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Lil Baby Lands Third No. 1 Album on Billboard 200 With ‘It’s Only Me’

Lil Baby lands his third No. 1 on the Billboard 200 chart (dated Oct. 29) as It’s Only Me debuts atop the tally. The set earned 216,000 equivalent album units in the U.S. in the week ending Oct. 20, according to Luminate. It also claims the third-largest streaming week for an album in 2022.

Lil Baby previously topped the list with The Voice of the Heroes (a collaborative set with Lil Durk in 2021) and My Turn (2020). The latter finished 2020 as Luminate’s most popular album of that year.

It’s Only Me was announced in early September and marks the rapper’s sixth top 10, all consecutive, on the Billboard 200.

Also in the top 10 of the new Billboard 200, Red Hot Chili Peppers’ second album of 2022, Return of the Dream Canteen, enters at No. 3; The 1975’s Being Funny in a Foreign Language starts at No. 7 and Bailey Zimmerman’s debut effort Leave the Light On bows at No. 9.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Oct. 29, 2022-dated chart will be posted in full on Billboard‘s website on Oct. 25. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of It’s Only Me’s 216,000 equivalent album units earned, SEA units comprise 209,000 (equaling 288.97 million on-demand officials streams of the set’s 23 tracks — the third-largest streaming week of 2022 for an album), album sales comprise 6,500 and TEA units comprise 500.

Bad Bunny’s former No. 1 Un Verano Sin Ti is a non-mover at No. 2 on the Billboard 200 with 72,000 equivalent album units earned (down 5%).

Red Hot Chili Peppers’ second album of 2022, Return of the Dream Canteen, debuts at No. 3 with 63,000 equivalent album units earned. Of that sum, album sales comprise 56,000 (it’s the top-selling album of the week, debuting at No. 1 on Top Album Sales), SEA units comprise 7,000 and TEA units comprise a negligible sum. Return of the Dream Canteen follows the band’s chart-topping Unlimited Love, which debuted atop the list dated April 16.

Notably, on the Top Album Sales chart, the Peppers have scored a pair of No. 1s in 2022 (Unlimited Love and Return of the Dream Canteen) – making it the first group with two No. 1 rock albums on the chart in less than 12 months since 2005. That year, System of a Down doubled-up at No. 1 with Mezmerize and Hypnotize. (The Peppers have logged their two 2022 No. 1s six months and two weeks apart; System of a Down notched theirs in 2005 six months and a week apart.)

Return of the Dream Canteen marks the ninth top 10-charting album for Red Hot Chili Peppers on the Billboard 200. The album was led by the single “Tippa My Tongue,” which hit No. 1 on both the Rock & Alternative Airplay and Alternative Airplay charts. On the latter, it’s the 15th No. 1 for the group, extending its record for the most No. 1s in the chart’s history.

Morgan Wallen’s chart-topping Dangerous: The Double Album is stationary at No. 4 on the Billboard 200 (45,000 equivalent album units; down 2%), The Weeknd’s The Highlights is steady at No. 5 (40,000; down less than 1%) and Beyoncé’s former No. 1 Renaissance falls 3-6 (33,000; down 56%).

The 1975 collects its fourth top 10-charting effort on the Billboard 200 as the band’s new Being Funny in a Foreign Language bows at No. 7 with 32,500 equivalent album units earned. Of that sum, album sales comprise 19,500, SEA units comprise 13,000 (equaling 16.24 million on-demand official streams of the set’s 11 tracks) and TEA units comprise a negligible sum. The album was preceded by a pair of top 20-charting singles on the Alternative Airplay chart (“Part of the Band” and “I’m in Love With You”).

Harry Styles’ chart-topping Harry’s House falls 6-8 with 32,000 equivalent album units earned (down 5%).

Bailey Zimmerman’s debut effort Leave the Light On starts at No. 9 on the Billboard 200 with 32,000 equivalent album units earned. Of that sum, SEA units comprise 27,000 (equaling 36.19 million on-demand official streams of the set’s nine tracks), album sales comprise 4,000 and TEA units comprise 1,000.

