State Champ Radio

by DJ Frosty

Current track

Title

Artist

Current show
blank

State Champ Radio Mix

1:00 pm 7:00 pm

Current show
blank

State Champ Radio Mix

1:00 pm 7:00 pm


Blog

Page: 56

Jason Aldean, Brooks & Dunn, Luke Bryan, Cody Johnson, Megan Moroney and Keith Urban are among the acts who will appear at Nissan Stadium as part of CMA Fest, which will run June 5-8 in Nashville and span 10 stages.
Also slated for Nissan Stadium are Kelsea Ballerini, Dierks Bentley, Jordan Davis, Riley Green, Ella Langley, Ashley McBryde, Parker McCollum, Rascal Flatts, Red Clay Strays, Darius Rucker, Shaboozey, Black Shelton, Zach Top and Bailey Zimmerman.

Four-night stadium passes range from $240 to $1,061, while single-night stadium ticket starts at $79.80.

Trending on Billboard

CMA Fest, which began in 1972 as Fan Fair, will spread across Music City on stages both free and paid. The event has a new partner, bank and financial services company SoFi, in a multi-year partnership.

MŌRIAH will kick off the Chevy Riverfront Stage on Thursday morning, performing the national anthem. Other artists playing that stage over the festival run include Gavin Adcock, Tanner Adell, Cooper Alan, Drew Baldridge, Sam Barber, Gabby Barrett, George Birge, Tyler Braden, Colbie Caillat, Ashley Cooke, Dasha, Jackson Dean, Marcus King, Randall King, Brandon Lake, Chris Lane, Ella Langley, Maddie & Tae, Dylan Marlowe, Kameron Marlowe, Max McNown, Midland, Megan Moroney, Ian Munsick, RaeLynn, Redferrin, Josh Ross, Conner Smith, Austin Snell, Alana Springsteen, Thelma and James, Tigirlily Gold, The War And Treaty, Hudson Westbrook and Tucker Wetmore.

Appearing on the Dr. Pepper Amp Stage at Ascend Park are Rodney Atkins, Frankie Ballard, Casey Barnes, Danielle Bradbery, Blanco Brown, T Graham Brown, Karley Scott Collins, Billy Dean, Tyler Farr, Filmore, Josh Gracin, Ty Herndon, Braxton Keith, Erin Kinsey, Lakeview, Edwin McCain, John Morgan, Kylie Morgan, Jerrod Niemann, Jamie O’ Neal, Mason Ramsey, Owen Riegling, Emily Ann Roberts, Reyna Roberts, Kaylee Rose, Shaylen, Sister Hazel, Iam Tongi, US Navy Band Country Current, Darryl Worley, Charlie Worsham and Jake Worthington.

Artists playing The Chevy Vibes Stage at Walk of Fame Park are Angie K, Graham Barham, Blessing Offor, Craig Campbell, Dillon Carmichael, Mackenzie Carpenter, Ashland Craft, Kashus Culpepper, Dailey & Vincent, Jade Eagleson, Exile, Mickey Guyton, Kelsey Hart, Tayler Holder, Greylan James, Willie Jones, Tiera Kennedy, Vincent Mason, Madeline Merlo, Drake Milligan, Lorrie Morgan, David Nail, Meghan Patrick, Dylan Schneider, Shenandoah, MaRynn Taylor, Thompson Square, Pam Tillis, Lauren Watkins, Mark Wills, Rita Wilson and Waylon Wyatt.

The Good Molecules Reverb Stage at Bridgestone Plaza’s line-up includes  Willow Avalon, Maddox Batson, Laci Kaye Booth, Brenn!, Franni Rae Cash, Chapel Hart, Julia Cole, Preston Cooper, Kolby Cooper, Wesley Dean, Melanie Dyer, Madeline Edwards, Mae Estes, Carter Faith, Lanie Gardner, Cole Goodwin, Fancy Hagood, Jack Wharff and The Tobacco Flats, Max Jackson, James Barker Band, Just Jayne, Alexandra Kay, Zach John King, Matt Lang, Bryce Leatherwood, Hannah McFarland, Walker Montgomery, Will Moseley, Elizabeth Nichols, Adrien Nunez, Scoot Teasley, Cameron Whitcomb, Blake Whiten, Austin Williams and Eli Winders.

