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Ariana Grande’s “We Can’t Be Friends (Wait for Your Love)” lifts to No. 1 on Billboard’s Pop Airplay chart (dated May 25). With the track, from Grande’s Republic Records album Eternal Sunshine, she notches her 10th Pop Airplay leader, becoming the sixth act to amass a double-digit total. Taylor Swift boasts a record 13 No. […]

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Regency era romance is back in session. Bridgerton season three premiered on Thursday (May 16), and Netflix and Shondaland are celebrating with several brand collaborations including Izzy & Liv at Target, Ladurée, Ruggable, Kiko Milano and Williams-Sonoma.

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“We love connecting with fans and putting them at the center of our stories,” Marian Lee, Netflix’s Chief Marketing Officer said in a press release. “Since its first season, the Bridgerton fandom has been so passionate and loyal that we are delighted to bring them closer into the Bridgerton universe and extend new ways for them to celebrate their favorite show. Whether it’s romantic dresses, floral fragrances or a spot of tea with biscuits, the new product collections immerse fans in authentic ways that can only be made possible through these standout brand collaborations.”

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“One of the things we’ve learned is how much fans value and embrace the Bridgerton aesthetic,” noted Sandie Bailey, Chief Innovation and Design Officer, Shondaland. “The adoption of the world into their everyday lives is a fun way to extend the experience of the show off the screen and we’ve made helping them do so a priority. As we are about to embark on the release of season three, having the opportunity to partner with incredible brands who share our passion around bringing this joy to the fans is very exciting.”

Season three arrives in two installments: The first part of the season drops on May 17, the second part will premiere on June 13.

See below for a roundup of Bridgerton collaborations to shop.

Bridgerton x Biscuiteers

Biscuiteers, a British biscuit (cookie) company that makes personalized, hand-iced treats, released a gorgeous cookie collection for Bridgerton fans.

Bridgerton

Courtesy of Netflix

Priced from $20 to $75, the collection features 13 cookies with Bridgeton-inspired designs such as Lady Whistledown’s quill, Queen Charlotte’s wig, teapots and other designs. The collection comes packaged in a keepsake tin covered with gorgeous illustrations.

Bridgerton x Izzy & Liv at Target

Style and lifestyle brand Izzy & Liv released a Bridgerton collection exclusively at Target. Available in stores and online, the collection features modernized pieces with Regency-era inspiration priced from $25 and under. Click below to shop Bridgerton merch at Target.

Kiko Milano x Bridgerton

Channel Bridgerton beauty vibes with Kiko Milanos’ new release. The Italian makeup brand unveiled a limited-edition beauty collection of eyeshadow, eyeliner lipstick, highlighter and other beauty must-haves priced from $18 to $30.

Bridgerton

Courtesy of Netflix

Bridgerton x Williams-Sonoma

Tea time, Bridgerton style. Williams–Sonoma‘s latest Bridgerton collection expands on the previous collaborations with a new assortment of floral dessert plates, table runners, napkins, a Bridgerton picnic basket, floral tea set and matching tea pot, and a sweet assortment of cakes, cookies, floral candies and beverages. The collection ranges from $199 to $1,079.

Bridgerton

Courtesy of Netflix

The Ruggable x Bridgerton collection includes five new styles featuring beautiful motifs inspired by the hit series. Shop items priced from $199 to $1,079.

Want more Bridgerton? Fans can visit the Netflix Shop for other goodies such as the Bridgerton Muse Teapot and Tea Gift Set ($49.99), Bridgerton x Sebrana Khadija Bee Brooch ($18), Bridgerton x Girl You Know Journal ($35) and Pink Sweater ($85) and the almost-out-of-stock Bridgerton x Sue Tsai Varsity Jacket ($250) featured below.

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Tyler Hubbard earns his second No. 1 as a soloist on Billboard’s Country Airplay chart as “Back Then Right Now” ascends to the summit on the May 25-dated list. The single increased 6% to 29.5 million audience impressions May 10-16, according to Luminate.

