State Champ Radio Academy Awards
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Queen Latifah is set to take part in a tribute to Quincy Jones on the 2025 Oscars, which is set to air on Sunday (March 2) from the Dolby Theatre at Ovation Hollywood. The actor and musician performed on two tracks on Jones’ 1995 album Q’s Jook Joint.
The news was announced by Raj Kapoor, the telecast’s executive producer and showrunner, during a press conference on Zoom with the creative team. “One of the most exciting things that we’ve worked on this year is a musical performance that will tribute Quincy Jones,” he said.
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“We’ve planned and curated this beautiful moment that we hope will uplift the room, that will celebrate the spirit of Quincy and all of his greatness,” said Kapoor, who is co-executive producing the show for the second year in a row (and is part of the Oscars team for the ninth time). “It’s a beautiful moment, and we think it will be very celebratory and make everybody feel really good.”
It’s no surprise that Jones will be receive a special tribute on the show. The producer and musician, who died in November at age 91, made Oscar history many times. He was the first Black musician to be hired as music director on the annual Oscar telecast. In 1967, he became the first Black composer to receive an Oscar nomination for best original song. Jones is, to this day, the only Black composer with three nods in scoring categories, for his work on In Cold Blood (1967), The Wiz (1978) and The Color Purple (1985).
Will Smith, who starred in The Fresh Prince of Bel-Air, which Jones executive produced, would have been a natural for the Jones tribute, but he was banned from all Academy Award events for 10 years in 2023 following his misbehavior on that year’s telecast.
Smith was part of the tribute to Jones on the Grammy Awards on Feb. 2. He shared memories of working with Jones on the show, which Kapoor also executive produced. The Grammys also featured musical tributes to the beloved musician by Herbie Hanock, Cynthia Erivo, Stevie Wonder, Lainey Wilson, Jacob Collier and Janelle Monáe.
In the Zoom conference, the Oscars’ first-time music director Michael Bearden said he has long walked in Jones’ footsteps. Both men were born on the south side of Chicago, moved to New York, and then moved to Los Angeles. “Quincy is really the blueprint of what I’m able to do,” he said.
While the creative team was reluctant to spoil surprises, Ariana Grande and Cynthia Erivo are expected to perform a Wicked medley to kick off the Oscars ceremony. Other performers on the show are Doja Cat, Raye and BLACKPINK’S LISA. The 97th Oscars will also feature a special appearance by the Los Angeles Master Chorale.
First-time show host Conan O’Brien explained the team’s reluctance. “You don’t tell people what you’re going to do. A magician told me that.”
O’Brien has hosted the Primetime Emmys twice (in 2002 and 2006) and the MTV Movie Awards (in 2014). But as he said, the Oscars are on another level. “The Oscars feels it’s all of that on steroids,” he said. “The Oscars team is incredibly professional. It’s like for the first time getting to drive a Ferrari. … I wanted to be part of this magical machine.”
O’Brien said he reached out to past hosts Billy Crystal and Jimmy Kimmel for advice. Crystal has hosted the show nine times; Kimmel, four times.
Kapoor announced there will be a charitable component to the show, as there was on the Grammys. “People will be able to interact, and they are free to donate if they would like to.”
Kapoor, Bearden and O’Brien were joined on the Zoom call by executive producer Katy Mullan, co-executive producer Rob Paine, producer and writer Mike Sweeney, writer Jon Macks, production designer Alana Billingsley and supervising choreographer Mandy Moore.
With the 97th Oscars coming up on Sunday March 2, we’re looking back at past Oscar ceremonies, and specifically, who presented the Oscar for best original song each year.
The late, great song and dance man Gene Kelly did the honors four times, more than anyone else in Oscar history. That’s fitting: Kelly starred in Singin’ in the Rain, which topped the American Film Institute’s 2006 list of AFI’s Greatest Movie Musicals. Kelly presented best original song in 1951, in 1975 (in tandem with Shirley MacLaine), in 1980 (with Olivia Newton-John, with whom he starred in the soon-to-be-released, ill-fated musical Xanadu) and in 1986 (with his Singin’ in the Rain costars Debbie Reynolds and Donald O’Connor).
Six people are tied as runner-up, having presented best original song three times: They are Burt Bacharach, Angie Dickinson, Gregory Hines, Jennifer Lopez, Queen Latifah and John Travolta. J.Lo presented three times within four years (1999-2002), a record for most presenter assignments in the shortest time. (Not coincidentally, J.Lo landed three of her four No. 1 hits on the Billboard Hot 100 in those years.)