Acts will perform free at The Hard Rock Stage with a slate that includes Ashley Anne, Palmer Anthony, Hayden Blount, BODHI, BoomTown Saints, Luke Borchelt, CECE, Hayden Coffman, Abbey Cone, Crowe Boys, Eddie and The Getaway, Sterling Elza, Brian Fuller, Giovannie and The Hired Guns, Colt Graves, Reid Haughton, Christian Hayes, The Heels, Hueston, Solon Holt, Preston James, Jason Scott & The High Heat, Britnee Kellogg, Alex Lambert, LECADE, Trey Lewis, Tyler Joe Miller, MŌRIAH, Clayton Mullen, O.N.E The Duo, Harper O’Neill, Pistol Pearl and the Western Band, Peytan Porter, RVSHVD, Sacha, Matt Schuster, Sophia Scott, SKEEZ, Kevin Smiley, Payton Smith, Liam St. John, Colin Stough, Troubadour Blue, Leah Turner, Alli Walker, Carson Wallace, Brendan Walter, Chandler Walters, Jay Webb, Wesko, Angel White and Sam Williams.

All artists perform for free to benefit the CMA Foundation, with a portion of ticket proceeds supporting music education programs. CMA Fest will be filmed for a special airing on ABC and Hulu later in the summer.

For more details and ticketing options, go here.

In 2023, Grammy-winning producer Daniel Nigro founded his independently-funded Amusement Records primarily as a home for a then-independent Chappell Roan to release the album they made together, The Rise and Fall of a Midwest Princess.
Roan at the time had been recently dropped by her former label, but as Nigro told Billboard when announcing Amusement: “I was so in love with everything that we were doing. I believe in [Chappell] so much that I was like, ‘Do I want this added stress in my life? Is it worth it? Yes.’”

And it sure was. Last August, almost one year after her debut album’s release, The Rise and Fall peaked at No. 2 on the Billboard 200. The following month, she scored her highest-charting Hot 100 hit with “Good Luck, Babe!” And this February, Roan won the Grammy for best new artist.

Trending on Billboard

Now, on Wednesday (March 26), Universal Music Group and Nigro announced an expanded partnership with Amusement following the knockout success of Roan and building on the producer’s long-term creative relationship with superstar Olivia Rodrigo (who is signed to UMG label Geffen/Interscope). Going forward, Amusement will operate as a label venture within UMG, allowing new signees to partner with any of UMG’s labels.

“Daniel embodies the type of creative brilliance and entrepreneurial spirit that is at the heart of UMG,” UMG chairman and CEO, Sir Lucian Grainge, said in a statement. “I can’t wait to hear the culture shaping music and artists [he] will bring next to our global family.”

Since Nigro founded Amusement, he and Roan have both celebrated new highs. The Rise and Fall of a Midwest Princess spawned six Hot 100 hits, including the top 10 smash “Pink Pony Club.” Meanwhile, Nigro earned his second Grammy for producer of the year at the 2025 ceremony for his work with Roan, Rodrigo and the soundtrack for The Hunger Games: The Ballad of Songbirds & Snakes. (His first win was for Rodrigo’s debut album Sour.)

“After 6 years of working almost exclusively with the various labels [and] artists under Universal, it made perfect sense to make the relationship more formal,” Nigro said in a statement. “I want Amusement Records to be a place where artists can feel comfortable growing and developing at their own pace but with all the real resources needed to thrive and succeed.”

“Also,” he added, “a place where I can have the freedom to help choose the right team each time for the artist. I know in my heart that the people at Universal understand this, and I am beyond excited about what’s to come.”