The singer-songwriter initially broke through on TikTok in 2020 and has already notched a trio of top 10-charting hits on the Hot Country Songs chart, all of which are included on Leave the Light On (“Fall in Love,” “Rock and a Hard Place” and “Where It Ends”). All three tracks have additionally reached the top 25 on the all-genre Streaming Songs chart, and the top five of the Country Streaming Songs chart (with “Rock and a Hard Place” hitting No. 1 in June).

Zach Bryan rounds out the top 10 of the new Billboard 200 as American Heartbreak falls 8-10 with 28,000 equivalent album units earned (up 1%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Cardi B and Madonna Make Amends After Rapper Calls Out Queen of Pop for ‘Disrespect’

Cardi B and Madonna have patched things up following comments the Queen of Pop made while reflecting on the 30-year anniversary of her Sex coffee table book.

On Sunday morning (Oct. 23), the superstar rapper fired off a series of now-deleted tweets expressing that she felt disrespected by comments Madge made on her Instagram Story the previous evening about how the iconic singer helped pave the way for other female artists expressing their sexuality.

“30 years ago I published a book called S.E.X. In addition to photos of me naked there were photos of Men kissing Men, Woman kissing Woman and Me kissing everyone,” Madonna wrote on Saturday, noting that she faced a great deal of criticism at the time. “Now Cardi B can sing about her WAP. Kim Kardashian can grace the cover of any magazine with her naked ass and Miley Cyrus can come in like a wrecking ball.”

Cardi took particular offense to the final line of Madonna’s post, which read, “You’re welcome b—-es,” followed by a clown emoji.

“I literally [paid] this woman homage so many times cause I grew up listening to her …she can make her point without putting clown emojis and getting slick out the mouth,” the rapper wrote in a now-deleted tweet alongside a screenshot of a 2018 Billboard article in which she praises Madonna. “These icons really become disappointments once u make it in the industry that’s why I keep to myself.”

Later Sunday morning, Hollywood Unlocked founder Jason Lee tweeted that he was “on the phone with Madonna and Cardi” and listening to the stars “share their perspective on the communication going on has broadened their love for each other.”

Shortly after, both Cardi and Madonna took to Twitter to share that they had patched things up. “I talked to Madonna …It was beautiful …Have a great day and drive safely yallll,” the rapper wrote. Madonna added, “I love you @iamcardib!! Always have and always will.”

In a video posted to Hollywood Unlocked’s Instagram account, Cardi shared a few more words about her telephone conversation with Madonna.

“I’m glad I had a conversation with Madonna, because I am sensitive. You already know I’m a sensitive gangsta,” the rapper said. “My feelings was a little hurt because to me Madonna is not no regular artist; she’s actually somebody that I really look up to.”

In 2018, Cardi gushed after meeting her “idol” Madonna at an Oscars afterparty, where she posed for pictures alongside the singer and Kardashian.

“I met my real life IDOL Madonna. I can’t even believe I performed at her event and it was the most meaningful performance ever,” Cardi wrote on Instagram at the time. “I grew up with my mom listening to Madonna for hours. I performed ‘Material Girl’ freshman year in High school, listen to her on all my photo shoots to have super confidence and always mentioned her in my interviews. The best part about it is she was everything i thought she would be a Liberal Kick ass feminist bitch. I’m soo happy.”

See Cardi and Madonna’s tweets below.

BTS’ Jin Teases ‘The Astronaut‘ Solo Single With ‘Outlander’ Concept Photos

BTSJin has unveiled concept photos for his new solo single “The Astronaut.”

The K-pop superstar took to Instagram on Sunday (Oct. 23) to share several stunning images to promote his forthcoming song, which he will debut during Coldplay’s concert in Buenos Aires on Oct. 28.

