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The SAG Awards, which were first presented in 1995, are changing their name to The Actor Awards Presented by SAG-AFTRA. The move gets away from the word “sag” and also brings AFTRA, which merged with the Screen Actors Guild in 2012, into the name of the award.
Jon Brockett, the showrunner and executive producer of the award show’s telecast, and JoBeth Williams, the actress and chair of SAG-AFTRA’s Awards Committee, announced the news on Friday (Nov. 14).
“The Actor” is the name of the award that is presented on the show. This brings the name of the award into the name of the show, just as Oscars are presented on The Oscars.
In a joint statement, Brockett and Williams, said: “The show’s name is now The Actor Awards presented by SAG-AFTRA, but the foundation remains the same: it’s actors honoring actors. The statuette has always been called The Actor, and we’re simply aligning the show’s title with the name of the award itself and the union behind it.
“After the merger between SAG and AFTRA, we continued to refer to the show as the SAG Awards. Now, with the new name of the show — The Actor Awards presented by SAG-AFTRA — we’re finally able to fully recognize that merger and align it with the name of our statuette, The Actor.
“To help ease the transition for reps at studio and network, FYC campaign materials will continue using Screen Actors Guild Awards through this season’s pre-nomination voting period ending on Jan. 5, 2026. Moving forward, post-nominations, we will be advising everyone to use The Actor Awards.”
The SAG Awards aired on NBC from 1995-97, but then moved to basic cable for many years, where they aired on TNT and TBS. They moved to Netflix in 2023, first via YouTube and then on the streamer directly. The show’s 32nd edition is set for March 1. The show celebrates performances both in film and on television.
The show has been presented at the Shrine Auditorium in Los Angeles in all four of its outings. There was no show in 2021, amid the pandemic. The show has had a no-host format through most of its history, but has had a host the last two years — Idris Elba in 2024 show and Kristen Bell earlier this year.
SAG-AFTRA is the world’s largest acting union, with 160,000 members.
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This is partner content.
Just in time for the holidays, Claire Rosinkranz is partnering with Billboard and Native to spread some joy with her new song “It’s That Native Holiday Cheer.” Cozy up and watch the story unfold — a night of sugar cookies, mistletoe, and holiday magic.
When you’re done, you can click here to shop Native’s limited-edition holiday collection.
Ashley: Hey guys! How’s everything?
Claire Rosinkranz: Ashley, this is Nick. Nick, Ashley.
Ashley: Very nice to meet you, Nick. Thank you guys so much for performing. It means so much.
Nick: Didn’t realize sugar cookie season came early.
Claire: Is somebody baking cookies?
Ashley: It’s Native Sugar Cookie Deodorant Spray!
Claire: [singing “It’s that Native Holiday Cheer”]: It’s that feeling in the air; holiday cheer, so clean and so clear.
Scents so captivating, don’t be hesitating when there’s memories to be making.
So let’s make a move. Festive magic, baby, me and you.
It’s Native … so near. You’re the gift I want this year!
It’s my favorite time of year, sugar cookies in the air.
Simple joy, let laughter steer, it’s that Native holiday cheer!
Pure like the morning snow, kiss me under the mistletoe.
Holiday gumdrops? Yeah, let’s go! It’s that Native holiday cheer!
Keep watching the video above for more!
Getty Images / Michael Wolff / Donald Trump / Jeffrey Epstein
As more revelations about the Epstein Files and Donald Trump’s closeness to the disgraced financier and convicted sex trafficker surface, journalist Michael Wolff decided to share even more details, and spoiler alert, it doesn’t make Trump look good.
Michael Wolff revealed after his emails with Epstein were released that he advised the convicted sex trafficker on how to manipulate the then-presidential candidate.
In the 2015 email, Epstein wonders what Trump would say if asked about their relationship during the presidential debate.
“I think you should let him hang himself. If he says he hasn’t been on the plane or to the house, then that gives you a valuable PR and political currency,” Wolff told Epstein.
