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Rosé makes it two records in as many weeks in Australia, where “APT.” retains top spot on the national singles chart.
Earlier, the New Zealand-born, Australia-raised BLACKPINK star ended Sabrina Carpenter’s reign on the ARIA Singles Chart, as “APT.” (via Atlantic/Warner), her collaboration with Bruno Mars, debuted at No. 1.
With that feat, Rosé (born Roseanne Park) became the first solo female K-pop star to top the tally, and just the second solo artist from South Korea to climb the chart ladder after PSY’s “Gangnam Style” spent six weeks on top back in 2012.
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“APT.” enters a second week at the summit of the ARIA Chart, marking the first time that a Korean solo artist or group has spent more than a week in the top spot since “Gangnam Style.” She’s the first solo female Korean artist to do so.
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Born in Auckland, and raised in Melbourne, Rosé relocated to South Korea aged 15, when the world of K-pop came calling. At her father’s suggestion, she auditioned for South Korean music company YG Entertainment. It was a shrewd move. The rest is music history.
Comprising Rosé, Jisoo, Jennie and Lisa, BLACKPINK is a record-smashing machine – here and everywhere. In 2022, BLACKPINK set the mark for the highest-debuting single by a K-pop group in ARIA Chart History when “Pink Venom” hit No. 1, beating the No. 2 start for BTS’ 2020 hit “Dynamite.”
BLACKPINK’s two studio albums, The Album (from 2020) and Born Pink (2022), both debuted and peaked at No. 2 on the Australian albums survey. In support of Born Pink, the pop group last year embarked on an east coast arena tour of Australia.
A reference to the Korean drinking game aparteu, or apartment in English, “APT.” is the first single from Rosé’s debut album Rosie, which is scheduled to drop on Dec. 6.
The cut bowed at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts, and opened at No. 4 on the Official U.K. Singles Chart, establishing a new record in the process.
BLACKPINK’s Rosé is crowned on Australia’s singles chart for the first time, a feat that etches her name in the history books.The New Zealand-born, Australia-raised superstar singer ends Sabrina Carpenter’s reign on the ARIA Single Chart, as “APT.” (via Atlantic/Warner), her collaboration with Bruno Mars, debuts at No. 1.With that, Rosé becomes the first solo female K-pop star to top the ARIA Chart. She’s just the second solo artist from South Korea to climb the chart ladder after PSY’s “Gangnam Style” spent six weeks on top back in 2012.
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Born in Auckland and raised in Melbourne, Rosé (born Roseanne Park) made the move to South Korea aged 15, when the world of K-pop came calling. At her father’s suggestion, she auditioned for South Korean music company YG Entertainment. It was a shrewd move. The rest is music history.BLACKPINK – comprising Rosé, Jisoo, Jennie and Lisa — smash records for fun. In 2022, BLACKPINK set the mark for the highest-debuting single by a K-pop group in ARIA Chart History when “Pink Venom” hit No. 1, beating the No. 2 start for BTS’ 2020 hit “Dynamite.”BLACKPINK’s two studio albums, The Album (from 2020) and Born Pink (2022), both debuted and peaked at No. 2 on the Australian albums survey. In support of Born Pink, the pop group last year embarked on an east coast arena tour of Australia. “APT.,” a reference to the Korean drinking game aparteu, or apartment in English, is the first single from Rosé’s debut album Rosie, which lands on Dec. 6. The track lands at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts, and arrived at No. 4 on the Official U.K. Singles Chart, setting a new record in the process.
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In the United States, “APT.” powers to No. 8 on the Billboard Hot 100. That too is a history-making achievement; Rosé becomes the first female solo artist prominent in K-pop (Korean pop) to hit the top 10.
Kylie Minogue, the queen of pop, is crowned on Australia’s albums chart with Tension II.
The new collection is Kylie’s ninth leader on the ARIA Chart, fifth in succession, and second in a year; its predecessor, Tension, logged one week at the summit in September 2023.
Tension II (via Mushroom Music) is the Melbourne-raised pop icon’s 17th studio album, and with its fast start on the chart, pushes Kylie to No. 9 on the list of acts with the most No. 1s in Australia, a tally that includes Light Years (from 2000), Fever (2001), X (2007), Kiss Me Once (2014), Golden (2018), Step Back In Time: The Definitive Collection (2019), Disco (2020) and Tension.
