State Champ Radio

by DJ Frosty

Current track

Title

Artist

Current show
blank

State Champ Radio Mix

1:00 pm 7:00 pm

Current show
blank

State Champ Radio Mix

1:00 pm 7:00 pm


Blog

Page: 76

Alex Warren is doing more than alright on charts with hit single “Ordinary,” and soon, he’ll be adding a new album to the mix. On Tuesday (June 3), the singer-songwriter announced that the second chapter of his 2024 LP, You’ll Be Alright, Kid, will arrive July 18, featuring 10 new tracks. On Instagram, he shared […]

Jessie Murph is inviting you to enter a bold new world on her upcoming sophomore album, Sex Hysteria. The 20-year-old singer announced on Tuesday (June 3) that her follow-up to last year’s debut LP, That Ain’t No Man That’s the Devil, is due out on July 18.
And from the sounds of things, it’s going to be a bumpy ride. According to a release, Sex Hysteria is “a bold departure” from her first collection that “dives headfirst into uncharted territory — opening up about themes of sexuality, generational trauma and self-discovery with a vulnerability and honesty that marks a new chapter in her artistic evolution.”

Following the trap country pre-release single “Blue Strips” and the seductive ballad “Gucci Mane,” the 15-track LP will get another preview on Friday (June 6) with the release of the next single, “Touch Me Like a Gangster,” which Murph debuted at the Sports Illustrated Swimsuit Show in Miami over the weekend. The album cover is a nod to 1960s femme fatales, with Murph sporting a teased-up beehive hairdo, with a 24-second promo video continuing the throwback look and attitude.

Trending on Billboard

“Hey baby. Now I know we ain’t been talkin’ for too long, but there are some things I feel like you just don’t know about me,” she says in the clip, while blowing out a plume of cigarette smoke and staring right down the lens as she asks, “you wanna know a secret?”

At press time the full track list for the album had not yet been released, but the announcement promised that fans are in for the “most thematically cohesive work to date” from the singer, one that peels back “the layers of her story like never before as she transforms personal pain into cathartic, powerful music.” The new songs are said to find Murph reckoning with her past, interrogating inherited trauma and exploring “the emotional complexities of growing up in environments where feelings are buried deep. From confronting family wounds to reclaiming her body and desires, she pushes back against the shame and stigma that often silence women who dare to be loud, sexual, or emotionally honest. Sex Hysteria is both a provocation and a reclamation.”

Murph is gearing up to launch her Worldwide Hysteria Tour on July 27 at the Arizona Federal Theatre in Phoenix, AZ, criss-crossing North America all summer before jumping to Europe in October and Australia/New Zealand in November.

Watch the Sex Hysteria album trailer below.

Source: Johnny Nunez / Getty

Drake is making his long-awaited return to the UK and Europe this summer with the $ome $pecial $hows 4 UK EU tour, and it’s about to be a movie.

Produced by Live Nation, the arena run kicks off July 20 in Birmingham at Utilita Arena, right after he headlines all three nights of Wireless Festival (July 11–13) at Finsbury Park, London. Each night comes with a different setlist and surprise guests, and fans clearly weren’t playing around. The festival sold out in minutes, breaking records as the fastest sell-out in its 20-year history.

Rolling with him for the full tour is none other than PARTYNEXTDOOR, his longtime collaborator and fellow OVO signee. After Birmingham, Drake hits Paris, Berlin, Copenhagen, and more, before wrapping up September 23 in Hamburg, Germany at Barclays Arena.

This marks “The Boy’s” first time back in Europe since his 2019 Assassination Vacation Tour, which saw him bring some dope performances and surprise guests to packed-out arenas across the continent. That tour followed the release of “Scorpion” and showed why Drizzy continues to dominate global stages.

The momentum hasn’t stopped. Earlier this year, the OVO top dog tore through Australia with the “Anita Max Win Tour”, and before that, he ran the “It’s All A Blur Tour” across North America, 80 sold-out dates featuring 21 Savage and J. Cole, bringing deep cuts, massive hits, and unforgettable visuals.

Now, the 6 God is setting his sights on Europe once again. Whether you’re a day-one fan or just catching on, one thing’s clear, when Drake hits the stage, it’s more than a concert. It’s a cultural event.

HipHopWired Featured Video

Bad Bunny‘s “DtMF” hits a 20th week at No. 1 on Billboard’s Hot Latin Songs chart (dated June 7).The track’s extended dominance marks a milestone for Benito, becoming his third song to spend at least 20 weeks at the top — a record unmatched by any other artist in the 39-year history of the chart.

