State Champ Radio amapiano
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It’s come to the end of May, which can only mean one thing: Summertime has arrived. And with it, we have a new crop of songs by a slew of African artists that are set to dominate playlists across several continents for the next few months.
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Whether it’s amapiano, Afropop, R&B, neo-soul, highlife or just uncategorizably beautiful music, there’s more that’s come out this month that we could include here. But to try to help you cut through that flood of feel-good vibes, there are a few songs that have particularly caught our ears — by the likes of Teni, Tyla & Ayra Starr, Asake & Olamide, Kizz Daniel, Kwesi Arthur and Oxlade & Flavour.
We’ve highlighted 10 of our favorite new Afrobeats (and related) songs that have come out roughly within the last month. Check out our latest Fresh Picks, and catch a vibe with us by listening to our Spotify playlist below.
Tyla & Ayra Starr, “Girl Next Door”
Africa’s Gen-Z It-girls Tyla and Ayra Starr come together to caution their wandering lovers not to leave them for the “Girl Next Door” in their first collaboration. Both artists somehow keep their cool, as Tyla touts her many options and Ayra warns, “And you know I won’t waste no time/ I can have another you by 9.” But their passionate plea in the repeating chorus (“Don’t you leave me for the girl next door, girl next door”) revs up the sizzling amapiano-meets-R&B beat (courtesy of producer P.Priime) that’s prime for getting any party started this summer.
Tay Iwar & Twelve XII, “Undercover Lover”
Tay Iwar injects his silver-tongued, neo-soul sound into “Undercover Lover,” which finds him and fellow Nigerian artist Twelve XII detailing their dalliance with a beautiful woman. Lyrics like “Somethin’ good for the moment/ Just for the moment” and “Her personality no matter at all/ ‘Cause she’s lookin’ so fine” make it crystal clear they’re not looking for anything serious, and the groovy, atmospheric production further emphasizes the chill vibes.
Teni, “No Days Off”
Teni has taken “No Days Off,” as evident by her latest single. The Nigerian artist raps about her homies (Tobi, Bunmi, Brenda and Wale), hometowns (Lagos and Atlanta) and everything else in her life that she’s had to leave to the sidelines for her career. In a press release, Teni explains that “No Days Off” started as a freestyle and “was made everywhere in the world – that’s why it really is called ‘No Days Off.’ It was made in Lagos, it was made in LA, some parts of it were also made in Cape Town.” She invites listeners to her own world by enveloping them in a kaleidoscopic sound comprised of airy synth melodies and frenetic Afropop percussion that will have anyone yelling, “Motherf–ker, will you come on play that sh– back!” by the end of the track.
Asake & Olamide, “Amapiano”
Asake links up with his YBNL Nation boss Olamide on this scorching “Amapiano” club banger. He salutes the South African house genre for being a “big vibe” while adding his own spin to it, from the lively violin and saxophone to the larger-than-life crowd vocals. Meanwhile, Olamide flexes his mesmerizing flow when he raps, “One thing I know, I’m happy I know/ Amapiano, all of my P I know.” “Amapiano” will accompany Asake’s previously released singles “Yoga” and “2:30” on his upcoming sophomore album, Work of Art, due June 16 via YBNL Nation and EMPIRE.
Nonso Amadi, “Paper”
Amadi reflects on his personal and artistic growth “from seeds to a flower, uncoiling naturally for you,” according to a press release, on his debut album When It Blooms. On the highlight track “Paper,” the Canadian-based Nigerian singer makes the case for why he deserves a bigger bag. And regardless of renowned Nigerian producer London’s scintillating, playful percussion, Amadi’s clearly not playing when it comes to his paper as he sings, “Tell me why the hell you calling/ I don’t wanna know what you’re talking/ When I see the cash am all in.”
Iyanya & BNXN, “Sinner”
A seductive song in both lyric and feel, this collab between Iyanya and BNXN has an alluring aspect to it that is hard to get out of your head — and a falsetto hook that is somehow even more of an earworm than the verses, perfect for a late night vibe that still keeps you moving. Also check out BNXN’s single “Pray” — its choral and orchestral feel fills the soul, and it just barely missed out on inclusion here.
