Awards
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The Television Academy and FOX today jointly announced that the 75th Emmy Awards will air on Monday, Jan. 15, 2024. That date is a federal holiday, Martin Luther King, Jr. Day. The show was originally set for Sept. 18, but was postponed due to ongoing strikes by the Writers Guild of America and SAG-AFTRA.
The Television Academy had been pushing for a November airdate, while FOX was pushing for a January airdate. FOX prevailed.
The move means that there will be no Primetime Emmy broadcast in 2023 – the first time there will have been no Primetime Emmy show in a calendar year since the Emmys launched in 1949. There will presumably be two Emmy broadcasts in 2024, this one and the regular one back in its usual September time frame.
The move puts the Emmys in one of the most crowded periods on the awards calendar. The Golden Globes are set for Jan. 7, followed by the Grammys (Feb. 4) and the BAFTA Awards and the People’s Choice Awards (both Feb. 18).
This will be only the second time that the Primetime Emmys hasn’t aired in late August or September since 1977, when the show moved from its traditional May airdate to coincide with the start of the new television season. The 2001 Emmy telecast was postponed twice, first due to the 9/11 terrorist attacks and then to the start of the war in Afghanistan. The show, hosted by Ellen DeGeneres, finally aired on Nov. 11.
Nominations for the Primetime Emmys were announced on July 12, less than 48 hours before the SAG-AFTRA strike began. The five shows with the most nominations were Succession, The Last of Us and The White Lotus, all on HBO; Ted Lasso on Apple TV+; and The Marvelous Mrs. Maisel on Prime Video.
Final-round voting for the 75th Primetime Emmys is taking place between Aug. 17 and Aug. 28, which means that the results will be determined and sealed for more than four months before they are finally revealed. This echoes the 2021 and 2022 Grammy Awards, which were each postponed due to COVID surges. Final voting concluded in the first week of January in each year, but the results weren’t announced until March 14, 2021 and April 3, 2022, respectively.
The Emmy Awards will be executive-produced by Jesse Collins, Dionne Harmon and Jeannae Rouzan-Clay of Jesse Collins Entertainment.
Collins and Harmon each have two Primetime Emmy nods this year – outstanding variety special (live) for The Apple Music Super Bowl LVII Halftime Show Starring Rihanna, and outstanding hosted nonfiction series or special for The Light We Carry: Michelle Obama & Oprah Winfrey. Collins was executive producer of both programs. Harmon was co-executive producer of the halftime show and executive producer of The Light We Carry.
The Emmys will broadcast live coast-to-coast from the Peacock Theater at LA Live. The show will air from 8:00-11:00 p.m. ET/5:00-8:00 p.m. PT.
No host has been announced. Kenan Thompson hosted last year’s show, which aired on NBC. (FOX, ABC, CBS and NBC have aired the Emmys in rotation since 1995.)
The Creative Arts Emmy Awards, which were originally slated to take place on Sept. 9 and 10, will take place at the Peacock Theater over two nights on Saturday, Jan. 6, and Sunday, Jan. 7, 2024. An edited presentation will be aired Saturday, Jan. 13, 2024, at 8:00 p.m. ET/PT on FXX.
The death of Robbie Robertson on Wednesday (Aug. 9) has put a spotlight on The Band, the ground-breaking group in which he teamed with Rick Danko, Levon Helm, Garth Hudson and Richard Manuel. The Band was inducted into the Canadian Music Hall of Fame in 1989 and received a lifetime achievement award from the Recording Academy in 1989. […]
Brandon Lake is the top nominee for the 2023 GMA Dove Awards, sponsored by the Gospel Music Association. Lake received 11 nominations, including artist of the year, where he is competing with CeCe Winans, for KING + COUNTRY, Lauren Daigle and Phil Wickham. Winans won the award last year. For KING + COUNTRY and Daigle are both two-time winners in the category.
Lake has a co-writer credit on three of the 10 songs that were nominated for song of the year – “Fear Is Not My Future,” “Gratitude” and “Same God.”
Lake, 33, has won three Dove Awards. He has had two No. 1 hits on Billboard’s Hot Christian Songs chart – Elevation Worship’s “Graves Into Gardens,” on which he was featured, and his own “Gratitude.”
Other top nominees were songwriter Jeff Pardo with eight nods, and Jason Ingram and Kirk Franklin, with six nods each. New artist of the year finalist Katy Nichole received four nods — more than any other woman. She was followed by Daigle, Naomi Raine and Tasha Cobbs Leonard, each of whom received three nominations.
Country stars Dylan Scott, Tyler Childers and Walker Hayes each received their first nominations.
“I want to congratulate his year’s wonderful list of Dove Awards nominees, GMA president Jackie Patillo said in a statement.
Nominees were announced in a livestream on the GMA Dove Awards’ YouTube channel featuring Jason Crabb, Jordan Feliz, Danny Gokey, Natalie Grant and JJ Hairston. Final-round voting will run from Aug. 17-24.
The two-hour awards show will tape in Nashville on Tuesday Oct. 17 and will air exclusively on TBN and the TBN app three nights later, on Friday Oct. 20, at 8 p.m. ET and again at 10 p.m. ET.