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She also has 10 No. 1 singles in Australia, from “Locomotion” in 1987 to “2 Hearts” in 2007, ARIA reports, and she’s on the brink of a 10th No. 1 on the Official U.K. Albums Chart.
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“It is so awesome to see Australia’s OG pop queen continuing to dominate globally and at home, bringing joy and disco into our lives,” comments ARIA CEO Annabelle Herd. “Huge congratulations to her and her team for such a phenomenal career, five consecutive No. 1 albums, and continuing to represent Australia on the world stage.”
Also new to the ARIA Chart, published Friday, Oct. 25, is Dean Lewis’ The Epilogue (Island/Universal), at No. 2. It’s a third top 10 for the triple ARIA Award winner, a tally that includes a No. 1in 2019 with A Place We Knew.
Meanwhile, New South Wales indie rock duo Skegss start at No. 4 with Pacific Highway Music (Concord/Universal), their third full-length album. Skegss now have four top 10s under their belts: 2015 EP 50 Push Ups For A Dollar peaked at No. 4; My Own Mess hit No. 2 in 2018, and 2021’s Rehearsal went all the way to No. 1.
ARIA Award winner Thelma Plum’s lands in the top 10 with I’m Sorry, Now Say It Back (Warner Music Australia), new at No. 7. It’s the Brisbane singer and songwriter’s followup to debut Better In Blak, which peaked at No. 4 in 2019.
Confidence Man impact the top 40 with 3AM (La La La) (via I Oh You/Mushroom), on which the Aussie electro-pop act takes a time-machine back to ’90s rave and clubland. 3AM (La La La) is new at No. 40.
It’s a Melbourne double on the ARIA Charts as Rosé opens at No. 1 on the singles tally with her Bruno Mars collaboration, “APT.” (via Atlantic/Warner). That’s a record-breaking feat, making Rosé the first solo female K-pop artist to lead the chart. She’s just the second solo K-pop singer to rule the ARIA Chart after PSY’s “Gangnam Style” spent six weeks at the top back in 2012.
Rosé was born in Auckland and raised in Melbourne, before making the move to South Korea, where she joined Blackpink and smashed records everywhere. In Australia, the foursome owns the highest-debuting single by a K-pop group in ARIA Chart history, when “Pink Venom” went to No. 1 in 2022.
The Brat summer is back.
Charli XCX bags her first No. 1 on Australia’s albums chart with Brat (via Atlantic/Warner), which powers home 16-1 following the release of the Brat And It’s Completely Different But Also Still Brat, the British producer and artist’s long-awaited remix album.
The new collection includes tracks reworked with the likes of The 1975, Jon Hopkins, Tinashe and Australasian stars Troye Sivan and Lorde.
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Previously, Brat peaked at No. 3 on the ARIA Chart earlier this year. Several tracks from it bounce up the singles chart, for the week starting Oct. 21, including former No. 1 “Guess” (with Billie Eilish), up from 22-16, “360” reenters at No. 43, and “Talk Talk” rebounds at No. 49. Also, Charli scores the highest new entry of the week with “Sympathy Is A Knife” debuting at No. 21; the version on the new album features Ariana Grande.
Charli XCX, who is the headliner for the 2025 Laneway Festival tour of Australia, tickets for which went on sale this week, knocks Sabrina Carpenter’s Short N’ Sweet (Island/Universal) off the chart summit after six non-consecutive weeks, down 1-2, while Rufus du Sol lands at No. 3 with Inhale / Exhale (Warner), the homegrown electronic music act’s fifth studio album.
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The trio has snagged a Grammy Award and four ARIAs; they’re nominated for four more at this year’s ceremony, set for Nov. 20 at Sydney’s Hordern Pavilion. To date, all of RDS’s albums have hit the top 3 in Australia: Atlas (2013), Bloom (2016) and Surrender (2021) went to No. 1, and Solace (2018) peaked at No. 2.
Close behind is American rockers The Offspring with Supercharged (Concord/Universal), new at No. 4. It’s The Offspring’s ninth Australian top 10 album, a tally that includes No. 1s with Smash (1994) and Americana (1998).
Though she’s finally shunted from the top of the ARIA Albums Chart, Sabrina Carpenter collects an eighth straight week at No. 1 on the singles survey with “Taste”.