It’s been a decade since Zayn Malik left One Direction and on Tuesday night (March 25) during the singer’s show in Mexico City he did something he hasn’t done since then: he performed one of the group’s most beloved hits during a solo show. At his gig at Palacio De Los Deportes on the Stairway […]

Keyshia Cole, Monica and SWV are the performing stars enlisted to headline Femme It Forward’s first-ever cruise, Billboard can exclusively reveal. Presented in association with Sixthman and Vibee, Femmeland at Sea will sail from Miami to Nassau, Bahamas between Feb. 20-23, 2026.
Femme It Forward’s voyage aboard the Norwegian Pearl also marks the female-led music and entertainment firm’s transition into a 100% woman- and Black-owned company after a five-year partnership with Live Nation.

Femme It Forward president/CEO Heather Lowery, who founded the firm in 2019, tells Billboard, “I’ve always fought to have more equity in a company I’ve worked so hard to build. Now Femme It Forward is 100% woman-owned and Black- owned. I’m so excited! It feels like the beginning again, but this time I’m starting from a different place. 

Trending on Billboard

“Live Nation was a great partner that allowed for a lot of business as well as personal growth,” continues Lowery, a Billboard Women in Music 2025 honoree. “They’ve provided me with a lot of resources for me to continue building Femme It Forward independent of the partnership. I’m super grateful for it all. We’re celebrating our five-year anniversary and there’s a lot of symbolism in the number five representing freedom, change, adventure and adaptability. I’m stepping into this next phase with open arms.”

In addition to the aforementioned live performances, Femmeland at Sea will also offer uniquely curated activities, live podcast recordings, parties, workshops/panels, mentorship labs, wine tastings and karaoke. The popular podcasts being featured include Keep It Positive Sweetie, hosted by Crystal Renee Hayslett, and Let’s Try This Again with B. Simone. Among the cruise’s additional activities will be wellness sessions helmed by WalkGood LA, Pretty Vee, Pretty Girls Sweat and Morning Mindset with Tai. Femme It Forward will also present its own branded activities such as Femme Salon and Femme Mentorship, with the latter hosted by mentors from the company’s Next Gem Femme and MUSE initiatives. Also on the schedule: Kirk Franklin’s Sunday School and #MusicSermon LIVE.

In the press release announcing the inaugural sailing, Lowery states in part that the cruise is “a vision I’ve had since our launch in 2020. I have always been bold about what Femme It Forward stands for and the experiences we create with women at the center. And despite the current optics and everything around us demanding we shrink, we will continue to do more — create more opportunities, make space for more representation and curate more experiences that amplify the voices of women everywhere.”

In turn, Femme It Forward will continue to present its various other events inaugurated over the last five years such as the annual Give Her FlowHERS Gala, the Femme It Forward High Tea and the My Sister’s Keeper Summit honoring artists and executives in music and entertainment. Future plans for its mentorship program include launching global chapters in South Africa and Europe.

Femmeland at Sea’s first round pre-sale sign-ups are available now through April 1 at 11:59 pm (ET). Final round pre-sale sign-ups will conclude on April 9 at 11:59 pm (ET). Public on-sales begin April 11 at 2:00 pm (ET), exclusively here.

Lucy Dacus has some mixed feelings about her newly minted public profile. “My dream is that I could play huge shows where [the crowd] knows every word,” she says, “we can connect after the show — and then I can wipe everyone’s mind of myself once they leave.”
The lack of Men in Black-esque technology notwithstanding, it’s easy to see why Dacus may feel that way. After spending the majority of her career as a cult artist with a tight-knit fan base in the indie scene, the singer-songwriter broke big alongside her friends Phoebe Bridgers and Julien Baker with The Record in 2023. Their supergroup, boygenius, sold out arenas, led Billboard’s Top Rock Albums chart while also earning a top 10 debut on the Billboard 200 and dominated the rock categories at the 2024 Grammys, winning three awards.

As she prepares her first solo release since the band’s breakthrough, Dacus, 29, still struggles with her shift from underground phenom to rock headliner. “Honestly, I don’t like being culturally relevant,” she says with a giggle. “I don’t like being somebody where people think they need to have a ‘take,’ in either direction.”

