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Aria

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Taylor Swift is the queen of Christmas in Australia as 1989 (Taylor’s Version) retains the chart title for an eighth consecutive week.
With that feat, 1989 (Taylor’s Version) (via Universal) is the longest running No. 1 album of 2023, outpointing Swift’s own Midnights, which led for seven non-consecutive weeks between January and July, ARIA reports.

Swift completed unprecedented sweeps on the ARIA Albums Chart during the year, and doubled up on both main tallies. The U.S. pop star’s sales and streaming action should reach fever pitch in February 2024 when Swift’s The Eras Tour visits Australia for seven sold-out stadium shows, produced by Frontier Touring.

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Meanwhile, Australian alternative rock favorites Violent Soho return to the ARIA Chart at No. 2 with Hungry Ghost (I Oh You/Universal), their third album. The LP roars up the survey thanks to a 10th anniversary reissue, which eclipses its previous peak of No. 6, during a run when Hungry Ghost logged more than a year in the top 50. Violent Soho, which announced an indefinite hiatus in 2022, has reigned over the ARIA Albums Chart twice: with 2016’s Waco and 2020’s Everything Is A-OK.

Completing Australia’s albums chart podium is Swift’s Midnights, up 4-3; while Michael Bublé’s double-diamond certified Christmas (Reprise/Warner) shines on the national tally, up 8-4. Christmas first hit No. 1 in 2011 and logged 15 weeks at the summit, across six stints, ARIA reports.

Over on the ARIA Singles Chart, Jack Harlow’s “Lovin On Me” (Atlantic/Warner) completes a sixth-straight week at No. 1, handing the Louisville rapper honors as the first new artist in six years to reign over Australia’s chart during the week of Christmas.

With Harlow’s hit getting all the love, Mariah Carey’s “All I Want For Christmas Is You” (Columbia/Sony) is denied a sixth consecutive Christmas No. 1; it’s up 3-2 on the ARIA Chart, published Friday, Dec. 22, ahead of Tate McRae’s “Greedy” (down 2-3 via RCA/Sony), Wham’s “Last Christmas” (up 5-4 via Sony) and Brenda Lee’s “Rockin’ Around The Christmas Tree” (up 9-5 via Warner/Universal), respectively.

Taylor Swift enters the home straight of 2023 in a familiar place – at No. 1 on Australia’s albums chart.
The most popular artist of the year on Spotify, TayTay enters a fifth week atop the ARIA Chart with 1989 (Taylor’s Version) (via Universal), and completes a “Swift Sweep” of the top four with Midnights (up 5-2), Folklore (up 6-3) and Lover (up 10-4), respectively. Swift collects two more top 10 appearances, as Speak Now (Taylor’s Version) climbs 15-8 and Reputation lifts 12-9.

At times this year, Swift has dominated the tally like no one else. In July, she completed an unprecedented sweep of the top 5. The following week, she replaced herself at No. 1, becoming the first artist to do so since the ARIA Charts began in 1983.

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Christmas is nearly upon us, proof of which can be seen on the ARIA Charts. A raft of Christmas-themed albums storm the tallies, including Jimmy Barnes’ Blue Christmas (reentering at No. 14 via Bloodlines/ Universal), Michael Buble’s two-time diamond certified Christmas (up 92-45 via Reprise/Warner) and Mariah Carey’s Merry Christmas (Columbia/Sony) enters at No. 74.

Over on the ARIA Singles Chart, Carey’s “All I Want For Christmas Is You” returns at No. 15. The modern yuletide favorite peaked at No. 2 following its release in 1994, and finally went to No. 1 in 2018 — returning to the summit Christmas every year since for a total of seven combined weeks, ARIA reports.

Also marching into the ARIA Chart, published Friday, Dec. 1, is Wham’s “Last Christmas” (Sony), reentering at No. 30, and Brenda Lee’s “Rockin’ Around The Christmas Tree” (Warner/Universal) returns at No. 42.

At the pointy end of the ARIA Singles Chart, is Jack Harlow’s “Lovin On Me” (Atlantic/Warner), now in its third week at the top, marking the Louisville rapper’s longest-running leader in Australia.