The 54th Annual GMA Dove Awards are produced by the Gospel Music Association. Jackie Patillo and Justin Fratt serve as showrunners and executive producers, alongside Curtis Stoneberger and Paul Wright as producers. Russell E. Hall returns as director, Michael Nolan as scriptwriter, Scott Moore and Go Live Productions as production manager.
Here’s the full list of categories that were announced on today’s livestream. For a complete list of nominees in all categories, visit doveawards.com.
Artist of the yearBrandon LakeCeCe Winansfor KING + COUNTRYLauren DaiglePhil WickhamNew artist of the yearBen FullerHulveyJon ReddickKaty NicholeNaomi RaineSong of the year“Build A Boat,” writers: Colton Dixon, Seth Mosley, Johan Lindbrandt, SandroCavazza, Mikey Gormley“Fear Is Not My Future,” writers: Kirk Franklin, Brandon Lake, Jonathan Jay,Hannah Shackleford, Nicole Hannel“God Really Loves Us,” writers: David Crowder, Ben Glover, Jeff Sojka, DanteBowe“Goodness of God,” writers: Ben Fielding, Ed Cash, Jason Ingram, JennJohnson, Brian Johnson“Gratitude,” writers: Brandon Lake, Ben Hastings, Dante Bowe“In Jesus Name (God of Possible),” writers: Ethan Hulse, Katy Nichole, DavidAndrew Spencer, Jeff Pardo“Love Me Like I Am,” writers: Joel Smallbone, Luke Smallbone, MichaelPollack, Josh Kerr “Perfectly Loved,” writers: Rachael Lampa, Andrew Ripp,Ethan Hulse“Same God,” writers: Brandon Lake, Steven Furtick, Chris Brown, Pat Barrett“Then Christ Came,” writers: Bart Millard, Phil Wickham, Jason Ingram, DavidLeonard
Pop/contemporary recorded song of the year“Brighter Days” – Blessing Offor“I’m So Blessed (Best Day Remix)” – CAIN“Love Me Like I Am” – for KING + COUNTRY ft. Jordin Sparks “God Is in This Story” – Katy Nichole ft. Big Daddy Weave “Thank God I Do” – Lauren Daigle
Worship recorded song of the year“Gratitude (Radio Version)” – Brandon Lake“Honey in the Rock” – Brooke Ligertwood, Brandon Lake“Holy Forever” – Chris Tomlin“Fear Is Not My Future (Radio Version)” – Maverick City Music ft. BrandonLake, Chandler Moore“This Is Our God” – Phil Wickham
Bluegrass/country/roots recorded song of the year“Jordan” – Darin & Brooke Aldridge, ft. Ricky Skaggs, Mo Pitney, Mark Fain“Good Morning Mercy” – Jason Crabb, Dylan Scott“Matchless” – Tiffany Coburn, ft. Point of Grace“Way of the Triune God (Hallelujah Version)” – Tyler Childers“Jesus’ Fault” – Zach Williams, ft. Walker Hayes
Spanish language recorded song of the year“Guarda Tu Corazón” – Alex Zurdo“So Good (Cuán Bueno)” – DOE, ft. Lilly Goodman“Nubes” – Indiomar, ft. Blanca“Coritos (En Vivo)” – Miel San Marcos, Daniel Calveti, Marcos Witt, IngridRosario“Suelto” – Sarai Rivera
Gospel worship recorded song of the year“One Name (Jesus) [Live]” – Naomi Raine“Impossible” – Pastor Mike Jr., ft. Jame Fortune“I Still Have You” – Smokie Norful“The Moment (Live)” – Tasha Cobbs Leonard “You’ve Been Good to Me” – Zacardi Cortez
Contemporary gospel recorded song of the year“New Day” – Blanca, ft. Jekalyn Carr“Your World” – Jonathan McReynolds“Miracles” – Kierra Sheard, ft. Pastor Mike Jr.“Bless Me” – Maverick City Music, Kirk Franklin“Get Up” – Tye Tribbett
Pop/contemporary album of the yearMy Tribe – Blessing OfforJesus Changed My Life – Katy NicholeAlways Only Jesus – MercyMeLife After Death – TobyMacA Hundred Highways – Zach Williams
Worship album of the yearCome Up Here – Bethel MusicHonest Offering (Live) – CAINGod Is Good! (Live) – Cody CarnesLION: Live From the Loft – Elevation WorshipLamb of God – Matt Redman
Southern gospel album of the yearThink About There – Greater VisionCome on In – Guardians QuartetJohn 3:16 – PerrysBelieve – The HoppersHymns & Worship – Triumphant Quartet
Contemporary gospel album of the yearMy Truth – Jonathan McReynoldsKingdom Book One (Deluxe) – Maverick City Music, Kirk FranklinImpossible – Pastor Mike Jr.Overcomer (Deluxe) – Tamela MannAll Things New – Tye Tribbett
Rap/hip hop album of the yearChurch Clothes 4 – LecraeSunday in Lagos – LimoblazeEveryone Loves a Comeback Story – Social Club MisfitsTree – Steven MalcolmNEW HOLLYWOOD – WHATUPRG
Feature film of the yearBig George ForemanFamily CampI Heard the BellsJesus RevolutionRemember Me: The Mahalia Jackson Story
An eclectic group of musicians are among the 2023 inductees into the Asian Hall of Fame, which also includes people from business, government and other areas beyond music and entertainment. Sixteen living individuals and one group are being inducted, as are four individuals who are being inducted posthumously, plus one corporate inductee (Nintendo) and one “artist ambassador,” the late country legend Johnny Cash.