Oxlade & Flavour, “OVAMI”
Oxlade already landed a huge hit this year with “Ku Lo Sa,” and “OVAMI” is in a similar vein, with his soulful vocals soaring above the production. Bringing in veteran vocalist Flavour to add a different element to the second verse was another smart move; Flavour had another great song in the last two years with “Levels,” and he fits in seamlessly here. Essentially a love song, it transcends with its irresistible melodies.
Kwesi Arthur, “Penny”
This one from the Ghanaian rapper is a laid back groove about the come up, thinking back to the days when he didn’t have any cash and now looking around and realizing that not only are those distant memories, but that there isn’t really a limit to how far things can go. What makes this one stand out is that the sentiment doesn’t feel flamboyant or boastful, but more matter-of-fact — this is going to happen, but let’s just keep in mind how far we’ve come.
King Promise, “Terminator”
An ode to finding peace in life — despite what the title may imply — “Terminator” is a melting pot of styles and languages, with a simple overriding message clearly articulated in the second verse: “And my happiness comes first/ I never come life to stress, yeah.” The Ghanaian nails the mix of production and lyricism that gets the feel across almost effortlessly — that being the goal, in the end, of course.
Kizz Daniel, “Shu-Peru”
The perennially upbeat Nigerian Afropop singer came through with another fun groove for the summertime, flipping Salt-N-Pepa’s “Shoop” in the process. As a thesis statement for an artist, does it get more appropriate than Kizz singing: “We are the happy people / We are the world”? It fits him perfectly.
As we get closer and closer to warmer weather, the song of the summer debate heats up. One of Billboard‘s front runners is Rema‘s “Calm Down” remix with Selena Gomez, but it’s not the only Afrobeats track that’s bound to bring people to the dancefloor all summer long.
The winner of our Song of the Summer Face-Off bracket game last year — Harry Styles‘ “Watermelon Sugar” — has found its African counterpart: Suté Iwar’s “SHUGA PEACH.” Listeners can sink their teeth into this juicy song, or sip on “Casamigos (Pour It In My Cup),” courtesy of Afro B and Sukihana. There’s also the breezy “Trumpet” from Olamide and Ckay, as well as Asake‘s amapiano dance floor banger “2:30” and the effortlessly gorgeous debut single from Inkabe Zezwe. But Davido‘s latest album, Timeless, ensures endless vibes that he explores through various triumphant sounds — and we clearly couldn’t get enough of it, considering we shouted out multiple tracks. Just try getting through the summer without dropping “In the Garden,” “Na Money” or “U (JUJU),” just to name a few.
We’ve highlighted 10 of our favorite new Afrobeats (and related) songs that have come out roughly within the last month. Check out our latest Fresh Picks, and catch a vibe with us by listening to our Spotify playlist below.
Davido feat. Skepta, “U (JUJU)”
Davido and Skepta got their girls covered in the utterly enchanting “U (JUJU)” collaboration, from the former’s latest album, Timeless. The Afrobeats superstar worries if he’s stuck under a woman’s spell when he sings in the mesmerizing chorus, “You dey do me like juju, dey worry me” (a nice nod to Ice Prince’s 2011 track “Juju”), and promises her anything she so desires. Meanwhile, the British-Nigerian grime MC commends his partner for sticking by his side and reassures her he won’t leave hers.
Sukihana & Afro B, “Casamigos (Pour It in My Cup)”
British-Ivorian DJ/singer/songwriter Afro B and American rapper Sukihana craft a refreshing summer vibe with “Casamigos (Pour It in My Cup).” While blending his instantly party-starting vocals with her seductive, smooth melodies that slip right off her tongue, “Casamigos” isn’t just an ode to George Clooney’s ultra-premium tequila brand, but just a little taste of warmer weather and the frivolousness that it brings. Once the song’s amapiano production (courtesy of Team Solut and co-producer Oghenekevwe Bojeghre) takes hold of the song toward the end, it’ll have everyone in a chokehold.
L.A.X, “Zaza”
Afrobeats star L.A.X only provides the best vibes, as confirmed by his new album No Bad Vibes. On its highlight track “Zaza,” he expresses his feelings for a woman while gassing her up (“On the dance floor you fire them/ On the finish line you finish them,” he boasts in the pre-chorus) – all while staying true to his characteristically laidback demeanor. “Zaza” will have any listener whining their hips to its mesmerizing, chugging beat pattern (courtesy of Clemzy).