Trending on Billboard

Yet even in that discomfort, Dacus exudes a confidence that feels new for her. Forever Is a Feeling, her fourth studio album (out March 28 on Geffen Records), takes the sound that Dacus has painstakingly crafted over the last decade and broadens it as her most lush collection to date.

Going into the creation of Forever Is a Feeling, Dacus says she “knew the scope was going to be different” for this album. That process included honing what she wanted to sing about. Whereas her past albums confronted loss and childhood trauma, the new set focuses almost entirely on romance. The first proper track off the album, “Big Deal,” finds Dacus reminding a doomed lover just how important they are; “Talk” traces the shifting dynamics of a relationship to its near end; and album closer “Lost Time” is one of the boldest love songs of her career, on which she declares, “I notice everything about you.”

Meredith Jenks

That line also encapsulates a key part of the singer’s songwriting process: Since she broke onto the scene with 2016’s No Burden, Dacus has always thrived at transforming specificity into universal lyrics. “Once you focus on one thing and one person, it actually recontextualizes everything else, and you realize that every detail is its own universe,” says Dacus, who recently revealed that she and her boygenius bandmate Julien Baker are in a relationship. She then quotes a line she read in one of Susan Sontag’s journals: “Love is noticing.”

With Forever Is a Feeling marking Dacus’ major-label debut on Geffen, the singer’s new music is striking a chord with mainstream listeners. “Ankles,” the project’s exhilarating lead single, earned Dacus her first solo entries on the Adult Alternative Airplay and Rock & Alternative Airplay charts. “She writes songs that are potent and timely but will endure for years to come,” says Matt Morris, executive vp of A&R at Interscope Geffen A&M. “The success of ‘Ankles’ at radio is a very deserved accomplishment for an artist who has already been so influential and continues to break new ground with this album.”

The set also finds Dacus continuing to evolve as a producer, after she recently helmed singer-songwriter Jasmine.4.t’s debut, You Are the Morning, alongside her boygenius bandmates. “A lot of [producing Jasmine’s album] was about advocating when it comes to being less experienced in the studio,” she explains. “It’s about helping develop a language and asking folks, ‘What do you want? Here’s how to say it.’ I want to continue to help hold the emotional space of saying, ‘Do us the favor of being a control freak.’ ”

Meredith Jenks

That experience speaks to Dacus’ larger goal of late: using her newfound platform to create good. Shortly after the Trump administration began rolling out its ­anti-trans policy agenda, Dacus took to her social media and called for any of her trans fans hosting fundraisers for gender-affirming surgeries to share their campaigns so that she could donate $10,000 in $500 increments to those in need of help.

There’s a reason Dacus made that pledge in public. “Ten thousand dollars is not that much in the grand scheme of things,” she says. “But I wanted there to be a list of links on my profile so that if anybody else wanted to do what I was doing, then they could scroll through and donate as well. If other people are jumping in, then that can really matter.”

It’s that sense of renewed purpose that shows how far Dacus has come as a leading voice in rock — even if, as she points out, she is the “guinea pig” of the boygenius bandmates as the first of the trio to release a solo project since The Record.

“I feel really gratified when putting my albums out means something to someone else,” she says with a warm smile. “I wouldn’t do this if it didn’t matter to some people.”

Lucy Dacus photographed on March 5, 2025 in New York.

Meredith Jenks

This story appears in the March 22, 2025, issue of Billboard.

HipHopWired Featured Video

CLOSE

Source: MICHAEL TRAN / Getty
Trick Daddy, the Miami rapper known for speaking his mind, recently went on a rant that had people talking and not in a good way.

During an interview, he straight-up said dating women his age was “the hardest sh*t in the world,” claiming they’re “stuck in their ways” and can’t keep a man. He went as far as to say that older women need to “lower their standards” if they want to keep a man around.

