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Beck is hitting the road this summer for another run of orchestral shows. The “Saw Lightning” singer announced the run of nine North American gigs in which he’ll team up with local symphony players on Monday (March 3), following a pair of well-received orchestral gigs at New York’s Carnegie Hall and L.A.’s Hollywood Bowl last summer.

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The upcoming run of shows with support from Molly Lewis are slated to kick off on July 15 at the Westville Music Bowl in New Haven, CT with the Westville Philharmonic providing support, followed by stops in Montreal, a two-night stint in Toronto, as well as gigs in Cincinnati, Chicago and Colorado Springs and Morrison, CO before winding down on July 29 at the Rady Shell at Jacobs Park in San Diego.

According to a release, Beck will be accompanied by “native orchestras for nine shows in eight cities in the U.S. and Canada — as they unite to reimagine a body of work that includes hits and deep cuts from classic Beck works including the multi-platinum Odelay, world-tripping Mutations, somber and reflective Sea Change, and GRAMMY Album of the Year winner Morning Phase, plus a share of surprises.”

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Pre-sale and other ticketing information is available here. A general on-sale will kick off on Friday (March 7) at 10 a.m. local time (except for the Chicago show).

Before he hits the road for the orchestral gigs, Beck will play the star-studded 2025 Love Rocks NYC benefit show on March 6 at New York’s Beacon Theatre alongside Cher, Alicia Keys, Kate Hudson, Phish’s Trey Anastasio, Mavis Staples, Michael McDonald, Peter Frampton and more.

The singer released his 14th studio album, Hyperspace, in 2019, which featured the singles “Saw Lightning,” “Uneventful Days” and “Dark Places.”

Check out the dates for Beck’s 2025 North American orchestral tour below.

July 15 – New Haven, CT @ Westville Music Bowl (with The Westville Philharmonic*)July 16 – Montreal, QC @ Salle Wilfrid-Pelletier (with L’Orchestre Métropolitain*)July 18, 19 – Toronto, ON @ Roy Thomson Hall (with Toronto Symphony Orchestra *)July 21 – Cincinnati, OH @ PNC Pavilion at Riverbend Music Center (with Cincinnati Symphony Orchestra *)July 23 – Highland Park, IL @ Ravinia Festival (with Chicago Symphony Orchestra *)July 26 – Colorado Springs, CO @ Ford Amphitheater (with Colorado Symphony ^)July 27 – Morrison, CO @ Red Rocks Amphitheatre (with Colorado Symphony ^)July 29 – San Diego, CA @ The Rady Shell at Jacobs Park (with San Diego Symphony *)

*Conducted by Edwin Outwater^Conducted by Christopher Dragon

Shareholder advisory groups Institutional Shareholder Services (ISS) and Glass Lewis advised Warner Music Group investors to vote against the election of certain board members at the company’s annual meeting on Tuesday, including Val Blavatnik and Lincoln Benet.
The groups say that insider status — Val is the son of WMG owner Len Blavatnik, and he sits on the executive compensation committee — and WMG’s multiple classes of stock present risks for outside investors. WMG says its focused on creating value for all its investors and that most of its directors are independent should allay any investor concerns.

Investor opposition to these directors’ election would need the support of Len Blavatnik to succeed. His Access Industries and its affiliates own more than 70% of WMG’s stock controlling more than 97% of the voting power in WMG. Nonetheless, ISS and Glass Lewis’s concerns put a spotlight on the corporate governance requirements WMG can skirt by being a controlled public company.

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For example, WMG is listed and trades on the NASDAQ stock exchange and is exempt from NASDAQ’s requirement that companies traded on its exchange have a majority of independent board members appointed to the committee that decides executive compensation.

A spokesperson for WMG says, “We welcome input from our shareholders, with a governance structure that goes beyond what is required of controlled companies, including the majority of our directors being independent. Our board and management team are focused on creating long-term value for all investors.”

Shareholder advisory groups like ISS and Glass Lewis exist to research publicly traded companies’ proxy statements and make voting suggestions for investors ahead of annual shareholder meetings. Both groups say in their 2025 benchmark policy guidelines that they broadly support board independence, but they agree controlled companies should be exempt from certain requirements, such as having an independent executive compensation committee, because “controlled companies serve a unique shareholder … whose voting power ensures the protection of its interests,” Glass Lewis’s policy states.

Glass Lewis advises against voting for the election of Val Blavatnik, 27, in its report because of his status as an insider on the compensation committee. Val holds the title of senior director, business development of Warner Chappell Music, and he was elected to WMG’s board in April 2023.

As the chief executive of Access Industries, Glass Lewis considers Lincoln Benet, 61, an affiliate and non-independent board member, and they advise against voting for his election because WMG’s multi-class share structures gives him disproportionate voting rights.

