Awards
Page: 12
In 2019, pop star Belinda earned her first Billboard top 10 hit. That rarified chart milestone didn’t come from a pop hit, but rather, from “Amor a Primera Vista,” a cumbia sonidera with Los Ángeles Azules, Lalo Ebratt and Horacio Palencia that peaked at No. 2 on the Regional Mexican Airplay chart. It was the first time that Belinda entered the chart, a feat that underscores not just the artist’s versatility but her resilience.
Co-written by Belinda, Descemer Bueno and Palencia, the track that fuses traditional Mexican cumbia sounds with soft hints of reggaetón not only marked the Spain-born, Mexican-raised star’s return to the Billboard charts after four years, but it also introduced a bold new sound that she had never done before, and ultimately the música mexicana era she’s in today.
Trending on Billboard
Thanks to that capacity for continuous reinvention, the singer and actress is receiving the Evolution Award at the 2025 Billboard Latin Women in Music gala on Thursday, April 24.
“Life has been a journey full of learning, growth, and constant evolution — both personally and artistically,” she tells Billboard. “This recognition not only celebrates my career, but also the power of reinvention and continuing to explore new chapters. I feel more inspired than ever and excited to share this new musical era. Being honored on a night that celebrates such powerful and talented women makes this moment even more special.”
Though the artist born Belinda Peregrín Schüll has a trajectory that spans 25 years, she admits she hasn’t had time to stop and truly reflect on the moment she became a bonafide Latin star.
“I keep working while having many goals, and to be honest, I don’t think I’ve ever, at any point in my life, thought ‘Wow, I made it!,’ which is something I should do,” she says. “I’m always thinking about new ideas, new songs, new challenges, new projects, but I’ve never taken the time to think, ‘Okay, I’ve achieved all this.’ ”
But she has achieved a lot, and along the way, rightfully earned her place in the Latin pop realm.
Belinda was only 10 years old when she was cast as the lead in the Mexican children’s telenovela Amigos x Siempre in 2000, but it was her self-titled debut album that catapulted her into the musical spotlight three years later. The set — home to her timeless pop tune “Ángel” — earned her a first top 10 entry on a Billboard chart, reaching No. 6 on the Top Latin Pop Albums chart in 2003. Her four studio albums since, including Utopia (2006), Carpe Diem (2011), and Catarsis (2013), have also entered the top 10 on the chart.
Meanwhile, hits such as “Bella Traición,” the Pitbull-assisted “Egoísta,” and “Amor a Primera Vista,” have displayed her ease to navigate different genres from rock to EDM to reggaetón to cumbia. Never one to shy away from experimentation, Belinda has now branched out into música mexicana, tagging her new fare as “Beli Bélica” in a wink to the genre’s corridos bélicos. However, Belinda’s songs steer away from drug dealer exploits and rather focus on lyrics about heartbreak and being coquettish.
“The first corrido tumbado artist I heard was Natanael Cano. He was the first one who made me say, ‘Wow, Mexican music sounds different. It doesn’t sound like it used to,’ ” she recalls. “At that time, someone also told me: ‘You’re a woman, you’ll never be able to sing corridos or regional music, because it doesn’t suit you.’ They told me I couldn’t sing it because it was for men and that I would look ridiculous. And a couple of years later, here I am singing that style.”
Defying all odds, Belinda officially evolved into her corridos era with the release of “Cactus” in Jan. 2024, which also marked her debut single with Warner Music México after signing an exclusive record deal in Aug. 2023.
“I’d been thinking about doing corridos tumbados for a couple of years, but it just sort of happened,” she explains. “ ‘Cactus’ was a song that started out written in a notebook; it didn’t really have a melody because it was a feeling I had to express, and suddenly we turned it into music. We knew it was the right song at that moment, and that it would represent a new musical phase in my life.”
That new phase was shortly followed by her first collaborative effort with Natanael Cano in “300 Noches,” which she coined as a “corrido coquette” because of its dreamy pop undertones; “La Mala,” an unapologetic trap-corrido; and her team-up with Tito Double P on “La Cuadrada,” which secured a No. 23 spot on the Regional Mexican Airplay chart in March.
“I know there are many who don’t like it,” she says of her Beli Bélica era, but if there’s anything that her música mexicana collaborators have taught her, it’s to “go with the flow.”
“I’ve learned not to take everything so personally and to listen to myself,” she elaborates. “To listen to what I feel, what I think, and what I like, because no one is going to agree with you 100% and no one is going to have your vision 100%, and as long as you’re happy with what you’re doing and writing, the audience will accept it well because you’re doing it from the heart.”
Belinda & Tito Double P
Bri Diez
And even though she found a new sound — while also being active on social media and connecting with new and loyal fans — Belinda remains true to her pop essence. Her single, “Jackpot,” with Kenia Os, peaked at No. 10 on the Latin Pop Airplay in February.
“Belinda isn’t a musical genre,” she emphasizes. “I’ve been through all the musical eras, and my favorite word to describe my career is versatile. It’s the perfect word to define my style. Now, with Mexican music, we’re going back to the basics. It reminds me a lot of how music used to be. I love that I can go back to what it was like to make a song with real instruments and not rely on a computer program. It feels like I’m going back to what music used to be.”
Now, with her new “go with the flow” mentality, Belinda says a new studio album is on the horizon, one that she’s creating specifically for those “independent women who are completely irreverent but at the same time strong, sexy, fun.”
But first, she’s taking it easy.
“I’m trying to rest because in 2024 I didn’t rest at all. I spent almost all my time writing the album. It was a lot of emotions in one year. This year I’m going to take the time I need to finish my album. I just want to enjoy every moment, every stage, every project,” she concludes.
The third annual Billboard Latin Women in Music special will air live at 9 p.m. ET / 8 p.m. CT on Thursday, April 24 exclusively on Telemundo, Universo, Peacock and the Telemundo app and throughout Latin America and the Caribbean on Telemundo Internacional.
Read Billboard’s Latin Women In Music 2025 executive list here.
The Latin Recording Academy announced Tuesday (April 22) that the 26th annual Latin Grammy Awards will be held Thursday, Nov. 13, at the MGM Grand Garden Arena in Las Vegas. This marks the 15th time that the ceremony will be held in Sin City. Most recently, the awards ceremony had been held outside of Las […]
Music stars are well-represented on the list of winners for the 2025 Webby Awards. Kendrick Lamar, Gracie Abrams, Lady Gaga, Benson Boone, Jelly Roll with mgk, Mariah Carey, Questlove, Ariana Grande & Cynthia Erivo, Taylor Swift, Selena Gomez, Rihanna and Laufey are all winners in various categories.