Finally, Ocean Alley’s “Confidence” continues to flow, after the 2018 release went viral on TikTok. “Confidence” returned to the top 40 last week at No. 40, and rises to No. 16. Now, more than five years after its release, “Confidence” is the best-seller on the Australian Singles Chart. Independently-released, with distribution through the Orchard, “Confidence” originally peaked at No. 9 on the ARIA Chart and went on to win triple j’s Hottest 100 countdown in January 2019.

Taylor Swift makes it a full month at No. 1 in Australia with 1989 (Taylor’s Version) (via Universal), now the longest reigning of her four re-recorded albums.
Swift’s latest hit LP holds off Stray Kids’ Rock-Star (Ing/Universal), unchanged at No. 2, while homegrown rapper Chillinit bags the highest score of the week with his mixtape 420DNA (Virgin Music Australia/ Universal), new at No. 3. The Sydney artist (real name: Blake Turnell) adds to his collection of top 10 appearances on the ARIA Albums Chart, which includes The Octagon (No. 2 peak in 2020), Full Circle (No. 3 also in 2020) and Family Ties (No. 5 in 2021).

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Drake’s For All The Dogs (Republic/Universal) vaults 21-4 on the latest ARIA Chart, published Friday, Nov. 24, following the release of the Scary Hours edition, which gathers six additional tracks. The original release of For All The Dogs collected a single week at No. 1 in Australia last month, for his fifth leader.

Following two sold-out shows at Perth’s Optus Stadium, Coldplay enjoys a chart spike for Live In Buenos Aires (Parlophone/Warner), soaring 43-7, for a new peak. Released in 2018, the live album had a previous best of No. 18. Coldplay will return to Australia in 2024 for five shows across Australia and New Zealand, with dates confirmed at Melbourne’s Marvel Stadium (Oct. 30 and 31), Sydney’s Accord Stadium (Nov. 6 and 7) and Auckland’s Eden Park (Nov.13), for their first tour here since 2016. Live Nation Australia is producing the swing Down Under, with PinkPantheress and Emmanuel Kelly in support.

Dolly Parton played a part in the 2023 ARIA Awards celebrations on Nov. 15, where the country icon virtually presented the best country album award to Fanny Lumsden. Parton has her own party on the ARIA Chart this week, as Rockstar (Big Machine/Universal) debuts at No. 16. The collaboration-stacked set becomes her 15th top 50 album in Australia, ARIA reports, a feat that stretches back to 1979 when Great Balls Of Fire peaked at No. 48. Parton has two top 10s, with a best of No. 7 for 2014’s Blue Smoke.

Over on the ARIA Singles Chart, Jack Harlow retains top spot for a second week with “Lovin On Me” (Atlantic/Warner), equaling the two-week stint at No. 1 for “First Class,” from 2022. “Lovin On Me” leads an unchanged top 3, ahead of Tate McRae’s “Greedy” (RCA/Sony) and Doja Cat’s “Paint the Town Red” (RCA/Sony), respectively.

Tate McRae, the Canadian singer and songwriter, enjoys a third ARIA Chart hit with “Exes.” It’s new at No. 15, for the highest debut on the latest frame.

Further down the tally, Olivia Rodrigo lands another top 40 with “Can’t Catch Me Now” (Geffen/Universal), new at No. 29. “Can’t Catch Me Now” appears in the latest film in The Hunger Games franchise.

And finally, Ocean Alley’s 2018 single “Confidence” (The Orchard) returns to the top 40 after one-time Triple J Hottest 100 winner went viral on TikTok. “Confidence,” which won the national triple j countdown in January 2019, reenters at No. 40. The chilled-out tune has been used more than 51,000 times on TikTok, and got a bump when Ocean Alley jumped in on the trend themselves, posting a video that’s chalked up more than 7.6 million views. It’s one of six Australian-made cuts in the ARIA top 50.

Jack Harlow is lovin life at the top of Australia’s singles chart.
With “Lovin on Me” (Atlantic/Warner), the Louisville rapper debuts at No. 1 on the ARIA Singles Chart, published Friday, Nov. 17, for his fifth top 10 on the national chart, and second leader after “First Class” logged two weeks at the top last year.