In its report, ISS advises voting against the of seven of WMG’s 11 board members—Val Blavatnik, Lincoln Benet, Len Blavatnik, Donald Wagner, Noreena Hertz, Ynon Kreiz and Cecilia Kurzman.  For Val Blavatnik, Benet and Wagner, it raises similar concerns to Glass Lewis about their seats on certain board committees as non-independent members. For the remainder of the directors, ISS raises concerns about their support for a “dual class structure that is not subject to a reasonable time-based sunset provision.”

It also advises voting against Len Blavatnik because “his ownership of the super voting shares provides him with voting power control of the company.”

ISS has advised voting against the majority of WMG’s board members for at least the past three years, and it has taken similar stances against the election of board members of Meta and Alphabet.  

Five out of WMG’s 11 board members, or 55%, are independent, including its chairman, nominating and corporate governance committees.

It is worth noting that the WMG chief executive Robert Kyncl’s total compensation of $18.6 million declined 9% from the year prior.

You wouldn’t have been able to tell from watching RAYE‘s performance at the 2025 Oscars Sunday (March 2) — during which she absolutely nailed Adele‘s “Skyfall” as part of the night’s James Bond tribute — but the British star was actually quite nervous.
And during a post-show interview with Entertainment Tonight, RAYE explained why paying homage to the “Rolling in the Deep” vocalist was particularly “terrifying.” “No one can sing Adele like Adele,” she said. “It’s scary.”

The “Escapism” artist added, “It was terrifying, but also so incredible at the same time.”

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RAYE closed out the Bond medley by taking the stage shrouded in fog, showing off her powerful vocals on Adele’s original theme for the franchise’s 2012 film, Skyfall. The track reached No. 8 on the Billboard Hot 100 and won best original song at the Oscars in 2013.

Before RAYE took the stage, The Substance actress Margaret Qualley performed a slinky dance number with a troupe of tuxedoed men — about which the former told ET, “She ate that up … Multi-talented and fine as hell, Jack [Antonoff] is a very lucky man.”

After Qualley’s number, RAYE’s “Born Again” collaborators LISA and Doja Cat each performed solo renditions of two other famous Bond themes, with the BLACKPINK star delivering both choreography and vocals on Wings’ “Live and Let Die” before the “Paint the Town Red” rapper commanded the spotlight singing Shirley Bassey’s “Diamonds Are Forever.” After RAYE closed out the 007 tribute, the trio came together on stage to receive the applause together. 

“We have such a beautiful chemistry together,” RAYE said of LISA and Doja. “I just love those girls, they’re so kind and hardworking and inspiring.”

The Academy Awards come a few weeks after the 2025 Grammys, where the “Oscar Winning Tears” vocalist performed in a best new artist medley alongside fellow nominees Doechii, Benson Boone, Teddy Swims and Shaboozey; winner Chappell Roan performed elsewhere in the evening. She was also up for songwriter of the year, which ended up going to Amy Allen. 

One day prior to the Oscars, RAYE won best R&B act at the 2025 BRIT Awards.

New York City’s celebrity hotspot Sei Less is celebrating Women’s History Month in style with a special menu dedicated to some of the most influential women in music. The limited-time menu, available starting Monday (March 3), will pay tribute to stars such as Cardi B, Ice Spice, Lil Kim, La La Anthony, Teyana Taylor and […]

Starting Tuesday (March 4), SiriusXM will deliver the sounds of Tomorrowland and the global dance scene with a new channel curated by the team at the Belgian mega-festival festival.
One World Radio will be featured within the SiriusXM app and feature music programmed by the team that curates Tomorrowland’s One World Radio internet radio station, with the SiriusXM channel to offer new music and live DJ sets from Tomorrowland festivals including the flagship event in Boom, Belgium, along with Tomorrowland Winter, Tomorrowland Brasil and more.

SiriusXM’s One World Radio channel will be an extension of Tomorrowland’s pre-existing One World Radio feed, but will be curated a bit differently and customized to the SiriusXM audience.

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“We are really excited about hearing the nearly unlimited Tomorrowland archives, giving SiriusXM listeners a peak into past vibes of the legendary two-weekend festival in Belgium,” Geronimo, SiriusXM’s Vice President of Music Programing, tells Billboard.

Aside from regularly scheduled and rotated music, the channel will also feature exclusive song cuts from previous festivals. “You’ll be able to hear the crowd reaction which really put you in the moment,” Geronimo continues. “It’s truly a place where the global dance community comes together and enjoys each other. Dance music is really about fun, love, positivity and enjoying life and each other and One World Radio captures this essence perfectly.”

The channel will feature music spanning the two decades of Tomorrowland history and span the spectrum of electronic music sounds. The “main thing is to give people a good time and spread positive vibes, without necessarily being bound to a genre,” says Bram Franssen, station lead at the pre-existing One World Radio and curator for the new SiriusXM channel.