“You can hang him in a way that potentially generates a positive benefit for you, or, if it really looks like he could win, you could save him, generating a debt,” Wolff continued. “Of course, it is possible that, when asked, he’ll say Jeffrey is a great guy and has gotten a raw deal and is a victim of political correctness, which is to be outlawed in a Trump regime.”
Michael Wolff Hopped On Instagram With Receipts
Wolff hopped on Instagram to further speak on Trump’s relationship with Epstein while also trying to tiptoe around the ethical issues that came with working with Epstein.
“This morning, the House Oversight Committee released emails directly linking Donald Trump and Jeffrey Epstein,” and that “some of those emails are between Epstein and me, with Epstein discussing his relationship with Donald Trump,” began in his video.
He claimed that he has “been trying to talk about this story for a very long time now,” while indicating the recently released emails are an indication that “this is, well, perhaps we’re getting close to the smoking gun.”
He continued by adding that Trump and Epstein,” had the closest of relationships for more than a decade” and “shared everything,” from women, financial advice, and even airplanes.
“You know, it’s curious that Epstein’s relationship with so many people in public life has damaged them considerably, but the one person who he was closest to has not been held accountable. That’s Donald Trump.”
Well damn.
As of right now, Trump and his White House are in panic mode as more emails continue to drop. Trump has even gone from claiming the Epstein investigation is a government hoax to now urging Pam Bondi and his highly partisan DOJ to investigate Democrats like Bill Clinton’s involvement with Epstein to save face.
Not sure how that will work out for Trump, but you can see more reactions to his crashout below.
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Growing up in New York City, I’ve watched footwear evolve from utility to identity. In a place where the right pair of shoes can say more than a full outfit, we’ve entered an era where craftsmanship and authenticity matter more than hype. Walk through SoHo, the LES, or even a late-night industry event in Midtown, and you’ll see it: people are gravitating toward pieces that feel personal, elevated, and built to last.
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That’s why Steven Victor stepping into footwear feels so natural. Known for shaping some of the most influential sounds and careers in music, he’s always operated with intention, nothing loud, nothing forced, everything rooted in quality. His debut public boot with Timberland carries that same energy.
From the moment you pick it up, the difference is clear. Steven went with an ultra-soft leather that gives the boot a distinct feel. His take on the Timberland 6-inch boot is luxury without the stiffness. Quiet confidence in shoe form.
For me, the classic wheat Timb is one of the first shoes I ever understood as “culture.” It’s been on construction sites, in subway stations, in music videos and in moments that shaped hip-hop history. It’s woven into the fabric of the city, durability that mirrors our grit, style that mirrors our confidence, and a presence that mirrors our energy.
Victor Victor x Timberland
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New York has always been a city where fashion and music intersect, not in theory, but in lived experience. Artists shape trends, audiences shape culture, and the city shapes everything. Steven’s Timbs fits right into that lineage. It’s not chasing attention. It’s not chasing a moment. It’s grounded in who he is and what he stands for: intention, discipline, and craft.
And in a landscape where collaborations, drops, and hype cycles move fast, it’s refreshing to see a piece that isn’t trying to be viral, it’s trying to be valuable.
The Timberland x Victor Victor 6-Inch Boot stays true to everything that made the original untouchable, the timeless wheat suede, the shape, the workwear DNA, and the spiritual connection to this city, while bringing in just enough of Victor Victor’s own identity to make the pair feel personal, intentional, and elevated.
You get blue suede accents on the collar as a nod to Detroit, a city that shaped Steven Victor in unexpected ways; custom blue laces that stand out without doing too much; embossed Victor Victor branding on the side panel; the signature dog logo stamped into the tongue and hang tags; and, most surprising, the softest inner leather I’ve ever felt on a Tim, a full smooth blue-leather interior. As Steven told me, “what’s inside matters the most.” That detail says everything about his design philosophy: keep the outside authentic, and elevate what you feel when you step into it.
Victor Victor x Timberland
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For me, this one’s a Flex, easily. The quality, the story, the execution, the versatility, it all lines up. This is the kind of boot that elevates a wardrobe, not just a fit. A piece made to last, not trend.
The Timberland 6-inch boot is New York City. It’s childhood, it’s culture, it’s fashion, it’s history.