Here’s a quick look at this year’s music inductees:
Lalisa Manoban, better known as Lisa from BlackPink, was born in Thailand. The rapper, singer and dancer, 26, is being inducted as a “cultural icon.”
Jennifer Lee, better known as EDM artist/producer TOKiMONSTA, is a second-generation Korean/American. In 2019, she was nominated for a Grammy for best dance/electronic album for Lune Rouge.
Far*East Movement had a pair of top 10 hits on the Billboard Hot 100 in 2010-11 – “Like a G6” (featuring Cataracs & Dev) which hit No. 1, and “Rocketeer” (featuring Ryan Tedder), which reached No. 6.
Ben Fong-Torres, a respected rock journalist, author and broadcaster, is best known for his long association with Rolling Stone. Fong-Torres is 78.
Freddie Mercury was born in Zanzibar to Parsi-Indian parents. The Queen frontman died in 1991 at age 45.
Ryuichi Sakamoto was among the first Asian composers to win an Oscar for best original score. Sakamoto, who was born in Japan, made that bit of Oscar history in 1988 for The Last Emperor, along with fellow composer Cong Su, who was born in China. The third collaborator on that score was David Byrne, who was born in Scotland. Sakamoto died in March at age 71.
Johnny Cash, who was not of Asian descent, is being inducted as an artist ambassador. The country legend died in 2003 at age 71.
“Inductees and artist ambassadors inspire courage, character, and service for the betterment of our country and humanity,” Maki Hsieh, president and CEO of Asian Hall of Fame, said in a statement.
The induction ceremony is set for Oct. 21 at the Biltmore Hotel in Los Angeles. The Seattle Founders Gala honoring Pacific Northwest inductees will be on Sept. 29 at the Washington Athletic Club. Tickets and sponsorships are at asianhalloffame.org.
Asian Hall of Fame works to advance Asian and Indigenous leadership, achievements, and service to the U.S. and globally. It was established in 2004 by the Robert Chinn Foundation. Year-round programming trains local youth, empowers women founders, promotes cross-cultural content, and amplifies legislation.
The MTV Video Music Awards are adding a new category this year – best Afrobeats. The Grammys are adding a similar category, best African music performance, this year (for the awards that will be presented on Feb. 4, 2024). The American Music Awards were the first major music awards show to add such a category. They added favorite Afrobeats artist at the show that aired on Nov. 20, 2022. Wizkid was the inaugural winner, beating Burna Boy, CKay, Fireboy DML and Tems.
The apparent front-runner for best Afrobeats at the VMAs is Rema & Selena Gomez’s “Calm Down,” which is nominated in two other categories, best song and best collaboration. “Calm Down” has been a giant crossover hit, reaching No. 3 on the Billboard Hot 100. The song dips a notch to No. 6 in its 49th week on the Hot 100, as it spends a seventh week atop Radio Songs.
Ayra Starr has two nominations in the VMAs’ best Afrobeats category – for her own “Rush” and as the featured artist on Wizkid’s “2 Sugar.”
The other nominees in the category are Burna Boy’s “It’s Plenty,” Davido featuring Musa Keys’ “Unavailable,” Fireboy DML & Asake’s “Bandana” and Libianca’s “People.”
Best Afrobeats is the third genre-specific category to be added at the VMAs in this century, following Latin (2006) and K-pop (2019). The VMAs’ five other genre-specific categories were all introduced in the last century — rock (1989), alternative (1991), R&B (1993), and pop and hip-hop (both 1999).
The Grammy nominations will be announced on Nov. 10, at which time we’ll learn the nominees in their new best African music performance category.
The Recording Academy announced the category (one of three being added this year) on June 13. The Rules and Guidelines for the upcoming 66th Annual Grammy Awards describes the category thusly: “Eligible recordings include vocal and instrumental performances with strong elements of African cultural significance that blend a stylistic intention, song structure, lyrical content and/or musical representation found in Africa and the African Diaspora. The African Diaspora is the worldwide collection of communities descended from native Africans or people from Africa, predominantly in the Americas.”
The 2023 VMAs will be held on Tuesday, Sept. 12 at 8 p.m. ET/PT live from the Prudential Center in Newark, N.J.
Taylor Swift, who last year became the first three-time winner of the VMAs’ marquee award, video of the year, is nominated in that category again this year for “Anti-Hero.” Could she possibly win that award again when the VMAs are presented at Prudential Center in Newark, N.J. on Sept. 12? Of course she could. “Anti-Hero” […]
Taylor Swift is the top nominee for the 2023 MTV Video Music Awards with eight nods, followed by SZA (six); Doja Cat, Kim Petras, Miley Cyrus, Nicki Minaj, Olivia Rodrigo and Sam Smith (five each); and BLACKPINK, Diddy and Shakira (four each).