Trick Daddy reveals why he prefers dating women ages 22 to 35 and says, “Them old h*es need to lower their standards.”
(🎥 @balleralert /Baller Alert, Inc./YouTube) pic.twitter.com/1XvtoNFhGH
— The Art Of Dialogue (@ArtOfDialogue_) March 25, 2025
https://platform.twitter.com/widgets.js
The Miami misogynist, who’s in his 40s, made it clear he prefers younger women, saying, “I want a b*tch I can raise, someone that would appreciate me.” Essentially, Trick Daddy is saying he likes women who are more impressionable, ones he can mold to his liking.
Trick’s comments didn’t sit well with a lot of people, especially on social media, where he got dragged for being misogynistic and disrespectful. Many pointed out how out-of-pocket it was to reduce women, especially older women, to their age and “standards,” implying they’re the problem in relationships. A lot of folks said his remarks were straight-up objectifying and showed a lack of respect for women as equals in a relationship.
These comments are just another example of how certain figures in hip-hop, especially older ones, can still push outdated, toxic views about women and relationships.

HipHopWired Featured Video

Source: HAZEM BADER / Getty

According to reports, Hamdan Ballal, the Palestinian co-director of the Academy Award-winning documentary film No Other Land was assaulted by Israeli settlers near his home village in the West Bank on Monday (March 24). In a post on X, formerly Twitter, his co-director Yuval Abraham detailed what happened: “A group of settlers just lynched Hamdan Ballal, co-director of our film No Other Land. They beat him and he has injuries in his head and stomach, bleeding. Soldiers invaded the ambulance he called and took him. No sign of him since.”

https://twitter.com/yuval_abraham/status/1904235552620339365

According to AP News, Palestinian residents of the village of Susya confronted a settler who approached their homes during the breaking of their Ramadan fast and asked them to leave. More settlers arrived, smashing car windows and damaging infrastructure on top of attacking villagers. Soldiers then detained Ballal after a settler beat him in front of his home, according to his wife, Lamia. According to Abraham, the same setter threatened Ballal in April, which was captured on video. “This is my land, I was given it by God,” the settler says in the video, shouting profanity and goading Ballal into trying to fight him. “Next time it won’t be nice,” the settler says.

Ballal was released Tuesday (March 25) from a police station in the Kiryat Arba settlement. “All my body is pain,” he said to the Associated Press. “I heard the voices of the soldiers, they were laughing about me … I heard ‘Oscar’ but I didn’t speak Hebrew.” He revealed he was held at an army base and forced to sleep under an ongoing air conditioner while blindfolded.

Ballal is one of four directors of the documentary along with Abraham, who is Israeli. No Other Land covers the struggles of Palestinians living in Israel under daily oppression. Another one of the directors, Palestinian activist Basel Adra, confirmed that since the Oscar win, settlers and Israeli soldiers have increased their attacks. “We’re living in dark days here, in Gaza, and all of the West Bank,” Adra said, adding, “Nobody’s stopping this.” No Other Land has been under attack since its win at the 97th Academy Awards, with Miami Beach Mayor Steven Meiner voicing intent to end the lease of a cinema planning to show the film claiming it wasn’t a balanced view. Local opposition forced him to back off from the move.

Tamela Mann earns her 12th No. 1 on Billboard’s Gospel Airplay chart, breaking out of a tie with fellow gospel music icon Kirk Franklin for the most leaders in the list’s 20-year history. Mann achieves the honor as “Deserve To Win” ascends a spot to the top of the chart dated March 29. Explore See […]

The trend has been clear in recent years: Listeners are less enthralled with new songs. Current music’s share of ear-time has fallen from 27.8% in 2022 to 27.3% in 2023 to 26.7% last year, according to Luminate. In 2024, listening to catalog albums — releases more than 18 months old — increased by 6.5%, more than twice as fast as consumption of current albums.
Much of the music cued up on streaming services is still relatively recent: Luminate found that tracks released in the last five years account for roughly 50% of on-demand streams in the U.S. Even so, SoundCloud users are much more keenly attuned to the newest releases than the average listener — current music has accounted for more than 46% of plays on the platform in each of the last three years, according to SoundCloud’s latest Music Intelligence Report, an annual run-down of listener behavior which the company is making public for the first time.