Suté Iwar, “SHUGA PEACH”
For those craving another “Watermelon Sugar”-like summer anthem, look no further than Suté Iwar’s “SHUGA PEACH” highlight track from his new album, ULTRALIGHT. The Nigerian singer’s mouth waters at the sight of a “golden lady,” whom he later describes as his “favorite late-night craving” because… well, you get the picture. Iwar wrote on his Bandcamp page that ULTRALIGHT is a “journey that takes you through a range of emotions, from the high energy and excitement of life to the introspection and self-reflection that comes with it.” Listeners experience that entire range in the 3:51 runtime of “SHUGA PEACH,” as its tender keys and sultry saxophone runs accentuate Iwar’s carnal desires, while a wavy guitar and meditative beats introduce his self-aware rap about commitment in the track’s latter half.
Uncle Waffles, Tony Duardo, Jelly Babie & Chley, “Babiee”
Ahead of her historic Coachella performance this month, rising amapiano star Uncle Waffles set a moody, yet mesmerizing tone on her new Asylum project. On the highlight track “Babiee” – alongside Tony Duardo, Jelly Babie and Chley – listeners tiptoe into Waffles’ world with the guidance of a pitter-pattering synth loop that’s supplemented by steadily building percussion. Babie seizes the song’s peak by praising two of South Africa’s house genres, bacardi and amapiano, before chanting hers and Waffles’ stage names until “Babiee” fizzles out in a hypnotic rhythm.
Davido feat. Morravey, “In the Garden”
A simple major-key guitar line, a stripped down drum pattern with a supplementary amapiano log drum and a positive vibe underlines this breezy, beautiful track from Timeless — but it is the power of Morravey’s voice that elevates this track into something special, and possibly the best song on the entire album. It’s at heart a wistful love song, but the driving hook — “I’ll change your status, yeah” — adds a coy determination to take the initiative, while Davido’s verse adds another layer of catchiness to a song that has the capacity to dig into your head and never leave.
Davido feat. The Cavemen. & Angélique Kidjo, “Na Money”
One of the best things about Davido’s Timeless album is how seamlessly he weaves together different styles, and “Na Money” is among the best examples, blending highlife with amapiano through this collaboration with Nigerian highlife duo The Cavemen. and iconic Beninese singer Angélique Kidjo. The result is a driving, upbeat song about the intersection of love and money, with a joyful hook and highlife horns underscoring the production. A standout for its departure from the rest of the record.
Asake, “2:30”
Asake has leaned deeply into amapiano in many of his biggest songs, and this latest single, which should be on his forthcoming next album, really drives home the point in an ode to the party life. Log drums propel the verses, while a typically-choral hook gives it some of the space and majesty that has come to define Asake’s biggest records. The only complaint — voiced with some humor by his fans online — is that the actual audio of the track isn’t even 2:30 long. And yet!
Inkabi Zezwe (Big Zulu & Sjava), “Umbayimbayi”
South African rappers and singers Big Zulu and Sjava have linked up for a joint album under the duo moniker Inkabi Zezwe, with “Umbayimbayi” as the first single off that project — and from the opening notes the song unfurls as a gorgeous piano-based ballad that sonically cuts to the soul. The song has already been certified platinum in their home country, which is hardly surprising given its vibe — the Hammond organ flourishes as the song floats to its finish, emphasizing the emotion just as much as the duo’s voices. A special record.
Olamide feat. Ckay, “Trumpet”
A Nigerian hip-hop legend teaming up with one of the most successful young Nigerian singers of the past few years, this track was always going to catch the ear — and its plaintive piano base over some Afrobeats drums gives it an instantly catchy vibe. That it’s essentially a barely-disguised ode to beautiful women and the things they do makes the title amusing, but it’s a great, understated record (sonically, at least) and an absolute earworm.
March is coming to an end, and with it comes another installment of our Afrobeats Fresh Picks column, an endeavor that is heating up along with the weather.
At this point in the year, a quarter of the way through, there are already a handful of contenders for songs that will define the summer and carry us through all of 2023. But there’s also still plenty of room to pad out those playlists and a lot more music coming down the pipeline — including full albums from many of the artists who have been steadily building through singles in the first few months of this year.