Lamar’s “Not Like Us” music video won the Webby Award for Music Video, Creator Excellence. The clip won the Grammy for best music video on Feb. 2 and is likely to be a leading candidate at this year’s MTV Video Music Awards. (Lamar’s song competed for song of the year at last year’s VMAs, but the video fell into this eligibility year.)
Trending on Billboard
Abrams’ The Secret of Us (Short Film) | Vevo Extended Play won the People’s Voice Award for Music, General Video & Film (Video & Film).
Gaga’s A Digital Home for a Global Pop Icon won the Webby Award for Entertainment, General Desktop & Mobile Sites (Websites and Mobile Sites)
Hosted by writer, comedian, and actress Ilana Glazer, The Webby Awards ceremony will be held at Cipriani Wall Street on Monday, May 12. Fans can experience the Webbys and watch special moments including the show’s signature five-word acceptance speeches by following @TheWebbyAwards across Instagram, TikTok, YouTube, Linkedin and at Webbyawards.com.
Webby Award winners are selected by members of the International Academy of Digital Arts & Sciences (IADAS). The People’s Voice Award winners are voted on by the general public.
“The Webby Awards celebrates the incredible diversity and global reach of the Internet,” Jesse Feister, executive director, Webby Media Group, said in a statement. “This year’s winners represent a masterclass of creativity and innovation.”
The Webby Awards will also honor a group of individuals for their contributions to Internet culture with Special Achievement Awards.
Snoop Dogg will receive the Webby Entrepreneur of the Year Award for expanding the playbook for how creatives can harness entrepreneurship to amplify their influence.
Dr. Fei-Fei Li will receive the Webby Lifetime Achievement Award for her foundational contributions to artificial intelligence and her leadership in advancing ethical, human-centered AI.
Walton Goggins will receive the Webby Best Actor Award for his performances across streaming hits like The White Lotus, The Righteous Gemstones, and Fallout.
Amelia Dimoldenberg will receive a Webby Special Achievement Award for redefining the celebrity interview with her hit series Chicken Shop Date.
Congresswoman Jasmine Crockett will receive the IADAS and NAACP Webby Advocate of the Year Award for using her platforms to drive national conversations, mobilize communities, and champion the rights of marginalized groups.
Jools Lebron will receive the Webby Crush the Internet Award for her impact on digital culture and her talent for creating viral moments.
Marcello Hernández will receive the Webby Outstanding Comedic Performance Award for his sharp, culturally resonant humor and viral impact on the Internet.
The MeidasTouch Podcast will receive the Webby Podcast of the Year Award for its impact on political commentary.
This year, the Webby Awards will award Google for their first-ever Brand of the Year achievement with seven Webby wins, nine People’s Voice wins, 24 nominees and nine honorees.
The Academy will present iHeartMedia with the Webby Podcast Company of the Year award, presented to the organization that has earned the most honors across the Podcast categories. It received six Webby wins and eight People’s Voice wins, alongside nine nominees and 11 honorees.
The Academy announced NBCUniversal as the Webby Media Company of the Year for earning the most honors across all Webby categories with four Webby wins, nine People’s Voice wins, 19 nominees and 11 honorees.
This year’s newly-introduced suite of Creator categories celebrates the growing influence of creators who are shaping culture, entertainment and the Internet. Winners include Caleb Simpson, Chris Klemens, Colin Furze, Jake Shane, Jameis Winston, Joe Ando, Joshua Weissman, Laufey, Nick DiGiovanni, Skibidi Toilet, Trixie Mattel, Zach King, and others.
The Webby Awards is the leading international awards organization honoring excellence on the Internet, including Websites and Mobile Sites; Video; Advertising; Media & PR; Apps & Software; Social; Podcasts; AI, Immersive & Games and Creators.
Here are selected 2025 Webby Award winners – with winners from the world of music listed first. To view the full list of winners, visit http://webbyawards.com/winners.
Music Winners
Benson Boone Socials won the Webby Award for Music & Performance, Social Video Short Form (Social)
Countdown to Beautifully Broken: Jelly Roll in conversation w/ mgk | Spotify won the Webby Award for Interview or Talk Show, Branded Entertainment (Video & Film)
Fenty Beauty “Which Riri Are You?” Lip Looks TikTok Filter (ft. Rihanna) won the Webby Award for Best Use of Filters/Lenses, Features (Social)
For a Fortnight Challenge (ft. Taylor Swift) won the Webby Award for Best Community Engagement, PR Campaigns (Advertising, Media & PR)
Gracie Abrams – The Secret of Us (Short Film) | Vevo Extended Play won the People’s Voice Award for Music, General Video & Film (Video & Film)
Kendrick Lamar – “Not Like Us” Music Video won the Webby Award for Music Video, Creator Excellence (Video & Film)
Lady Gaga — A Digital Home for a Global Pop Icon won the Webby Award for Entertainment, General Desktop & Mobile Sites (Websites and Mobile Sites)
Laufey won the Webby Award and People’s Voice Award for Art, Culture & Music, Individual Creator (Creators)
Mariah Carey’s It’s Time!!! Partnership with KAY Jewelers won the Webby Award for Celebrity/Fan, General Social (Social)
National Coming Out Day: Celebrating Visibility with Billy Porter and the Elton John AIDS Foundation won the People’s Voice Award for Diversity, Equity, Inclusion & Belonging, Social Video Short Form (Social)
Questlove Supreme won the Webby Award for Music, Shows (Podcasts)
Rare Beauty by Selena Gomez – Best Social, Fashion & Beauty won the Webby Award for Fashion & Beauty, General Social (Social)
Trixie Mattel won the People’s Voice Award for Best Dance & Performance, Creator Excellence (Creators)
Wicked Stars Ariana Grande & Cynthia Erivo Break Down Viral ‘Holding Space’ Interview won the Webby Award for Variety & Reality, General Video & Film (Video & Film)
Other Winners
Adobe Frame.io V4 won the Webby Award for Creative Production, Software Services & Platforms (Apps & Software)
Apple Cash won the Webby Award for Services & Utilities, General Apps (Apps & Software)
Architectural Digest won the Webby Award for Art & Culture, General Social (Social)
A Touch More with Sue Bird & Megan Rapinoe won the Webby Award for Sports, Shows (Podcasts)
“Baby, This Is Keke Palmer” won the Webby Award for Interview/Talk Show, Shows (Podcasts)
Big Mouth Season 7 (ft. Nick Kroll) won the Webby Award for Scripted, Series & Channels (Video & Film)
Brian Cox Goes to College won the Webby Award for Comedy, Branded Entertainment (Video & Film)
