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afrobeat

It’s officially fall, and these African artists have plenty of new music to usher in the new season with.
Oxlade transcends the continent’s borders with a vibrant combination of old-school African music and modern-day Afrobeats — and an international array of guest artists, from Jamaican dancehall star Popcaan to U.K. rapper Dave to legendary Nigerian singer-songwriter Wande Coal and Congolese icon Fally Ipupa — on his long-awaited debut album OFA (Oxlade From Africa). And Fireboy DML puts his heart on his sleeve and stays true to the sounds he grew up listening to on his self-titled fourth studio album Adedamola.

We’ve highlighted 10 of our favorite new Afrobeats (and related) songs that have come out roughly within the last month. Check out our latest Fresh Picks, and catch a vibe with our latest Spotify playlist below.

Mofe., “Good Day”  

Trending on Billboard

Mofe. fuses Afrobeats and disco for his self-branded Afrodisco jam “Good Day.” The Nigerian American artist behind the viral track “Prince of Egypt” – which Destroy Lonely sampled on “Cadillac,” from his latest Love Lasts Forever album – adds a funkier groove, assisted by shimmering synths, to Afrobeats’ syncopated percussion and overall feel-good vibe. It’s kind of impossible to not have a good day while listening to this song.  

Fireboy DML feat. Seun Kuti, “ecstasy” 

Fireboy DML craves a woman’s body like “ecstasy” on this erotic number from his eponymous fourth album Adedamola. Producer Bassiqally’s ebullient percussion occasionally dotted with log drums and chanting ad-libs, paired with featured artist Seun Kuti’s sexy and soulful saxophone melodies, make “ecstasy” sound as addicting as the real deal. “It’s a song that sounds like sex – I always have a record like that on every album, because it’s somewhat a part of my personality,” he told Apple Music, adding that he “had an image of [Kuti] on the sax for the record…. He’s an amazing person with a very crazy and colorful personality that resonates with me.”  

Odunsi (The Engine), “BACK IN OFFICE” 

Odunsi (The Engine) makes being “BACK IN OFFICE” much more amusing in the opening track of his latest EP Nigerian Boyfriend. The alté artist assumes the position of a boss who entices women with his “tune and bounce,” this time with a swelling orchestral intro and outro that bookend the song’s polyrhythmic production (courtesy of OTE, who’s also the sole songwriter). And with its corporate-themed visualizer, “BACK IN OFFICE” would’ve been the perfect campaign song for I AM GIA’s new Gia Office.03 collection. 

Minz, “mo de ma [by any minz]”  

Minz becomes a soothing voice of reason on his “mo de ma [by any minz]” single that dropped ahead of his debut album By Any Minz, due Oct. 4. He reflects on his journey to the spotlight, including the “dark days when man never glow,” over Puffy Beatz’s relaxed production. Grammy-winning singer Angélique Kidjo is heard in the outro, calling out his album title within seconds of meeting Minz. “This felt like a revelation…. Sometimes, the signs show up exactly when you need them, and they make everything make sense,” he wrote on Instagram underneath a clip that captured the kismet moment.  

Oxlade, “RMF” 

Oxlade is “all about that life” on “RMF” from his debut studio album OFA (Oxlade From Africa). “RMF,” which stands for “Rich Motherf—er,” finds the Nigerian hitmaker relishing in his new luxe lifestyle while going back to his rapping roots. “When I was in secondary school, I stopped singing because of peer pressure. I had to learn how to rap to fit in. I’m grateful now cos [sic] it’s affected my pen!” he told Wonderland. And its Fela Kuti-inspired Afrobeat production, from the grandiose horn melody to the dizzying saxophone outro, pays homage to the vintage African sound.  

Fireboy DML, “Change Your Life”

The YBNL crooner gets into the groove on “Change Your Life,” off his latest album adedamola. Propelled by an insistent backbeat, an adventurous bassline and a track-opening trumpet solo — that’s right — producer Bassiqally quickly sets a tone that makes “Change Your Life” stand out from the rest of the project musically, even if it remains firmly within the romantic love-life stories that populate the album. But “Change Your Life” continues to surprise throughout, with Fireboy bringing melody on top of melody and proving adept at riding the rhythm.