Harlow holds off Tate McRae’s “Greedy” (up 3-2 via RCA/Sony) and Doja Cat’s “Paint The Town Red” (down 2-3 via RCA/Sony), while a pair of Taylor Swift songs complete the top 5, “Is It Over Now? (Taylor’s Version) [From The Vault]” and “Cruel Summer” (both via Universal), respectively.

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Also new to the top frame this week is Dua Lipa’s “Houdini” (Atlantic/Warner), which performs its magic trick by appearing at No. 7.

“Houdini” becomes the U.K. pop star’s 11th top 10 single in Australia, a growing collection that includes her contribution to Elton John’s “Cold Heart,” remixed by PNAU, which reigned for 10 weeks in 2021 and 2022. Tame Impala honcho Kevin Parker is credited as a producer on “Houdini,” which will appear on Lipa’s forthcoming third studio album.

Over on the ARIA Albums Chart, Taylor Swift locks on for a third week at No. 1 with 1989 (Taylor’s Version), which places ahead of two debutants.

Stray Kids roll in at No. 2 with Rock-Star (ING/Universal), the K-pop outfit’s fifth charting LP or EP in Australia. Rock-Star matches the No. 2 peak for Stray Kids’ 5-Star from earlier in 2023.

Close behind is The Kid Laroi, whose first solo LP The First Time (Columbia/Sony) arrives at No. 3 on the Australian tally. Born and raised in inner-city Sydney, Laroi (real name Charlton Howard) ruled the ARIA Chart in 2021 for a single week with his mixtape F*ck Love (Savage). The Kid is coming home next year for his first stadium tour on home soil, presented by TEG Live and announced earlier this week.

The Beatles’ revolution is in full swing, as 1967-1970 (The Blue Album) (Capitol/Universal) returns to the top 10, at No. 8, matching its original peak position from 1973. 1967-1970 (The Blue Album) includes the Fab Four’s “last” song, “Now And Then,” which bowed at No. 6 on the Australian chart last week. Further down the fresh list, the Beatles’ 1962-1966 (The Red Album) returns at No. 15.

It’s Taylor Swift‘s week, again, on Australia‘s charts as Jung Kook arrives at No. 2 with Golden (via ING/Universal), the BTS star’s debut solo album.
That result matches the record for the highest solo debut LP from a Korean artist in Australia, equaling the effort from his BTS bandmate Suga (aka Agust D), who started at No. 2 on the ARIA Chart with his D-2 mixtape in 2020.

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Golden carries previously-released collaborations with 3D and Seven and the new single “Standing Next To You,” new at No. 33 on the latest ARIA Chart.

As a member of BTS, Jung Kook has led the ARIA Albums Chart on three occasions: with Map Of The Soul: Persona (from 2019), Map Of The Soul: 7 (2020) and Proof (2022).

At the top of the ARIA Albums Chart, published Friday, Nov. 10 is Taylor Swift’s 1989 (Taylor’s Version) (via Universal), now entering its second consecutive week at No. 1.

Completing the top 3 on the national albums tally is another Swift hit, Midnights, up lifts 4-3 in its 55th week. There’s no denying her domination of the charts, as Swift logs five of the top 10 albums and nine of the top 40. Over on the singles survey, Swift’s “Is It Over Now? (Taylor’s Version) (From The Vault)” is unmoved from No. 1. According to ARIA, the U.S. pop superstar has accumulated 24 total weeks at No. 1, across 10 songs, starting with 2008’s “Love Story”.

Swift will perform seven dates across two Australian cities early next year on the Australian leg of her The Eras Tour, produced by Frontier Touring.

Finally, the “last” Beatles song “Now And Then” (Capitol/Universal) debuts at No. 6 on the ARIA Singles Chart.

The track began life as a demo written and sung by John Lennon, was later developed and worked on by Paul McCartney, George Harrison and Ringo Starr, and now completed by Paul and Ringo (and some help from artificial intelligence), more than 40 years after the group began work on it.