Caleb Simpson won the Webby Award for Home & Travel, Individual Creator (Creators)
Call of Duty: Black Ops 6 won the Webby Award for Games, Immersive General (AI, Immersive & Games)
Chris Klemens won the People’s Voice Award for Comedy, Individual Creator (Creators)
Climate TRACE won the Webby Award for Sustainability & Environment, General Desktop & Mobile Sites (Website and Mobile Sites)
“Club Shay Shay”won the Webby Award and People’s Voice Award for Best Creator or Influencer Series, Features (Podcasts)
Colin Furze – Best Series – The Tunnel Project won the People’s Voice Award for Best Series, Creator Excellence (Creators)
Disney The Boy & The Octopus (directed by Taika Waititi) won the Webby Awards for Best Use of Animation or Motion Graphics, Craft (Advertising, Media & PR)
Doodle for Google won the Webby Award for Corporate Social Responsibility, General Desktop & Mobile Sites (Websites and Mobile Sites)
DoorDash-All-The-Ads won the Webby Award for Best Creator or Influencer Partnership or Collaboration, Creator Excellence (Creators)
Duolingo – “The Bird” won the Webby Award for Viral, Experimental & Weird, Branded Entertainment (Video & Film)
Freedom to Be – ACLU won the Webby Award for Public Service & Activism, Series & Channels (Video & Film)
Headspace XR won the People’s Voice Award for Best Experiential Design, Immersive Features (AI, Immersive & Games)
House Guest (ft. Scott Evans) won the Webby Award for Interview, Talk & After-Show, Series & Channels (Video & Film)
Hot Ones Versus won the Webby Award for Variety, Series & Channels (Video & Film)
Hysterical won the Webby Award for Documentary, Limited-Series & Specials (Podcasts)
Indiana Fever – Caitlin Clark Action Figure won the Webby Award for Sports, Social Video Short Form (Social)
Jake Paul vs Mike Tyson Live on Netflix hub won the Webby Award for Media & Entertainment, Branded Content (Advertising, Media & PR)
Jake Shane won the Webby Award for Comedy, Individual Creator (Creators)
Jameis Winston: FOX Sports Digital Correspondent at Super Bowl LIX won the Webby Award for Sports, Individual Creator (Creators)
Jimmy Kimmel Live won the Webby Award for Television & Film, General Social (Social)
Joe Ando won the Webby Award for Fashion & Beauty, Individual Creator (Creators)
Joshua Weissman won the People’s Voice Award for Food & Drink, Individual Creator (Creators)
Just Women’s Sports: The Gold Standard With Kelley O’Hara and Lisa Leslie won the Webby Award for Sports, Social Content Series (Social)
Kids of Immigrants: Nike Air Max SNDR – Don’t forget to call home won the People’s Voice Award for Video Ad Shortform, Individual (Advertising, Media & PR)
Las Culturistas with Matt Rogers and Bowen Yang won the Webby Award for Comedy, Shows (Podcasts)
Latinos Monumentales won the Webby Award for Diversity, Equity, Inclusion & Belonging, Social Campaigns (Social)
Leroy Smith: Michael Jordan’s Myth won the Webby Award for Sports, General Video & Film (Video & Film)
Loewe (ft. Aubrey Plaza and Dan Levy) won the Webby Award for Branded Entertainment, Fashion, Beauty & Lifestyle (Video & Film)
Michael CeraVe won the Webby Award for Best Viral PR Campaign, PR Campaigns (Advertising, Media & PR)
Mind Your Own with Lupita Nyong’o won the Webby Award for Best Series, Features (Podcasts)
National Immigration Law Center: Freedom to Thrive won the Webby Award and People’s Voice Award for Diversity, Equity, Inclusion & Belonging, Shows (Podcasts)
New Heights with Jason & Travis Kelce won the People’s Voice Award for Best Video Series, Features (Podcasts)
Nick DiGiovanni won the People’s Voice Award for Best Longform Video, Creator Excellence (Creators)
Nickelodeon’s Super Bowl LVIII Live From Bikini Bottom won the Webby Award for Best Partnership or Collaboration, Features (Social)
Obama Foundation won the Webby Award for Charitable Organizations/Non-Profit, General Desktop & Mobile Sites (Websites and Mobile Sites)
Oprah Reveals All – Life-Changing Lessons on Weight, Shame & Worthiness – The Jamie Kern Lima Show won the Webby Award for Best Video Series, Features (Podcasts)
Pinterest Predicts 2025 won the Webby Award Best Trend, Insights or Impact Report, Features & Design (Websites and Mobile Sites)
Possible | Kara Swisher on AI, media, and accountability won the Webby Award for Interview/Talk Show, Individual Episode (Podcasts)
Powerade: The Vault (ft. Simone Biles) won the Webby Award for Best Video Editing, Craft (Advertising, Media & PR)
Ready Set Ride with Elmo won the Webby Award for Kids & Family, Individual Episode (Podcasts)
Reid Hoffman meets his AI Twin won the Webby Award for Best Use of AI, Performance & Craft (Video & Film)
RuPaul’s Drag Race The Pit Stop won the Webby Award for Interview/Talk Show, Social Content Series (Social)
Scorsese on Letterboxd won the Webby Award for Best Community or Fan Engagement – Media/Entertainment, Features (Social)
Sing Sing won the Webby Award for Best Mobile User Experience, Mobile Features & Design (Websites and Mobile Sites)
SNL Instagram Stories – Live Show Coverage won the Webby Award for Best Use of Stories, Features (Social)
The Daily Show: Foxsplains won the Webby Award for News & Politics, Social Content Series (Social)
The Skibidi Toilet Fan Multiverse won the Webby Award for Best Community Engagement, Creator Excellence (Creators)
The Tonight Show Starring Jimmy Fallon won the People’s Voice Award for Best Use of Vertical Video, Features (Social)
Vote Save America won the Webby Award for Public Service & Activism, General Social (Social)
Whitney Museum “Echoes of Ailey” ft Alvin Ailey Dance Company won the Webby Award for Media & Entertainment, Branded Entertainment (Video &
Winning Isn’t for Everyone won the Webby Award for Best Copywriting, Craft (Advertising, Media & PR)
Wordle 1000 won the People’s Voice Award for Best Community Engagement, Advertising Campaigns (Advertising, Media & PR)
#YouTubeBlack Presents Flowers: How Naptural Inspired a Community of Natural Hair Creators won the People’s Voice Award for Best Creator or Influencer Partnership or Collaboration, Creator Excellence (Creators)
Zach King won the Webby Award and People’s Voice Award for Best Editing, Creator Excellence (Creators)
47 won the Webby Award for Animation, Branded Entertainment (Video & Film)
The 2025 inductees into the Rock & Roll Hall of Fame will be announced on a live episode of American Idol on Sunday (April 27). Show host Ryan Seacrest will make the eagerly awaited announcement. James Taylor, who was inducted into the Rock Hall in 2000, will serve as a mentor on the episode, on […]
Just hours after the Motion Picture Academy announced its key dates for the 2026 Oscars, the Producers Guild of America announced its key dates for the 2026 PGA Awards, which will take place on Feb. 28, 2026.