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Hubbard co-authored the song with Jessie Jo Dillon, David Garcia and Geoff Warburton, and co-produced it with Jordan Schmidt. It’s the lead single from Hubbard’s sophomore LP, Strong, which launched at its No. 35 high on Top Country Albums in April.

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The track follows Hubbard’s “Dancin’ in the Country,” which hit No. 2 on Country Airplay in May 2023, becoming his second of three top 10s. “5 Foot 9” led for a week in November 2022.

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Hubbard, 37, from Monroe, Ga., made 16 previous trips to No. 1 on Country Airplay as half Florida Georgia Line with Brian Kelley, who is also working solo.

Post Malone, Wallen Soar to Top 10

In its second week on Country Airplay – after it debuted from just one day of play the week before – Post Malone’s “I Had Some Help,” featuring Morgan Wallen, hits the top 10 (18-9; 15.8 million May 10-16; up from 10.4 million May 9). The song, a contender for No. 1 on the Billboard Hot 100 dated May 25, is Post Malone’s second Country Airplay entry, following his featured turn on the late Joe Diffie’s “Pickup Man” (No. 44, January). Wallen adds his 15th top 10.

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“Help” is the first song to reach the Country Airplay top 10 in two or fewer weeks since Garth Brooks’ “More Than a Memory” launched at No. 1 in September 2007. It’s also the first to do so not by Garth Brooks, dating to the chart’s 1990 start.

Songs to Reach the Country Airplay Top 10 in Two or Fewer Weeks:

Garth Brooks, “More Than a Memory,” Sept. 15, 2007, one – the only song to debut at No. 1

Post Malone feat. Morgan Wallen, “I Had Some Help,” May 25, 2024, two

Garth Brooks, “It’s Your Song,” Nov. 21, 1998, two

Garth Brooks, “Longneck Bottle,” Nov. 29, 1997, two

Garth Brooks, “She’s Every Woman,” Sept. 16, 1995, two

Garth Brooks, “The Thunder Rolls,” May 25, 1991, two

Of the five songs above prior to “I Had Some Help,” four hit No. 1 on Country Airplay; “It’s Your Song” peaked at No. 9.

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Martin’s ‘Ride’ Rolls On

Plus, Bryan Martin, who hails from Logansport, La., and worked on an oil rig before pivoting to music, hits the Country Airplay top 10 with his first entry, “We Ride” (11-10; 15.5 million, up 2%). It’s from his third LP, Poets & Old Souls, released in March 2023.

Just 12 hours after dropping her third studio album, Hit Me Hard and Soft, at midnight Friday (May 17), Billie Eilish has unveiled the project’s first music video: a flirty, ’90s-inspired visual for the song “Lunch.” Filmed with an overexposed, grainy filter, the ’90s-inspired video finds the 22-year-old pop star singing along as she models […]

With just a week to go before BTS‘ RM releases his second solo album, Right Place, Wrong Person, on Friday (May 17) the singer finally revealed the full track list for the 11-song LP. The album (out May 24) described in a release as a collection of “alternative genre-based tracks… that reflect a raw and […]

Regional Mexican band Groupo Frontera tells Billboard all about their new album, Jugando a Que No Pasa Nada, recent collaborations they’ve done with Maluma on “Por Qué Será?,” “Los Dos” with Morat, “Ya Pedo Quién Sabe” with Christian Nodal, “Un x 100to” with Bad Bunny, “Entre Paréntesis” with Shakira, experimenting with the Regional Mexican genre, cumbia, other Latin genres and more!

Julian Peña Jr.All the sudden, we get a call that’s like, “Yo, bro, Shakira wants to record with you guys. Get your a–es up to Malibu, like, right now?”

Groupo Frontera:Hey guys, we’re Groupo Frontera, and you’re watching Billboard News.

Tetris Kelly:How’s it going, fellas? I mean, I gotta say congratulations because Jugando a Que No Pasa Nada is out. Did I say it right? I’ve been practice. So the album is finally out — how’s it feel?