This collaboration respects the heritage, adds thoughtful details, and bridges two cities that move culture forward. The craftsmanship is there, the story is there, the authenticity is there, and the execution feels like it came straight from the heart of someone who loves both music and fashion.
But now it’s your turn: Flex, Trade or Fade? Are you adding Steven Victor’s debut boot to your rotation, waiting to see how it holds value, or passing altogether?
Billboard caught up with Steven Victor to explore the story behind the Timberland x Victor Victor six-Inch Boot, the influence of both New York and Detroit, and how heritage, family and culture continue to shape everything he creates.
What first sparked the idea for a Victor Victor x Timberland collaboration?
I’ve always wanted to do something with them. So, when I finally found a connection over there, that was the first thing I said. We actually did it last year, it started as a friends-and-family release where they gave me about 20 pairs. I designed it, gave it to my closest friends, and that version is pretty much the same one that just dropped.
To answer your question about what sparked it, one of my favorite shoes, and honestly, a favorite for anybody from New York, is the classic wheat six-inch Timberland boot. I’ve always wanted to work on that silhouette, because everything about me is New York City. And when you think about New York, you think about that boot. So to me, it just made sense, Victor Victor NYC, Timberland, six-inch boot, New York City. Why not?
Detroit plays a big role in this project, what about the city’s culture made it the heart of this story?
To be honest, it wasn’t something I thought about initially because, like I said, everything to me is about NYC. But my wife is from Michigan. So I spend a lot of time out there, and I’ve got a lot of friends in Michigan too, mainly rappers I know from out that way.
And to be super honest with you, we were watching a Lions game — we’re huge Detroit Lions fans — and the wide receiver Jameson Williams made this crazy catch. I was like, “Yo, this dude is fly. I wanna shoot him in some Timbs.”
So it kind of grew from there. I’ve got love for NYC, but I’ve also got love for Detroit. Music is everything to me, and Motown was born there. To me, that’s the essential record label, not just for music, but for our music, you feel me? All that pain and soul it represents.
Plus, I love cars, that’s the automotive capital of the world. And I just feel like Detroit represents all the same things we represent as a company: resilience, hustle, hard work, endurance. Detroit got that spirit, and most importantly, Detroit gets fly.
So you got music, cars, hustle, endurance, and a whole lot of style. I just love Detroit, to put it simply.
The blue accents really stand out. What does that color represent for you and for Victor Victor?
That one’s super simple, it’s just that blue is my favorite color, and that specific hue is my favorite shade of blue. It’s really that straightforward. It’s become kind of a staple color for the company just because it’s my favorite.
Everything I do, I have to genuinely love it. I don’t ever want to put something out that I’m not completely into, even down to something as simple as the color.
When you’re reimagining a classic like the 6-Inch Boot, how do you balance Timberland’s heritage with your own creative vision?
I’d compare it to cars. I’m really into cars. If I get a super fly car, I’m not gonna put aftermarket rims on it. I try to keep it true to what the original designer intended, while adding my own flare.
I’m never gonna stray too far from what I love about the product. Otherwise, I’d just create my own, my own silhouette, my own design. But if I love something, I’m not gonna overdo it. Maybe I’ll tweak the color scheme, maybe embellish the logo, but I work within the confines of what the original designer intended. I’m not gonna butcher it.
You ever hear the saying, “Sometimes, success is not f–king it up?” That’s what I live by.
What were some of the early conversations between your team and Timberland’s design team like?
There was a lot of back-and-forth. There was definitely conversation about making significant changes to the boot. We tried some different things just to push the envelope, but I kept coming back to simple changes.
There were some designs I really liked, a whole different colorway, probably gonna put those out later, that I thought were really strong. But yeah, you go back and forth, try to step outside your comfort zone, push the envelope a little.
At the end of the day, I really want to stay true to the original design. Like I said, it’s like putting rims on a car that don’t belong — they change the whole aesthetic of what you loved in the first place.
Babyface Ray fronts the campaign, what made him the right person to represent this collab?