The eligibility period for most categories is Jan. 1, 2025 to Dec. 31, 2025. The eligibility period for the Innovation Award is Oct. 2, 2024 through Oct. 1, 2025.
The Producers Guild Awards recognizes outstanding achievements in producing across various categories, including theatrical motion pictures, television, documentaries, animation, and emerging media. The Guild represents more than 8,400 producers.
Trending on Billboard
Films that win at the PGA Awards often, but not always, go on to Oscar glory. Anora won the top award at the PGA Awards on Feb. 8, and went on to win the Oscar for best picture on March 2. But The Wild Robot, the PGA winner in the animated film category, lost to the Oscar for best animated feature film to Flow. And Super Man/The Christopher Reeve Story, about the late Superman star Christopher Reeve, the PGA winner in the documentary category, wasn’t even shortlisted (much less nominated) for the Oscar for best documentary feature film (which went to No Other Land).
The most recent PGA ceremony also recognized influential producers with special honors, including Chris Meledandri, who received the David O. Selznick Achievement Award in Theatrical Motion Pictures; Taika Waititi, who received the Norman Lear Achievement Award in Television; and Dana Walden, who received the Milestone Award.
Top honors on the TV side went to Shōgun and Hacks.
Here are the key dates for the 37th annual Producers Guild Awards season:
Notice of Producing Credits Deadline
Documentary Motion Pictures: Friday, Aug. 29
Television Programs (Television Series/Specials; Streamed or Televised Motion Pictures; Sports, Children’s, and Short Form): Friday, Sept. 26
Innovation Award: Wednesday, Oct. 1
Theatrical Motion Pictures and Animated Motion Pictures: Friday, Oct. 10
Screener Submission Deadline
Documentary Motion Pictures: Friday, Aug. 29
Nomination Polls Open
Sports, Children’s, and Short Form: Tuesday, Nov. 25
Television Series/Specials and Streamed or Televised Motion Pictures: Thursday, Dec. 11
Theatrical Motion Pictures and Animated Motion Pictures: Thursday, Dec. 18
Nomination Polls Close
Sports, Children’s, and Short Form: Wednesday, Dec. 10 (2:00 pm PST)
Theatrical Motion Pictures; Animated Motion Pictures; Television Series/Specials; Streamed or Televised Motion Pictures: Thursday, Jan. 8, 2026 (2:00 pm PST)
Nominees Announced
Innovation Award: Friday, Nov. 14
Documentary Motion Pictures: Tuesday, Dec. 9
Sports, Children’s, and Short Form: Friday, Dec. 12
Theatrical Motion Pictures; Animated Motion Pictures; Television Series/Specials; Streamed or Televised Motion Pictures: Friday, Jan. 9, 2026
Final Polls Open
Sports, Children’s, and Short Form: Monday, Jan. 5, 2026
Theatrical Motion Pictures; Animated Motion Pictures; Documentary Motion Pictures; Television Series/Specials; Streamed or Televised Motion Pictures: Thursday, Jan. 16, 2026
Final Polls Close
Sports, Children’s, and Short Form: Monday, Jan. 19, 2026 (2:00 pm PT)
Theatrical Motion Pictures; Animated Motion Pictures; Television Series/Specials; Streamed or Televised Motion Pictures: Tuesday, Feb. 3, 2026 (2:00 pm PT)
Awards Show: Feb. 28, 2026
On April 24, the third annual Billboard Latin Women in Music will honor Anitta, Belinda, Celia Cruz, Chiquis, Ha*Ash, Olga Tañón, Natti Natasha and Selena Gomez with special awards, celebrating these groundbreaking women who are shaping the future of Latin music.
The two-hour Latin Women in Music special, which will air live on Telemundo at 9 p.m. ET, will be hosted by 2024 Lifetime Achievement honoree Ana Bárbara, who will also be performing alongside Yahritza y Su Esencia on Thursday. As previously announced, Ivy Queen, La India and Tañón will perform a memorable tribute of Celia Cruz’s most iconic hits. The salsa star would’ve have celebrated her centennial this year.
Throughout the night, artists such as Adriel Favela, Amandititita, Eddy Herrera, Goyo, Lele Pons, Luis Fonsi and Aleyda Ortiz will present the night’s awards and recognitions to the celebrated women. This year’s honorees and honors are Anitta (Vanguard Award), Belinda (Evolution Award), Celia Cruz (Legend Award), Chiquis (Impact Award), Ha*Ash (Unbreakable Award), Natti Natasha (Unstoppable Artist), Olga Tañón (Lifetime Achievement Award) and Selena Gomez (Woman of the Year).
Trending on Billboard
How to Watch
The 2025 Billboard Latin Women in Music special will air live on Thursday, April 24, at 9 p.m. ET/8 p.m. Central, exclusively on Telemundo, Universo, Peacock and the Telemundo App, and throughout Latin America and the Caribbean on Telemundo Internacional.
Performers
Ana Bárbara
Yahritza y Su Esencia
La India
Ivy Queen
Olga Tañón
Presenters
Adriel Favela
Amandititita
Eddy Herrera
Goyo
Lele Pons
Luis Fonsi
Aleyda Ortiz
Read Billboard’s Latin Women In Music 2025 Executive List here.
Hoping to be nominated for an Oscar in one of the music categories next year? Listen up. The Academy of Motion Picture Arts & Sciences on Monday (April 21) announced key dates and various procedural changes for the 2026 Oscars, which included separate, significantly earlier submission deadlines in the two music categories.
Submissions for best original song must be made by Wednesday, Oct. 15, at 5 p.m. PT. Submissions for best original score are due no later than Monday, Nov. 3, at 5 p.m. PT. Last year, the submission deadline in both categories was the same as for general entry categories — Nov. 14, 2024.
This was one of many changes approved by the academy’s board of governors and announced on Monday.