Sabrina Carpenter does it again, as Short n’ Sweet holds at No. 1 for the sixth non-consecutive week on Australia’s chart. With that feat, Carpenter breaks the tie with Taylor Swift’s The Tortured Poets Department and Billie Eilish’s Hit Me Hard And Soft for the album with the longest reign on the ARIA Chart in […]
It’s another chart double for Sabrina Carpenter in the land Down Under, while Bring Me The Horizon and The Amity Affliction ensure the top end of the ARIA Albums Chart is heavier than usual.
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Carpenter’s Short n’ Sweet (via Island/Universal) holds at No. 1 on the latest tally, published Friday, Oct. 4, extending its chart reign to five non-consecutive weeks.
Meanwhile, Bring Me The Horizon’s Post Human: Nex Gen re-enters at a new peak of No. 2, following its release on physical format. That bests its No. 4 debut in May 2024.
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Chappell Roan’s seemingly unstoppable rise continues. The U.S. alternative pop diva completes the podium with The Rise And Fall Of A Midwest Princess, up 5-3 for its peak position
Close behind is Ed Sheeran’s first greatest hits album, +–=÷× (Tour Collection), new No. 4, for the superstar British singer and songwriter’s eighth top 10 album in these parts. All seven of his studio albums have hit No. 1 on the ARIA Chart.
Further down the list, Australian hardcore act The Amity Affliction opens at No. 7 with Let The Ocean Take Me (Redux), a rerecording of their 2014 album which logged a single week at No. 1, one of their five leaders (the others are Chasing Ghosts in 2012, Let The Ocean Take Me in 2014, This Could Be Heartbreak in 2016 and Misery in 2018.
Let The Ocean Take Me (Redux) is one of three homegrown debutants in the ARIA Top 40, a tally that includes Aussie hip-hop duo Posseshot with PS4: Operation Burner Rap (No. 21) and The Rions with Happiness In A Place It Shouldn’t Be (at No. 35).
There’s a noteworthy bump for Katy Perry’s 2010 hit album Teenage Dream: The Complete Confection, up 24-13 following the U.S. pop star’s performance at the AFL Grand Final. The collection led the chart for two weeks back in 2010.
Over on the ARIA Singles Chart, Carpenter’s “Taste” holds at No. 1 for a sixth consecutive week, tying with Benson Boone’s “Beautiful Things” as the longest running leader this year.
Finally, the highest new entry belongs to The Weeknd and Playboy Carti, with “Timeless”, new at No. 11. The Weeknd is currently in Australia on his rescheduled Hours Til Dawn stadium tour.
Produced by Live Nation, the trek has completed two dates at Melbourne’s Marvel Stadium (Oct. 5 and 6), and has two more to come at Sydney’s Accord Stadium, on Oct. 22 and Oct. 23.
Sabrina Carpenter love the taste of chart victory. The U.S. pop artist and actor leads Australia’s charts once more with “Taste” and Short n’ Sweet, respectively.
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When the ARIA Singles Chart was published late Friday, Sept. 27, “Taste” was on top for the fifth straight week, lifting her total number of weeks at No. 1 this year to eight – more than any other artist. The next best is Benson Boone, with six total weeks at the ARIA Chart summit, all clocked up by “Beautiful Things.”
With “Taste” in the lead, the podium is closed out by Lady Gaga and Bruno Mars’ “Die With A Smile” and Shaboozey’s “A Bar Song (Tipsy),” respectively.
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Over on the ARIA Albums Chart, Short n’ Sweet logs a fourth non-consecutive week at No. 1, ahead of Katy Perry’s new arrival 143, dropping in No. 2.
That’s Perry’s fifth top 10 album following Teenage Dream (No. 1 for two weeks in 2010), Prism (No. 1 for one week in 2013), Witness (No. 2 in 2017) and her recent LP Smile, which peaked at No. 2 in 2020.
Meanwhile, Keith Urban swings in with High, new at No. 3. The Aussie country star played a surprise gig in his hometown Brisbane, ahead of the release of High, his 11th studio effort. He’ll return in the second-half of 2025 for a major arena jaunt.
A six-time ARIA Award-winner, Urban previously hit No. 1 on the ARIA Chart with The Story So Far (in 2012), Fuse (2013), Ripcord (2016) and The Speed Of Now Part 1 (2020).