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Bacharach and Dickinson, Hollywood’s golden couple of the era, teamed to present the award in 1971 and 1976. Bacharach teamed with Ann-Margret to present the award in 1974. Dickinson teamed with Luciano Pavarotti to present it in 1981.
Six people who won Oscars for best original song also served as presenters in the category (obviously not in the same year they won). They are Irving Berlin, Jerome Kern, Barbra Streisand, Bacharach, and the team of Common and John Legend. The latter team presented in 2016, the year after their win for “Glory” from Selma. Prince, who presented in 2005, never won for best original song, but he did win for his song score to Purple Rain.
The reunion of the Singin’ in the Rain cast wasn’t the only cast reunion that Oscar show producers arranged in connection with this category. In 2013, 10 years after Chicago became the first musical in more than four decades to win best picture, that film’s stars, Renee Zellweger, Richard Gere, Queen Latifah and Catharine Zeta-Jones, presented best original song.
In 1988, seven years after they teamed in the box-office hit Arthur, Dudley Moore and Liza Minnelli co-presented the award (which had gone, in 1982, to “Arthur’s Theme”). In 1993, a decade after their collaboration on the Broadway cast album Lena Horne: A Lady and Her Music, Quincy Jones and Lena Horne co-presented the award. In 1996, a few years after they co-starred in the Tina Turner biopic What’s Love Got to Do With It, Angela Bassett and Laurence Fishburne co-presented the award.
In some cases, Oscar producers had people co-present to plug an upcoming movie in which they were to co-star. Emily Blunt and Lin-Manuel Miranda co-presented in 2018, months before the release of Mary Poppins Returns. Cynthia Erivo and Ariana Grande co-presented in 2024, months ahead of their teaming in Wicked.
In 2015, Idina Menzel and John Travolta teamed to present the award – one year after Travolta inexplicably mangled Menzel’s name on the Oscar stage while attempting to introduce her performance of “Let It Go” from Frozen. (He called her Adele Dazeem.) In this presentation teaming, Menzel jokingly introduced him as Glom Gazingo – and they gracefully put it to rest.
Some presenter pairings held symbolic meaning. In 1989, singer/dancer/actor Gregory Hines co-presented with Sammy Davis Jr., the top song and dance man of a previous generation. Davis began to develop symptoms of cancer five months after this appearance. He died of complications from throat cancer in May 1990.
In 1944, Dinah Shore became the first woman to present in this category. In 1984, the biracial Jennifer Beals, star of the previous year’s smash Flashdance, became the first person of color to present in this category. The youngest presenter was Miley Cyrus, who was just 17 in 2010 when she co-presented with Amanda Seyfried.
Bacharach and Dickinson weren’t the only married couple to present in the category. Steve Allen and Jayne Meadows presented in 1961, followed by Sonny & Cher in 1973. One parent and child separately presented in this category: In 1997, Goldie Hawn co-presented with her The First Wives Club co-stars Bette Midler and Diane Keaton. In 2023, Hawn’s daughter, Kate Hudson, co-presented with Janelle Monáe.
Pavarotti was the second classical star to present in the category. The first was conductor Leopold Stokowski in 1937.
Here is the presenter of the Oscar for best original song from the first year it was presented, 1935, to the present. The years shown are the year of the ceremony. Brief identifications are shown in the early years to help our younger readers. After that, you’re on your own.