Trending on Billboard
In the rules for film eligibility, the following language regarding generative artificial intelligence has been introduced, as recommended by the Academy’s Science and Technology Council: “With regard to generative artificial intelligence and other digital tools used in the making of the film, the tools neither help nor harm the chances of achieving a nomination. The academy and each branch will judge the achievement, taking into account the degree to which a human was at the heart of the creative authorship when choosing which movie to award.”
In a procedural change, academy members must now watch all nominated films in each category to be eligible to vote in the final round for the Oscars. All designated nominees will also be included on the final ballot.
Other substantive awards rules changes include:
For consideration in the best picture category, films released from Jan. 1 through June 30 must have shown proof of submission for Producers Guild of America mark certification or awards-only determination no later than Sept. 10. Films released from July 1 through Dec. 31 must have shown proof of submission to the PGA no later than Nov. 13.
In the international feature film category, the eligibility requirement regarding creative control has been updated to be inclusive of filmmakers with refugee or asylum status. The submitting country must confirm that creative control of the film was largely in the hands of citizens, residents or individuals with refugee or asylum status in the submitting country.
Category rules for eligibility and voting for the inaugural Academy Award for achievement in casting have been codified. There will be a preliminary round of voting to determine a shortlist of 10 films, and prior to nominations voting, casting directors branch members will be invited to view a “bake-off” presentation of the shortlisted achievements, including a Q&A with the designated nominees.
In the animated short film category, voting privileges in the nominations round will be extended to all academy members who opt in to participate. Members must view all 15 shortlisted films to be eligible to vote in the category.
In the cinematography category, there will now be a preliminary round of voting for the cinematography award to determine a shortlist of between 10 and 20 films.
The academy also updated and clarified formatting and language in the campaign promotional regulations for the 98th Oscars. The campaign promotional regulations specify how motion picture companies and individuals directly associated with Oscars-eligible motion pictures may promote such motion pictures, achievements and performances to academy members and how academy members may promote Oscars-eligible motion pictures, achievements and performances.
Substantive changes to the campaign promotional regulations include:
Public communications (including any social media posts, reposts, shares and comments) may not disparage the techniques used in or subject matter of any motion picture. Any academy member, motion picture company or individual directly associated with an eligible motion picture found to be in violation will be subject to penalization.
As previously announced, the 98th Oscars will air live on ABC on Sunday, March 15, 2026 at 7 p.m. ET/4 p.m. PT. Conan O’Brien will host for the second year in a row. Raj Kapoor and Katy Mullan will return as the show’s executive producers for the third consecutive year. Jeff Ross and Mike Sweeney will return as producers for a second time. Sweeney will also serve as a writer.
It will also be the third year in a row that the telecast will start at 4 p.m. on the West Coast, in an effort to make it so that East Coast viewers can find out who wins the biggest awards before they go to bed. (This year’s show ended at 10:50 p.m. ET, making that goal a reality for all but the earliest risers.)
The academy stresses that all rules and dates for the 98th Academy Awards are subject to change. For the complete 98th Academy Awards rules and campaign promotional regulations, visit the academy’s website.
Key dates for the 2025 Oscars season are as follows:
First submission deadline for animated short film, documentary feature film, documentary short film and live action short film categories: Thursday, Aug. 14
First submission deadline for general entry categories, animated feature film, best picture and RAISE form: Wednesday, Sept. 10
Submission deadline for international feature film: Wednesday, Oct. 1
Student Academy Awards: Monday, Oct. 6
Final submission deadline for animated short film, documentary short film and live action short film categories: Thursday, Oct. 9
Submission deadline for music (original song): Wednesday, Oct. 15
Final submission deadline for documentary feature film: Thursday, Oct. 16
Submission deadline for music (original score): Monday, Nov. 3
Final submission deadline for general entry categories, animated feature film, best picture and RAISE form: Thursday, Nov. 13
Governors Awards: Sunday, Nov. 16
Preliminary voting begins 9 a.m. PT: Monday, Dec. 8
Preliminary voting ends 5 p.m. PT: Friday, Dec. 12
Oscars shortlists announcement: Tuesday, Dec. 16
Casting, makeup and hairstyling, sound and visual effects nominating screenings (bake-offs): Sat. Jan. 10/Sun. Jan. 11, 2026
Nominations voting begins: Monday, Jan. 12, 2026, at 9 a.m. PT
Nominations voting ends: Friday, Jan. 16, 2026, at 5 p.m. PT
Oscars nominations announcement: Thursday, Jan. 22, 2026
Oscars nominees event: Tuesday, Feb. 10, 2026
Finals voting begins: Thursday, Feb. 26, 2026, at 9 a.m. PT
Finals voting ends: Thursday, March 5, 2026, at 5 p.m. PT
98th Oscars: Sunday,March 15, 2026
Scientific and technical awards: Tuesday, April 28, 2026
Olga Tañón was just 19 when she was invited to audition as a vocalist for a band. A self-proclaimed “rockerita” from a young age, she assumed it was a rock band. But when she arrived, she found a tambora and a güira instead of an electric guitar, bass, and drums.
“I think I’m in the wrong place,” she recalls thinking. “When I approached the bandleader, Ringo Martínez, he said to me: ‘No, this isn’t a rock band. This is a merengue orchestra.’ I replied, ‘But I don’t know how to sing merengue.’ And he came back with a challenge and told me: ‘Well, a good singer can sing anything.’”
The next day, she was already recording her first merengue song, “Fuera de Mi Vida” by Valeria Lynch, as part of the group Las Nenas de Ringo y Jossie.
Trending on Billboard
Nearly four decades later, the so-called “Mujer de Fuego” (Woman of Fire) from Santurce, Puerto Rico, is being honored with Billboard‘s 2025 Latin Women in Music Lifetime Achievement Award for her unparalleled influence as a singer in this Dominican genre.
Over her career, which began in the mid-’80s, Tañón has not only won hearts but has also shaped the tropical music style, earning a special place in Latin music history with her exceptional performance quality, unmistakable mezzo-soprano voice, and high-energy stage presence.
Since launching her solo career in 1992, 20 of her albums have entered Billboard’s Top Latin Albums chart, including two that reached No. 1: Llévame Contigo (1997) and Te Acordarás de Mí (1998). On the Tropical Airplay chart, she holds the record as the female artist with the most top 10 entries (29 in total), with hits like “Es Mentiroso,” “Cómo Olvidar,” and “El Frío de Tu Adiós,” to name a few.
“I’m beyond grateful for this beautiful Lifetime Achievement Award,” Tañón says. “It represents all the sacrifices made, all those nights that weren’t wasted but learned from, as I prefer to say. And for people to value you in such a way is a reminder that we’ve truly done the right thing: choosing what we wanted to do with our lives, and achieving it.”