Oxlade feat. Sarkodie, “OLOLUFE”

There are plenty of standouts on the latest Oxlade album OFA, which essentially serves as a clearinghouse for his best singles of the past 18 months. Oxlade himself is adept at setting the vibe, with his vocals soaring over the production, a mix of doubled-melody and falsetto that reaches into the stratosphere. This track really shines, however, with the forehand punch that is Sarkodie’s verse, which punctuates the ambiance and brings a renewed energy and a swagger to the track that sets it apart.

Morravey, “Ifineme”

One of the breakout stars of Davido’s phenomenal Timeless album from 2023 on the track “The Garden,” Morravey — also signed to David’s Davido Music Worldwide label — is a dynamic singer with a gorgeous voice, and this new cut “Ifineme” is another from a similar mold. The song came hand in hand with another single, “Upstandin,” that also showcases her vocal prowess, but it’s “Ifineme” that truly feels transcendent: a track that builds organically with its feeling of the early days of love, until reaching a soaring hook complete with a full choir that fills to the rafters. It’s a great song, and her winking metaphors demand repeat listens.

LADIPOE & taves, “Compose”

A low key intro and a reverb-soaked background quickly give way to a tight groove on this latest collab, with LADIPOE flowing effortlessly over the beat, bouncing in time, as he raps about his latest romantic interest. Featured guest taves makes little more than a cameo, but it’s really the hook that makes the song such an earworm — “You wan make my head explode” — with a catchy melody that burrows into the brain. There’s a joy to this one that bubbles under the surface but comes through nevertheless, and which stamps itself on the listener.

Khaid feat. Olamide, “Way Back”

Few young singers have made as much of an impact in the past two years as Khaid, who despite his string of infectious singles is still just a teenager. But this track sees him linking up with one of Nigeria’s OGs, as Olamide comes through with a verse in his classic style — cocky, on and off the beat, always dripping with swagger and effortless cool — before ceding the floor back to Khaid and his penchant for crafting melodies that seem timeless, despite his years. It helps that the music video is pure fun, too, with the duo clearly enjoying themselves in the studios. Khaid hasn’t missed yet.

WME announced on Tuesday (Oct. 24) that the agency has signed the estate of Afrobeat pioneer Fela Kuti for management worldwide under its WME Legends division.

WME Legends is focused on estate and legacy brand management, with the objective of growing the legacies of artists and brands for a new generation.

Kuti (born Olufela Olusegun Oludotun Ransome-Kuti) is a Nigerian-born musician, bandleader, composer, political activist and Pan-africanist who created the Afrobeat genre, a percussion-heavy fusion of funk, jazz, fuji and highlife music. That eventually led to the genre’s 21st-century polyrhythmic offshoot, Afrobeats, which has been steadily crossing into the mainstream over the last few years. Kuti died in 1997 after suffering from complications with AIDS.

The WME Legends team will manage Kuti’s name, image, likeness, life, IP, music and publishing rights across WME and parent company Endeavor’s departments and companies worldwide in partnership with the administrators of Kuti’s estate. All existing deals controlling his recordings and music publishing remain. Partisan Records will continue to distribute Kuti’s catalog in North America, while Universal Music still distributes it in the rest of the world. His music publishing is split between BMG and Sony worldwide.

WME Legends is focused on growing Kuti’s legacy for a new generation with various projects, including a definitive scripted biopic; an expansion of the Fela! stage musical franchise; previously unreleased masters and unpublished songs; licensing and merchandising; commercials and endorsements; and more. It has not yet been determined who will distribute and admin the previously unreleased material.