1935: Irvin S. Cobb (author)
1936: Frank Capra (director)
1937: Leopold Stokowski (conductor)
1938: Irving Berlin (songwriter)
1939: Jerome Kern (songwriter)
1940: Gene Buck (president of ASCAP)
1941: B.G. DeSylva (songwriter, film producer, co-founder of Capitol Records)
1942: B.G DeSylva
1943: Irving Berlin
1944: Dinah Shore (singer)
1945: Bob Hope (comedian)
1947: Van Johnson (actor)
1948: Dinah Shore
1949: Kathryn Grayson (actress)
1950: Cole Porter (songwriter)
1951: Gene Kelly (actor)
1952: Donald O’Connor (actor)
1953: Walt Disney (film producer and entertainment mogul)
1954: Arthur Freed (lyricist and film producer)
1955: Bing Crosby (singer)
1956: Maurice Chevalier (singer)
1957: Carroll Baker (actress)
1958: Maurice Chevalier
1959: Sophia Loren & Dean Martin
1960: Doris Day
1961: Steve Allen & Jayne Meadows
1962: Debbie Reynolds
1963: Frank Sinatra
1964: Shirley Jones
1965: Fred Astaire
1966: Natalie Wood
1967: Dean Martin
1968: Barbra Streisand
1969: Frank Sinatra
1970: Candice Bergen
1971: Burt Bacharach & Angie Dickinson
1972: Joel Grey
1973: Sonny & Cher
1974: Burt Bacharach & Ann-Margret
1975: Gene Kelly & Shirley MacLaine
1976: Burt Bacharach & Angie Dickinson
1977: Neil Diamond
1978: Fred Astaire
1979: Ruby Keeler & Kris Kristofferson
1980: Gene Kelly & Olivia Newton-John
1981: Angie Dickinson & Luciano Pavarotti
1982: Bette Midler
1983: Olivia Newton-John
1984: Jennifer Beals, Matthew Broderick
1985: Gregory Hines
1986: Gene Kelly, Donald O’Connor & Debbie Reynolds
1987: Bernadette Peters
1988: Liza Minnelli & Dudley Moore
1989: Sammy Davis Jr. & Gregory Hines
1990: Paula Abdul & Dudley Moore
1991: Gregory Hines & Ann-Margret
1992: Shirley MacLaine & Liza Minnelli
1993: Lena Horne & Quincy Jones
1994: Whitney Houston
1995: Sylvester Stallone
1996: Angela Bassett & Laurence Fishburne
1997: Goldie Hawn, Diane Keaton & Bette Midler
1998: Madonna
1999: Jennifer Lopez
2000: Cher
2001: Jennifer Lopez
2002: Jennifer Lopez
2003: Barbra Streisand
2004: Jack Black & Will Ferrell
2005: Prince
2006: Queen Latifah
2007: John Travolta & Queen Latifah
2008: John Travolta
2009: Zac Efron & Alicia Keys
2010: Miley Cyrus & Amanda Seyfried
2011: Jennifer Hudson
2012: Will Ferrell & Zach Galifianakis
2013: Richard Gere, Queen Latifah, Renée Zellweger & Catherine Zeta-Jones
2014: Jessica Beal & Jamie Foxx
2015: Idina Menzel & John Travolta
2016: Common & John Legend
2017: Scarlett Johansson
2018: Emily Blunt & Lin-Manuel Miranda
2019: Gal Gadot, Brie Larson & Sigourney Weaver
2021: Zendaya
2022: Jake Gyllenhaal & Zoë Kravitz
2023: Kate Hudson & Janelle Monáe
2024: Cynthia Erivo & Ariana Grande
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Clément Ducol and Camille have a chance to join this list for their work on Emilia Pérez.
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Timothée Chalametcould become the youngest best actor winner at the March 2 ceremony.
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Selena Gomez, one of the stars of Emilia Pérez; second-generation comedy star Ben Stiller; and Joe Alwyn, one of the stars of The Brutalist (though probably still best-known by many as Taylor Swift’s ex) have been added to the list of presenters for the 2025 Oscars. The show will air live on ABC and stream live on Hulu on Sunday, March 2, at 7 p.m. ET/4 p.m. PT.
Other newly announced presenters are Sterling K. Brown, Willem Dafoe, Ana de Armas, Lily-Rose Depp, Goldie Hawn, Connie Nielsen and Oprah Winfrey.
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Previously announced presenters are Halle Berry, Penélope Cruz, Elle Fanning, Whoopi Goldberg, Scarlett Johansson, John Lithgow, Amy Poehler, June Squibb and Bowen Yang – as well as last year’s four acting winners: Cillian Murphy, Emma Stone, Robert Downey Jr. and Da’Vine Joy Randolph.
Hawn, Berry, Goldberg and Cruz are also past Oscar winners. In 2001, for her role in Monster’s Ball, Berry became the first Black actress to win best actress. These other stars won for best supporting actress – Hawn for Cactus Flower in 1970, Goldberg for Ghost in 1991 and Cruz for Vicky Cristina Barcelona in 2009.
In 2011, Winfrey received the Jean Hersholt Humanitarian Award.
Alwyn has had numerous film credits leading up to The Brutalist. He also appeared in The Favourite (2018), Boy Erased (2018), Mary Queen of Scots (2018) and Harriet (2019), among others.