Adelaido Solis III:It feels amazing. This is one that we’ve been working on for almost a year. Yes, yeah. Since the last album came out, we were touring last year, we like during the tour, we were working on this one. And, like, everything is, like, tied into one concept. And that’s really amazing. And we’re just so happy about all the songs because they’re so different. And each and every single one, even though they’re a different style. We just love them.

Tetris Kelly:You say it’s all tied into one concept. So tell me a little bit more about the actual concept of you.

Adelaido Solis III:Well, when we were walking in here, actually, we said, because we saw this picture is the first time we’re seeing this picture. When we walked in here we were like, “That’s the new from that this is the new Frontera.” And last year was alchemy. And so yeah. The beginning this is yeah, so we’re advancements, the concept, like, revolves around “We are Groupo Frontera.” We got known for the cumbias, and we’re not leaving the cumbias. But each and every single one of us has their own style. Like, if you see in this picture, not everybody looks the same. They’re all in their own style. And that shows in the new music that’s on this album.

Watch the full video above!

Chris Stapleton took home four awards at the 2024 ACM Awards Thursday night (May 16), but he may as well have won a fifth: best-kept secret, which he unofficially earned for his surprise duet with Dua Lipa during the ceremony.
Viewers were shocked to see the pop star take the stage with the country crooner at the Ford Center in Frisco, Texas, with the pair teaming up for a reimagined version of his “Think I’m in Love With You” midway through the show. (Sources onsite told Billboard that the pair is planning to release a collaboration together in the future, but neither musician has publicly confirmed the news.)

After the performance, Stapleton revealed on the Winner’s Walk carpet that he was almost equally surprised to see the duet materialize, telling Billboard‘s Melinda Newman that it came together in as little as two days.

“[Lipa] contacted the ACMs, and the ACMs contacted us,” he said, noting the “Houdini” singer’s dedication to making the partnership happen. “She’s very busy promoting her own record [Radical Optimism] right now. We kind of created this thing together in the last two days.”

Lipa also opened up to Billboard about the performance after the show, which was produced by Dick Clark Productions. “Lots of zip-up hoodies and running in and out of the arena [were involved],” she told reporter Lyndsey Havens of how she kept her appearance under wraps. “We were all so in on making sure that this stays a surprise to make the moment even more special. I don’t know how we did it, I’m glad we did it because it’s really special when it happened tonight on stage.”

In addition to performing, Stapleton also won male artist of the year, artist-songwriter of the year and album of the year for his 2023 record Higher at the ACMs. When Billboard asked him and his wife/collaborator Morgane which pop artist the country star would like to work with next, he replied, “I’d always say someone like Paul McCartney.”

He then added, “Harry Styles. [Morgane has] mentioned [him] a few times.”

DCP is owned by Penske Media Eldridge, a Penske Media Corporation (PMC) subsidiary and joint venture between PMC and Eldridge. PMC is the parent company of Billboard.

It’s time for another spin around the Executive Turntable, Billboard’s comprehensive(ish) compendium of promotions, hirings, exits and firings — and all things in between — across music. We also have a weekly interview series spotlighting a single executive, if that’s your thing. After focus group testing we landed on “Executive of the Week” — find them here.
Ralph W. Peer was named managing director of peermusic UK, based in London. In addition to his new role, Peer will continue directing company initiatives in Australasia, Africa and the Middle East, with his new mouthful title being managing director of U.K. and Australasia and vp of peermusic’s African and Middle East operations. Peermusic UK staff will report directly to Peer, with peermusic Europe president Nigel Elderton continuing to oversee creative and administrative operations throughout Europe. Peer, who is the grandson of late peermusic founder Ralph S. Peer, joined the family business full time in August 2019 as vp for Sub-Saharan Africa and the Middle East but soon added business affairs work in the London office as well. “We remain steadfastly focused on providing our peermusic roster of artists, songwriters, and producers with the very best in executive talent, A&R prowess, sync, and administrative expertise,” said Elderton. “With this move, we know our U.K. office remains in very capable hands as we continue to expand peermusic as the preeminent independent music publishing company throughout Europe.”

