverge have the greatest influence on the contrasts in their ballots. CMA voters, who represent a single format with a large bloc of members in the genre’s home city, operate with an air of protectionism.They tend to reward artists and projects that maintain country’s identity, even as they help the genre progress. They’re also prone to honor people they see on a regular basis, meaning the nominees mostly live in Music City or visit and mingle often. As a result, Megan Moroney, Parker McCollum, Lady A, Maddie & Tae, Brooks & Dunn and Old Dominion are all CMA contenders, though they didn’t quite make the Grammy ballot.
Grammy voters, following the dictates of creativity, are more likely to celebrate songs and artists that color outside the lines. The academy tends to champion specific artists for long periods of time, but even those Grammy favorites who have strong traditional roots — such as Willie Nelson and Kacey Musgraves, both of whom appear on the current ballot — arrived as rebel spirits. Likewise, the CMA has often celebrated country acts whose style straddles mainstream commercialism and left-of-center sounds, such as eclectic red-dirt artist Lyle Lovett, folky Mary Chapin Carpenter and honky-tonk firebrand Dwight Yoakam.
Traditional country icons George Strait and Alan Jackson further underscore the differences between the Grammys and the CMAs. They rank third and fourth on the all-time list of CMA winners, with 17 and 16 victories, respectively. But they have won only three Grammys between them.
Much was made about Beyoncè’s absence from this year’s CMAs, with a number of critics implying the snub was cold-stone racism in action. No doubt that played a role in some votes, but if that was the sole factor, it’s likely that neither Shaboozey -— who’s up for new artist and single of the year, with “A Bar Song (Tipsy)” — nor vocal duo nominees The War and Treaty would be on the ballot in the Nov. 20 ceremony.
To be certain, country has made a greater effort to support Black artists and executives in recent years. And many in the space were excited about the prospects of Beyoncè entering the country realm and perhaps expanding the genre’s audience.
But she announced quite pointedly that Cowboy Carter was a “Beyoncè album,” not solely a country release, and to many insiders, it sounds more like an artist playing with the sound than immersing herself in it. Given the choice, CMA voters — with their interest in maintaining country’s identity — were always likely to choose talents who seem like they’re committed to country over an artist dipping their toe in the water for one album. And in the fields where she seemed most likely to have a shot — album, single, song, musical event or female vocalist — it’s not like there’s a dud who doesn’t belong on the ballot.
By contrast, Post Malone spent plenty of face time with country creatives while making F-1 Trillion, investing himself in the culture and snagging four CMA nods in the process.
Ultimately, with CMA and Grammy nominees both waiting for the final results, the awards events’ differing views seem to embody the tug between tradition and progressiveness. The desire to protect the sound of the format is valid, as is the artful interest in pushing its limits and mixing it with other sounds and traditions.
The two awards shows, taken in combination, validate both viewpoints on the genre. Both shows, and both approaches to the music, are necessary. And welcome.
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Four of the five nominees for entertainer of the year – Luke Combs, Jelly Roll, Chris Stapleton and Lainey Wilson – are set to perform on the 2024 CMA Awards, which will air live from Bridgestone Arena in Nashville on Wednesday (Nov. 20). Of the nominees for entertainer of the year, only Morgan Wallen has not been announced as a performer on the broadcast.
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The show will be hosted by Luke Bryan, Peyton Manning and Wilson.
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Combs will perform “Ain’t No Love in Oklahoma,” the opening track on Twisters: The Album. The song topped Billboard’s Country Airplay chart for two weeks in September and October. Jelly Roll will join Brooks & Dunn on a performance of their 2006 classic, “Believe.” The hit won both single and song of the year at the 2006 CMAs.
Stapleton will perform twice on the show. He will sing “What Am I Gonna Do,” the opening track from his album Higher. He will also team with Post Malone to perform their “California Sober” collaboration from Posty’s album F-1 Trillion LP. (For his part, Post will also perform “Yours,” the closing track from F-1 Trillion.)
Wilson will perform her single “4x4xU,” which is currently up to No. 21 on Billboard’s Country Airplay chart. Her co-host, Bryan, will take the stage for “Love You, Miss You, Mean It,” which reached No. 2 on Country Airplay last month, becoming his 36th top 10 hit on that chart.
Shaboozey, a first-time nominee this year with two nods, will perform a medley of his breakthrough smash “A Bar Song (Tipsy)” — which has logged 17 weeks at No. 1 on the Billboard Hot 100 — and his new single, “Highway.”
Performing together for the first time, Thomas Rhett and Teddy Swims will offer a mash-up of Rhett’s “Somethin’ ’Bout a Woman,” from his new album About a Woman, and Swims’ “Lose Control,” a recent No. 1 hit on the Hot 100.
Dierks Bentley will be joined by Molly Tuttle, Sierra Hull and Bronwyn Keith-Hynes for a performance of Tom Petty’s 1976 classic, “American Girl.” Bentley performed the rock classic on this year’s Petty Country: A Country Music Celebration ofTom Petty.
There will also be a star-studded tribute in honor of George Strait, this year’s recipient of the CMA Willie Nelson Lifetime Achievement Award.
This year’s CMAs will include performances of two of this year’s nominees for musical event of the year. Langley and Green will perform “you look like you love me,” which is currently No. 7 on the Country Airplay chart. Ballerini and Kahan will perform “Cowboys Cry Too,” which reached No. 27 on that chart in July.
Other performances set for the show include Moroney’s “Am I Okay?” Musgraves’ “The Architect” and Zimmerman’s “New to Country.”
Presenters on the show include a wide range of artists, actors and athletes. The Oak Ridge Boys will appear, just four months after the death of longtime member Joe Bonsall at age 76. Two nominees for new artist of the year, Nate Smith and Mitchell Tenpenny, are also set to present. Other country artists lined up to present include Clint Black, Jordan Davis, Little Big Town, Dustin Lynch and Carly Pearce. Pop singer and entertainer Katharine McPhee will also be on hand to present during the show.
Actors set to take the stage include Jeff Bridges, Mark Collie, Don Johnson, Taylor Frankie Paul, Daniel Sunjata and Billy Bob Thornton. Olympic Gymnast Simone Biles and first baseman for the world champion Los Angeles Dodgers Freddie Freeman will also present.
Country Music’s Biggest Night is set to air live from Bridgestone Arena in Nashville on Wednesday from 8:00-11:00 p.m./ET. It will air on ABC be available for streaming the next day on Hulu.
The 58th Annual CMA Awards is a production of the Country Music Association. Robert Deaton is the executive producer. Alan Carter is the director and Jon Macks is the head writer.
Check out a complete list of performers and presenters below. If any additional names are announced, they will be added to this report.
Performers
Kelsea Ballerini
Dierks Bentley
Brooks & Dunn
Luke Bryan
Eric Church
Luke Combs
Riley Green
Sierra Hull
Jelly Roll
Cody Johnson
Noah Kahan
Bronwyn Keith-Hynes
Ella Langley
Ashley McBryde
Megan Moroney
Kacey Musgraves
Post Malone
Thomas Rhett
Shaboozey
Chris Stapleton
Teddy Swims
Molly Tuttle
Lainey Wilson
Bailey Zimmerman
Presenters
Simone Biles
Clint Black
Jeff Bridges
Mark Collie
Jordan Davis
Freddie Freeman
Don Johnson
Jackson Laux
Little Big Town
Dustin Lynch
Katharine McPhee
The Oak Ridge Boys
Taylor Frankie Paul
Carly Pearce
Caleb Pressley
Nate Smith
Daniel Sunjata
Mitchell Tenpenny
Billy Bob Thornton
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