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The stars have been shining brighter together lately, from Major Lazer and Major League Djz‘s international alliance to the electric duo of Adekunle Gold and Zinoleesky to the triple team up of Tiwa Savage, Ayra Starr and Young Jonn — in fact, this month’s edition features half collaborations and half solo tracks. Even songs we’ve previously featured, Libianca‘s “People” and Victony and Tempoe‘s “Soweto,” have added illustrious guests to new versions of their original tracks: Ayra Starr and Omah Lay on the former as well as Don Toliver and Rema on the latter. But there are plenty of solo gems from the likes of Amaarae, Bella Shmurda and Lil Kesh on the playlist, too, with plenty more deserving tracks just missing the cut.
Here, we’ve highlighted 10 of our favorite new Afrobeats (and related) songs that have come out roughly within the last month. Check out our latest Fresh Picks, and cue up our Spotify playlist below as you’re reading along.
Adekunle Gold feat. Zinoleesky, “Party No Dey Stop”
Adekunle Gold makes sure the “Party No Dey Stop” in his new up-tempo, Afropop single, which also marks his debut under Def Jam Recordings. Apart from his new major label deal, AG Baby flexes his co-sign from Oluwa (which means God in Yoruba) and his riches on the vivacious beat, co-produced by Kel-P and Monro, which ensures the vibes are not just immaculate but also eternal. He reflects on relying on God’s grace and having a good time alongside his fellow Agege native Zinoleesky, who’s featured on the track. “The world should be expecting madness from that guy – he’s so good,” Gold recently told Billboard. “I reached out to him, and then we got in the studio. In a matter of hours, we wrote his verse together and it was a banger.”
JayO, “22”
Rising North London-born, Nigerian singer JayO is the ultimate charmer in his sensual single “22,” which has an all-too-fitting Feb. 22 official release date. While scintillating snippets had been swarming TikTok before then – with “22” garnering almost 300,000 user-generated videos to date on the platform – the full 2-minute, 22-second single captures JayO’s explicit desires with a girl who’s (you guessed it) 22 years old and “too hot to handle,” as he croons over the lush R&B piano loop and sizzling percussion. While JayO can’t keep his hands off this girl, our ears can’t get enough of this song.
Amaarae, “Reckless & Sweet”
Amaarae delivers a “Reckless and Sweet” yet slightly savage offering from her forthcoming sophomore album Fountain Baby. The Ghanaian Afropop singer draws in (and calls out) her money-hungry admirer with the siren-like hook “Call me when the money come, come, come, come, come/ To the money I’ma run, run, run, run, run,” which sounds just as mesmerizing and attractive as Amaarae’s spending habits. Nothing less is expected from the “SAD GIRLZ LUV MONEY” hitmaker, whose irresistible swagger can be found in the latest Mugler x H&M campaign or front row during Milan Fashion Week as she also builds up her name in the neighboring fashion world, where she can further relish in opulence.
Tay Iwar, “Healing”
Nigerian alté singer Tay Iwar provides himself with a musical antidote from a previous, harmful relationship on “Healing,” his first single of 2023. His hypnotizing, digitized “healing from your stress” hook floats above a bubbling percussive pattern that can wash anyone’s worries away with the simple press of the play button. But for Iwar himself, his healing journey doesn’t just involve uncomfortable revelations as to what went wrong, but also “[killing] all of my worries with champagne.” After being featured on “True Love” from Wizkid’s critically acclaimed Made in Lagos and co-writing/co-producing Burna Boy’s standout “Alone” from the Black Panther: Wakanda Forever soundtrack, Iwar continues to show his fans that he can lend his talents to the biggest stars while also being a star in his own right.
Major Lazer & Major League Djz feat. Brenda Fassie, “Mamgobhozi”
American EDM DJ trio Major Lazer and African DJ/producer duo Major League Djz join forces on their new amapiano album, Piano Republik. On the single “Mamgobhozi,” the late Queen of African Pop Brenda Fassie’s vocals come to life, via a sample of her 1997 hit “Vuli Ndlela,” adding an honorable touch to a project dedicated to celebrating the amapiano sound traveling across the globe from its native South African townships. “Brenda Fassie was not only an icon, but she inspired many Black South Africans to be their authentic selves,” Major League Djz say in a press statement. “’Vuli Ndlela’ is undoubtedly one of Brenda Fassie’s best bodies of work, holding the title of ‘Song of the Decade,’ and a song we heard playing at every South African wedding and home then and now … Her music catalog speaks for her long after she has left us, a true force.”