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Brendan Anthony joined Big Loud Texas as vice president of the recently launched label. The delicious sounding BLT was founded by Miranda Lambert and Jon Randall in late 2023 in partnership with — you guessed it — Big Loud Records. The Austin-based Anthony will oversee the label’s operations and work closely with Lambert, Randall and the Big Loud brass in Nashville. Prior to joining Big Loud, Anthony spent nearly a decade as director of the Texas Music Office, which guides music policy statewide in close partnership with the governor’s office and other agencies. In 2026, he created the Music Friendly Texas Communities program, which helps connect dozens of cities across the state to encourage economic development of local industry stakeholders. Earlier in his career, Anthony served as head of e-commerce and artist relations for ONELIVE Media. “We’re so proud to have Brendon join us at Big Loud Texas,” shared Lambert. “He is as passionate as we are about the Texas music scene and has knowledge that will benefit artists in so many ways.”

Cumulus Media appointed Travis Daily as vice president of Country, putting him in charge of content for the company’s 55 country stations in the U.S. He replaces Charlie Cook, who departs at the end of the month. Prior to joining Cumulus in Nashville, Daily was program director at Beasley’s WQYK in Tampa and before that spent 17 years in vaulted roles across the Clear Channel/iHeartRadio empire. “When Charlie Cook told me he was departing, I was faced with one of the tougher decisions of my career: who could I trust to lead and represent our vast fleet of important Country stations with the finesse and character that Charlie did? On every front, Travis rises to the demands,” said Brian Philips, chief content officer.

Burr

credit Katie Kauss

The Recording Industry Association of America elevated Erin D. D. Burr to senior vice president of media relations and Matthew Bass to vp of research. Burr joined the RIAA in August 2022 following a nearly 12-year tenure as a communications executive at Big Machine Label Group. In addition to handling press outreach, Burr handles strategy surrounding Gold & Platinum certifications at the music industry lobby group. Bass has spent the last decade at RIAA, where he helps craft the org’s highly researched annual reports. He has also played a major role in modernization efforts across RIAA’s Gold & Platinum program. “Erin and Matt are stars who have already shined so brightly at RIAA and in their new roles will be even more visible and effective,” said RIAA chairman and CEO Mitch Glazier. “As the music community works together to address unprecedented new opportunities and challenges from the meteoric rise of streaming to the current effort to chart a path towards responsible and pro-artist AI, we are all lucky to have Erin and Matt embracing greater responsibilities.” Erin can be reached at eburr@riaa.com while Matthew is at mbass@riaa.com.

BMG promoted Marc Johlen to managing director for operations in Germany, Switzerland and Australia (GSA), the company’s third largest territory after the U.S. and U.K. Johlen joined BMG in 2020 following a tenure at Budde Music to lead the GSA publishing team, which has since signed Robin Schulz, Bunt., Michael Schulte, AVAION and other big names to its roster of writers and producers. Johlen will be based in Berlin and report to Maximilian Kolb, evp of Continental Europe repertoire & marketing. “Marc is a forward-thinking leader with a proven track record in publishing, artist management and career development,” said Kolb. “His global perspective and local expertise make him an ideal fit for this role within our new organizational structure.”

Sony Music Publishing promoted Nasra Artan to the new position of head of international A&R, effective immediately. She’ll work across all of SMP’s A&R teams to build opportunities and drive collaborative initiatives for roster writers. The London-based Artan, who joined Sony in 2022 as European A&R manager, will continue reporting to SMP’s president of international, Guy Henderson. “In addition to her skill set, energy and drive, Nasra approaches the creative world with an open mind, knowing that great songwriters and big songs can come from anywhere,” said Henderson.