Women account for six of the seven nominees for video of the year – Doja’s “Attention,” Cyrus’ “Flowers,” Minaj’s “Super Freaky Girl,” Rodrigo’s “vampire,” SZA’s “Kill Bill” and Swift’s “Anti-Hero.” The seventh nod is for a history-making collab – Smith & Petras’ “Unholy,” which made Smith and Petras the first openly non-binary and openly transgender solo artists, respectively, to have a No. 1 song on the Billboard Hot 100.
For the first time since the VMAs introduced the artist of the year category in 2017, all of the nominees are women – Beyoncé, Doja, Karol G, Minaj, Shakira and Swift. This is also the first time that two of the nominees have come from the world of Latin music. The first Latin artist to be nominated in this category was Bad Bunny, who won last year.
In addition to her nod for artist of the year, Swift is up for seven awards for her megahit “Anti-Hero”– video of the year, song of the year, best pop, best direction, best cinematography, best visual effects and best editing.
Swift and Kendrick Lamar are both nominated for best direction. Lamar is nominated for “Count Me Out,” which he co-directed with Dave Free. Both Swift and Lamar have won twice in this category for videos they directed or co-directed. Swift won for directing “The Man” (2020) and “All Too Well (The Short Film)” (2022). Lamar won for co-directing “Alright” (2015) and “Humble.” (2017).
Despite tallying six nods, SZA was not nominated for artist of the year. Her smash “Kill Bill” is up for five awards – video of the year, song of the year, best direction, best art direction and best editing. “Kill Bill” was not nominated in a genre category; SZA’s “Shirt” is up for best R&B instead.
This year boasts a record 35 first-time VMAs nominees, including Petras (five); Metro Boomin and Rema (three each); and Ayra Starr, GloRilla, Ice Spice, Peso Pluma, Reneé Rapp and Yung Miami (two each).
Other artists receiving first-time nods include Aespa, boygenius, Burna Boy, Davido, Eslabon Armado, Fletcher, Fifty Fifty, JVKE, Lauren Spencer Smith, Musa Keys, PinkPantheress, Saucy Santana, Stephen Sanchez and Toosii.
Double nominees GloRilla, Ice Spice, Peso Pluma and Reneé Rapp are nominated for best new artist, along with Kaliii and PinkPantheress.
The VMAs added a category this year – best Afrobeats. This is the third genre-specific category that the VMAs have added in this century, following Latin (2006) and K-pop (2019). The VMAs’ five other genre-specific categories were all introduced in the last century — rock (1989), alternative (1991), R&B (1993), and pop and hip-hop (both 1999).
The 2023 VMAs will be held on Tuesday, Sept. 12 at 8 p.m. ET/PT live from the Prudential Center in Newark, N.J.. The host has not yet been announced. Jack Harlow, LL Cool J and Nicki Minaj hosted last year’s show, which was held in the same venue.
Beginning Tuesday (Aug. 8), fans can vote for their favorites across 15 gender-neutral categories by visiting vote.mtv.com through Friday, Sept. 1. Voting for best new artist will remain active into the live show. Nominations for social categories including group of the year and song of summer will be announced at a later date.
Bruce Gillmer and Den of Thieves co-founder Jesse Ignjatovic are executive producers of the 2023 VMAs. Barb Bialkowski is co-executive producer. Alicia Portugal and Jackie Barba serve as executives in charge of production. Wendy Plaut is executive in charge of celebrity talent. Lisa Lauricella is music talent executive.