Tiwa Savage, Ayra Starr & Young Jonn, “Stamina”
Young Jonn has been on a hell of a run with his singles of late — see “Mood” and “Currency” previously — and this track sees him sandwiched in between two fantastic singers from two different generations in Tiwa Savage and Ayra Starr. Those two have been on hot streaks of their own lately — witness Tiwa on the “Who Is Your Guy?” remix with Spyro and duetting with Asake on “Loaded” earlier this year, while Starr has one of the biggest songs out in “Rush” and another one growing in prominence with “Sability.” Is that enough reason to listen to this? If not, take our word for it: It’s great. Treat yourself.
Bella Shmurda, “Ara (Gen Gen Tin)”
Almost ominous in its opening notes, the latest single from Bella Shmurda quickly opens up (through the production of Larry Lanes) into one of the most infectious hooks of the year so far, propelled by its call and response. And, yes, there’s a dance challenge, so go check that out too. And while we’re here, check out that new track he dropped with Nasty C, the “Philo” remix — but good luck getting “Ara” out of your head first.
Khaid & Boy Spyce, “Carry Me Go”
Last month we included Khaid’s sweet ode “Jolie” on our playlist, and this month we’ve got another one from the young Nigerian singer with an innate knack for melody and inviting hooks. Here, the collaboration with Boy Spyce somehow turns those melodies up a notch, with the track steadily building and layering into a full-on choir production, taking the song into the stratosphere.
Jaido P & Fireboy DML, “One of a Kind”
Fireboy dropped a pair of red-hot features this month, between this one and Peruzzi’s “Pressure,” but there’s something about the melding of his voice with the more streetwise rapping of Jaido P, each of them switching back and forth between Yoruba and English, that sets this one apart from the rest of what’s coming out right now. You could easily see this one going off in the U.K. at the drop of a hat.
Lil Kesh, “Good Bad Boy”
As mentioned in a previous column, Lil Kesh had one of the hands-down best songs of 2022 with “Don’t Call Me,” alongside Zinoleesky. “Good Bad Boy” has a completely different feel, incorporating horns and a back-and-forth bridge supported by rapped verses that pile on top of one another, creating an energy that propels the track forward. Kesh is one of the more elastic vocalists around right now, mixing in all kinds of styles, melodies and flows — sometimes even into the same line of a verse — and that’s all on display here.
To kick off 2023, Billboard launched a new, monthly Afrobeats column to keep you up to speed with the fast-rising stars coming out of the African continent and soaring across the globe. Burna Boy, Tems and Rema performing at the 2023 NBA All-Star Game halftime show in Salt Lake City, Utah this past weekend is proof that African artists will only continue to expand beyond their borders and push beyond Afrobeats’ traditional boundaries — incorporating hip-hop, amapiano, R&B, jazz, soul and just about everything else into a melting pot that, for lack of a better overarching term, we’ll still refer to as Afrobeats.
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We’ve highlighted 10 of our favorite new Afrobeats (and related) songs that’ve come out within the last month. Love’s certainly in the air this season, from Pheelz’s feel-good, romantic jam “Pheelz Like Summer” to Khaid’s sweet ode “Jolie,” and decisions on what to include or not have been particularly tough — Rema, for example, just dropped two new tracks, though neither made the list here. Check out our Fresh Picks, and don’t forget to tap into our Spotify playlist below so you can catch a vibe with us.
Tyla, “Been Thinking”
Epic’s latest signee Tyla clearly has love on the brain, as evidenced by her latest single “Been Thinking.” The 21-year-old singer’s otherworldly pop and R&B sensibilities blend with her native South African amapiano in this slinky earworm that’ll have you wishing you were grinding on the love of your life in the middle of the dance floor before going home with them. “I’m just praying that [African music] keeps going the way it’s going. I feel like all eyes are on us right now,” Tyla told Billboard earlier at the Recording Academy Honors Black Music Collective event. “It’s a huge opportunity for us to now take it and run with it. We’ve been wanting this for a long time, so it’s about time.”
Pheelz, “Pheelz Like Summer”
Fresh off the success of his single “Finesse,” Pheelz delivers his Warner Records debut EP Pheelz Good, which is precisely how it makes you pheel. On the highlight track “Pheelz Like Summer,” the award-winning Nigerian producer-turned-singer gushes over a girl whose radiant smile makes him feel so warm inside that it reminds him of summer – even if it’s still only February. The sensual sax intro and buoyant beats evoke the warmer season, while Pheelz ushers in a season of love every time he coos, “Ooh-ooh-ooh/ Ooh-ooh-ooh, ooh-ooh.”