With the launch, One World Radio joins SiriusXM’s suite of dance channels that include BPM, Diplo’s Revolution, SiriusXM Chill, Studio 54 Radio, Utopia and more.

“We’re excited to not only hear classic archived Tomorrowland sets but also what One World Radio has for the future,” says Geronimo. “The world outside of North America has historically been a step ahead when it comes to dance music and emerging genres, and One World Radio on SiriusXM will help bridge that gap.”

Juanita Stephens, a barrier-breaking music industry veteran who helmed media and artist relations departments at major labels such as Warner Bros., MCA and Polygram, died March 1 in Atlanta after a lengthy battle with cancer.
Stephens’ industry background also includes a tenure with Bad Boy Worldwide. After that, the well-respected executive launched her own media and publicity firm, JS Media Relations, with bases in New York and Atlanta. Under that banner, she helped oversee the solo career of Grammy-winning artist Bobby Brown.

“Juanita Stephens was a true trailblazer — one of the first Black female executives to shatter barriers in the music industry,” veteran entertainment attorney and longtime friend Rev. Dr. Denise J. Brown tells Billboard.

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Founder of the faith-based entertainment content incubator Oikeo Ministries, Brown (no relation to the singer) also remembers Stephens as “a consummate professional and relentless perfectionist. She never accepted ‘no’ as an answer, fiercely championing every artist and project she believed in. Her impact was profound, her presence commanding and her legacy unshakable. The industry has lost a pioneer, and she will be deeply missed.”

Stephens was born in New York’s Spanish Harlem, moving with her family to Queens as a young child. Her initial entry into the music business occurred in 1987 when she joined MCA Records as assistant to the vp of publicity, longtime friend Katie Valk. With no prior record company experience, Stephens learned the ropes by helping to organize national and international campaigns for a roster of pop, heavy metal and country artists that included superstars such as Elton John, Dolly Parton and The Kinks.

Later tapped as director of publicity by the heads of MCA’s Black music division, Jheryl Busby and Louil Silas, Stephens oversaw campaigns for Bobby Womack, Patti LaBelle, New Edition, Jody Watley and The Jets, among others. From there, Stephens became the first Black female vp of publicity and artist development appointed at MCA, working with Bobby Brown along with a multi-genre roster that included hip-hop, alternative, jazz, gospel and reggae acts.

In a comment sent to Billboard, Bobby Brown notes, “Juanita was a beautiful and gifted sister. We had decades of memories, and I could always count on her wisdom and kindness. I love you, Juanita. You will be deeply missed.”

After MCA, Stephens segued to similar senior executive-level posts with Polygram in 1992, Warner Bros. Records (now Warner Records) in 1995 and then Bad Boy Worldwide in 1998. She exited the in-house label publicity circuit to establish JS Media Relations in 2000; its clients included Charlie Wilson and Tito Jackson.

Through JS Media Relations, Stephens handled publicity for tours featuring LaBelle and Stephanie Mills in addition to Brown and Wilson. Among the various media events with which JS Media Relations collaborated were the BET Awards, American Music Awards, Trumpet Awards, VH1 Music Awards and the Otis Redding 70th Birthday Tribute.

Brad Paisley announced the initial run of dates for his upcoming 2025 Truck Still Works World Tour on Monday (March 3). The first leg of the outing is slated to kick off on May 21 at the Mountain America Center in Idaho Falls, ID and bring the “No I in Beer” singer to Montana, Colorado, Oregon, Arizona, California, Ohio, New York, Virginia, Connecticut, New Hampshire, North Carolina, Georgia and Florida before winding down on August 8 at in Arcadia, WI at the Ashley for the Arts festival.

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The first announced dates of the Live Nation-promoted tour will feature support from Walker Hayes, as well as Avery Anna, Mae Estes and Alexandra Kay and Paisley’s first-ever stops at Morrison, CO’s historic Red Rocks Amphitheatre and Los Angeles’ Greek Theatre. The tour is named for Paisley’s current radio single “Truck Still Works,” which the singer debuted last fall on NBC’s People’s Choice Country Awards and the American Music Awards 50th anniversary special on CBS.

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A fan club presale will open on Tuesday (March 4) at 10 a.m. local time through Thursday (March 6) at 10 p.m. local time. The general on-sale will kick off on Friday (March 7) here. In addition, there will be an exclusive Verizon presale through Verizon Access for select shows beginning on Tuesday at noon local; for more details click here. Official tour sponsor Citi will give cardmembers access to a presale beginning on Tuesday at 10 a.m. local time through 10 p.m. local on Thursday here.

Check out the dates for Paisley’s Truck Still Works World Tour below.