“The photos titled ‘Outlander’ give out the captivating charm of Jin,” reads a statement from HYBE, the media conglomerate behind BTS. “The universe-like set with planet-shaped props and Jin’s outfit provide fans room to imagine the mood and story of the song.”

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In two of the photos, Jin dons a loose-collared white dress shirt with a black tie and matching jacket while posing against a starry blue background. The third image finds Jin standing amid green shrubbery and a pale sky while surrounded by numerous planets and holding a large Jupiter-like sphere.

In the early hours of Friday morning (Oct. 21), Jin also gifted the ARMY with three more solo songs — “Super Tuna,” “Abyss” and “Tonight” — that became available across streaming services via BIGHIT MUSIC. The singles were previously released between 2019-2021, and were only available across BTS’ SoundCloud and YouTube accounts.

The trio of tracks arrived ahead of Jin’s upcoming solo single “The Astronaut,” co-written by Jin and Coldplay. The song is scheduled to drop at midnight on Oct. 28. In addition to the just-released concept photos, BTS noted that a music video and lyric video will released as part of the rollout for the new song.

Check out Jin’s concept photos for “The Astronaut” on Instagram below.

Elton John & Britney Spears Drop Video for Joel Corry Remix of ‘Hold Me Closer’: Watch

Elton John and Britney Spears have dropped the official music video for the Joel Corry remix of their hit collaboration “Hold Me Closer.”

The four-minute video, directed by Rebekah Creative and produced by Greatcoat Films, arrived on Sunday (Oct. 22) and features the British DJ and producer alongside a group of dancers paying tribute to John and Spears by sporting the superstars’ various iconic fashion looks throughout the decades.

In early October, Spears and John shared the first official remix of “Hold Me Closer,” featuring a reimagining by Corry. The new version begins with a slow piano build to the chorus, with isolated vocals from John and Spears. As John and Spears’ vocals are isolated. As the track progresses to its guiding hook (“Hold me closer tiny dancer/ Count the headlights on the highway”), the beat progresses to a euphoric tropical house, dance-ready groove.

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Combining elements of Sir Elton’s past hits 1971’s “Tiny Dancer” and 1992’s “The One,” the danceable bop has so far peaked at No. 6 on the Billboard Hot 100. Thanks to its top 10 debut, the song marked Spears’ highest-charting single since 2012’s “Scream and Shout” with will.i.am.

“Hold Me Closer” has also given both singers new milestones on Billboard‘s various radio charts, including top 10 on Adult Pop Airplay and the top spot of Dance/Mix Show Airplay.

Watch the video for the Corry remix of “Hold Me Closer” below.

Cardi B Fires Back at Madonna After Being Mentioned in Star’s ‘Sex’ Book Reflection: ‘Don’t Insult Me’

Cardi B is feeling disrespected after being mentioned in Madonna‘s reflection on the 30th anniversary of her Sex coffee table book.

The superstar rapper took to social media on Sunday (Oct. 23) to fire back at the Queen of Pop following an Instagram Post about how the iconic singer’s then-scandalous book — released in conjunction with her 1992 album, Erotica — helped pave the way for other female artists expressing their sexuality.

“30 years ago I published a book called S.E.X. In addition to photos of me naked there were photos of Men kissing Men, Woman kissing Woman and Me kissing everyone,” Madonna wrote on Saturday night, noting that she faced a great deal of criticism at the time. “Now Cardi B can sing about her WAP. Kim Kardashian can grace the cover of any magazine with her naked ass and Miley Cyrus can come in like a wrecking ball.”

She closed with, You’re welcome b—-es,” alongside a clown face emoji.

In a series of tweets the next morning, Cardi wrote that she felt disrespected by the post, especially Madonna’s use of the clown emoji.

“I literally payed this woman homage so many times cause I grew up listening to her …she can make her point without putting clown emojis and getting slick out the mouth,” the rapper wrote alongside a 2018 Billboard article in which she praises Madonna. “These icons really become disappointments once u make it in the industry that’s why I keep to myself.”