Nick Offerman will serve as the announcer for this year’s Oscar telecast. Conan O’Brien will host for the first time.
The 97th Oscars will be held at the Dolby Theatre at Ovation Hollywood and will air live on ABC and stream live on Hulu. The official live red-carpet show will air at 6:30 p.m. ET/3:30 p.m. PT.
Raj Kapoor and Katy Mullan are executive producers of the 2025 Oscars. Kapoor is also showrunner. He was also one of three executive producers for the Grammy Awards on Feb. 2, along with Ben Winston and Jesse Collins.
Halle Berry, Penélope Cruz, Elle Fanning, Whoopi Goldberg, Scarlett Johansson, John Lithgow, Amy Poehler, June Squibb and Bowen Yang are set to present at the 2025 Oscars on Sunday, March 2, at 7 p.m. ET/4 p.m. PT.
Berry, Goldberg and Cruz are past Oscar winners. In 2001, for her role in Monster’s Ball, Berry became the first Black actress to win best actress. She is still the only Black actress to achieve that feat, though Cynthia Erivo, nominated this year for Wicked, could join her. In 1991, for her role in Ghost, Goldberg became only the second Black actress – and the first in 51 years – to win best supporting actress. Zoe Saldaña, nominated this year for Emilia Pérez, could become the 11th Black actress (she is Black and Afro-Latina) to win in that category.
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Cruz won best supporting actress in 2009 for Vicky Cristina Barcelona.
Poehler and Yang both rose to fame on Saturday Night Live, which is enjoying an especially high profile as it celebrates its 50th season. Poehler co-hosted the Golden Globe Awards four times with fellow SNL vet Tina Fey.
Squibb, a best supporting actress nominee in 2014 for Nebraska, is red-hot at age 95, with roles in three 2024 films: Thelma (for which she also served as executive producer), Don’t Tell Mom the Babysitter’s Dead and the animated Inside Out 2.
Last year’s Oscar winners in the four acting categories – Cillian Murphy, Emma Stone, Robert Downey Jr. and Da’Vine Joy Randolph – were announced as presenters last week.
Hosted by Conan O’Brien, the 97th Oscars will be held at the Dolby Theatre at Ovation Hollywood and will air live on ABC and stream live on Hulu. The official live red-carpet show will air at 6:30 p.m. ET/3:30 p.m. PT.
Raj Kapoor and Katy Mullan are executive producers of the 2025 Oscars. Kapoor is also showrunner. He was also one of three executive producers for the Grammy Awards on Feb. 2, along with Ben Winston and Jesse Collins.
Music played an outsize role in the nominations for the 97th annual Academy Awards, which were announced Jan. 23 (six days later than originally planned due to the Los Angeles wildfires). Emilia Pérez and Wicked are among the 10 films nominated for best picture — the first time that two musicals have been nominated in that category in the same year since the 1969 ceremony, when Oliver! and Funny Girl both vied for the award. Emilia Pérez received 13 nods (more than any other film this year), while Wicked amassed 10. This is the first time in 60 years that two musicals received 10 or more nominations in the same year. At the 1965 ceremony, Mary Poppins had 13 nods and My Fair Lady had 12.
Plus, three actors from the Bob Dylan biopic A Complete Unknown — Timothée Chalamet (who plays Dylan), Edward Norton (Pete Seeger) and Monica Barbaro (Joan Baez) — were nominated for acting honors. It’s the first time in Oscar history that three actors from a music biopic have been nominated.
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The Oscar telecast is set for March 2. Here’s a closer look at the two music categories.
Best Original Song
Diane Warren is nominated for the eighth year in a row, which ties her with Sammy Cahn for the longest continuous streak of nominations in this category’s 91-year history. Cahn was nominated eight years running from 1955 to 1962. Clément Ducol and Camille are nominated for best original score for Emilia Pérez and have two songs in the running for best original song. They’re the first composers to land three nods in music categories in one year since Justin Hurwitz achieved the same feat with La La Land eight years ago.
“El Mal”Emilia Pérez (Netflix)Music by Clément Ducol and Camille; lyric by Clément Ducol, Camille and Jacques Audiard
Zoe Saldaña takes the lead on this big production number in the film, with an assist from Karla Sofía Gascón. Both are nominated for their performances — Saldaña for best supporting actress and Gascón for best actress.
Audiard, who is nominated for directing Emilia Pérez and for co-writing the lyrics to this song, is only the third person in Oscar history to be nominated in both the directing and original song categories and the first to be so honored in the same year. Leo McCarey and Spike Jonze received their nominations in separate years.