Explore

See latest videos, charts and news

See latest videos, charts and news

Bad Bunny becomes the only act with three songs to spend at least 20 weeks atop the tally. He previously spent 27 weeks in a row at No. 1 with his collaboration with Jhay Cortez, “Dakiti,” in 2020-21, and 20 straight weeks on top with “Me Porto Bonito,” his collab with Chencho Corleone, in 2022.

Trending on Billboard

Only two other artists have tallied multiple songs with 20-plus-week runs at No. 1: Enrique Iglesias and J Balvin, each with two. Iglesias’ “Bailando,” featuring Descemer Bueno and Gente de Zona, dominated for 41 weeks (2014-15), and “El Perdón,” with Nicky Jam, ruled for 30 weeks (2015). Meanwhile, J Balvin’s “Ginza” spent 22 weeks at No. 1 (2015-16), and “RITMO (Bad Boys for Life),” with Black Eyed Peas, led the chart for 24 weeks (2020).

“DtMF” holds strong atop Hot Latin Songs despite a decline across all metrics. On the tally that ranks songs based on a formula blending streaming, sales and airplay totals in the United States, the song fell by 3% in streams, to 7.8 million, in the tracking week ending May 29, according to Luminate. It also earned 8 million audience impressions, down 12%, which yields a 1-3 dip on the overall Latin Airplay chart.

Karol’s 29th Top 10

Elsewhere on Hot Latin Songs, Karol G adds her 29th top 10 with “Latina Foreva.” The song, released May 22 via Bichota/Interscope/ICLG, debuts at No. 4 predominantly by streaming activity. It logged 6.9 million U.S. official on-demand streams during the May 23-29 tracking week, enough for a No. 3 on Latin Streaming Songs.

Sales, too, assist the song’s high start: 1,000 downloads sold during the same period for a 15-1 surge on Latin Digital Song Sales.

Ashley McBryde and Cody Johnson are set to bring viewers deep into the music propelling the 52nd annual CMA Fest as hosts of the upcoming television special CMA Fest Presented by SoFi. Explore See latest videos, charts and news See latest videos, charts and news The three-hour special will air June 26 starting at 8 […]

LeBron James stays tapped in. The NBA goliath has been bumping plenty of Kendrick Lamar this year, and he’ll have a new verse this summer when K. Dot’s “Chains & Whips” collab with the Clipse arrives in July.
GQ got an early listen to Lamar’s verse on Let God Sort Em Out as part of a Clipse cover story released on Monday (June 2), and LeBron reposted one of the Compton rapper’s unhinged bars — as first revealed in the magazine — to his Instagram Story.

“Therapy showed me how to open up! It also showed me I don’t give a F,” he wrote to IG as the lyric clearly resonated with the Lakers star.

Trending on Billboard

According to Pusha T, Kendrick’s verse was at the center of his and Clipse’s split from Def Jam, as the record label wanted Lamar removed from the project completely.

“They wanted me to ask Kendrick to censor his verse, which of course I was never doing,” Push told the publication. “And then they wanted me to take the record off. And so, after a month of not doing it, Steve Gawley, the lawyer over there, was like, ‘We’ll just drop the Clipse.’ But that can’t work because I’m still there [solo]. But [if] you let us all go.”

Def Jam did not reply to Billboard‘s initial request for comment on Pusha’s statement.

Clipse ended up inking a distribution deal for a comeback album with Roc Nation. Many fans online tied the alleged attempted censorship to Def Jam’s parent label, Universal Music Group, being actively sued by Drake for defamation over the alleged artificial inflation of Lamar’s “Not Like Us.” The label has denied Drizzy’s claims, and in early May, asked a judge to dismiss his updated lawsuit.

“Chains & Whips” will serve as Pusha T’s first collab with Lamar since teaming up for “Nosetalgia” in 2013. The track was initially premiered at Pharrell’s Louis Vuitton fashion show earlier this year.

LeBron James has continued to show support for Kendrick after making an appearance at the award-winning rapper’s Pop Out concert last year, which seemingly damaged the NBA star’s relationship with Drake in the heat of battle.mDrizzy appeared to send shots at King James on the leaked “Fighting Irish” freestyle in January, but the Conductor Williams-produced track was quickly scrubbed from YouTube.

Clipse kicked off the project’s rollout with “Ace Trumpets” on May 30. Look for Let God Sort Em Out to arrive on July 11.

JoJo Siwa takes us out to Priscilla’s and she shares her experience on Celebrity Big Brother U.K., her relationship with Chris Hughes, working with Rock Mafia on her new album, opening up about her sexuality, what fans can expect from her tour and more!

Tetris Kelly:Well, I feel like I live the coolest life ever, because I’m just casually hanging in Burbank with JoJo Siwa. 