Here’s the complete list of nominations for the 2023 MTV Video Music Awards:
Video of the year
Doja Cat – “Attention” – Kemosabe Records / RCA Records
Miley Cyrus – “Flowers” – Columbia Records
Nicki Minaj – “Super Freaky Girl” – Republic Records
Olivia Rodrigo – “vampire” – Geffen Records
Sam Smith, Kim Petras – “Unholy” – Capitol Records
SZA – “Kill Bill” – Top Dawg Entertainment / RCA Records
Taylor Swift – “Anti-Hero” – Republic Records
Artist of the year
Beyoncé – Parkwood Entertainment / Columbia Records
Doja Cat – Kemosabe Records / RCA Records
Karol G – Interscope Records
Nicki Minaj – Republic Records
Shakira – Sony Music US Latin
Taylor Swift – Republic Records
Song of the year
Miley Cyrus – “Flowers” – Columbia Records
Olivia Rodrigo – “vampire” – Geffen Records
Rema & Selena Gomez – “Calm Down” – Mavin Global Holdings Ltd / Jonzing World Entertainment / SMG Music / Interscope Records
Sam Smith, Kim Petras – “Unholy” – Capitol Records
Steve Lacy – “Bad Habit” – L-M Records / RCA Records
SZA – “Kill Bill” – Top Dawg Entertainment / RCA Records Records
Taylor Swift – “Anti-Hero” – Republic Records
Best new artist
GloRilla – CMG / Interscope Records
Ice Spice – 10K Projects / Capitol Records
Kaliii – Atlantic Records
Peso Pluma – Double P Records
PinkPantheress – 300 Entertainment
Reneé Rapp – Interscope Records
Best collaboration
David Guetta & Bebe Rexha – “I’m Good (Blue)” – Warner Records
Post Malone, Doja Cat – “I Like You (aHappier Song)” – Mercury Records / Republic Records
Diddy ft. Bryson Tiller, Ashanti, Yung Miami – “Gotta Move On” – Motown Records
Karol G, Shakira – “TQG” – Universal Music Latino
Metro Boomin with The Weeknd, 21 Savage, and Diddy – “Creepin’ (Remix)” – Boominati / Republic Records
Rema & Selena Gomez – “Calm Down” – Mavin Global Holdings Ltd / Jonzing World Entertainment / SMG Music / Interscope Records
Best pop
Demi Lovato – “Swine” – Island Records
Dua Lipa – “Dance the Night (From Barbie the Album)” – Atlantic Records
Ed Sheeran – “Eyes Closed” – Atlantic Records
Miley Cyrus – “Flowers” – Columbia Records
Olivia Rodrigo – “vampire” – Geffen Records
P!nk – “Trustfall” – RCA Records
Taylor Swift – “Anti-Hero” – Republic Records
Best hip-hop
Diddy ft. Bryson Tiller, Ashanti, Yung Miami – “Gotta Move On” – Motown Records
DJ Khaled ft. Drake & Lil Baby – “Staying Alive” – We the Best / Epic Records
GloRilla & Cardi B – “Tomorrow 2” – CMG / Interscope Records
Lil Uzi Vert – “Just Wanna Rock” – Atlantic Records / Generation Now
Lil Wayne ft. Swizz Beatz & DMX – “Kant Nobody” – Young Money Records
Metro Boomin ft Future – “Superhero (Heroes and Villains)” – Boominati / Republic Records
Nicki Minaj – “Super Freaky Girl” – Republic Records
Best R&B
Alicia Keys ft. Lucky Daye – “Stay” – RCA Records
Chlöe ft. Chris Brown – “How Does It Feel” – Parkwood Entertainment / Columbia
Metro Boomin with The Weeknd, 21 Savage, and Diddy – “Creepin’ (Remix)” – Boominati / Republic Records
SZA – “Shirt” – Top Dawg Entertainment / RCA Records
Toosii – “Favorite Song” – South Coast Music Group / Capitol Records
Yung Bleu & Nicki Minaj – “Love in the Way” – Empire Distribution
Best alternative
blink-182 – “Edging” – Columbia Records
boygenius – “the film” – Interscope Records
Fall Out Boy – “Hold Me Like a Grudge” – Fueled By Ramen
Lana Del Rey ft. Jon Batiste – “Candy Necklace” – Interscope Records
Paramore – “This Is Why” – Atlantic Records
Thirty Seconds to Mars – “Stuck” – Concord Records
Best rock
Foo Fighters – “The Teacher” – RCA Records
Linkin Park – “Lost (Original Version)” – Warner Records
Red Hot Chili Peppers – “Tippa My Tongue” – Warner Records
Måneskin – “The Loneliest” – Arista Records
Metallica – “Lux Æterna” – Blackened Recordings
Muse – “You Make Me Feel Like It’s Halloween” – Warner Records
Best Latin
Anitta – “Funk Rave” – Republic Records
Bad Bunny – “Where She Goes” – Rimas Entertainment
Eslabon Armado, Peso Pluma – “Ella Baila Sola” – DEL Records, Inc. / Prajin Parlay, Inc. Grupo Frontera Bad Bunny – “un x100to” – Rimas Entertainment
Karol G, Shakira – “TQG” – Universal Music Latino
Rosalia – “Despecha,” – Columbia Records
Shakira – “Acróstico” – Sony Music US Latin
Best K-pop
aespa – “Girls” – SM ENTERTAINMENT Co., Ltd.