Shareholders recently affirmed Utopia Music‘s plan to rebrand as Proper Group, which now intends to move more of its operations from Switzerland to London as the music distribution and tech company eyes a “more focused approach that aligns with its long-term goals.” As a result of the realignment, the company said the “Swiss entity is being right-sized to reduce operational costs,” bringing an undisclosed number of layoffs. “As we step into a new era of growth and technological advancement at Proper Group, I want to express my sincere sorrow that part of our journey involves parting ways with some of our valued colleagues,” said Michael Stebler, who is wrapping up his brief tenure as transitional CEO. The company said it would instead split its focus into two areas, with Drew Hill taking on the role of CEO of Proper Distribution and a TBA executive to lead its Music Tech division.

Nick Spampanato has been promoted from svp of venue operations to chief operation officer of venues for global live leader AEG Presents. The LA-based executive oversees the business and operations for AEG’s 50 owned and operated clubs and theaters, and reports directly to Brent Fedrizzi, AEG Presents President, North American Regional Offices. Spampanato joined AEG in early 2019 following a 10-year tenure at MSG Entertainment, where he rose to svp and oversaw all operation of the legendary Forum arena in Inglewood, Calif. Prior to MSG, Spampanato put in over 17 years in management at venues owned by Live Nation. “His track record speaks for itself,” noted Fedrizzi. “He’s got an institutional knowledge of venue management at every level, from clubs and theatres all the way up to arenas. Nick has a clear vision on how to effectively manage our critical portfolio of owned and operated venues, and how to propel the business forward.”

Former Billboard news director Colin Stutz recently joined Stand Together Music as managing director of artist relations. At his new gig, Stutz is tasked with building a team that will assist and champion artists looking to deliver on ways to push social change. Stand Together Music works alongside music industry stakeholders to co-create custom-fit solutions around societal challenges including criminal justice, addiction recovery, education, free speech and ending the war on drugs. (Stand Together recently partnered with Marcus King to launch a foundation to support sober touring musicians.) “With his wealth of experience and passion for driving social change through music, Colin is a great addition to our team,” said Colette Weintraub, head of Stand Together Music, Sports & Entertainment. “Together, we look forward to empowering artists to make a meaningful impact on the issues that matter most to our society.”

Educational Media Foundation (EMF) CEO Todd Woods has resigned. EMF is the Tennessee-based parent company of Christian radio networks Air1 and K-LOVE. Woods will continue in an advisory role through June, while EMF board chair Tom Stultz takes on the role of interim CEO. Woods joined the company in 2022 and rose to CEO in March 2023.

Universal Music Group promoted Todd Goodwin to senior vp of culture marketing and creative strategy at °1824, the creative and marketing division he launched with the label in 2019. °1824 provides UMG labels with services including content creation, public relations, A&R scouting, brand partnerships, strategic insights and experiential marketing. Additionally, Goodwin’s team produces live-streaming events. Goodwin will remain based at UMG’s Santa Monica office and continue reporting to Michele Anthony, Executive Vice President of Universal Music Group. “Todd has created a best-in-class creative resource as well as a path for the next generation of industry leaders,” Anthony said. “I’m thrilled to announce his promotion and congratulate the 1824 team on all of their accomplishments.”

Elsewhere at UMG, the label group elevated Sanujeet Bhujabal to managing director of Universal Music India and South Asia. Previously the evp of content at the label, Bhujabal will report to Devraj Sanyal, the chairman and CEO of India & South Asia. UMISA also said Viral Jani had been appointed chief revenue officer.

Former Nettwerk Music Group executive Jon Granat and ex-Ipecac Recordings general manager Marc Schapiro launched Auxilium Music, a highly curated and boutique publishing administration company. Auxilium’s inaugural roster since coming into existence earlier this year includes Melvins legend Buzz Osborne, post-metal artist Bryant Clifford Meyer of Isis and Palms, Michael Crain of thrash supergroup Dead Cross and singer-songwriter Fay Wolf, among others. Indie-minded and self-published songwriters/artists itching for a more personalized option for publishing administration can hit up Granat and Schapiro at info@auxiliummusic.com.