The Kuti biopic is currently in development. Notably, 12 Years a Slave director Steve McQueen was previously developing a Kuti biopic for Focus Features to star Chiwetel Ejiofor. In 2013, McQueen dropped out and was replaced on the project by Nigerian director Andrew Dosunmu, though McQueen told The Hollywood Reporter the following year that the project was “dead.” However, in the same story, producer Lydia Dean Pilcher told the outlet the biopic was still in development outside of Focus. It’s unclear whether any of the above-named players are involved in the current version of the biopic.

WME Legends also represents the estates of The Notorious B.I.G., Andy Kaufman, Eartha Kitt, Waylon Jennings, Peter Tosh and Charlie Sifford, as well as Ram Dass’ Love Serve Remember Foundation and the iconic New York punk/new wave club, CBGB.

During the course of the negotiation, the Kuti estate was represented by Olajide Oyewole, a member of DLA Piper Africa. 

Asake shares how he feels about his success on the Billboard charts with his first album, Mr. Money With the Vibe, how his second album (Work of Art) is different, his crazy live shows, how the Afrobeats genre has grown across the globe, his mindset on collaborations, his dream collab and more!

Asake:The only thing I could remember is I tried to do, you know, the dance they do in Nigeria where everybody do like this.

Hi! What’s up, everybody? It’s your boy, Asake — aka Mr. Money With the Vibe — right now, and you’re watching Billboard News.

Tetris Kelly:It’s Tetris with Billboard News. Today, we got Mr. Afrobeats himself, Asake.

Thanks for coming to hanging out with us. Let’s talk about the genre itself. OK, so Afrobeats is obviously having this huge explosion globally. So how’s it feel from the artists standpoint, seeing your genre blow up like that?

Asake:I think it’s a good thing. You know, it’s like you having a baby, and your baby’s growing. You know, you feel good when you have something around you and the thing is growing, and I feel like in a couple of years or in years to come, it will be bigger.

Tetris Kelly:Well, speaking of getting bigger, I mean, next year will be the first year the Grammys ever have a category — best African musical performance — so that’s huge. Do you think that’s going to affect the genre? Like, are you even thinking like, “I want to be Grammy nominated?”

Asake:No, it’s never going to affect anything. Like, everybody wants to be big. So if the whole genre is bigger, that means there is the happiness of the whole country, you know, it’s the happiness of everybody.

HipHopWired Featured Video

Source: AFRO NATION / AFRO NATION
The biggest Afrobeats celebration is coming to the United States. Following successful festivals in Africa, Europe, and the Caribbean, Afro Nation takes the next step with Afro Nation Miami 2023.

Source: AFRO NATION / AFRO NATION
The inaugural Miami festival promises performances from ascendant Nigerian superstars Rema and Asake, dancehall legend Beenie Man, rising African stars CKay, BNXN, and Black Sherif, French rapper Franglish, and many others. Shining a special spotlight on the ascendant genre of amapiano, born in South Africa, Afro Nation Miami brings the Piano People stage, headlined by Major League DJZ and Uncle Waffles, and featuring many more of the genre’s most exciting names.

The festival follows up a groundbreaking 2022 from Afro Nation, which has established itself as a major tastemaker and advocate for African music since its founding in 2019. Afro Nation brought a high-powered group of international music stars and over 40,000 fans to the beaches of Portimáo in July for the second-ever Afro Nation Portugal, with headliners that included WizKid, Burna Boy, and Megan Thee Stallion. Earlier in the year, the innovative festival made its North American debut with Afro Nation Puerto Rico. The festival closed out 2022 with Afro Nation Ghana 2022 in Accra, Afro Nation’s first event in Ghana since 2019.
Afro Nation festivals are dedicated to providing a global platform for music from Africa and its diaspora. In addition, Afro Nation teams with BBC Radio 1xtra and the Official Charts Company to host a weekly UK Afrobeats Chart Show, and in 2022, Afro Nation partnered with Billboard to present the first-ever U.S. Afrobeats Chart. With more milestones to cross and many unforgettable sets in the near future, Afro Nation is primed to shine an even brighter spotlight on some of the most exciting artists in music today.
Source: Ernest Ankomah / Getty

You can visit https://usa.afronation.com/ to buy tickets and view full information about the festival.