JoJo Siwa:We’re locals. 

And this is Priscilla’s. So what is the story of this place? 

They have this blueberry vanilla coffee that became my favorite thing ever. 

OK so I wanna try. 

So what is really special about this? 

I would’ve never thought about blueberry and coffee. 

So strange, right? 

It’s awesome. 

But here’s what’s cool is it’s like, you can see all their coffee beans. The bean is what’s actually flavored. So the coffee bean is infused, essentially, with blueberry. It’s cooked, I think, in oil. I don’t know how they do it. And then it has a vanilla powder in it anyways, I’m on my-

What did you get? 

I’m on my English breakfast tea kick right now. 

Oh, Miss U.K. right now.

I’m missing my people over there.

From across the pond. You’re going on the 22-date tour. I mean, you’re not new to touring, but like, what’s gonna be different about this summer? 

I mean, I’m an adult now, which is crazy. There’s elements in this show that make it a lot different than just a typical concert. It’s been really fun. It’s been really fun to create it as it’s like, song, song, funny bit, song, song, dance moms reference song, song, Jojo the Bobo reference song, song, crowd interactions, there’s things from my life that people really like, quotes that I’ve said, half of them being with you- 

All the quotes being with me.

Keep watching for more!

Great Oz! The first proper teaser for Wicked: For Good has arrived, and the characters are looking a lot different than they did when we first met them in Part 1.
Dropping Tuesday (June 3) — just one day ahead of the premiere of For Good‘s first trailer — the teaser opens with Cynthia Erivo fiercely staring down the camera, her hair down and outfit changed into a spookier black dress to show how her character, Elphaba, has fully embraced her role as the Wicked Witch of the West. On the flip side, Ariana Grande — who is the last to appear in the teaser — swapped her Shiz University uniform and pink bubble dress from the first Wicked film for a multi-colored ballgown and tiara, signifying how her character, Glinda, has leveled up as the people’s princess of Oz.

“I have been changed,” Erivo sings over the teaser, a snippet from the tear-jerking “For Good” duet in the Wicked Broadway musical.

Trending on Billboard

Jeff Goldblum and Michelle Yeoh also return in the teaser, looking more sinister after Part 1 revealed how their characters — The Wizard of Oz and Madam Morrible, respectively — intended to use their power for evil. Plus, Jonathan Bailey looks stoic as Fiyero in his green Emerald City uniform, while Ethan Slater appears as munchkin Boq in a gray getup.

For Good is set to hit theaters this November, one year after the first installment of Jon M. Chu’s live-action musical duology premiered. Things will take a darker turn in the sequel as Elphaba’s magic powers get the best of her, putting her relationships with Glinda, Fiyero, and Marissa Bode’s Nessa Rose in jeopardy.

“She’s able to access her rage more,” Erivo told Billboard Pride editor Stephen Daw of Elphaba’s transformation for her June cover story. “The scent I wore changed. The makeup changed. Little shifts that bring you to a more mature version of who Elphaba becomes. And she is delicious in this next one.”

As promised in the new teaser — which ends with text reading, “Trailer tomorrow” flashing across the screen — the first full preview of For Good is set to premiere in theaters Wednesday (June 4) as the first Wicked film returns to big screens for one night only in the United States and Canada. By the end of May, Wicked had grossed $755.9 million worldwide, more than any other film adaptation of a Broadway musical.

See the new Wicked: For Good teaser below.

Source: Mike Marsland / Getty / Ryan Coogler
Sinners took a tremendous bite out of the box office, but don’t expect the story of Stack and Mary to continue unless something significant happens to get Ryan Coogler back in the director’s chair.

Speaking with Ebony, Ryan Coogler revealed that he never planned on making a sequel to his period vampire flick, throwing a splash of cold holy water on any speculation that Sinners would become a franchise, like his other projects, Creed and Black Panther.

Even though Coogler secured a historic deal by securing the rights to Sinners, meaning the rights of the film will revert to him after 25 years.
The director told the publication he “never” gave any thought to making a sequel to Sinners.
“I’ve been in a space of making franchise films for a bit, so I wanted to get away from that,” Coogler said. “I was looking forward to working on a film that felt original and personal to me, and had an appetite for delivering something to audiences that was original and unique.”
When watching his film, Coogler explained that he wanted to give audiences a “full meal.”
He continued, “I wanted it to be a holistic and finished thing. That was how I was asked all about it. That was always my intention.”
Coogler’s statement comes after false reports of a Sinners sequel in development flooded both Instagram and X, formerly Twitter, timelines.