I’m not gonna hold you. I have a friend named 23, right? Back when I worked at Def Jam, 23 — who’s really good friends with Ray — brought Ray to my office before he was signed. I was like, “Yo, this rapper from Detroit is fire.” But I was in a different place in my career at the time, and I messed up by not signing him.
I don’t wanna say it’s all on me — but I’ve always been, like, “Man, I wish I could do something with Ray because he’s so fire.” I love everything he represents and I love his music.
So, this is one of those opportunities. I feel like he gets fly. I love his music. He’s from Detroit. We have a really good relationship. Everything I do, I feel like has to be authentic to me, and I always want to tell a story through my experiences.
This was an experience I had with someone I know personally, so I wanted to incorporate him. Detroit represents so many things, resilience, keep going, get fly, and he embodies all of that. Plus, there’s a backstory in our relationship that nobody really knows. I’m telling you that now, but I know it.
Being able to get that out creatively is personal and meaningful for me.
Victor Victor x Timberland
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Timberland has a deep history in music and streetwear. How do you see this project adding to that legacy?
Ah, man, that’s exactly what you just said. Everything they represent, I feel like we represent too. A fisherman always sees another fisherman from afar. Timberland has built their brand by being authentic, truthful, and consistent, and that’s how they’ve been able to connect with musicians and the culture.
It’s not like they’re deliberately marketing to us, but when you see something, or someone, and you notice a lot of resemblance, whether it’s product or people, it resonates. And, by the way, there’s always people behind the product.
So, yeah. I think we represent a lot of the same things. That’s why partnering with them on this project just made sense. I don’t wanna call it a no-brainer, but you wanna be on the same team, right? You wanna be with like-minded individuals. For better or for worse, I feel like we’re aligned.
With only 500 pairs dropping, how do you think about exclusivity when it comes to cultural impact?
It’s less than 500, but to me, especially with Victor Victor being a relatively new company, I want to keep things very intentional. I’m trying to create a community of like-minded people, and this is one way to communicate with that community.
I’m not saying it shouldn’t be accessible, but anything that’s important to you, you want to keep closest to your heart. At this stage, it’s not about making money or selling the most product, it’s about communicating with the people who support you early on.
As your audience grows, you can expand, but you don’t want to expand just for the sake of expanding. You want to make sure you’re fully connecting with the people who are supporting you now. As your bandwidth increases, you’ll be able to reach more people, but for now, it’s about servicing the community we know and can communicate with directly, hand to hand, and then growing from there.”
It’s really about establishing your core audience.
Exactly, yeah. It’s about keeping the community close, keeping those closest to you, closest to you. That makes all the difference.
Victor Victor has crossed into both music and fashion, what connects those two worlds for you creatively?
Music. Music is the epicenter of all of it. For me, it’s all about music, everything else comes second. Through music, you can get fly, you can feel yourself. It’s part of my everyday being, whether I’m working out, driving, or just living life, music influences everything. The sounds, the energy, it’s the foundation for everything I do. I just love it.
When you look at the finished boot, what part of it feels most you?The inside, when you put the boot on, it’s all blue inside, and it’s soft, the softest leather. For me, that’s what it’s all about. It’s not just literally; it’s almost like… what’s inside matters the most.
So did you change the materials, personally?:
Yeah, we went with a very soft leather for this boot. When you put it on, it definitely fits differently than a regular boot. Because of that, it actually fits a little larger — like, I wear an eight normally, but in these, I wear a seven and a half. The leather has to expand a bit, so it’s built to feel just right.
The inside is so soft, it’s all blue, and it’s those simple details that really matter. You have to wear the shoe to feel the difference, it’s not just about what it looks like on the outside. The inner details, the comfort, the color, the leather, those are the things that make it fire for me.