Also new to the top tier is homegrown indie band The Rubens, new No. 4 with SODA, their sixth album. SODA is the band’s fifth top 10 appearance after 2012’s self-titled debut (peaking at No.3), 2015’s Hoops (No. 2), 2018’s Lo La Ru (No. 3) and 2021’s 0202 (No. 1 for one week).
The Rubens have collected a brace of ARIA Awards, and in January 2016 won triple j’s Hottest 100 countdown with “Hoops.”
With eight nominations, Royel Otis is all set to reign at the 2024 ARIA Awards.
The Sydney-formed indie act bags nods for album of the year, best group, best independent release, best rock album, best Australian live act and more, following their debut full-length album release, Pratts & Pain, which peaked at No. 2 on the ARIA Chart.
Royel Otis has been in sparkling form heading into the ARIAs. Led by Royel Maddell and Otis Pavlovic, and developed by Ourness, the music company behind Genesis Owusu, Royel Otis made their debut on the Billboard Hot 100 with a cover of The Cranberries’ “Linger” reaching No. 94, and impacted Billboard’s Alternative Airplay chart with another cover, hitting No. 2 with their rendition of Sophie Ellis-Bextor’s “Murder On The Dancefloor,” which they covered for triple j’s Like A Version.
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They’ve accumulated 9 million followers on Spotify, and more than 318 million combined streams on the streaming platform in the past year. Royel Otis wrapped a tour of the U.K. and Europe last month, and their currently stateside on a trek that runs until Oct. 22.
At the ARIAs, EDM star Dom Dolla is close behind with six nominations, while Angie McMahon and Kylie Minogue score five nods each.
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Amy Shark, 3%, RÜFÜS DU SOL, The Kid LAROI, Tones And I and Troye Sivan each land four chances, while Confidence Man, FISHER, Mildlife, Miss Kaninna, SPEED and Troy Cassar-Daley are each finalists in three categories.
Awards in 29 categories will be presented Nov. 20 during a ceremony at Sydney’s Hordern Pavilion. On the night, Missy Higgins will be inducted into the ARIA Hall of Fame.
“This year,” comments ARIA CEO Annabelle Herd, “we get to celebrate a deep list of household names in Australian music that span all genres, highlighting the huge shift in positive momentum that the Australian music industry experienced this year. It’s a time to acknowledge those who are achieving amazing things, and spotlight those who are about to, to ensure we continue this momentum forward into 2025.”
The Australian recording industry’s flagship awards night will air live on Stan, with a special broadcast on free-to-air Channel 9. Also, performances and moments will stream globally at the official ARIA YouTube channel.
The ARIA Awards is supported by the NSW Government through its tourism and events agency, Destination NSW, and partnered by YouTube.
Visit aria.com.au for the full list of nominations.
2024 ARIA Awards Nominations
Album of the YearAmy Shark – Sunday Sadness (Sony Music)Angie McMahon – Light, Dark, Light Again [AWAL Recordings]Kylie Minogue – Tension [Mushroom Music/BMG]Royel Otis – PRATTS & PAIN [Ourness/Believe]Troye Sivan – Something to Give Each Other [EMI Music Australia]