“I hope many young women are inspired to pursue this beautiful [career], which isn’t easy but is wonderful,” she adds.
A Grammy and Latin Grammy winner, and also recognized this year by Billboard among the top 10 Best 50 Female Latin Pop Artists of All Time, Tañón looks back on her beginnings, reflects on her biggest achievements, and shares the secret to a long-lasting career.
Natalia Aguilera
When did you know you wanted to be a music artist?
I really started noticing the early inklings, as I call them, at 4 years old, when I moved to Levittown in Puerto Rico and was already singing a solo at the Coliseo de Toa Baja. I was in pre-kindergarten, and they held an event in that coliseum, and I was part of the choir. Did the teacher see something in me? I don’t know. But from there, I took opera lessons. I took advantage of all the services the public school offered because that’s where I studied.
What’s the first merengue song you remember as being special to you?
At home, we used to listen to “Sancocho Prieto” [by La Sonora Ponceña]. Honestly, I never thought I’d have a career in tropical music. I’ve loved the Dominican Republic since I was very young because the first, second, third, and fourth country my dad took us to visit was the Dominican Republic. But I only listened to merengue to dance to it. If I wanted to sing, I always imagined myself singing songs by Rocío Dúrcal or Isabel Pantoja, things like that. I never imagined I’d build an entire life honoring, as I say, a country that has given me so much. And I wasn’t even born there; that’s why I treat it with such respect.
So how did you end up making merengue music?
I was looking for opportunities in music. I was a “rockerita” in Spanish because I didn’t know a lick of English. After my dance teacher, [the famous Puerto Rican choreographer] Junito Betancourt, passed away, I was invited to an audition, and they told me it was for a band. So, I assumed it was a Spanish rock band. When I walked into the audition at Salón Villarreal, I saw a guy with a tambora and a güira, and I thought, “I think I’m in the wrong place.” But when I approached the bandleader, he said, “No, this isn’t a rock band. This is a merengue orchestra.” And I said, “What do I do? I don’t know how to sing merengue.” And he came back with a challenge and told me: “Well, a good singer can sing anything.” From then on, I haven’t stopped singing merengue.
What a happy mistake, right?
That’s what I call it, “a happy mistake.” Because the truth is, I don’t come from a famous family. I didn’t get a lucky break, you know, like a stroke of fortune. On the contrary, it was a lot of knocking on doors until something worked, and from there, I made the most of it. And the first thing I said was, “If I’m going to do a musical genre that isn’t from my country, I at least need to learn how to play a tambora.” And that’s how I started to learn more about the genre which has given me the life I have today — merengue.
Natalia Aguilera
Who did you look up to as role models? There weren’t many women in merengue at that time…
The image I always remember, and it was a dream that I was fortunate enough to fulfill by meeting her in person, was Rocío Dúrcal, with all those songs that stick with you even to this day — “Pues mira tú, como te ríes, como juegas tú” [she sings part of “Como Tu Mujer,” imitating the Spanish singer’s classic inflections] — with those always extraordinary vocal modulations. When I got into merengue, I didn’t really have an image of a woman in merengue because, at that time, there were duos and groups like Milly Quezada and her sister Jocelyn.
Obviously, there was Fefita La Grande from the Dominican Republic, who was always there with “Vamos a Hablar Inglés.” And I was also greatly inspired by many men who were active at that time.
As a woman in the industry, and in a genre like merengue, what has been the biggest challenge for you?
When you perform a musical genre that isn’t necessarily salsa, bomba or plena — the styles we’re known for in Puerto Rico — when you take on the responsibility of performing a genre that represents a country, you have to make an effort to learn a bit about it and approach it with great respect. I always tried to bring something important to merengue, with a lot of detail, care and love for everything I did.
How did you find your own voice?
Well, honestly, I don’t even know. They just told me, “Open your mouth and sing,” so I opened my mouth and sang. I didn’t have many references in that sense, so I wanted to add my own style. Obviously, when you’re trying to build a career, I always say that everything’s already been invented. But as long as you try to be as original and authentic as possible, I think you’ll do well.
What would you say are your greatest accomplishments in music?
The years I’ve spent making merengue. And also ballads, because Marco Antonio Solís gave me the chance to break into that world [in 1996 with the album Nuevos Senderos]. But specifically in merengue, the years and the applause — it’s a privilege I humbly say I still receive. I still feel like crying every time I come offstage after a sold-out show, even after so many years of my career. And we’re still doing it with a new tour. I think, wow, the people.
And how have you managed to stay relevant over four decades?
By not closing myself off to musical innovation. I think you have to be open to saying, “I can do this with a bit of influence from that.” I meet with producers. I meet with people I love and respect to write. I also open the door to new talent. I think staying relevant means not shutting yourself off.
Natalia Aguilera
The third annual Billboard Latin Women in Music special will air live at 9 p.m. ET / 8 p.m. CT on Thursday, April 24 exclusively on Telemundo, Universo, Peacock and the Telemundo app and throughout Latin America and the Caribbean on Telemundo Internacional.
Check out Billboard’s Latin Women In Music 2025 executive list here.
MUSIC AWARDS JAPAN has unveiled the nominees for all 50 categories to be honored at the inaugural event set for May 21 and 22 in Kyoto.
The finalists were selected from the approximately 3,000 entries revealed in March, through a preliminary vote by artists, creatives, media-related and other music industry professionals, with some awards open to general listeners. After a final vote including overseas voting members, the winners will be announced at the award ceremony next month.
In the six main categories — Song of the Year, Album of the Year, Artist of the Year, New Artist of the Year, Top Global Hit from Japan, Best Song Asia — artists and acts that have graced the charts and excited music listeners are up for awards: Creepy Nuts (“Bling-Bang-Bang-Born”), YOASOBI (“Idol”), Mrs. GREEN APPLE (“Lilac,” ANTENNA), Fujii Kaze (“Michi Teyu Ku (Overflowing),” LOVE ALL SERVE ALL), Rosé & Bruno Mars (“APT.”), Kenshi Yonezu (LOST CORNER), FRUITS ZIPPER, Kocchi no Kento, Number_i, and aespa (“Supernova”), to name just a few.
Kazutoyo Koyabu, Asuka Kijima, Ko Matsushima, the Founder of arne inc. and music critic Tomonori Shiba took to the stage at the event announcing the nominees. Koyabu, a popular comedian and musician, noted, “These are artists that even an old guy like me has heard of,” while Kijima, a model and actress, said, “Everyone will be satisfied no matter who wins, because they’re all outstanding artists.” The nominees in the Top Global Hit from Japan category selected by overseas listeners include a diverse range of tracks, such as songs featured in games, anime show openers, songs familiar from TikTok, and tracks by artists with a notable global presence. Check out all the nominees at the official MUSIC AWARDS JAPAN website.