Victor Victor x Timberland
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Trending on Billboard Whitesnake‘s David Coverdale is calling it quits at 74-years-old, and announced he’s done with music. In a caption-less video posted on Instagram on Thursday (Nov. 13), Coverdale sat sipping a glass of wine as he delivered the unfortunate news that he was retiring. “Ladies and gentlemen, boys and girls, brothers and sisters […]
This week in dance music: Salt-N-Pepa’s DJ Spinderalla became the first female DJ ever inducted into the Rock & Roll Hall of Fame during the induction ceremony in Los Angeles last weekend. Fred again.. took a well-earned week off from his 10 shows/10 songs/10 weeks tour behind his USB002 album and Alison Wonderland welcomed her […]
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Just because an AI-generated track makes— or even tops — a Billboard chart doesn’t mean it’s very popular.
Take, for example, Breaking Rust, an AI-assisted artist that attracted global attention for reaching No. 1 on the Country Digital Song Sales chart. Breaking Rust’s track “Walk My Walk” amassed approximately 3,000 track downloads in the week ending Nov. 6, according to Luminate. “Don’t Tread on Me” by Cain Walker, another AI-assisted country artist, is currently at No. 3 after selling approximately 2,000 downloads in that same week. That’s all it takes to top a genre download chart these days.
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The digital download is a relic of an era when iTunes ruled the music industry and streaming was in its infancy. Over the years, as consumers shifted to subscription streaming platforms, downloads have all but disappeared from the landscape. In 2024, downloads accounted for $329 million, according to the RIAA, approximately 2% of U.S. recorded music revenue. That’s down 86% from 2015, when downloads generated $2.3 billion and represented 34% of the U.S. market. Revenue from subscription streaming platforms, which now play a major role in the most well-known charts, climbed 860% to $11.7 billion over the same time span.
Pop songs put up much better numbers. As Billboard noted in an article on country executives’ reactions to Breaking Rust and Walker, the top track on the all-genre Digital Song Sales chart, Taylor Swift’s “The Fate of Ophelia,” sold 29,000 copies. But even the most popular pop download doesn’t do the numbers seen just a decade ago. The No. 1 track in the same first week in November 2015, “Hello” by Adele, sold a whopping 636,000 units.
To put Breaking Rust and Walker’s popularity into a better context, it helps to know where they rank amongst their human peers. For the week ended Nov. 6, Breaking Rust was ranked No. 228 among country artists in terms of equivalent album units (EAUs, which combine streams and sales into a single metric). No. 1 country artist Morgan Wallen had 113 times more EAUs and 227 times more EAUs than Walker, who was No. 359. It would take 13 Breaking Rusts and 25 Walkers to equal the No. 18 artist, Bailey Zimmerman.
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The most successful AI artist is currently Xania Monet. Her creator, Telisha Jones, writes the lyrics and uses an AI platform to create the music. Monet has been on Billboard charts such as R&B Digital Song Sales, Hot Gospel Songs and Emerging Artists. But among artists of all genres, Monet ranked only No. 927 in terms of EAUs in the week ended Nov. 6, about equal to Cyndi Lauper and French Montana — artists who, unlike Monet, aren’t currently being promoted to terrestrial radio and attracting worldwide fascination.
To be sure, many human artists would love to have the sales and streaming numbers of these AI-assisted artists. Walker and Breaking Rust are No. 9 and No. 11, respectively, on the Emerging Artists chart, right behind country singer Alexandra Kay, who is signed to BMG-owned BBR Music Group and regularly sells out theaters around the country. In the U.S., Breaking Rust has 9.3 million streams to date, while Walker has 1 million, according to Luminate — the kind of numbers achieved by developing artists backed by record labels and artist managers.
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But the AI artists attracting headlines and creating consternation within the music industry don’t have popularity to match the attention they’re getting. They are making noise mainly by getting onto download charts, which don’t reflect how most Americans consume music. Nor are they likely to have the longevity of other artists. Walker, ranked No. 359 amongst country artists, is just a few spots below country legend Hank Williams. But nobody is saying that Walker matches the popularity of Williams, an inductee into the Country Hall of Fame, Songwriters Hall of Fame and Rock and Roll Hall of Fame.
That’s not to say AI artists aren’t having an impact. They’re quickly growing in numbers, and it’s not difficult to imagine that they could soon gobble up much more market share.