Best Solo ArtistAmy Shark – Sunday Sadness (Sony Music)Angie McMahon – Light, Dark, Light Again [AWAL Recordings]Dom Dolla – Saving Up [Three Six Zero/Sony Music]Emma Donovan – Till My Song Is Done [Mushroom Music/BMG]Kylie Minogue – Tension [Mushroom Music/BMG]The Kid LAROI – THE FIRST TIME [DELUXE VERSION] [Columbia Records/Sony Music]Tkay Maidza – Sweet Justice [Dew Process/Universal Music Australia]Tones And I – Beautifully Ordinary [Bad Batch Records/Sony Music]Troy Cassar-Daley – Between The Fires [Tarampa Music/Sony Music]Troye Sivan – Something To Give Each Other [EMI Music Australia]
Best Group presented by Stan3% – KILL THE DEAD [1788 Records/Virgin Music Group]Hiatus Kaiyote – Love Heart Cheat Code [Brainfeeder/Inertia]Royel Otis – PRATTS & PAIN [Ourness/Believe]RÜFÜS DU SOL – Music is Better [Reprise Records/Warner Music Australia]SPEED – Only One Mode [Last Ride Records/ADA]
Michael Gudinski Breakthrough Artist3% – KILL THE DEAD [1788 Records/Virgin Music Group]Becca Hatch – MAYDAY [Forever Ever/SonyMusicKita Alexander – Young In Love [Warner Music Australia]Sycco – Zorb [Future Classic]Teen Jesus and the Jean Teasers – I Love You [Domestic La La]
Best Pop ReleaseAmy Shark – Sunday Sadness (Sony Music)Jessica Mauboy – Yours Forever (Warner Music Australia)Kylie Minogue – Tension (Mushroom Music/BMG)The Kid LAROI – Girls (Columbia Records/Sony Music)Troye Sivan – Something To Give Each Other (EMI Music Australia)
Best Dance / Electronic ReleaseConfidence Man – I CAN’T LOSE YOU (I OH YOU/Mushroom Music)CYRIL – Stumblin’ In (Spinnin’ Records/WMA)Dom Dolla – Saving Up (Three Six Zero/Sony Music)FISHER Feat. Kita Alexander – Atmosphere (etcetc Music)RÜFÜS DU SOL – Music is Better (Reprise Records/Warner Music Australia)
Best Hip Hop / Rap Release3% – KILL THE DEAD (1788 Records/Virgin Music Group)Kobie Dee – Chapter 26 (Bad Apples Music/Island Records Australia)Lithe – Fall Back (GSL/GYROstream)ONEFOUR – Natural Habitat (ONEFOUR RECORDS)The Kid LAROI – THE FIRST TIME [DELUXE VERSION] (Columbia Records/Sony Music)
Best Soul / R&B ReleaseForest Claudette – Jupiter (Sony Music)Milan Ring – Mangos (Astral People Recordings/[PIAS])Miss Kaninna – Blak Britney (Soul Has No Tempo)PANIA – WE STILL YOUNG (Say Less)Tkay Maidza – Sweet Justice (Dew Process/Universal Music Australia)
Best Independent Release presented by PPCAAngie McMahon – Light, Dark, Light Again (AWAL Recordings)Emily Wurramara – NARA (ABC Music/The Orchard)Kylie Minogue – Tension (Mushroom Music/BMG)Miss Kaninna – Blak Britney (Soul Has No Tempo)Royel Otis – PRATTS & PAIN (Ourness/Believe)
Best Rock AlbumAngie McMahon – Light, Dark, Light Again (AWAL Recordings)Grinspoon – whatever, whatever (Universal Music Australia)King Gizzard & The Lizard Wizard – Flight b741 (p(doom) records)Middle Kids – Faith Crisis Pt 1 (EMI Music Australia)Royel Otis – PRATTS & PAIN (Ourness/Believe)
Best Adult Contemporary AlbumAngus & Julia Stone – Cape Forestier (Sony Music)Crowded House – Gravity Stairs (BMG/ADA)Emily Wurramara – NARA (ABC Music/The Orchard)Emma Donovan – Til My Song Is Done (Civilians)Fanning Dempsey National Park – The Deluge (Dew Process/Universal Music Australia)
Best Country AlbumCasey Barnes – Mayday (Casey Barnes Entertainment/Chugg Music)Henry Wagons – The Four Seasons (Cheatin’ Hearts Records/ADA)James Johnston – Raised Like That (Warner Music Australia)Tori Forsyth – All We Have Is Who We Are (Island Records Australia/Universal Music Australia)Troy Cassar-Daley – Between The Fires (Tarampa Music/Sony Music)
Best Hard Rock / Heavy Metal AlbumC.O.F.F.I.N – Australia Stops (Damaged Records/Inertia)Dune Rats – If It Sucks, Turn It Up (BMG/ADA)Polaris – Fatalism (Resist/Civilians)SPEED – Only One Mode (Last Ride Records/ADA)Teenage Jones – The Rot That Grows Inside My Chest (Domestic La La)