Ducol and Camille are vying to become the sixth romantic couple to win in this category following Alan and Marilyn Bergman, Burt Bacharach and Carole Bayer Sager, Jack Nitzsche and Buffy Sainte-Marie, Glen Hansard and Marketa Irglova, and Robert Lopez and Kristen Anderson-Lopez.
This is the fifth year in a row that one or more non-English-language songs has been nominated in this category. This streak started in 2021 with “Io Sì (Seen)” from The Life Ahead (La Vita Davanti a Se) and continued with “Dos Oruguitas” from Encanto, “Naatu Naatu” from RRR (which won), “Wahzhazhe (A Song for My People)” from Killers of the Flower Moon and now two songs from Emilia Pérez.
“The Journey”The Six Triple Eight (Netflix)Music and lyric by Diane Warren
This inspirational ballad gives Warren her 16th Oscar nomination for best original song — a total equaled by only three other songwriters. Sammy Cahn leads with 26 nods, followed by Johnny Mercer with 18 and Paul Francis Webster, also with 16. (This makes Warren the most-nominated woman in this category, topping the late lyricist Marilyn Bergman, who received 15.)
Making Warren’s tally all the more impressive is that she has rarely been part of an Oscar-magnet film that racked up multiple nominations. “The Journey” is her 11th nominated song from a film that received no other nominations besides hers.
“The Journey” is the 12th of Warren’s best original song contenders that she wrote herself. Only Randy Newman has been nominated with as many songs that he wrote himself. He has been the sole writer of all 13 of his best original song nominees to date.
H.E.R. sings “The Journey” over the end credits to the Tyler Perry film The Six Triple Eight, which stars Kerry Washington. H.E.R. and Warren squared off in this category four years ago, when the R&B star’s “Fight for You” from Judas and the Black Messiah beat Warren’s “Io Sì (Seen)” from The Life Ahead (La Vita Davanti a Se).
“Like a Bird”Sing Sing (A24)Music and lyric by Abraham Alexander and Adrian Quesada
This soulful, midtempo ballad echoes the style of the late folk-rock musician Richie Havens. These are the first Oscar nominations for Alexander and Quesada, who wrote and performed “Like a Bird.”
Quesada has received seven Grammy nominations (but no wins as yet) as a member of Black Pumas. The psychedelic soul band has been nominated in three of the top general-field categories — album and record of the year and best new artist. Quesada previously received two Grammy nods as a member of the Latin funk orchestra Grupo Fantasma, winning best Latin rock, alternative or urban album in 2011 for El Existential.
Alexander is a Texas-based musician, songwriter and guitarist. His nod makes this the eighth year in a row that one or more Black songwriters has been nominated in this category. This represents the longest streak of nominations by Black songwriters in the category’s history.
This was one of three nominations for Greg Kwedar’s film Sing Sing, along with best actor for Colman Domingo and best adapted screenplay. Bryce Dessner of The National scored Sing Sing. He was shortlisted for best original score but not nominated.
“Mi Camino”Emilia Pérez (Netflix)Music and lyric by Camille and Clément Ducol
Selena Gomez sings this sensuous ballad in a sexy scene with co-star Édgar Ramírez. Camille and Ducol had composed several songs for Gomez’s character before the star was cast. Once she was, director Jacques Audiard told the composers he needed another song for the character. They watched the 2022 documentary Selena Gomez: My Mind & Me, which explored the singer’s mental health struggles and inspired them to write “Mi Camino.”
“We didn’t have the opportunity to meet her in person [before writing the song] but did meet her through her documentary,” Ducol told The Los Angeles Times. “Her sensitivity was so engaging and so strong that the song was created very quickly. We wrote it in the space of a few hours. For some songs, like ‘El Mal,’ we had dozens of different versions. ‘Mi Camino’ just came to the surface.”
Ducol and Camille have two of the five nominees in this category. This marks the first time that a songwriter or team of songwriters has had two nominated songs in the same year since 2017, when Justin Hurwitz and the EGOT-winning team of Benj Pasek and Justin Paul had two nominated songs from La La Land.