A rough mix for “Now And Then” was recorded with producer Jeff Lynne back in 1994, but was ultimately shelved because Lennon’s vocals and piano couldn’t be uncoupled from the recording. Two unearthed demos were completed at the time and released as part of the Beatles’ Anthology project, “Free As A Bird” and “Real Love.” The second of those, “Real Love,” hit No. 6 back in 1996, and was the Beatles’ last top 50 single in Australia until now, ARIA reports.

The Beatles have 26 No. 1s in Australia, from 1962 to 1970 when the Fab Four officially split (that run includes a stretch of 14 consecutive leaders from 1966-1970). Elvis Presley is second on the all-time list of leaders with 14.

The Beatles also own the record for most weeks at No. 1 on the ARIA Singles Chart, at 130 weeks.

It’s Taylor Swift week on Australia’s charts, as the U.S. pop star completes a double and floods the top deck of the national singles tally.
As expected, 1989 (Taylor’s Version) (via Universal) flies to No. 1 on the ARIA Albums Chart, published Friday, Nov. 3, for Swift’s 12th career leader in the land Down Under, while “Is It Over Now?” debuts at the pinnacle of the singles survey.

Remarkably, 1989 (Taylor’s Version) is her third No. 1 for 2023, following Midnights, which reigned for seven non-consecutive weeks earlier this year (after clocking seven weeks at the top in 2022) and Speak Now (Taylor’s Version), which checked-in at the penthouse for two weeks in July.

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Although ARIA doesn’t publish the combined sales, the trade body reports 1989 (Taylor’s Version) accumulates the biggest sales week ever for Swift on the ARIA Albums Chart, the top opening week for any new album since 2017, and a record-setting first week for a vinyl album.

All four of Swift’s rerecorded LPs have led the national chart. Two more are to come.

With her latest feat, Taylor levels-up with Madonna in third place on the all-time list of acts with the most No. 1 albums in Australia. Jimmy Barnes leads that list with 15 as a solo act (he had another five with Cold Chisel), with the Beatles in second place with 14.

TayTay’s 12 leaders include the original version of 1989, which reigned for four weeks in 2014 and another five weeks in 2015.

With its fast debut, “Is It Over Now? (Taylor’s Version) (From The Vault)” becomes Swift’s 10th No. 1 on the ARIA Singles Chart, a list that’s dominated by tracks from the new album. Eight of the top 10 are from Swift, including a top four sweep.

Swift will repay her fans in February 2024 when she plays seven stadium shows in Australia, on her The Eras Tour, produced by Frontier Touring (three at the Melbourne Cricket Ground, four at Sydney’s Accor Stadium).

Across her career, the pop star has spent 23 weeks at No. 1 on the ARIA Singles Chart, the trade body reports, drawing level with “You’re The Voice” singer John Farnham.

The Beatles lead that list, with 130 weeks, ahead of Elvis Presley (61 weeks) and Justin Bieber (48 weeks). With “Now And Then,” which arrived Thursday, Nov. 2, the Beatles could extend that lead when the next chart is published.

Meanwhile, prolific Australian alternative rock act King Gizzard & The Lizard Wizard earn their second top 10 of the year with The Silver Cord (KGLW/Universal), new at No. 5 on the ARIA Albums Chart. King Gizzard are nominated for four categories in the 2023 ARIA Awards, set for Nov. 15 in Sydney.

Close behind is Australian singer and songwriter Angie McMahon’s Light, Dark, Light Again (AWAL). It’s new at No. 6. Light, Dark, Light Again is McMahon’s second album, and the followup to Salt, which peaked at No. 5 in 2019. McMahon was Billboard’s Indie Artist of the Month for October.

The Rolling Stones roll all the way to the top of Australia’s albums chart with Hackney Diamonds (Polydor/Universal), for their eighth leader.
Hackney Diamonds debuts at No. 1 on the ARIA Chart, published Friday, Oct. 27, the legendary British rock band’s 34th top 10 title.

Featuring collaborations with Lady Gaga, Elton John Stevie Wonder and Paul McCartney, and contributions from former bass player Bill Wyman and the group’s late drummer Charlie Watts, Hackney Diamonds is the Stones’ first album of original material since A Bigger Bang, which blasted to No. 4 in 2005. Since then, the Stones have clocked up two more leaders in Australia, with hits collection GRRR! in 2012, and covers set Blue & Lonesome in 2016.