Best Blues & Roots AlbumCheckerboard Lounge – SUN Sessions (Cheersquad Records and Tapes)Dope Lemon – Kimosabè (BMG/ADA)Georgia Mooney – Full Of Moon (Nettwerk Music Group)Mia Dyson – Tender Heart (Metropolitan Groove Merchants)The Paper Kites – At The Roundhouse (Wonderlick Recording Company)
Best Children’s AlbumBluey – Dance Mode! (Ludo Studios/Demon Demon Music Group/Rocket)Emma Memma – Twirly Tunes (GYROstream)Josh Pyke – It’s Gonna Be A Great, Great Day! (ABC Music/The Orchard)The Wiggles – Wiggle and Learn: 100 Educational Songs for Children (ABC Music/The Orchard)Zinzi & The Zillionaires – Zinzi & The Zillionaires (ABC Music/The Orchard)
PUBLIC VOTED AWARDSBest Video presented by YouTubeREAL LIFE LOVE – SPEED, Jack Rudder, Jem Siow, Thomas Elliot (Last Ride Records/ADA)Cold Treatment – Lime Cordiale, Jack Shepherd (Chugg Music/MGM)U Should Not Be Doing That – Amyl and The Sniffers, John Angus Stewart (Amyl and TheSniffers/Virgin Music Group)Time Of My Life – Peach PRC, Josh Harris (Island Records Australia)Lately – RÜFÜS DU SOL, Katzki (Rose Avenue Records/Warner Music)Beautiful Eyes – Amy Shark, Marcario De Souza (Sony Music)Is It Ever Gonna Make Sense – Budjerah, Michael O’Halloran [ONYX FILM] (Warner Music Australia)Dance With Me – Tones And I, Nick Kozakis and Sela Vai (Bad Batch Records/Sony Music)Blak Britney – Miss Kaninna, Will Hamilton-Coates (Soul Has No Tempo)I CAN’T LOSE YOU – Confidence Man, Zac Dov Wiesel (I OH YOU/Mushroom Music)
Best Australian Live Act presented by Destination NSWAngie McMahon – Making It Through Tour (AWAL Recordings)Barkaa – BARKAA (Bad Apples Music/Island Records Australia)Confidence Man – Laneway Festival (I OH YOU/Mushroom Music)Dirty Three – Love Changes Everything Tour (Anchor & Hope/Remote Control Records)Dom Dolla – DOM DOLLA AUSTRALIAN TOUR 2023 (Three Six Zero/Sony Music)King Stingray – Regional Run 2024 (Civilians/The Orchard)Missy Higgins – The Second Act Tour 2024 (Eleven/EMI Music Australia)Royel Otis – Royel Otis PRATTS & PAIN Tour (Ourness/Believe)RÜFÜS DU SOL – RÜFÜS DU SOL 2024 Australian Summer Tour Dates (Rose Avenue Records/WarnerMusic)Tones And I – P!nk Supported By Tones And I (Bad Batch Records/Sony Music)
Song of the Year presented by YouTubeCYRIL – Stumblin’ In (Spinnin’ Records/WMA)Dom Dolla – Saving Up (Three Six Zero/Sony Music)FISHER Feat. Kita Alexander – Atmosphere (etcetc Music)G Flip – The Worst Person Alive (Future Classic)Jessica Mauboy Feat. Jason Derulo – Give You Love (Warner Music Australia)Kylie Minogue – Tension (Mushroom Music/BMG)Lithe – Fall Back (GSL, GYROstream)Royel Otis – Murder on the Dance Floor – triple j Like A Version (ABC Music/The Orchard)The Kid LAROI – Nights Like This (Columbia Records/Sony Music)Troye Sivan – Got Me Started (EMI Music Australia)
Most Popular International ArtistAriana Grande – Eternal Sunshine (Republic Records/Universal Music Australia)Billie Eilish – Hit Me Hard And Soft (Darkroom/Interscope/Universal Music Australia)Chappell Roan – The Rise And Fall Of A Midwest Princess (Island Records USA/Universal MusicAustralia)Charli XCX – BRAT (Atlantic Records/Warner Music Australia)Drake – For All The Dogs (Republic Records/Universal Music Australia)Olivia Rodrigo – Guts (Geffen/Universal Music Australia)Tate McRae – Think Later (RCA Records/Sony Music Entertainment)Taylor Swift – The Tortured Poets Department (Republic Records/Universal Music Australia)Travis Scott – Utopia (Epic/Sony Music Entertainment)Zach Bryan – Zach Bryan (Warner Records/Warner Music Australia)