‘SINNERS 2’ is rumored to be in development.
(Via: @prodweek) #Sinners pic.twitter.com/WprpwKF9vv
— CriticalOverlord (@CriticalOverlo3) May 29, 2025

Fans Seem To Be Happy A Sequel To Sinners Is Not In The Works
However, now that we know a sequel is unlikely, it seems most moviegoers are fine with the idea that Stack and Mary’s story ended with that post-credits scene.

Normalize not fucking things up with a sequel 🙏 https://t.co/gMVwFOjd5F
— bryo (@falloutbryan) June 2, 2025

We are not opposed to the idea of a Sinners sequel, but we want it to happen on Ryan Coogler’s terms, not the studio’s.
Hit the gallery below for more reactions.

6.

Why does everything have to have a sequel Sinners is brilliant it doesn’t need a cinematic universe.I can’t wait for Mr Cooglers next original film. Let the guy cook https://t.co/6XA1HxLXrb— Rich Brockwell (@richkbrock) June 1, 2025

HipHopWired Featured Video

CLOSE

Lizzo is launching an appeal aimed at ending a sexual harassment lawsuit filed by her former backup dancers, calling it an “attack” on her “First Amendment right to perform her music and advocate for body positivity.”
The blockbuster case, filed in 2023, accuses the star (Melissa Jefferson) of sexual harassment and discrimination. Though a judge dismissed some claims last year – including a headline-grabbing claim about fat-shaming – he allowed the overall lawsuit to move ahead toward a jury trial.

In an opening brief filed last month, her attorneys urged an appeals court overturn that ruling and toss out the entire case. They say Lizzo’s behavior toward the dancers was clearly part of her artistic approach — and thus shielded by constitutional protections for free speech.

Trending on Billboard

“Plaintiffs’ suit [is] an attack on Lizzo’s First Amendment right to perform her music and advocate for body positivity,” writes Lizzo’s attorneys, who include prominent Hollywood defense attorney Marty Singer. “Rather than accept personal accountability, plaintiffs filed this shotgun action, taking aim at nearly every facet of Lizzo’s creative process.”

One key claim in the case against Lizzo is that she pushed the dancers to attend a sex show in Amsterdam’s Red Light District at a venue called Bananenbar, then pressured them to touch and engage with nude performers. But her lawyers say that incident – which they stress was entirely optional — was directly tied to the creation of her art and thus cannot form the basis of legal liablity.

“There’s no disagreement that Lizzo held these outings as a necessary part of her creative process,” Singer writes. “Early social gatherings during international tours (like the Bananenbar) are critical to teambuilding and fostering cohesion.”

The case against Lizzo, filed by Arianna Davis, Crystal Williams and Noelle Rodriguez, accused the singer and her Big Grrrl Big Touring Inc. of creating a hostile work environment via sexual harassment, religious and racial discrimination. It also accused her of disability discrimination based on weight-shaming – a loaded allegation against a star who had made body positivity a key part of her personal brand.

Lizzo quickly denied any wrongdoing, calling the claims “false” and “sensationalized” and vowing to fight back: “I am very open with my sexuality and expressing myself but I cannot accept or allow people to use that openness to make me out to be something I am not.”

The star’s legal defense centered on California’s so-called anti-SLAPP law — a special statute that makes it easier to quickly end lawsuits that threaten free speech. In seeking to dismiss the case under that law, Lizzo’s lawyers argued the dancers wanted to “silence” Lizzo and “weaponize” her creative expression against her.

In early 2024, Judge Mark H. Epstein partly endorsed that argument and tossed out several allegations, including the discrimination claims about fat-shaming. But he allowed numerous accusations to move ahead toward a potential trial, including those over the Amsterdam sex show.

“It is dangerous for the court to weigh in, ham-fisted, into constitutionally protected activity,” the judge wrote. “But it is equally dangerous to turn a blind eye to allegations of discrimination or other forms of misconduct merely because they take place in a speech-related environment.”

In appealing that ruling, Lizzo’s lawyers argue that it’s dangerous for judges to wade into an artist’s creative process. They cite earlier court rulings that say such work includes discussion of “many bizarre and potentially offensive ideas” and can be “unpredictable.”

“Judges must not dissect the creative process to determine what was necessary to achieve the final product and what was not,” Lizzo’s lawyers write. “By rejecting the artist’s proven experience for what is necessary to, and best enhances, her own art, the trial court stepped far outside its role.”

A rep for lawyers for Davis, Williams and Rodriguez did not immediately return a request for comment. They will file their own appellate brief later this month aimed at rebutting Lizzo’s arguments. The two sides will then argue the case before the court at some point in the coming months.

If the appeals court sides with Lizzo, the case will be dismissed. If the court sides with Davis, Williams and Rodriguez, the case will return to Epstein’s court and move toward an eventual jury trial.