TaP Music welcomed veteran artist manager Will Bloomfield to the team as co-president and head of global artist management. He’ll work alongside co-presidents Wendy Ong and Anna Neville, as well as co-founders Ben Mawson and Ed Millett, to oversee all areas of the TaP business (TaP Management, non-profit TaP Futures and TaP2, formerly TaP Sports). Bloomfied spent the last two decades at Modest! Management, where he rose to partner working a stacked roster of talent including One Direction, 5 Seconds of Summer, MNEK and more. (Back when he was eligible, Bloomfield was featured in our 40 Under 40 list.) “Will joins us at a time of great change in the industry and what we believe is an opportunity for managers and artists,” said Mawson and Millett. “TaP’s founding principle of self sufficiency informs our approach to management now more than ever, with a range of specialists across all key areas.”

PULSE Music Group promoted Annie Aberle to senior vp and head of creative. Previously vp of A&R, with a roster including James Blake, Ryan Beatty and Jack Rochon, Aberle’s expanded remit now includes overseeing creative strategy for the company’s roster of writers and producers across its publishing division. Aberle is based at the company’s Los Angeles headquarters and reports directly to co-CEO Scott Cutler and group president Ashley Calhoun. “One of the most essential parts of this job is remaining a fan first—Annie does not lose sight of that,” said Calhoun. “Annie knows how to deliver a strategy for each of our clients that makes them inspired to show up and show out in the studio every day.”

UTA went on a parter promotion spree, elevating two dozen staffers to the lofty title across media, publishing, talent, publishing and other disciplines. In the music division, new partners include Obi Asika, Kevin Gimble, Steve Gordon, Jeffrey Hasson and Matt Meyer. In comedy touring, Doug Edley and Heidi Feigin made the grade. Head over to THR for a full rundown of the promotions.

Music marketing veteran Joe Aboud officially launched consultancy firm 444 Sounds, with a roster including Sony Music, UnitedMasters, Major Recordings and artists such as Jung Kook and Enrique Iglesias. Aboud was most recently vp of marketing and streaming at HITCO, and prior to that worked as a marketing manager at Atlantic Records.

NASHVILLE NOTES: Natalie Kilgore has boomeranged back to Brown Sellers Brown, rejoining the music company as vp of publicity. Kilgore previously held the same role at BSB from 2020 until late 2022, when she joined BBR Music Group to develop its in-house media relations department. BSB is home to two labels, Quartz Hill Records and Stone Country Records … Soft rocker Walter Egan — whose “Magnet and Steel” was a top 10 hit in 1978 — joined Nashville’s Hippie Radio 94.5 to host a show called “Walt’s Record Vault” … Primary Wave Music officially launched Sun Label Group as a biome for legendary labels like Sun Records and Gaither Music, among others. Paul Sizelove will oversee SLG as president, with each of the labels — which also includes Green Hill Music, Rural Rhythm and emeraldwave by Green Hill — retaining their own leadership and organizational teams.

Global Merchandising Services hired veteran executive Lisa Streff as senior vp of licensing & brand development for North America. Founded in 2008, Global works with artists on design, product development, branding, manufacturing, and direct sales of licensed merch. Streff, who was most recently svp of global licensing for UMG’s Epic Rights and Bravado units, will focus on growing the North American licensing programs for Global’s roster of clients.

MNRK Music Group promoted Ian “J.Y.” Williams to senior director of A&R, in charge of signing and developing untapped talent for the label. Williams joined MNRK in March 2022 as director of A&R and since then has played a pivotal role in developing acts including Kash Doll, K. Michelle, Tyfontaine, OBN Jay, C Stunna and Neek Bucks, among others. Prior to MNRK, Williams worked in artist management at Atlantic Records and has consulted artists through Def Jam, EMPIRE and RCA.

Music consultancy firm Huxley hired Jordan Shepley as associate director of publicity and Chisomo Phiri as communications manager. Shepley will help oversee publicity for Huxley’s roster, which includes J Balvin, Kelly Lee Owens, Munya Chawawa, Calvin Harris and A24 Music. Phiri will handle corporate communications for clients Three Six Zero, Dirty Hit and SailP. In addition, Huxley has also promoted Emily Connick to junior publicist and has hired Tom O’Sullivan, who joins from Sold Out Advertising, as a team assistant.