Trending on Billboard
Find the nominees of the six main categories below:
Song of the Year
(Recognition for the song with the most outstanding musical creativity and artistry.)
Rosé & Bruno Mars “APT.”
Creepy Nuts “Bling-Bang-Bang-Born”
YOASOBI “Idol”
Fujii Kaze “Michi Teyu Ku (Overflowing)”
Mrs. GREEN APPLE “Lilac”
Album of the Year
(Recognition for the album with the most outstanding musical creativity and artistry.)
Mrs. GREEN APPLE, ANTENNA
Kenshi Yonezu, LOST CORNER
Fujii Kaze, LOVE ALL SERVE ALL
Vaundy, replica
Hikaru Utada, SCIENCE FICTION
Artist of the Year
(Recognition for the artist with the most outstanding musical creativity and artistry.)
Creepy Nuts
Mrs. GREEN APPLE
Vaundy
YOASOBI
Fujii Kaze
New Artist of the Year
Recognition for the new artist who demonstrated outstanding musical creativity and artistry.
FRUITS ZIPPER
Number_i
Omoinotake
tuki.
Kocchi no Kento
Top Global Hit From Japan
(Recognition for the Japanese song that became a global hit.)
Lotus Juice/Azumi Takahashi “It’s Going Down Now”
XG “WOKE UP”
YOASOBI “Idol”
Fujii Kaze “Shinunoga E-wa”
Miki Matsubara “Mayonaka no Door – stay with me”
Best Song Asia
(Recognition for the Asian hit song that was popular across Asian countries.)
Bernadya “Satu Bulan” (Indonesia)
REGINA SONG “the cutest pair” (Singapore)
aespa “Supernova” (South Korea)
PLAVE “WAY 4 LUV” (South Korea)
JEFF SATUR “GHOST” (Thailand)
MUSIC AWARDS JAPAN 2025 KYOTO
Date of the ceremony: Wednesday, May 21 and Thursday, May 22, 2025
MAJ Week: From Saturday, May 17 to Friday, May 23, 2025
Venue: ROHM Theatre Kyoto, Kyoto, Japan
Domestic live broadcast of May 22 event on NHK; global stream of events on both days on YouTube scheduled (some regions excluded).
Stax: Soulsville U.S.A., Will and Harper, Super Man: The Christopher Reeve Story, Shōgun, Hacks and comedy specials starring Alex Edelman and Ramy Youssef are among music, comedy and entertainment-related programs that have been nominated for 2025 Peabody Awards.
Stax: Soulsville U.S.A. tells the story of the fabled label that rose out of Memphis, Tennessee, to become one of the most successful R&B labels in music history. The label was founded by two siblings, business partners Jim Stewart and Estelle Axton (whose last names formed the basis of the label’s name). Booker T. & the M.G.’s served as the label’s house band. Other artists signed to the label in its glory years include Rufus Thomas, Carla Thomas, Otis Redding, Sam & Dave, Eddie Floyd and Isaac Hayes.
Other nominated programs or films with a strong music tie-in are Any Other Way: The Jackie Shane Story, about a Black trans soul singer, and We Are Lady Parts, a comedy about an all-female Muslim punk band.
Trending on Billboard
Alex Edelman won a Primetime Emmy in September for outstanding writing for a variety special for his HBO special Alex Edelman: Just for Us. The comedian won a special Tony three months before that for the Broadway show which was the basis for the special.
Nominees in the Arts, Children’s/Youth, Entertainment, and Interactive & Immersive categories were announced on Thursday (April 17). Nominees in Documentary, News, Public Service, and Radio/Podcast categories were announced on April 15.
Winners of the 85th Annual Peabody Awards will be announced on May 1, and celebrated on Sunday, June 1, at the Beverly Wilshire Hotel in Beverly Hills, Calif. The ceremony will be hosted by Roy Wood Jr. Longtime NBC News correspondent Andrea Mitchell will receive the Career Achievement Award and landmark NBC sketch-comedy series Saturday Night Live will be honored with the Institutional Award.
Here are 2025 Peabody Award nominees that have a connection to music, comedy or entertainment. The capsule descriptions of each show are provided by the Peabody organization.
DOCUMENTARY
Any Other Way: The Jackie Shane Story (Crave; Bangers Films and the National Film Board of Canada)
“This film brings to life the powerful voice and legacy of Jackie Shane, a Black trans soul singer who vanished at the height of fame and now tells her story in her own works. Blending rare audio recordings, animated visuals, and family revelations, the film honors Shane’s trailblazing journey, celebrating her impact as an icon who lived authentically long before the world was ready.”
Queendom (A Galdanova Film Production in association with Sundance Institute Documentary Film Program, International Documentary Association, InMaat Productions, Doc Society and Sopka Films)
“Jenna, a 21-year-old queer artist from a remote Russian town, uses haunting, otherworldly performances in the streets of Moscow to protest LGBTQ+ oppression and challenge societal norms around beauty and identity. Documenting Jenna’s bold art and activism, this film offers a powerful, intimate look at resilience under repression.”
Stax: Soulsville U.S.A. (HBO | Max; HBO Documentary Films presents in association with Concord Originals, Polygram Entertainment, Warner Music Entertainment; A Laylow Pictures production; A White Horse Pictures production)
“This four-part documentary series traces the rise and fall of Stax Records, the groundbreaking Memphis-based, interracial, soul label that launched the careers of icons such as Otis Redding and Isaac Hayes. Through rare archival footage, intimate interviews, and an immersive sonic experience, the series offers an unflinching, deeply human portrait of artistic innovation, community resilience, and the enduring struggle for Black empowerment in America.”
Super/Man: The Christopher Reeve Story (HBO | Max; DC Studios / HBO Documentary Films / CNN Films)
“After a devastating accident left him paralyzed, Christopher Reeve became a powerful symbol of resilience, using his platform to inspire hope and advocate for disability rights. Throughout it all, he remained a passionate actor, filmmaker, and devoted family man, with his wife Dana as his unwavering support.”
Will & Harper (Netflix; A Netflix Documentary / A Wayfarer Studios Film / A Delirio Films Production / A Gloria Sanchez Production)
“Actor Will Ferrell and his longtime collaborator and friend Harper Steele take a road trip across America together, getting reacquainted after Harper’s midlife gender transition. They experience mixed reactions at different stops along the way as Will asks occasionally awkward questions and realizes the limits of his fame to combat prejudice, painting a realistically complex portrait of allyship.”