The document “highlights some of our unique positions in the industry,” says Wyatt Marshall, the company’s director of music intelligence. “An artist might start on SoundCloud before they go somewhere else. [As a result], you get people coming to listen to new music on SoundCloud, because that’s where it exists first.”

Trending on Billboard

For young listeners, new music discovery is increasingly spread across a variety of short-form video platforms and streaming services; TikTok especially has commanded the conversation in recent years. Still, even “in today’s landscape dominated by TikTok and Instagram, SoundCloud remains a critical launchpad for Gen-Z’s emerging cult favorites,” says Corey Goldglit, manager of A&R at the distribution company Too Lost. “While social media fuels trends, and Spotify fuels hits, SoundCloud continues to be where devoted fans first discover raw, innovative talent like Fakemink, OsamaSon, 1oneam, and Nettspend.”

While SoundCloud is best known for nurturing rappers and electronic producers, it’s adding value in other genres as well: Sean Lewow, co-founder of the label Music Soup, has seen the platform introduce listeners to Waylon Wyatt and Vincent Mason, a pair of rising country artists on his roster. (Music Soup is a joint venture with Interscope Records and Darkroom Records.) Uploads of country and folk music on SoundCloud have risen by more than 50% in the last two years, while streams of these styles rose 15% on SoundCloud in 2024. 

This mirrors the growing interest in these genres in the U.S. and around the world. “These scenes are attracting people [on SoundCloud] who have always been into it,” Marshall says, “but also engaging a new group of people who are discovering these sounds.”

Since SoundCloud artists and users can interact with music in ways beyond just clicking “play” and “skip” — commenting on songs, for example, or sending direct messages to peers — the platform has additional data to parse when trying to map scenes. “We look at social interaction amongst artists as an indicator of affinity,” Marshall explains. “Zooming out from that gives a feel for what shapes a scene.”

And for how scenes meld borrow from and build off each other. Historically, it’s been difficult for U.K. hip-hop to acquire fans en masse outside of its home country — even with other English-speaking listeners. The Music Intelligence Report, however, singles out two sets of British acts “that are building their sound around the U.S. underground while adding a unique English twist;” in the process, they are “drawing listeners from England and beyond.” 

These two groups — the first includes fakemink, Feng, and GhostInnaFurCoat, while the other counts Rico Ace, kwes e, and TeeboFG as members — enjoyed a 71% uptick in streams in the past two years, according to SoundCloud’s data. “In recent months,” the report continues, “tracks from these artists are increasingly showing engagement spikes indicative of future success.”

The Music Intelligence Report identifies other sounds that SoundCloud believes are poised to become more popular in 2025: Vinahouse, which Marshall describes as a “hyper-speed, really energetic” style of club music that’s popular in Vietnam; Brazilian plugg, the latest mutation of a hip-hop sub-genre that has thrived on SoundCloud for several years; and shoegaze, which has also been enjoying a revival on TikTok. 

New rappers continue to see success on the platform as well. The third most-played account created on SoundCloud last year belonged to BabyChiefDoIt, who trailed behind only VonOff1700 and Raq Baby. BabyChiefDoIt signed a deal with Artist Partner Group in August, and Izzy Elefant, the label’s head of streaming, calls the platform an “essential” part of the rapper’s rise. 

SoundCloud’s features, especially “real-time comments and direct messaging, create an interactive experience that sets it apart from other streaming services,” Elefant continues. “These tools allow BabyChiefDoIt to engage with listeners directly, receive immediate feedback, and foster a sense of community.”

In a splintered landscape for music discovery, Lewow adds, it’s important to “leave no stone unturned.” SoundCloud “has opened our artists up to an audience that they might not have found otherwise.”

