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300 Entertainment

Belfast singer/songwriter Jordan Adetunji, who scored a viral hit earlier this year with the single “Kehlani,” signed to 300 Entertainment in North America and Warner Records UK, the companies tell Billboard. “Jordan is a generational talent whose music transcends genres,” said Kevin Liles, CEO of 300 Entertainment, in a statement. “300 is built on recognizing […]

300 Entertainment continues to bolster its roster of young talent with the signing of newest act BlakeIANA, a Midwest-based rapper on the rise for her song “BING BONG.” “When I heard BlakeIANA, I was impressed and definitely excited by the sound,” 300 Entertainment co-president Selim Bouab tells Billboard. “Once I sat down with her face-to-face, […]

Maria Becerra has signed a deal with Warner Music Latina in a new joint venture with 300 Entertainment, Billboard can exclusively announce today (May 10). 
“I am thrilled to be a part of the Warner Music Latina family,” Becerra said in a statement. “I know that together we will achieve incredible things and that this union will allow me to go even further in my career and solidify my global expansion. I’m honored to be part of their roster and look forward to working with such a skilled and talented team.” 

For Alejandro Duque, president of Warner Music Latin America, having the Argentine singer-songwriter on the roster is an honor. 

“She’s a standout artist with a strong team behind her, and her past successes are a testament to that. We’re excited to continue the path that was started by 300 Entertainment and Kevin’s team, and are very excited for our future together,” he added. 

The news of the signing comes on the heels of Becerra receiving the Visionary Award at the inaugural Billboard Latin Women in Music gala. 

Maria Becerra at Billboard Latin Women In Music held at the Watsco Center on May 6, 2023 in Coral Gables, Florida. The show airs on Sunday, May 7, 2023 on Telemundo.

Natalia Aguilera

To date, the YouTuber-turned-artist has achieved three entries on the Billboard Hot Latin Songs chart, including her hit “Qué Más Pues?” with J Balvin, as well as two top 10 entries on Latin Airplay (the No. 1 hit “Te Espero” with Prince Royce, and “Éxtasis” with Manuel Turizo at No. 9), and five entries on Latin Rhythm Airplay.

In 2021, Becerra was nominated for best new artist at the Latin Grammys, and her latest album La Nena de Argentina (2022) has garnered more than 300 million plays on Spotify alone, to name a few career highlights. Additionally, she signed with 300 Entertainment in 2020, becoming the first Latin artist to join the label’s roster.

“We are very happy and deeply grateful to 300 Entertainment, Kevin Liles, and his entire team, for the support they have provided Maria since the beginning, because due to their dedication, efforts, and teamwork, Maria has been able to achieve the success she celebrates today, which leads us to this important next step with Warner Music Latina, spearheaded by Alejandro Duque, to continue growing with the next albums,” noted Jose Levy, Becerra’s manager. 

Kevin Liles, chairman and CEO of 300 Elektra Entertainment, added: “It’s been amazing to see the growth of Maria as an artist, and I’m so proud of everything that we’ve been able to accomplish together so far. Tapping into the vast, global reach of our Warner Music Group family with the addition of Warner Music Latina to the team behind her, there is absolutely no limit on where she can go.”

Up next, Becerra is working on new music to be released under the Warner/300 venture and is expected to announce a tour.

Maria Becerra signs with Warner Music Latina.

Miguel Valencia/Warner Music Latina

Rising British singer PinkPantheress has been gaining recognition with a set of mixtapes and EPs that have caught the attention of fans, and the U.K. charts, over the past few years. And while she had been bubbling under in the United States, she had yet to crack the Hot 100 until this month, when her single with Ice Spice, “Boy’s a liar Pt. 2,” went viral and debuted at No. 14 on the Hot 100 before rocketing to No. 4 this week. The track is the first Hot 100 Top 10 for both artists, as well as the first duet by two acts who are each making their first Hot 100 Top 10 appearance to reach that mark in only two weeks since February 2021.

The story of “Boy’s a liar Pt. 2” started in November, when PinkPantheress’ original, solo version of the song was released and started gaining traction — where else? — on TikTok. A few months later, rising Bronx MC Ice Spice jumped on the remix and the two shot a video in New York City. Released Feb. 3, the “Pt. 2” remix exploded out of the gate, making waves not just in the United States but also globally; this week, it concurrently shot up to No. 4 on the Billboard Global 200. And that earns 300 Entertainment vp of marketing Lallie Jones the title of Billboard’s Executive of the Week.

Here, Jones discusses the viral spark that 300 — along with its U.K. and global partners at Warner Music Group — managed to turn into a Top 5 hit, the differences between the U.S. and global marketing campaigns and the impact of radio jumping on the song, which led U.S. spins to increase 258% week over week. “One can embark on a release with what you think will and should happen, but timing and cultural appetite will always dictate the impact of a record,” she says. “The collision of PinkPantheress’ underground notoriety and mystique, mixed with Ice Spice’s ubiquity and virality, led to a pop culture explosion.”

This week, PinkPantheress and Ice Spice’s “Boy’s a liar, Pt. 2” surged to No. 4 on both the Hot 100 and the Billboard Global 200 charts. What key decisions did you make to help make that happen?

So much about this project has been a collaborative effort amongst PinkPantheress, her management and the global team across WMG. Our goal at 300 was to utilize the remix to broaden her already growing profile and further develop her reach Stateside. PinkPantheress’ music transcends genre, but it was important in the U.S. market to establish her as a Black artist creating on her own terms. As such, we strategically secured support from social accounts that could help accelerate the cultural conversation. We also targeted influential livestreamers and enlisted creators whose reaction videos propelled the track’s consumption. The official video also played a key role in setting this release on fire as the No. 1 trending video on YouTube for 11 straight days. PinkPantheress really wanted to step into Ice Spice’s world and film in NYC with the rising directors George and Fred Buford. Zak Boumlaki, her incredible marketing lead at Warner Records U.K., and I ensured the cast reflected youth and diversity that truly resonated.