RADIO/PODCAST
The Good Whale (Serial Productions and The New York Times)
“Serial Productions and The New York Times tell the story of efforts to free the orca who played the title role in the film Free Willy from an amusement park in Mexico City. The epic experiment takes a number of unexpected turns, calling into question the practice of keeping animals in captivity—even, and maybe especially, celebrity animals.”
Pulse: The Untold Story (Trevor Aaronson, Western Sound, and Audible)
“In this Audible production, host Trevor Aaronson challenges the established narrative surrounding the Pulse nightclub shooting, revealing that it was not a premeditated anti-LGBTQIA+ hate crime, but rather an opportunistic act by shooter Omar Mateen—a shocking revelation that has received little coverage.”
CHILDREN/YOUTH
Out of My Mind (Disney+)
“This coming-of-age film, based on a 2010 novel by Sharon M. Draper, stars Phoebe-Ray Taylor as a sixth-grader with cerebral palsy facing the challenges of being in a mainstream class for the first time. Her thoughts are voiced by Jennifer Aniston, the non-verbal character’s favorite actress from Friends, and her family is played by Rosemarie DeWitt, Luke Kirby, and Judith Light.” (Big Beach, Participant, EveryWhere Studios LLC, and Disney Branded Television)
ENTERTAINMENT
Alex Edelman: Just For Us (HBO | Max)
“Comedian Alex Edelman presents his deeply personal solo show about identity, assimilation, and empathy, centered around his real-life experience attending a meeting of White Nationalists as a Jewish man. Over seven years, the show evolved through conversation, revision, and audience engagement, ultimately becoming a celebrated HBO special that resonated profoundly in a time of rising antisemitism and ideological division.” (HBO in association with Enfield Tennis Academy, Above Average, and Seaview Productions)
Baby Reindeer (Netflix)
“Baby Reindeer follows Donny, a troubled comedian entangled in a toxic relationship with a stalker, as he gradually unravels how his past has shaped his self-destructive behavior and relationships. At its core, the series explores how unaddressed trauma perpetuates cycles of harm, ultimately becoming a powerful and resonant meditation on healing, empathy, and the enduring impact of abuse.” (A Netflix Series / A Clerkenwell Films Production)
Clipped (FX/Hulu)
“This sports docudrama, created by Gina Welch, based on the ESPN 30 for 30 podcast The Sterling Affairs, tells the story of Los Angeles Clippers owner Donald Sterling’s downfall after his recorded racist remarks were publicized.” (FX Productions)
Fantasmas (HBO | Max)
“Created by and starring Julio Torres, Fantasmas is a surreal, genre-defying HBO comedy series that blends narrative and sketch to explore themes of alienation, queerness, and identity through a whimsical quest for a lost oyster earring in a dreamlike version of New York City. With its bold visual style, diverse cast, and deeply personal storytelling, the show stands as a singular testament to the value of unconventional, imaginative voices.” (HBO in association with Irony Point, Fruit Tree, 3 Arts Entertainment, and Space Prince Inc.)
Hacks (HBO | Max)
“Season 3 of Hacks explores the renewed dynamic between comedy legend Deborah Vance and young writer Ava Daniels as they reunite after a year apart, reigniting their creative spark just in time for Deborah’s shot at hosting Late Night. As Deborah fights to claim a long-denied dream and Ava learns to advocate for herself, the season becomes a powerful reflection on ambition, legacy, and the courage it takes—especially for women—to boldly ask for what they want.” (Universal Television, a division of Universal Studio Group, in association with Paulilu, First Thought Productions, Fremulon Productions, 3 Arts Entertainment)
Mr Bates vs The Post Office (PBS/MASTERPIECE)
“This four-part drama is based on the true story of U.K. sub-postmasters who were falsely accused of theft due to a faulty computer system, revealing one of the worst miscarriages of justice in British history. The series sparked nationwide outrage, led to real-world legal reform, and highlighted the extraordinary courage of ordinary people fighting back against institutional abuse.” (A Co-Production of ITV Studios, Little Gem, and MASTERPIECE for ITV)
One Hundred Years of Solitude (Netflix)
“One Hundred Years of Solitude follows José Arcadio Buendía and Úrsula Iguarán as they flee their village and found the mythical town of Macondo, where generations of their family grapple with love, madness, war, and a haunting curse in this stunning adaptation of Gabriel García Márquez’s 1967 masterpiece.” (Netflix / Dynamo)
Ramy Youssef: More Feelings (HBO | Max)
“In Ramy Youssef: More Feelings, the comedian reflects on the complexities of being a Muslim public figure in America, confronting issues of representation, Islamophobia, and the emotional toll of being expected to respond to global crises.” (HBO presents a Cairo Cowboy and A24 production)
Ripley (Netflix)
“Ripley follows a cunning grifter in 1960s New York who is hired to retrieve a wealthy man’s son from Italy, setting off a dark journey into deception, fraud, and murder. Based on Patricia Highsmith’s acclaimed novels, the limited series explores the chilling transformation of Tom Ripley as he manipulates his way through a life built on lies.” (Showtime and Endemol Shine North America in association with Entertainment 360 and Filmrights for Netflix)
Say Nothing (FX/Hulu)
“This FX limited series, adapted from Patrick Radden Keefe’s nonfiction book, traces the unsolved murder of Jean McConville and the brutal complexities of The Troubles in Northern Ireland. Through deeply human storytelling, the series transcends its historical setting to explore universal themes of violence, trauma, idealism, and the moral ambiguities of political conflict.” (FX Productions)
Shōgun (FX/Hulu)
“Creators Rachel Kondo and Justin Marks reimagine James Clavell’s classic tale through a modern lens, exploring what it means for two cultures to collide and transform one another with empathy and authenticity. By involving Japanese collaborators in every facet of production, they move beyond the “stranger in a strange land” trope to create a more inclusive, respectful, and culturally rich storytelling process that could serve as a new standard for global filmmaking.” (FX Productions)
We Are Lady Parts (Peacock)
“We Are Lady Parts is a bold, joyful comedy about an all-female Muslim punk band navigating identity, ambition, and sisterhood, blending sharp humor with themes of inclusivity and representation. In its second season, the series elevates its complexity, challenging cultural stereotypes with heart, humor, and killer music as the band experiences the pressures of success and navigates how to remain true to themselves while monetizing their art.” (Working Title Television, a part of Universal International Studios, a division of Universal Studio Group)