Take the 10 AI-generated or AI-assisted artists mentioned in Billboard’s Nov. 4 article about AI artists who landed on the charts. The 10 artists mentioned in that article — including Juno Skye, Enlly Blue, Unbound Music, Ruby Darkrose and ChildPets Galore — have an average EAU in 2025 of approximately 7,200 units. That’s not much. But 1,000 of these AI artists, in aggregate, could have a legitimate impact: 1,000 artists at 7,200 units is 7.2 million units — equal to a 0.7% year-to-date U.S. market share. That’s on par with large independent record labels like Big Machine Label Group (0.78%), BMG (0.77%) and Secretly Distribution (0.75%). Two thousand AI artists with an average of 3,600 AEUs would have the same collective market share. Or 4,000 AI artists with an average of 1,800 AEUs.
An invasion of AI music may feel like a dystopian future to most people, but it’s a plausible scenario. A person reading about Xania Monet or Breaking Rust could experience the same spark of inspiration felt by teenagers seeing punk rock bands in the mid to late ‘70s. Punk grew quickly because starting a band required a passion for music, not musical expertise. When millions of people read about AI artists on the charts, some of them will have the same realization that kids had in the ‘70s: “If they can do it, why can’t I?”
Billboard determines if a charting title is AI or AI-assisted through checking the artists’ official pages, some of which say they are generated with the help of AI; cross-checking the songs using Deezer’s AI detection tool, which adds a flag to all AI-generated content on the platform; and reaching out to the creators themselves, among other methods.
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When the name Q Parker is mentioned, the first thing that usually springs to mind for most is the Grammy-winning group 112. Between the mid-‘90s and the mid-’00s, the R&B quartet’s mesmerizing harmonies were a radio staple, thanks to classics such as “Only You,” “Cupid,” “It’s Over Now,” “Peaches & Cream” and “U Already Know.”
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After the members opted to pursue solo projects, Parker released his first solo studio album in 2012, The MANual. Now 13 years later, Parker is back — and he’s still got love and romance on his mind. Released today (Nov. 14), sophomore solo set Evolution of Romance, Volume One (on Parker’s Paramount Collective Ventures label via ONErpm) is a melodious, insightful, sensual and frank 34-minute discourse on a topic that never loses its allure.
“I want this project to be a conversation between men and women about affection, courtship, support, love; all the things that true romance encompasses,” Parker — the self-proclaimed “Romance Dealer” — declared ahead of the album’s release.
Romance aside, the album is just as much about the evolution of Parker as a solo artist and songwriter. In the latter arena, his penmanship credits beyond 112 include Faith Evans, New Edition, Keyshia Cole and The Notorious B.I.G. Among Parker’s collaborators on Evolution of Romance are Felly the Voice (Chris Brown, Usher), Blac Elvis (Ciara, Kelly Rowland) and Rico Love (Beyoncé, Usher). The album has spun off three singles: “Keep on Lovin’,” “BEG” (his first top 10 solo hit on Billboard’s Adult R&B Airplay chart) and “Triple F’s (F Me. Feed Me. Be a Fan of Me)” Additional standouts include the one-two punch of “Put It On” and “Take It Off,” plus “World War.”
“I’m staying committed to R&B because I know it’s a place that listeners long for and ask for — and I’m here to deliver,” says Parker. “I’m not going anywhere anytime soon.”
Below, he talks more about the new set, and about the challenges of going it on his own.
Why the long break between your first and second solo albums?
I was just trying to figure out my place. What I like to do is review what’s out in the market and find where I can occupy a space that I can own. I identified that romance was missing; that we [R&B singers] haven’t been paying the right kind of attention to the ladies for a while. From there, it was: “How can I sing and tell stories about romance?” I wanted the album to feel nostalgic but also have a contemporary feel; to be authentic by telling real stories from my life and that of others I’d had conversations with. I wanted to contribute to the legacy of Black male R&B artists who have upheld the genre.
But romance isn’t quick. You have to let it marinate so it can be delivered in a subtle, gentle way — which I can’t do all in one volume. So there will be a volume two and three … and potentially a fourth.
Press materials describe the album as “grown-man R&B.” How did that factor into the sensual scenario spelled out in your latest single “Triple F’s”?