Lady Gaga announced the dates for her anticipated summer-fall 2025 Mayhem Ball tour in support of her new Mayhem album on Wednesday morning (March 26). “This is my first arena tour since 2018,” said Gaga in a statement. “There’s something electric about a stadium, and I love every moment of those shows. But with The MAYHEM Ball, I wanted to create a different kind of experience — something more intimate — closer, more connected — that lends itself to the live theatrical art I love to create.”

After a run of previously announced shows in April and May, Gaga’s first North American and European tour since her 2022 Chromatica Ball tour will open in the U.S. with a double-down in Las Vegas on July 16 and 18, two shows in Seattle, three nights at Madison Square Garden in New York and two-night runs in Miami, Toronto and Chicago. She will then play a run of arena dates across Europe from Sept. 29 through Nov. 20.

Trending on Billboard

Tickets for the North American dates will go on sale on March 31, with an artist pre-sale beginning on April 2 at 12 p.m. local time; sign up for that pre-sale here through 8 a.m. ET on Sunday (March 30). The general on-sale will kick off on April 3 at 12 p.m. local time here. There will also be a Citi pre-sale for North America beginning on Monday (March 31) at 12 p.m. local time through April 2 at 11 a.m. local time here. A Verizon pre-sale will begin on April 1 at 12 p.m. local time through April 2 at 11 a.m. local time here.

Tickets for select shows in Europe will go on sale on March 31 with a Mastercard pre-sale for shows in Sweden, Italy, the Netherlands, France and Belgium beginning at noon local time through April 2 at 10 p.m. local here. Additional pre-sales will run throughout the week before the general on-sale for all of the European/U.K. dates beginning on April 3 at 12 p.m. local time here.

Mother Monster will gear up for the tour by headlining Coachella next month, followed by a pair of previously announced dates (April 26-27) at Estadio GNP Seguros in Mexico City, and some other already announced spring dates, including a free May 3 show on Copacabana Beach in Rio de Janeiro in Brazil and four nights at the National Stadium in Singapore on May 18, 18, 21 and 24.

Check out the dates for the 2025 Mayhem Ball tour below.

July 16 – Las Vegas, NV @ T-Mobile Arena

July 18 – Las Vegas, NV @ T-Mobile Arena

August 6 – Seattle, WA @ Climate Pledge Arena

August 7 – Seattle, WA @ Climate Pledge Arena

August 22 – New York, NY @ Madison Square Garden

August 23 – New York, NY @ Madison Square Garden

August 26 – New York, NY @ Madison Square Garden

August 31 – Miami, FL @ Kaseya Center

Sept. 1 – Miami, FL @ Kaseya Center

Sept. 10 – Toronto, ON @ Scotiabank Arena

Sept. 11 – Toronto, ON @ Scotiabank Arena

Sept. 15 – Chicago, IL @ United Center

Sept. 17 – Chicago, IL @ United Center

Sept. 29 – London, UK @ The O2

Sept. 30 – London, UK @ The O2

Oct. 2 – London, UK @ The O2

Oct. 7 – Manchester, UK @ Co-op Live

Oct. 12 – Stockholm, Sweden @ Avicii Arena

Oct. 13 – Stockholm, Sweden @ Avicii Arena

Oct. 19 – Milan, Italy @ Unipol Forum

Oct. 20 – Milan, Italy @ Unipol Forum

Oct. 28 – Barcelona, Spain @ Palau Sant Jordi

Oct. 29 – Barcelona, Spain @ Palau Sant Jordi

Nov. 4 – Berlin, Germany @ Uber Arena

Nov. 5 – Berlin, Germany @ Uber Arena

Nov. 9 – Amsterdam, Netherlands @ Ziggo Dome

Nov. 11 – Antwerp, Belgium @ Sportpaleis Arena

Nov. 13 – Lyon, France @ LDLC Arena

Nov. 14 – Lyon, France @ LDLC Arena

Nov. 17 – Paris, France @ Accor Arena

Nov. 18 – Paris, France @ Accor Arena

Nov. 20 – Paris, France @ Accor Arena