The original “Boy’s a liar” was released in November. Why did you guys want to put out this remix, and how did it come together?

The original “Boy’s a liar” sound started to go crazy on TikTok in November, and once released, the track continued its viral trajectory throughout the holidays. The U.S. and U.K. teams pushed for an additional version, believing that the song deserved a longer story. It was PinkPantheress’ decision to enlist Ice Spice for the remix. Coincidentally, Ice Spice had posted the song on her IG stories, and PinkPantheress responded to it by asking if she’d like to team up.

The song has been a smash out of the gate, becoming the first duet by two acts each making their first Top 10 appearance on the Hot 100 to reach that mark in only two weeks since February 2021. What was the marketing plan behind it?

Leading up to release, the main marketing anchor was releasing a vibrant visual that placed the two artists in the same world. Initially, we wanted to keep the collaboration a surprise, with the intention of slowly teasing the partnership on both artists’ TikTok accounts. [But] snippets of them shooting together fueled a frenzy, and, even before the partnership was revealed, there was a bubbling conversation amongst their fans fantasizing about what would happen if the two actually came together. One can embark on a release with what you think will and should happen, but timing and cultural appetite will always dictate the impact of a record. The collision of PinkPantheress’ underground notoriety and mystique, mixed with Ice Spice’s ubiquity and virality, led to a pop culture explosion.

The song is not just No. 4 in the U.S., but also globally. How did the worldwide rollout plan differ from the U.S. plan?

In [the U.S.] market, we face the common challenge of tying the artist themselves to their music, especially when they’re not from here. While other markets might have impacted radio at launch, our plan was to first focus on setting the table culturally before pursuing a commercial radio push. We had the fortune of PinkPantheress being Stateside on release weekend and were able to capture her moving around with different artists, including her linking with Ice Spice throughout the weekend. Seeing her outside in the States is all part of her establishing a true U.S. presence.

The song has grown significantly in streams (up 54%) and radio airplay (up 258%) in just its second week out. How do you plan to keep the momentum going?

There’s no ceiling for this song or PinkPantheress as a writer, producer and artist. Despite its online ascension, the radio story is only beginning and the track will see a multi-format impact in March. Radio airplay will take the song’s consumption and visibility to the next level, positioning the track as one of the most popular anthems of the year. Alongside radio, the track will sustain momentum through thoughtful digital strategy, out-of-home campaigns, and her upcoming appearances at U.S. festivals this year. Following her gut and internal compass has resulted in PinkPantheress developing into one of the most intriguing artists of this time. Our North Star is protecting her brand and supporting her vision by pursuing only the right opportunities that will take her to new heights.

The ongoing legal battle between Megan Thee Stallion and her label 1501 Certified Entertainment has taken another nasty turn around this weekend’s American Music Awards.
According to court documents obtained by Billboard, the “Savage” rapper (born Megan Pete) was granted a restraining order against 1501, along with her distributor 300 Entertainment, after claiming 1501 “unlawfully” took steps “to block or interfere with Pete exploiting, licensing, or publishing her music” in the lead-up to the upcoming AMAs on Sunday (Nov. 20). Filed in Harris County District Court in Texas, the order says Megan “provided evidence” that the company “recently engaged and will continue to engage in threatening and retaliatory behavior that will irreparably harm” her music career.

Without providing further detail on what 1501 or 300 allegedly did, the court notes that it filed an ex parte order — essentially, a type of emergency order granted without waiting for a response from the other side — “because there was not enough time to give notice to Defendants, hold a hearing, and issue a restraining order before the irreparable injury, loss, or damage would occur.” It adds that voting for the AMAs, where Megan is nominated for favorite female hip-hop artist, closes on Monday night (Nov. 14) at midnight, and that Megan “will suffer irreparable harm if her music cannot be used in conjunction with her promotion for the AMAs.”

Under the order, 1501, 300 and anyone acting “in concert or participation with” them are restricted from “preventing or blocking the use and exploitation” of Megan’s music in promotional content for the AMAs, — including by “threatening or otherwise attempting to intimidate or coerce” third parties not to use it — through Nov. 20. It also sets a hearing on Megan’s restraining order request for Nov. 22.

The restraining order is just the latest volley in a more than two-year-old legal battle that began in 2020 when Megan filed a lawsuit alleging that 1501 founder Carl Crawford tricked her into signing an “unconscionable” record deal in 2018 that was well below industry standards. She claims that upon signing a management deal with Jay-Z‘s Roc Nation the following year, she got “real lawyers” who showed her that the 1501 agreement was “crazy.”

In February, Megan filed a separate lawsuit claiming 1501 had refused to count her 2021 Something for Thee Hotties release as an album — a pivotal definition, as her 1501 deal states that she must produce three albums to fulfill her obligations. 1501 quickly countersued, arguing that Thee Hotties included just 29 minutes of original material and therefore didn’t qualify.

In September, Megan filed yet another lawsuit seeking more than $1 million in damages, claiming that 1501 “systematically failed” to pay her the proper amount of royalties she was owed and had “wrongfully allowed for excessive marketing and promotion charges,” in addition to allegations that the label leaked her most recent album Traumazine. In response, attorneys for the label argued it was actually Megan who had failed to pay 1501 its fair share of money she made from endorsements, partnerships and other business deals, as well as requirements related to publishing royalties. They further added that any claims of underpayment of royalties should be redirected to 300 Entertainment.

Representatives from 1501 and 300 did not immediately respond to Billboard‘s request for comment.