BLACKPINK – “Pink Venom” – YG Entertainment / Interscope Records
Fifty Fifty – “Cupid” – ATTRAKT / Warner Records
Seventeen – “Super” – HYBE / Geffen Records
Stray Kids – “S-Class” – JYP / Republic
TOMORROW X TOGETHER – “Sugar Rush Ride” – BIGHIT MUSIC / Republic Records
Best Afrobeats
Ayra Starr – “Rush” – Mavin Global Holdings
Burna Boy – “It’s Plenty” – Atlantic Records / Spaceship Entertainment Ltd
Davido ft. Musa Keys – “Unavailable” – Sony Music U.K. / RCA Records
Fireboy DML & Asake – ”Bandana” – Empire Distribution
Libianca – “People” – Sony Music U.K. / RCA Records
Rema & Selena Gomez – “Calm Down” – Mavin Global Holdings Ltd / Jonzing World Entertainment / SMG Music / Interscope Records
Wizkid ft Ayra Starr– “2 Sugar” – Starboy / RCA Records
Video for good
Alicia Keys – “If I Ain’t Got You (Orchestral)” – Netflix
Bad Bunny – “El Apagón – Aquí Vive Gente” – Rimas Entertainment
Demi Lovato – “Swine” – Island Records
Dove Cameron – “Breakfast” – Columbia Records
Imagine Dragons – “Crushed” – KIDinaKORNER / Interscope Records
Maluma – “La Reina” – Sony Music US Latin
Push performance of the year
August 2022: Saucy Santana – “Booty” – Arena Records / RCA Records
September 2022: Stephen Sanchez – “Until I Found You” – Mercury Records / Republic Records
October 2022: JVKE – “golden hour” – AWAL
November 2022: Flo Milli – “Conceited” – ’94 Sounds / RCA Records
December 2022: Reneé Rapp – “Colorado” – Interscope Records
January 2023: Sam Ryder – “All the Way Over” – Elektra Entertainment
February 2023: Armani White – “Goated” – Def Jam
March 2023: Fletcher – “Becky’s So Hot” – Capitol Records
April 2023: TOMORROW X TOGETHER – “Sugar Rush Ride” – BIGHIT MUSIC / Republic Records
May 2023: Ice Spice – “Princess Diana” – Heavy on It / 10K Projects / Capitol Records
June 2023: FLO – “Losing You” – Uptown/Republic Records
July 2023: Lauren Spencer Smith – “That Part” – Island Records
Best direction
Doja Cat – “Attention” – Kemosabe Records / RCA Records – Directed by Tanu Muiño
Drake – “Falling Back” – OVO/Republic Records – Director X (Julien Christian Lutz)
Kendrick Lamar – “Count Me Out” – pgLang / Top Dawg Entertainment / Aftermath / Interscope Records – Directed by Dave Free & Kendrick Lamar
Megan Thee Stallion – “Her” – 300 Entertainment – Directed by Colin Tilley
Sam Smith, Kim Petras – “Unholy” – Capitol Records – Directed by Floria Sigismondi
SZA – “Kill Bill” – Top Dawg Entertainment / RCA Records – Directed by Christian Breslauer
Taylor Swift – “Anti-Hero” – Republic Records – Directed by Taylor Swift
Best cinematography
Adele – “I Drink Wine” – Columbia Records – Cinematography by Adam Newport-Berra
Ed Sheeran – “Eyes Closed” – Atlantic Records – Cinematography by Natasha Baier
Janelle Monae – “Lipstick Lover” – Atlantic Records – Cinematography by Allison Anderson
Kendrick Lamar – “Count Me Out” – pgLang / Top Dawg Entertainment / Aftermath / Interscope Records 0 Cinematography by Adam Newport-Berra
Miley Cyrus – “Flowers” – Columbia Records – Cinematography by Marcell Rev
Olivia Rodrigo – “vampire” – Geffen Records – Cinematography by Russ Fraser
Taylor Swift – “Anti-Hero” – Republic Records – Cinematography by Rina Yang
Best visual effects
Fall Out Boy – “Love From the Other Side” – Fueled By Ramen – Visual Effects by Thomas Bailey and Josh Shaffner
Harry Styles – “Music for a Sushi Restaurant” – Columbia Records – Visual Effects by Chelsea Delfino and Black Kite Studios
Melanie Martinez – “VOID” – Atlantic Records – Visual Effects by Carbon
Nicki Minaj – “Super Freaky Girl” – Republic Records – Visual Effects by Max Colt and Sergio Mashevskyi
Sam Smith, Kim Petras – “Unholy” – Capitol Records – Visual Effects by Max Colt / FRENDER
Taylor Swift – “Anti-Hero” – Republic Records – Visual Effects by Parliament
Best choreography
BLACKPINK – “Pink Venom” – YG Entertainment / Interscope Records – Choreography by Kiel Tutin, Sienna Lalau, Lee Jung (YGX), Taryn Cheng (YGX)
Dua Lipa – “Dance the Night (From Barbie the Album)” – Atlantic Records – Choreography by Charm LaDonna
Jonas Brothers – “Waffle House” – Republic Records – Choreography by Jerry Reece
Megan Thee Stallion – “Her” – 300 Entertainment – Choreography by Sean Bankhead
Panic! At The Disco – “Middle of a Breakup” – Fueled By Ramen – Choreography by Monika Felice Smith
Sam Smith, Kim Petras – “Unholy” – Capitol Records – Choreography by (LA)HORDE – Marine Brutti, Jonathan Debrouwer, Arthur Harel
Best art direction
boygenius – “the film” – Interscope Records – Art Direction by Jen Dunlap
BLACKPINK – “Pink Venom” – YG Entertainment / Interscope Records – Art Direction by Seo Hyun Seung (GIGANT)
Doja Cat – “Attention” – Kemosabe Records / RCA Records – Art Direction by Spencer Graves
Lana Del Rey ft. Jon Batiste – “Candy Necklace” – Interscope Records – Art Direction by Brandon Mendez
Megan Thee Stallion – “Her” – 300 Entertainment – Art Direction by Niko Philipides
SZA – “Shirt” – Top Dawg Entertainment / RCA Records – Art Direction by Kate Bunch
Best editing
BLACKPINK – “Pink Venom” – YG Entertainment / Interscope Records – Editing by Seo Hyun Seung (GIGANT)
Kendrick Lamar – “Rich Spirit” – pgLang / Top Dawg Entertainment / Aftermath / Interscope Records – Edited by Grason Caldwell
Miley Cyrus – “River” – Columbia Records – Edited by Brandan Walter
Olivia Rodrigo – “vampire” – Geffen Records – Edited by Sofia Kerpan and David Checel
SZA – “Kill Bill” – Top Dawg Entertainment / RCA Records – Edited by Luis Caraza Peimbert
Taylor Swift – “Anti-Hero” – Republic Records – Edited by Chancler Haynes
Yothu Yindi, the Australian rockers, activists, and traditional songmen, will be inducted into the National Indigenous Music Awards (NIMAs) Hall of Fame this weekend.