“Never Too Late”Elton John: Never Too Late (Disney+)Music and lyric by Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin
This is John’s fifth nomination in this category and Taupin’s second. They won five years ago for “(I’m Gonna) Love Me Again” from Rocketman. John first won in this category in 1995 with “Can You Feel the Love Tonight” from The Lion King, which he co-wrote with Tim Rice. If John wins this year, he’ll become just the 10th songwriter in Oscar history — and only the second non-American (following Rice) — to win three or more times in this category. (Fun fact: John has never gone home without an Oscar in the years he has been nominated.)
This is the first Oscar nod for both Carlile and Watt. Watt also earned a nod for song of the year at this year’s Grammys for co-writing the Bruno Mars-Lady Gaga ballad “Die With a Smile.”
John and Carlile perform “Never Too Late” in Elton John: Never Too Late, which was co-directed by R. J. Cutler and John’s husband, David Furnish. During production, Carlile saw an early cut of the film and wrote the first set of lyrics before sending to John to compose. Watt and Taupin later pitched in. This is vying to become the second song from a documentary to win in this category following Melissa Etheridge’s “I Need to Wake Up” from An Inconvenient Truth (2007).
From left: Brandi Carlile, Zoe Saldaña in Emilia Pérez and Kerry Washington in The Six Triple Eight.
Illustration by Nate Kitch
Best Original Score
This category continues to be populated by composers from all over the world. Of this year’s nominees, only Stephen Schwartz and Kris Bowers are Americans. In the last 20 years, the only Americans to win in this category are Michael Giacchino (Up), Trent Reznor (The Social Network, Soul), Justin Hurwitz (La La Land) and Jon Batiste (Soul).
The BrutalistDaniel Blumberg (A24)
This was one of 10 nominations for Brady Corbet’s The Brutalist, which stars Adrien Brody as a Hungarian Jewish architect who survives the Holocaust and builds a new life in America. Brody is nominated for best actor; Guy Pearce and Felicity Jones are up for supporting actor and actress, respectively. The film is also nominated for best picture, cinematography, directing, film editing, production design and original screenplay.
The film is dedicated to the memory of Scott Walker, who scored Corbet’s films The Childhood of a Leader and Vox Lux (the latter also featured music by Sia).
Blumberg, 35, is an English artist, musician, songwriter and composer. In May 2022, he won an Ivor Novello Award for best original film score for The World To Come.
The Brutalist soundtrack opens with an overture in three parts, as Blumberg and Corbet wanted the first 10 minutes of the film to have continuous music. In addition to composing all the music, Blumberg served as producer and recording engineer and played piano, harmonica, keyboards and synthesizer. Pianist John Tilbury is featured on the 11-minute track “Intermission,” while a Brody speech from the film is featured on the track “Monologue.”
ConclaveVolker Bertelmann (Focus Features)
This is the third nomination for the German composer, who performs and records under the name Hauschka. He was first nominated at the 2017 ceremony for Lion, which he scored in tandem with Dustin O’Halloran. He won two years ago for his score to All Quiet on the Western Front. If Bertelmann wins for Conclave, it would mark the quickest return to the podium in this category since Gustavo Santaolalla won back-to-back Oscars in 2006-07 for scoring Brokeback Mountain and Babel.
Conclave director Edward Berger also directed All Quiet on the Western Front. The director and composer are collaborating again on The Ballad of a Small Player, an upcoming psychological thriller drama starring Colin Farrell and Tilda Swinton.
This was one of eight nominations for Conclave. The film’s other nods are for actors Ralph Fiennes and Isabella Rossellini, best picture, costume design, film editing, production design and adapted screenplay. Berger was passed over for a nod for best director.
“The collaboration with Edward Berger is for me a big gift,” Bertelmann, 58, said in a statement, “and allows me to search and discover a lot of possibilities.”
Emilia PérezClément Ducol and Camille (Netflix)
Emilia Pérez is one of only four musicals in Oscar history to land as many as 13 nods. La La Land leads the pack with 14. Chicago and Mary Poppins matched Emilia Pérez’s total of 13.
Ducol and Camille, 43 and 46, respectively, are vying to become the second couple to win in a scoring category following lyricists Alan and Marilyn Bergman, who won in 1984 for their original song score for Yentl, on which they collaborated with Michel Legrand.
Ducol and Camille are also vying to become the first French composers to win in this category since Alexandre Desplat triumphed seven years ago for The Shape of Water. Five other French composers have won in scoring categories: Legrand, Maurice Jarre, Francis Lai, Georges Delerue and Ludovic Bource.