Mick Jagger and Co. first led the national chart back in 1964 with their debut, self-titled album.

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The reunited Blink-182 bows at No. 2 on the ARIA Chart with One More Time… (Columbia/Sony), for the pop-rock trio’s ninth top 10 in the land Down Under. One More Time… marks the return of the classic line-up, with guitarist and singer Tom DeLonge slotting back in alongside bass player and vocalist Mark Hoppus, and drummer Travis Barker.

Blink-182 has now led the ARIA Chart on four occasions, including Take Off Your Pants and Jacket (2001), Neighborhoods (2011) and California (2016). One More Time… is the band’s first studio album since 2019’s Nine, which featured Alkaline Trio’s Matt Skiba in place of DeLonge, and which peaked at No. 4.

Olivia Rodrigo’s former leader Guts (Geffen/Universal) closes out the top 3 on the latest tally, holding at No. 3, ahead of LPs from Drake (For All The Dogs down 2-4 via Republic/Universal) and Taylor Swift (Midnights up 6-5 via Universal), respectively.

Over on the ARIA Singles Chart, Doja Cat’s “Paint The Town Red” (via RCA/Sony) retains top spot for the 10th consecutive week. According to ARIA, it’s the 27th single to log 10 or more weeks at the top, a list that’s led by Tones And I’s “Dance Monkey” with 24 non-consecutive weeks. Also, Doja is the sixth solo female act to clock double-figure weeks at No. 1, joining Tones, Dinah Shore (13 weeks with “Buttons And Bows” in 1949), Miley Cyrus (12 weeks with “Flowers” earlier this year), Whitney Houston (10 weeks in 1992-93 with “I Will Always Love You”) and Sandi Thom (10 weeks in 2006 with “I Wish I Was A Punk Rocker”).

It’s worth noting, the Spice Girls reigned over the national tally for 11 weeks in 1996-97 with their signature song “Wannabe,” and Elton John’s record-breaking “Cold Heart” with Dua Lipa, remixed by Aussie electronic act Pnau, spent 10 weeks at the summit in 2021-22.

The latest singles chart podium is completed by Taylor Swift’s “Cruel Summer” (Universal), up 3-2 for a new peak position in its 21st week on the survey, and Tate McRae’s “Greedy” (RCA/Sony), down 2-3.

The top new release this week belongs to Sydney-raised singer and rapper The Kid LAROI with “Too Much” (Columbia/Sony), featuring BTS‘ Jung Kook and Central Cee. It’s new at No. 10 for LAROI’s seventh top 10 single in Australia, the third top 10 for British rapper Central Cee (including a seven-week stretch at No. 1 with Dave on “Sprinter” earlier this year), and the third top tier title for South Korean singer Jung Kook.

The Los Angeles-based LAROI ruled the chart for a week in 2021 with “Without You” and again with “Stay,” his monster hit with Justin Bieber, which owned top spot for 17 weeks in 2021-22.

Troye Sivan long-overdue return to music with Something To Give Each Other (EMI), his third studio album, is an instant success in his homeland.
Something To Give Each Other starts at No. 1 on the ARIA Chart, published Friday, Oct. 20, for his first leader. That result eclipses the No. 6 peak for Sivan’s debut LP from 2015, Blue Neighbourhood, and the No. 3 best for 2018’s sophomore effort Bloom.

At the same time, several singles from Something To Give Each Other are heading north on the ARIA Singles Chart, with the gold-accredited “Rush” up 43-26, “Got Me Started” lifting 45-27, and “One Of Your Girls” bowing at No. 28.

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Sivan won two ARIA Awards earlier in his career, and has six more chances to add to his collection at the 2023 ARIAs, set to be held Nov. 15 in Sydney.

“Troye Sivan is truly a once-in-a-generation artist, representing Australia on a truly global scale, with 22 billion streams worldwide and a career that’s pushed boundaries across music, screen and fashion,” comments ARIA CEO Annabelle Herd. “On behalf of ARIA, I am absolutely thrilled to congratulate him on his first No. 1 album at home, and can’t wait to celebrate at the ARIA Awards in a few weeks.”