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Hailing from a small Yolŋu town in Northeast Arnhem Land, Yothu Yindi had a global hit with their 1991 song “Treaty,” written to highlight the then-Hawke Government’s broken promise of a treaty with Aboriginal people.
Blending rock and traditional Aboriginal music, “Treaty” went on to win song of the year at the ARIA Awards, one of the collective’s eight career wins.
Yothu Yindi played it the following year in New York to help launch the United Nations’ “International Year of the World’s Indigenous People,” and the track would log two weeks on the Official U.K. Singles Chart.
Later, the trailblazers performed their signature track at the closing ceremony of the Sydney 2000 Olympic Games, and, in 2012, elevation into the ARIA Hall of Fame.
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Their influence can be seen today in Australia’s music landscape. Multiple award-winning Yolŋu surf-rock act King Stingray — multiple nominees at the 2023 NIMAs — includes band member Yirrŋa Yunupiŋu, the nephew of late Yothu Yindi frontman Mandawuy Yunupiŋu, and the Stingers’ Roy Kellaway is the son of the veteran act’s bass player, Stu Kellaway.
The current incarnation of Yothu Yindi features frontman Yirringa Yunupiŋu, nephew of Mandawuy, who had co-founded the group in 1986.
From the start, Yothu Yindi “was about indigenous culture, about indigenous rights, about our rights and place in Australia,” Mandawuy told guests at the ARIAs in 2012, adding that his group “has been about messages and bringing people together and asking them and the people to respect and understand one another.”
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Yunupiŋu, who died in 2013 at the age of 56, and bandmate Geoffrey Gurrumul Yunupiŋu, who passed in 2017, aged 46, will be posthumously saluted when Yothu Yindi is inducted for “its long and powerful contributions to Indigenous and Australian music,” reads a statement from organizers.
The induction ceremony will take place during the 19th annual NIMAs, the annual celebration of Australia’s First Nations music community, set for Saturday, Aug. 12 at Darwin Amphitheatre on Larrakia Country.
As previously reported, the Stingers are up for song and film clip of the year. Other multiple nominees include gifted vocalist Budjerah and Arnhem Land newcomers Wildfire Manwurrk.
Sponsored by Amazon Music, the NIMAs will feature performances from Thelma Plum, Barkaa and Budjerah, while veteran pop star Jessica Mauboy will be on hand to present an award.
Keith Urban and Kix Brooks are among the five newest hitmakers set to be inducted into the Nashville Songwriters Hall of Fame.
The two country artists — who each wrote several of their own hits — will join the hall alongside fellow inductees Casey Beathard, David Lee Murphy and Rafe Van Hoy.
Since its founding in 1970, the Nashville Songwriters Hall of Fame has honored many of Music City’s premier songcrafters, inducting 235 songwriters, including Bill Anderson, Bobby Braddock, Garth Brooks, Felice and Boudleaux Bryant, Don and Phil Everley, Harlan Howard, Loretta Lynn, Kris Kristofferson, Willie Nelson, Dolly Parton, Hank Williams, Cindy Walker, Fred Rose and Cindy Walker.
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During a press conference held at Nashville’s historic Columbia Studio A on Thursday (Aug. 3), the Nashville Songwriters Hall of Fame executive director Mark Ford and chair of the board of directors Rich Hallworth revealed that Beathard and Murphy will be added to hall’s ranks, inducted into the contemporary songwriter category, while Van Hoy will be inducted in the veteran songwriter category. Urban will be inducted as the contemporary songwriter-artist, while Brooks will be inducted as the veteran songwriter-artist.
During the press conference, Urban recalled his early days in Nashville, his first time visiting the Bluebird Café and his years spent in writing rooms along Nashville’s Music Row. He also expressed gratitude for being inducted alongside Brooks.
“Kix was one of the first that came along, who sat at [Nashville venue] Jack’s Guitar Bar to hear me play, and later took me on tour. He’s been a champion ever since. I’m honored to be here with you,” Urban told Brooks.