“We are overwhelmed by these nominations,” Ducol and Camille said in a joint statement. “Music and community is our life, and to be nominated in two music categories by our film music community surpasses anything we could have possibly imagined.”
Clockwise from left: Jonathan Bailey in Wicked, Clément Ducol and Camille, Bowers and Adrien Brody in The Brutalist.
Illustration by Nate Kitch
WickedJohn Powell and Stephen Schwartz (Universal)
This is Schwartz’s fourth nomination in a scoring category following three nods in the defunct best original musical or comedy score category for Pocahontas, The Hunchback of Notre Dame and The Prince of Egypt. (The film academy last presented that award in 1999.) Schwartz, 76, is a two-time winner for best original song, for “Colors of the Wind” from Pocahontas (which he co-wrote with Alan Menken) and “When You Believe” from The Prince of Egypt (which he wrote himself).
This is Powell’s second nod in this category following one for the 2010 film How To Train Your Dragon. The Englishman has also composed scores for films such as Face/Off, Drumline and Bolt.
This was one of 10 nominations for Wicked, which has become the top-grossing film ever adapted from a Broadway musical. A sequel, Wicked: For Good, is due in November. Jon M. Chu directed both films.
The Wicked soundtrack album entered the Billboard 200 at No. 2, the highest debut in history for a soundtrack based on a stage musical. Highlights include “Popular” (sung by Ariana Grande, a best supporting actress nominee for her role as Glinda) and “Defying Gravity” (sung by Cynthia Erivo, a best actress nominee for her role as Elphaba, with an assist from Grande).
The Wild RobotKris Bowers (Universal)
This is Bowers’ first scoring nomination. He has been nominated twice in documentary categories — as a director of A Concerto Is a Conversation and as a director-producer of The Last Repair Shop (both collaborations with Ben Proudfoot). The latter film won last year for documentary short film. Bowers, 35, is the first Black composer to be nominated for best original score in four years. At the 2021 ceremony, both Terence Blanchard (Da 5 Bloods) and Jon Batiste (Soul, a collaboration with Trent Reznor and Atticus Ross) were nominated.
This was one of three nominations for Chris Sanders’ The Wild Robot, which is also competing for best animated feature and best sound. The Wild Robot is the first animated film to receive a nod for best original score since Encanto three years ago.
The Wild Robot soundtrack includes “Kiss the Sky,” which was co-written and performed by Maren Morris. It was shortlisted for best original song but wasn’t nominated.
This is Bowers’ first score for a fully animated film. His previous scoring assignments include the live-action dramas Green Book, The United States vs. Billie Holiday, Respect, King Richard, The Color Purple and Bob Marley: One Love.
This story appears in the Feb. 8, 2025, issue of Billboard.
The Songwriters Hall of Fame is hosting its ninth annual virtual “Conversation With Oscar-Nominated Songwriters,” which will be available to watch for free on the organization’s website for three weeks. The conversation, moderated by SHOF inductees Nile Rodgers (SHOF chairman) and Paul Williams (a member of the SHOF board of directors) will become available on […]
The Academy of Motion Picture Arts & Sciences’ decision not to have performances of the nominated songs on the 97th annual Academy Awards on March 2, but to instead focus on the songwriters, has struck a sour note with Ashley Irwin, president of the Society of Composer & Lyricists.
Billboard has obtained a letter that Irwin wrote to the Academy’s board of governors and the producers of the Oscar telecast asking them to reconsider their decision.
“…This decision to exclude the song performances presents as just another example of the devaluation of music, and its creators,” Irwin wrote. “What should be an opportunity to elevate our craft, by an Academy tasked to represent the importance of music to a motion picture’s storytelling, will be lost. A performance shares the creation of a songwriter’s original work. To eliminate the nominee performances is to silence songwriters.
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Irwin also argued, “In a time when Los Angeles, the home of filmmaking, has lost entire communities and with so many people affected, music has the power to inspire and heal — a message reflected in the Oscar-nominated songs.”
The Academy announced its decision to present the best original song category on the Oscar telecast in a different way on Wednesday (Jan. 22), one day before the nominations were announced, presumably after it saw the list of nominees. The roster doesn’t include any songs that have become big hits, like last year’s winner, “What Was I Made For” from Barbie. Billie Eilish‘s recording of the song, which she co-wrote with her brother FINNEAS, had reached No. 14 on the Billboard Hot 100 months before the telecast.