Stonebwoy, “More Of You”
Def Jam’s latest signee Stonebwoy begs his girl to give him “More of You” in his sultry latest single. The Ghanaian Afropop/reggae artist clearly can’t get enough of her, pleading with her to dance with him to a spellbinding rhythm – courtesy of Grammy-nominated producer Supa Dups – that we can’t get enough of. Ultimately, Stonebwoy becomes so mesmerized by her beauty in the animated visual that he succumbs to her like the Biblical forbidden fruit and ends up naked in a garden like Eden.
Tayc, “Success”
The Cameroonian-French crooner makes listeners swoon with dreamy scenarios and explicit rendezvous details that just roll off the tip of his French mother tongue with his latest album, ROOM 96. On the highlight “Success,” Tayc reflects on a woman who can’t handle his success and its side effects (like extra eyes on her), continuing to assuage her with sweet nothings that’ll make anyone’s ears tingle. Yet the ultra-sexy production of “Success” glosses over Tayc’s biting outro: “You’re just not ready for this, you should let me know/ ‘Cause, um, basically my life ain’t gonna change for you/ I, I love my life/ I love my place and I’m not gonna move anything for anybody.”
Michaël Brun feat. Oxlade, “Clueless”
Haitian DJ/producer Michaël Brun teams up with the “KU LO SA” Nigerian singer on the infectious Carribbean-Afro-fusion collaboration “Clueless.” Oxlade delivers a chant-worthy chorus with his enunciation of the track’s title, while he toys with the idea of loving a girl who’s equally his “antidote and poison” over Brun’s laidback beats. “Working with Oxlade was such an honor,” Brun says in a press release. “The operatic elements of his voice and the ways in which he uses harmonies and layers are what make Oxlade who he is — a true legend.”
Asake, “Yoga”
Asake has been on a heater for almost a year now, peaking with his debut album Mr. Money With the Vibe last September — and he hasn’t slowed down his output since, with “Yoga” his latest single to make waves. There’s a comfortable, soothing vibe to the track that comes across in his vocals and belies the lyrics, which stress the need to protect against things that will disrupt your peace — and the hook is a balm to alleviate such stresses. “Yoga” is the calm in the midst of a firestorm, a perfect song for imperfect times.
Khaid, “Jolie”
More than a simple love song, “Jolie” has melodies that pile on top of each other to get stuck in the mind and get stronger as the track goes on. Relatively new to the game — his first project of any kind was a six-song EP from last year, titled DIVERSITY — Khaid is still a teenager, and still developing as an artist, but “Jolie” shows there’s a lot of promise and talent that’s already there, with a world of possibility ahead of him.
Spinall feat. BNXN & Stefflon Don, “Oshey”
First things first — this DJ Spinall album has been spinning out phenomenal singles for about a year now, including his collaborations with Adekunle Gold (“Cloud 9”) and Asake (“Palazzo”), both of which initially came out last year. Now that the full project, titled Top Boy, was released Feb. 17, there’s more to dig into, with this collaboration with BNXN and Stefflon Don a particular highlight, showcasing all the different styles that weld together this diverse and compelling project. (But seriously, listen to “Cloud 9” and thank us later.)
BNXN, Kizz Daniel & Seyi Vibez, “GWAGWALADA”
A reference to an area of Nigeria, “GWAGWALADA” brings together three of the most intriguing Afrobeats artists from the country in BNXN, Kizz Daniel and Seyi Vibez, each bringing their distinctive vocals and styles to mesh seamlessly over the laid back, feel-good production by Sarz. BNXN has thrived in the last few years via collaborations with the likes of Wizkid, Burna Boy and Pheelz, and “GWAGWALADA” adds another flawless team-up to his growing discography.
Young Jonn feat. Olamide, “Currency”
Young Jonn has stepped beyond his producer title and has been dropping a series of infectious singles of late; “Xtra Cool,” released last October, probably should have been in this column last month, but “Currency” is another worthy entry. Longtime collaborator Olamide comes through to switch up the vibe, but it’s all additive, making this another insistent earworm of a record.