I wanted the records to hit home so everybody can find their place in the lyrics, melodies, instrumentation and delivery of my vocal performance. “Triple F’s” is about males having the microphone to share what we need from the women in our lives. And I think I eloquently summed it up. Obviously, the first F is literal. It means we need the passion, the intimacy of that physical touch. The second F, feed me, is about needing the soul to be fed. And the final F is for fan. Support me; cheer me on. When we get those three things from our women… man, the sky is not [even] the limit.
What’s been the most difficult challenge in going solo?
Being given the opportunity to just be Q Parker. That’s not taking anything away from what I’ve done in the first half of my career with my [112] brothers, because that’s legendary and will forever be etched in the record books. However, Q Parker does have something to say too. It’s difficult when the public is so accustomed to only what they want. Sometimes they’ll say, “I want 112 or nothing.” I don’t think that’s fair. I’m not saying, “Forget 112.” But please allow Q Parker to really show who I am, and what talents I possess.
How concerned are you about AI’s growing presence in music?
I believe in the advancement of technology. I also strongly believe that when all else fails, you lean on your talent. Now there are some great things you can get from AI. But again, there are ways it can be used negatively. As long as I have breath in my body, I’m not necessarily worried about AI. God gifted me with a talent to write and perform music, so I can still put points on the board.
With volume one taking off, just how heavy will wearing the Romance Dealer mantle become?
It’s not heavy at all because it’s who I am. I grew up watching soap operas, which is where I got a lot of my [early] writing material. I watched my dad wining and dining my mom. And as the youngest of four, I also saw my sisters with their boyfriends. So me being the Romance Dealer is just who I am. I’m an R&B song with legs. [Laughs.]
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Everything seems to be getting more expensive these days. From eggs to pharmaceuticals, the pressure on wallets can be felt all across the country, especially as the holidays approach. With so much to stress over, travel plans and Christmas shopping, let T-Mobile’s 5G Home Internet plan be your saving grace.
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Starting at just $35/month with Autopay; plus taxes & fees and a T-Mobile postpaid voice line you can get reliable 5G home internet. That means no lagging on some of our favorite hobbies like streaming the latest and greatest holiday tracks from your favorite musicians with the family without emptying your pockets.1
You’ve got fast internet for the whole family, giving you crisp, clear access to streaming classic Christmas movies like The Polar Express and Elf, and cheerful holiday albums by way of Mariah Carey or the sultry stylings of Elvis Presley to get you in the holiday spirit. If those holiday tracks aren’t doing it for you, T-Mobile 5G Home Internet’s fast internet is powerful enough to support software to make your own tunes from the comfort of your own home. A good Christmas remix never fails.
From the standard plan, T-Mobile also offers an Amplified plan for $45/month with Autopay; plus taxes & fees and T-Mobile postpaid voice line which includes faster internet than the Rely plan for only $10 more. Finally, you’ve got the All-In plan for $55/month with Autopay; plus taxes & fees and a T-Mobile postpaid voice line that includes everything mentioned above, along with wi-fi mesh extender and streaming perks. This includes Hulu & Paramount + Essential.
The plan is much more affordable than simply shelling out on a singular subscription to those streaming platforms alone. For example, a standard subscription to Hulu is $11.99/month, while a Paramount + Essential plan will run you $7.99/month. Add that up and you’re paying $18 a month, and that’s without the fast home internet. If none of these plans bring you holiday cheer after 15 days, you’ll get your money back.2
Want even more bang for your buck? Now new home internet lines get a snazzy virtual prepaid Mastercard. For the Rely plan, you get $100, $200 for the Amplified plan and $300 when you sign up for the All-in plan for a limited time. You can buy like 60 half-gallons of eggnog with $300. That means more cash back in your pocket.3
The sports world has another high-profile WAG – that stands for wives and girlfriends if you don’t already know – in Megan Thee Stallion, who started dating Dallas Mavericks shooting guard Klay Thompson in the summer of 2025. And just like another pairing between an A-List musician (Meg boasts three no. 1 hits on the […]
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