The albums podium is completed by Drake’s For All The Dogs (down 2-1 via Republic/Universal) and Olivia Rodrigo’s Guts (down 2-3 via Geffen/Universal), while The Living End’s eponymously-titled debut full length album returns to the chart at No. 4, thanks to a 25th anniversary edition released through BMG/ADA. The Living End originally logged two weeks at No. 1 following its release in 1998.

Further down the latest list, South Korean boyband Tomorrow x Together’s The Name Chapter: Freefall (ING) arrives at No. 31. It’s the K-pop outfit’s first top 100 album in Australia, ARIA reports.

There’s no change at the top of that national singles tally as Doja Cat’s “Paint The Town Red” (RCA/Sony) enters week nine at No. 1. That breaks the tie with Morgan Wallen’s “Last Night” for the second longest-reigning leader of 2023. At the top of that particular list is Miley Cyrus’ “Flowers,” at 12 weeks.

There’s a double result for U.S. country artist Zach Bryan as “I Remember Everything” (Universal/Warner) with Kacey Musgraves lifts 7-6 and his solo number “Something In The Orange” (Warner) cracks the top 10 for the first time in 66 weeks on the tally, up 11-8.

Finally, South African artist Tyla impacts the ARIA top 10 for the first time with “Water” (Sony) flowing 20-9. The Afrobeats artist’s breakout number recently broke into the U.K. top 10.

Drake collars Australia’s albums chart as For All The Dogs (via Republic/Universal) bows to No. 1.
For All The Dogs starts at the summit of the new ARIA Chart, published Friday, Oct. 13, for Drizzy’s fifth No. 1 Down Under, following Views (2016), Scorpion (2018), Dark Lane Demo Tapes (2020) and Certified Lover Boy (2021).

Lead single “Slime You Out” featuring SZA peaked at No. 12 in September, and vaults on the latest singles chart, up 65-13. It’s one of 20 For All The Dogs tracks which impact the top 100 of the national singles survey, including three in the top 10, led by “First Person Shooter” featuring J. Cole at No. 4.

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Meanwhile, Olivia Rodrigo‘s sophomore set Guts (Geffen/Universal) is unchanged at No. 2 on the ARIA Albums Chart.

Also new to the top 10 is Aussie rock outfit The Screaming Jets, with their ninth studio album, Professional Misconduct (Independent). It’s new at No. 3, for the band’s fifth top 10 appearance following All For One (No. 2 in 1991), Tear Of Thought (No. 3 in 1992), The Screaming Jets (No. 5 in 1995) and All For One 30th Anniversary Edition (No. 4 in 2021). The latest album includes contributions from founding bass player Paul Woseen, who died Sept. 15 at the age of 56.

ARIA Hall of Fame-inducted singer Russell Morris lands at No. 5 with The Real Thing: Symphonic Concert (MGM), recorded in Melbourne in July with the 54-piece Southern Cross Symphony and his 10-piece band. The “Real Thing” singer has released 15 studio albums, three live albums and six compilations since launching his recording career in 1969. Morris set a career high in 2014 when Van Diemen’s Land peaked at No. 4.

Close behind on the fresh ARIA Chart is Teen Jesus and the Jean Teasers, who enjoy a top tier start with I Love You (Domestic La La), the Canberra four-piece pop-punk band’s debut LP. It’s new at No. 6.

Also crashing the top 10 is NCT Dream’s Fact Check (Virgin Music Australia/Universal), the fourth studio album from the sub-unit of South Korean boyband NCT. It’s new at No. 9. The pop group hit No. 20 in August of this year with ISTJ – The 3rd Album, while another NCT sub-unit, NCT 127, has charted here twice, with a best of No. 3 for 2 Baddies from 2022, ARIA reports.

Over on the ARIA Singles Chart, Doja Cat’s “Paint The Town Red” (RCA/Sony) enters an eighth week at No. 1, respectively beating Tate McRae’s “Greedy” (RCA/Sony) and Kenya Grace’s “Strangers” (Warner) to the line. “Paint The Town Red” ties with Morgan Wallen’s “Last Night” for the second longest-running leader of 2023, behind only Miley Cyrus’ “Flowers” at 12 weeks.