Concert and festival promoter FKP Scorpio is widening its focus to cover exhibitions, family events and special projects with the rebranded FKP Scorpio Entertainment. FKPE’s leadership team includes James Cassidy and Barry Campbell, who have been appointed president and senior promoter, respectively. Also joining the team are Nathan Birch as head of ticketing, Daisy Parry as special events coordinator, Suzy Bryant as marketing consultant, and Ollie Catchpole as comedy promoter.

AI-driven music financing platform beatBread hired Julian Dunn as director of business affairs. A former corporate attorney, Dunn most recently worked in the Bay Area startup scene at Segment and Hightouch.

ICYMI:

Lucian Grainge

UMG chairman and CEO Lucian Grainge‘s pay package for 2023 was approved by shareholders … Downtown Music elevated Tom Allen to president of its newly hatched royalties and financial services division … Warner Music restructured its Mexican music division but did it in-house … and Brent Fedrizzi (‘memba him from the Nick Spampanato blurb?) was named president of AEG Presents‘ North American regional offices.

Last Week’s Turntable: Allison Moorer Joins Country Hall

The year just keeps getting better for Jelly Roll. The “Son of a Sinner” singer added another notch to his gilded belt on Thursday night (May 16) at the 2024 ACM Awards when he shared the music event of the year prize with Lainey Wilson at the Ford Center at the Star in Frisco, Texas.
“First time nominated, first award and it couldn’t have happened for a more meaningful song,” Jelly Roll said of his win for “Save Me” with Wilson at the show produced by Dick Clark Productions. Speaking to Billboard after the event, Jelly said he decided to add Wilson to the song after he recorded it solo because he wanted to “hear it from a woman’s point of view.”

As an example of why that was definitely the right call, he said his stylist told him she listened to the track “1,000 times and loved it,” but when she heard the version with Wilson she cried because, as she told him, “it felt like it was one of us singing it. I was like, ‘WOW,’ it just covered me in chills. I knew then that it was going to be a special song.”

Jelly said he had a premonition that Wilson was going to be the biggest star on the planet, but after the breakout year she’s had, he thought, “What a great year for me to have a song with her!”

While Jelly Roll has been at the game for a while before his big blowup began taking hold over the last 24 months, he said he and pal Wilson talk all the time about the wild rocket ride of fame they’ve both been on lately and love to share notes and advice. “It’s been so awesome. We’ve been so paralleled and everything. We talk about it openly and honestly,” he said of the small group of fellow artists — which also includes Cody Johnson — that he huddles with to “lay it all on the table.”

In the midst of a red-hot streak that has had anyone and everyone knocking on his door for a collaboration, Jelly Roll had no problem naming the one call that wowed and delighted him the most. “Whenever I got the call to do the MusiCares with Jon Bon Jovi and then I met Sir Paul McCartney at the same time,” he said of the February gala honoring the Bon Jovi founder at which the country star performed a gritty cover of the Jersey rockers’ “Bad Medicine.”

“There’s a picture that exists on the Earth of me meeting Sir Paul McCartney and Jon Bon Jovi at the same time… that was the one that was like, ‘get out of here man!,’” he joked about the pic he keeps sending around to friends and swearing is not a PhotoShop job. Now that he’s been awarded for his Wilson collab, Jelly Roll said the next duet partner on his bucket list is definitely Jersey giant Bon Jovi. Or James Taylor, or Bob Seger.

Watch Jelly Roll talk about his big night and his pinch-me photo op above.

DCP is owned by Penske Media Eldridge, a Penske Media Corporation (PMC) subsidiary and joint venture between PMC and Eldridge. PMC is the parent company of Billboard.

A24’s full compilation album Everyone’s Getting Involved: A Tribute To Talking Heads’ Stop Making Sense has finally arrived, featuring new covers of the quintessential rock band’s music by Miley Cyrus and more artists.  The “Flowers” singer contributed a rendition of Talking Heads’ 1977 hit “Psycho Killer” to the project, which dropped Friday (May 17). Singing […]