May 21 – Idaho Falls, ID @ Mountain America Center #

May 22 – Bonner, MT @ KettleHouse Amphitheater #

May 24 – Morrison, CO @ Red Rocks Amphitheatre *#

May 29 – Bend, OR @ Hayden Homes Amphitheater *+

May 30 – Airway Heights, WA @ BECU Live at Northern Quest *+

May 31 – Everett, WA @ Angel Of the Winds Arena *+

June 5 – Phoenix, AZ @ Arizona Financial Theatre @ *#

June 6 – Los Angeles, CA @ The Greek Theatre *#

June 7 – San Diego, CA @ Gallagher Square at Petco Park *#

July 10 – Ft. Loramie, OH @ Country Concert festival line up

July 12 – Canandaigua, NY @ Constellation Brands Marvin Sands Performing Arts Center ++ xx

July 17 – Richmond, VA @ Allianz Amphitheater at Riverfront *=

July 18 – Bridgeport, CT @ Hartford HealthCare Amphitheater *=

July 19 – Gilford, NH @ BankNH Pavilion *=

July 24 – Wilmington, NC @ Live Oak Bank Pavilion @ *=

July 25 – Simpsonville, SC @ CCNB Amphitheatre *=

August 1 – Savannah, GA @ Enmarket Arena *=

August 2 – St. Augustine, FL @ The St. Augustine Amphitheatre *=

August 3 – Clearwater, FL @ The Baycare Sound @ *= ++

August 8 – Arcadia, WI @ Ashley For the Arts Festival

* Walker Hayes

# Avery Anna

+ Mae Estes

= Alexandra Kay

@ No Citi & Verizon pre sale

++ non Live Nation show

xx Dylan Scott & Alexandra Kay

On March 3, 1990, The Oak Ridge Boys’ “No Matter How High” topped Billboard’s Hot Country Songs chart. Written by Joey Scarbury — of “Theme From Greatest American Hero (Believe It or Not)” fame — and Even Stevens, and produced by Jimmy Bowen, the song was released as the second of two singles from the […]

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Ramadan, the ninth month of the Islamic calendar, is a time when Muslims around the world come together for fasting, reflection, and spiritual growth.

From dawn until sunset, they fast, not just from food, but from drink and other physical needs, to cleanse the body and soul. It’s about building self-discipline, showing empathy for the less fortunate, and strengthening one’s bond with God. In the world of hip-hop, more and more artists are using their platform to shout out Ramadan.

For Muslims, hearing mentions of the holy month in rap is powerful, it’s a reminder that their faith, culture, and traditions matter. Rap has always been about speaking truth, telling stories, and representing where you come from, and for many Muslim artists, Ramadan is an essential part of their identity. It’s a way to highlight the spiritual grind and the mental discipline that comes with fasting.
Fasting isn’t just about skipping meals; it’s about purifying the mind, body, and spirit. By bringing that into their music, rappers give listeners a peek into what Ramadan means — patience, gratitude, and a deeper connection with God. It also sparks curiosity and encourages non-Muslim listeners to learn more about the month. When rap references Ramadan, it’s more than just a shout-out; it’s a way to normalize faith, spread understanding, and remind everyone about the importance of self-reflection and growth.
So, to celebrate this connection between hip-hop and faith, here are some of the best times rappers mentioned Ramadan in their lyrics.

1. Kanye West – Power Remix

“Now everything I’m rhyming on cause a Ramadan”

2. Method Man- Another Winter

“Smashing, make it jump like everlasting God body Ramadan, thirty-day fasting”

3. Meek – 1942 Flows

“Had to starve all day just to get to it fast. Like Ramadan“

4. Gucci Mane – Stomach Grumbling

“Claim that they fastin’ but no it ain’t Ramadan (damn)”

5. Travis Scott – Grey

“Ooh, around this time, was starving, no Ramadan”

6. Notorious B.I.G – Kick in The Door

“Quick fast like Ramadan, it’s the rap phenomenon, Don Dada”

7. MF Doom – Kon Karne

“Take your cash, Karma, or break your fast, Ramadan.”

8. Jay Electronica – Exhibit C

“Jay Elect-Ramadan, Muhammad as-salaam-alaikum RasoulAllah Subhanahu wa ta’ala through your monitor”

9. Dusty Locane – REWIND

“He won’t eat, Ramadan On his knees, pray to God”

10. Logic – D3ad Presidents III

“Fasting every night, I ain’t talking ’bout no Ramadan”

Alanis Morissette is headed to Vegas. The “You Oughta Know” singer announced the dates for her upcoming Alanis Morissette: Las Vegas 2025 residency run at the Colosseum at Caesars Palace on Monday morning (March 3), which will feature eight performances between Oct. 15 through Nov. 2. Explore Explore See latest videos, charts and news See […]