ARIA Music Teacher AwardCasey Allen – PLC Sydney, Eora Nation, NSWHayley Wedding – Seaview High School, Kaurna Land, SANathaniel Miller – Bulman School, Arnhem Land, NTSusan Sukkar – Petersham Public School, Eora Nation, NSW
ARTISAN AWARDSBest Cover ArtDaniel Boyd and Nomad Create for KILL THE DEAD – 3% (1788 Records/Virgin Music Group)Giulia McGauran & Sam Chirnside for Tones And I – Beautifully Ordinary (Better Batch Records/SonyMusic)Louis Leimbach for Lime Cordiale – Enough Of Sweet Talk (Chugg Music/MGM)Michael Bryers for Troy Cassar-Daley – Between The Fires (Tarampa Music/Sony Music)Tomas Shanahan for Mildlife – Chorus ([PIAS] Australia/Inertia Music)
Engineer – Best Engineered ReleaseChris Collins for Royel Otis – PRATTS & PAIN (Ourness/Believe)Dom Dolla for Dom Dolla – Saving Up (Three Six Zero/Sony Music)Eric J. Dubowsky for Angus & Julia Stone – Cape Forestier (Sony Music)Luke Steele, Nick Littlemore, Peter Mayes for Empire Of The Sun – Ask That God (EMI MusicAustralia)Tony Buchen for Mildlife – Chorus ([PIAS] Australia/Inertia Music)
Producer – Best Produced ReleaseChris Collins for Royel Otis – PRATTS & PAIN (Ourness/Believe)Crowded House & Steven Schram for Crowded House – Gravity Stairs (BMG/ADA)Dom Dolla for Dom Dolla – Saving Up (Three Six Zero/Sony Music)FISHER for FISHER Feat. Kita Alexander – Atmosphere (etcetc Music)Luke Steele, Nick Littlemore, Peter Mayes for Empire Of The Sun – Ask That God (EMI MusicAustralia)
FINE ARTS AWARDBest Classical AlbumAustralian Chamber Orchestra/ Richard Tognetti – Beethoven Symphonies 1, 2 & 3 ‘Eroica’ (ABCClassic/The Orchard)Grigoryan Brothers – Amistad – Music For Two Guitars (Decca Australia/UMA)Orava Quartet – ORAWA (Deutsche Grammophon Australia/UMA)Sophie Hutchings – A World Outside (Mercury KX/UMA)Veronique Serret – Migrating Bird (Migrating Bird Records/The Planet Company)
Best Jazz AlbumAudrey Powne – From The Fire (Barely Breaking Even/The Orchard)Elixir (feat. Katie Noonan, Zac Hurren & Ben Hauptmann) – A Small Shy Truth (ABC Jazz/TheOrchard)Mildlife – Chorus ([PIAS] Australia/Inertia Music)Tourismo – Torque (ABC Jazz/The Orchard)Vanessa Perica Orchestra – The Eye is the First Circle (Vanessa Perica)
Best Original Soundtrack or Musical Theatre Cast Album presented by StanAck Kinmonth – Scarygirl (Independant)Harlow – This is HARLOW (Music From Paper Dolls) (Helium/MGM)Helena Czakja – Nemesis (Original Series Soundtrack) (ABC Music/The Orchard)Jackson Milas – The Way, My Way (Ambition Records/MGM)Various Artists – Faraway Downs (DTS Productions/Sony Music)
Best World Music AlbumChristine Anu – Waku (ABC Music/The Orchard)Dobby – Warangu; River Story (ABC Music/The Orchard)Joseph Tawadros – The Virtue of Signals (Independant/The Planet Company)Radical Son – Bilambiyal (Wantok Musik/The Planet Company)Soweto Gospel Choir & Groove Terminator – History of House (Xelon Entertainment)
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Sabrina Carpenter enjoys a sweet return to No. 1 in Australia, and another chart double.
The U.S. pop singer and actor’s hit album Short n’ Sweet (Island/Universal) rebounds 2-1 on the ARIA Chart, published Friday, Sept. 20, for its third non-consecutive week at the summit.
Meanwhile, Eminem’s The Death of Slim Shady (Coup de Grâce) (via Interscope/Universal) blasts 48-2, following the release of the “Expanded Mourner’s” edition, featuring two new tracks and a new cut of “Fuel.” The LP logged two weeks at No. 1 in July.