Finally, BLACKPINK star Jennie lands at No. 69 on the ARIA Chart with “You & Me” (YG Entertainment/ Interscope Records), for her first solo appearance on the Australian singles tally.

It’s Ed Sheeran season on Australia’s albums chart as Autumn Variations (via Gingerbread Man) debuts at No. 1.
Produced by the National’s Aaron Dessner, Autumn Variations is Sheeran’s second leader on the ARIA Chart in 2023, and his seventh in total – all consecutive. Autumn Variations follows + ( plus from 2012), X (multiply from 2014), ÷ (divide from 2017), No. 6 Collaborations Project (2019), = (equals from 2019) and – (subtract from 2023) in hurtling all the way to the top.

Australians have adopted Sheeran like one of their own. Earlier this year, the British singer and songwriter completed another lap of stadiums in these parts – and broke several more records – for his Mathematics Tour.

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When the “Shape Of You” singer last toured Australia, in 2018, also with Frontier Touring, he shifted more than 1 million tickets, a feat that wiped Dire Straits’ record for a single trek (950,000) that had stood for since the 1980s.

On the latest ARIA Albums Chart, the podium is completed by Olivia Rodrigo’s Guts (at No. 2 via Geffen/Universal) and the Weeknd’s The Highlights (at No. 3 via Universal), both unmoved from the previous week.

Meanwhile, U.S. pop-rock outfit Lany makes its first appearance on the ARIA Top 50 with A Beautiful Blur (Virgin/Universal), new at No. 4. That result crushes Lany’s previous best result, No. 53 for their 2017 self-titled debut LP.

Country music has been hot on Australia’s charts this year, and homegrown singer James Johnston gets in on the action with Raised Like That (Ditto Music), his debut album. Raised Like That starts at No. 7 on the ARIA Albums Chart, published Oct. 6. Its title track dropped in 2021 and became the fastest-ever debut single by an Australian country singer to reach one million streams, ARIA reports.

Also new to the top tier is Kimosabè, the fourth studio album by Angus Stone’s Dope Lemon project. It’s new at No. 9, and follows Rose Pink Cadillac (No. 2 in 2022), Smooth Big Cat (No. 2 in 2019) and Honey Bones (No. 11 in 2016). As a member of sibling duo Angus & Julia Stone, he claimed No. 1s with Down The Way in 2010 and Angus & Julia Stone in 2014, and, as a solo artist, reached No. 2 with 2012’s Broken Brights.

On Thursday Oct. 5, BMG announced it had acquired the Dope Lemon recordings catalog from Stone, in a deal that included those three earlier album and the 2017 EP Hounds Tooth. BMG released Kimosabè through a new recording deal.

Last week’s leader, Kylie Minogue‘s 16th studio album Tension (Liberator Music/BMG), tumbles 1-10.

Over on the ARIA Singles Chart, Doja Cat’s “Paint The Town Red” (RCA/Sony) enters a seventh week at No. 1, ahead of Tate McRae’s “Greedy” (up 3-2 for a new peak via RCA/Sony), and Kenya Grace’s “Strangers” (down 3-2 via Warner).

“Paint The Town Red” moves up the list of longest-reigning No. 1 tracks this year. Doja’s hit draws level with Dave and Central Cee’s “Sprinter” for third on a tally that’s led by Miley Cyrus’ “Flowers” (12 weeks), and Morgan Wallen’s “Last Night” (eight weeks).

Finally, BTS’ Jung Kook has the top debut on Australia’s singles chart this week with “3D” (Warner/Universal) featuring Jack Harlow. It’s new at No. 7. The K-pop star’s “Seven” featuring Latto peaked at No. 2 earlier this year, and impacts the top 40, holding at No. 38. Harlow now has a fourth top 10 in Australia, a list that includes “What’s Poppin” (No. 8 in 2020), “Industry Baby” with Lil Nas X (No. 4 in 2021) and “First Class,” which flew all the way to No. 1 for a two-week stint in 2022.