Urban penned many of his own hits, including “But For the Grace of God,” “Somebody Like You,” “Wasted Time” and the CMA Award nominated songs “Tonight I Wanna Cry” and “Better Life.” His 2009 song “Sweet Thing” was named SESAC’s country song of the year, while 2012’s “For You” was featured in the film Act of Valor and earned Urban a Golden Globe nomination for best original song.
Country Music Hall of Fame member (as part of the duo Brooks & Dunn) Brooks had a hand in writing many of the duo’s hits, including “Brand New Man,” “My Next Broken Heart,” “Lost and Found,” the 1995 ACM song of the year nominee “You’re Gonna Miss Me When I’m Gone” and the 2003 CMA song of the year nominee “Red Dirt Road.” He has also written chart-toppers including John Conlee’s “I’m Only In It For the Love,” Nitty Gritty Dirt Band’s “Modern Day Romance” and Highway 101’s “Who’s Lonely Now.”
Brooks said, “I walked in here and saw these guys and was like, ‘We’re doing this together?’” He recalled a time when he and David Lee Murphy were sweeping floors at what is now the Musicians Hall of Fame. He wrote “I’m Only In It for the Love” with fellow inductee-elect Van Hoy.
“I came here as fan of songwriters. That’s all I wanted to do,” Brooks said. “My heroes were not just artists, but artists who wrote their own songs. To even think I would even be recognized in the same sentence as the mention of their names …”
California-born, Virginia-raised Beathard moved to Nashville in 1991; by 1998, he earned his first writing deal and penned the title track to Kenny Chesney’s I Will Stand album. In 2002, he earned his first No. 1 with Tracy Byrd’s “Ten Rounds with Jose Cuervo.” Additional hit writing credits followed, including “Find Out Who Your Friends Are” (Tracy Lawrence), “Cleaning This Gun” (Rodney Atkins), Kenny Chesney’s “Don’t Blink,” “No Shoes, No Shirt, No Problems” and “The Boys of Fall.” He’s also frequently collaborated with Eric Church, writing “Like Jesus Does,” “Hell of a View” and “Like a Wrecking Ball.” He also penned “There Was Jesus,’ recorded by Dolly Parton and Zach Williams. Beathard was named BMI’s country songwriter of the year in 2004 and 2008, and was named NSAI’s songwriter of the year in 2008.
“I’m just grateful to God and to everybody in this room … for considering me,” Beathard said. “It’s humbling beyond words and I’m just grateful.”
Murphy moved to Nashville in 1983, before forming the band The Blue Tick Hounds and eventually signing with MCA Records a decade later. In 1994, his debut album spurred the hit singles “Party Crowd” and “Dust on the Bottle.” In the 2000s, he began writing songs for other artists, penning several hits for Kenny Chesney, including “Living in Fast Forward,” “Here and Now” and “Everything’s Gonna Be Alright,” which Murphy performed as a duet with Chesney. The song earned Chesney and Murphy the 2018 CMA Award for musical event of the year. Murphy also penned hits including “Big Green Tractor” (Jason Aldean), “Why We Drink” (Justin Moore) and “Are You Gonna Kiss Me or Not” (Thompson Square).
“It’s a huge honor to be here today,” Murphy said. “Most writers, this is one of those ten feet off the ground moments … The songwriter community in Nashville is such a tight-knit community … guys that I write with all the time. It’s a special group of people that are songwriters in Nashville. They are supportive and hugely talented and creative. That makes it even more special that I am here today with these guys … this is something I will always remember.”
Raised in Bristol, Tenn., Van Hoy and his family moved to Nashville after he graduated from high school in 1972. Curly Putman signed him to Green Grass Music, which led to a publishing deal with Tree International. In 1976, Van Hoy found success as a writer on the George Jones/Tammy Wynette classic “Golden Ring.” His catalog of writing hits would grow to include the 1983 best country song Grammy-nominated “Baby I Lied” (Deborah Allen), “Friday Night Blues” and “I’m Only In It For the Love” (John Conlee), “Hurt Me Bad (In a Real Good Way)” (Patty Loveless), “Let’s Stop Talkin’ About It” (Janie Fricke) and “What’s Forever For” (recorded by artists including Michael Martin Murphey, Anne Murray, Johnny Mathis, B.J. Thomas and Olivia Newton-John).
“To be in the Hall of Fame is something I always dreamed of,” Van Hoy said. “To be included with the club of brilliant minds and brilliant songwriter that are in the Hall of Fame is unbelievably humbling and immense gratitude from my heart.” He also noted that earlier in the day, his phone started playing Tammy Wynette’s “’Til I Get It Right.” “I hadn’t touched it,” he said. “It was like my buddies [the song’s writers] Red Lane and Larry Henley were saying, ‘Welcome in.’”
The honorees will formally inducted into the prestigious organization during the 53rd Anniversary Nashville Songwriters Hall of Fame Gala on Wednesday, Oct. 11, to be held at Nashville’s Music City Center.
Not many non-technical awards given out at the first-ever MTV Video Music Awards in 1984 — which included such now-defunct categories as best stage performance in a video and most experimental video — are still around in any form nearly three decades later. But the Video Vanguard, a lifetime achievement honor awarded to an artist […]