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Closing out the top three on the latest ARIA Chart is Billie Eilish’s Hit Me Hard And Soft (Interscope/Universal), up 4-3, ahead of collections by Chappell Roan and the Weeknd, respectively.
The top debut on the latest frame belongs to Keshi, the Asian American artist and former oncology nurse, as Requiem (Island/Universal), his sophomore album, opens at No. 14. That’s a significant improvement on the No. 72 peak for his debut album from 2022, Gabriel.
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Aussie alternative rock newcomers Surf Trash ride the wave to No. 17 with their debut album The Only Place I Know (BLVE), the best-placed homegrown LP on the chart. Hailing from Lake Macquarie, New South Wales, the band is led by Andrew Scott (drums/ lead vocals), Lachlan Jackson (guitar), Patrick Russell (guitar) and Nick Scott (bass). U.K. and Europe tour dates will kick off in February 2025.
Over on the ARIA Singles Chart, Carpenter’s “Taste” retains top spot for a fourth consecutive week, ahead of Lady Gaga and Bruno Mars’ “Die With A Smile” (Warner/Universal) and Billie Eilish’s “Birds Of A Feather,” respectively.
According to ARIA, female artists have claimed No. 1 on the tally for seven straight weeks.
The top debut belongs to Canadian singer and songwriter Tate McRae with “It’s OK, I’m OK,” new at No. 14. McRae has landed top 10 hits in Australia with “You Broke Me First” (RCA/Sony), which hit No. 7 in 2020, and with 2023’s “Greedy,” which climbed as high as No. 2.
Finally, the Weeknd fires up with “Dancing In The Flames,” new at No. 19. “Dancing,” lifted from his forthcoming album, Hurry Up Tomorrow, is one of his 36 top 50 hits on the ARIA Chart, a tally that includes “Blinding Lights,” which reigned for 11 weeks in 2020 and finished the year as the best-selling single. The Canadian artist will embark on a stadium tour of Australia this October; his After Hours Til Dawn trek will visit Melbourne’s Marvel Stadium for two shows, and Sydney’s Accor Stadium for a pair of concerts.
Its Sabrina Carpenter for the win on Australia’s charts as Nick Cave and The Bad Seeds enjoy the top album debut.
Carpenter’s sixth studio album and first leader, Short n’ Sweet (via Island/Universal), extends its stay at the ARIA Chart summit for a second week, in doing so denying Nick Cave a homegrown leader with Wild God, new at No. 2.
It’s the alternative lock legends’ 14th ARIA top 10 album, and the followup to Ghosteen, which peaked at No. 2 in 2019. Nick Cave’s 2021 collaboration with Dirty Three leader Warren Ellis, Carnage, also reached No. 2.
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Cave has collected eight ARIA Awards for his solo or group work, took out top spot in 2013 with Push The Sky Away, and was inducted into the ARIA Hall of Fame in 2007. Wild God is Cave’s first release in these parts through a new deal with PIAS/Inertia.
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Billie Eilish completes the podium with Hit Me Hard And Soft (Interscope/Universal), up 4-3.
Oasis’s hyped 2025 reunion tour has been a hot story in Australia, where live dates have yet to be announced. That excitement spilled over with the 30th anniversary edition of the Britpop-era heavyweights’ debut album Definitely Maybe (Big Brother/Orchard), which enters the top 10 for the first time, at No. 10. Definitely Maybe peaked at No. 23 in 1994, according to ARIA.
Meanwhile, the Manchester rockers’ sophomore album from 1995, (What’s The Story) Morning Glory?, blasts back into the top 40, flying 71-27.
Oasis has impacted the ARIA Albums Chart Top 50 with nine titles, including a five-week stretch at No. 1 in 1996 for Morning Glory and for one week in 1997 with Be Here Now. Their last studio album, 2008’s Dig Out Your Soul, peaked at No. 5 in Australia.
Carpenter completes the chart double as “Taste” reigns for a second week on the ARIA Singles Chart, published Friday, Sept. 6. “Espresso,” meanwhile, stays hot at No. 2; “Please Please Please” is at No. 4, and Carpenters lands a fourth top 10 on the latest frame, as “Bed Chem” improves 11-10.
With the chart-topping successes of “Espresso,” “Please Please Please” and “Taste,” the U.S. singer and actor has logged five total weeks at No. 1 so far in 2024, more than any other female artist.