This year’s nominees are “El Mal” from Emilia Pérez, “The Journey” from The Six Triple Eight, “Like a Bird” from Sing Sing, “Mi Camino” from Emilia Pérez and “Never Too Late” from Elton John: Never Too Late.
In a letter to Academy members on Jan. 22, Bill Kramer, Academy CEO, and Janet Yang, Academy president, said, “This year the Best Original Song category presentation will move away from live performances and will be focused on the songwriters. We will celebrate their artistry through personal reflections from the teams who bring these songs to life. All of this, and more, will uncover the stories and inspiration behind this year’s nominees.”
In their letter, Kramer and Yang also teased that music will play a role in the show in other ways. “There is so much more in store, including powerful musical moments that connect film’s rich history to its bold and inspiring future.”
Here’s Irwin’s letter, in full:
Dear AMPAS Governors and producers of the 97th Academy Awards,
I am the president of The Society of Composers & Lyricists (SCL), the premier organization for professional songwriters and composers working in film and other visual media. All the Oscar-nominated songwriters this year, as in most years, are members of the SCL. Our members, who number over 4,000 in more than 80 countries worldwide, including the majority of the Motion Picture Academy Music Branch, are disappointed over the decision to eliminate the Oscar-nominated song performances at the 97th Academy Awards. Songwriters and composers face many challenges in the current climate, including everything from diminished royalty payments by streaming services to the theft of their intellectual property to enrich “big tech” in the guise of training for AI. The Academy of Motion Picture Arts and Sciences, and an award like the Oscar, has always served to amplify and honor the work of talented craftspeople, but this decision to exclude the song performances presents as just another example of the devaluation of music, and its creators. What should be an opportunity to elevate our craft, by an Academy tasked to represent the importance of music to a motion picture’s storytelling, will be lost. A performance shares the creation of a songwriter’s original work. To eliminate the nominee performances is to silence songwriters.
We understand there are reasons behind this decision, but it is my understanding that there was no discussion with the Music Branch. The songs and performances this year would represent a diverse range of artists, including past Oscar winners H.E.R. and Elton John along with Brandi Carlile, Clément Ducol & Camille, Adrian Quesada & Abraham Alexander, as well as 16-time Oscar-nominee Diane Warren. The promotion of these song performances will undoubtedly draw a larger viewing audience. But most importantly, in a time when Los Angeles, the home of filmmaking, has lost entire communities and with so many people affected, music has the power to inspire and heal – a message reflected in the Oscar-nominated songs. [Here Irwin quoted healing lyrics from four of the five nominated songs.]
With the quality of the talent assembled to produce The Oscars, there must be a way to accommodate even abbreviated renditions of the nominated songs during the show. I respectfully urge you to reconsider your decision and let the songs provide the hope and inspiration to the audience that they do in their respective films.
Thank you for your time and consideration.
Sincerely,
Ashley Irwin
President of the Society of Composer & Lyricists
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The 97th Oscars nominations list was unveiled on Thursday (Jan. 23) and naturally, film fans online have plenty to say. With the Oscars trending on the X platform, the reactions from moviegoers and observers are all over the place.
The 97th Annual Academy Awards, better known as the Oscars, will take place next month with Conan O’Brien hosting, replacing Jimmy Kimmel from a year prior.
Top of the ticket, the Best Picture nominees are Anora, The Brutalist, A Complete Unknown, Conclave, Dune: Part Two, Emilia Pérez, I’m Still Here, Nickel Boys, The Substance, and Wicked.
One of the more impassioned replies on X seemed to be aimed at Emilia Pérez notching 13 nominations, the most by a non-English-language movie in Oscars history. Wicked earned 10 nominations total, with the film’s leads Cynthia Erivo and Ariana Grande both nominated in their roles. The Substance, starring Demi Moore, also earned five nominations.
Some snubs were mentioned by a few with Denzel Washington’s role in Gladiator II seemingly overlooked, along with Nicole Kidman in Babygirl and Angelina Jolie in Maria among others. Fan favorite actor Colman Domingo earned an Actor in a Leading Role for his role in Sing Sing, going against Timothée Chalamet, Adrien Brody, Ralph Fiennes, and Sebastian Stan.
In the Actress in a Leading Role category, the aforementioned Cynthia Erivo was nominated for her role in Wicked. Karla Sofía Gascón, Mikey Madison, Demi Moore, and Fernanda Torres round out the nominees there.
To see the full listing of the 97th Oscars (Academy Awards) nominees, please click here.
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Photo: Getty