Some Twitter users wrote that Cardi failed to comprehend Madonna’s point, noting that Madge was saying she “paved the way for sexual songs to become mainstream” and that the singer wasn’t trying to insult the rapper.

“I know exactly what she said and I understand,” Cardi replied, “but it’s about THE TONE …Calling me b—-es and putting clown emojis ? The f—!”

In a similar reaction, the rapper wrote, “EXACTLY SAY WAT YOU WANT TO SAY BUT DONT INSULT ME THE F— …nobody gonna lil girl me (specially a white woman).”

In 2018, Cardi gushed after meeting her “idol” Madonna at an Oscars afterparty, where she posed for pictures alongside the singer and Kardashian.

“I met my real life IDOL Madonna. I can’t even believe I performed at her event and it was the most meaningful performance ever,” Cardi wrote on Instagram at the time. “I grew up with my mom listening to Madonna for hours. I performed ‘Material Girl’ freshman year in High school, listen to her on all my photo shoots to have super confidence and always mentioned her in my interviews. The best part about it is she was everything i thought she would be a Liberal Kick ass feminist bitch. I’m soo happy.”

See Cardi’s response to Madonna’s Sex book reflection on Twitter below.

Stacey Abrams Joins Latto on Stage With ‘My Body, My Choice’ Sign in Atlanta

Stacey Abrams held up a “my body, my choice” sign on stage as Latto performed “Pussy” in Atlanta Saturday night (Oct. 22).

The Democratic candidate for governor of Georgia took the stage at the State Farm Arena, where Latto was opening for Lizzo on The Special Tour. The message on the sign Abrams held high was echoed with a speech given to the crowd.

“I’m not gonna interrupt your fun. I just want to remind you that if you believe in my body, my choice, I need your vote,” Abrams said.

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“I need your big energy,” she added. “Let’s get it!”

On Instagram, Abrams posted: “Thank you for sharing your stage with me, @latto777. Time to vote and protect a woman’s right to choose. StaceyAbrams.con/voting.”

Abrams debated with current Republican Governor Brian Kemp earlier this week, as early voting commenced.

“This is a governor who for the last four years has beat his chest but delivered very little for most Georgians,” she said, according to reporting by The Associated Press. “He’s weakened gun laws and flooded our streets. He’s weakened … women’s rights. He’s denied women the access to reproductive care. The most dangerous thing facing Georgia is four more years of Brian Kemp.”

Below, see a clip from Latto’s show shared by Abrams herself, as well as her speech which was captured by a fan at the show.

Taylor Swift’s ‘Midnights’ Off to Record-Breaking Start in U.S.

Taylor Swift’s Midnights is off to a record-breaking start in the U.S. after its first day in release.

According to initial reports to Luminate, the album, which was released on Oct. 21, has sold more than 800,000 copies in the U.S. through its first day across all available formats (multiple digital album download, CD, vinyl and cassette variants). It has already logged the largest sales week for any album since 2017, is the top-selling album of 2022 year-to-date, and has set a modern-era record for single-week vinyl album sales.

Luminate’s data powers Billboard’s weekly charts.

2022’s Top-Selling Album After One Day: Midnights’ initial sales sum already makes it the biggest-selling album of 2022 year-to-date. Previously, 2022’s top-selling album, year-to-date, was Harry StylesHarry’s House, with 620,000 copies sold through the week ending Oct. 13.

It’s assumed that Midnights’ sales figure will increase in the coming days, as the tracking week ends on Thursday, Oct. 27. The set’s final sales number is expected to be announced on Sunday, Oct. 30, along with its expected large debut on the multi-metric Billboard 200 albums chart (dated Nov. 4). If Midnights debuts at No. 1 on the Billboard 200, it will mark Swift’s 11th chart-topping effort.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each units equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

News of initial streaming-and-track-equivalent activity for the album, as provided by Luminate, will reported in the coming days.

Biggest Sales Week for Any Album Since Swift’s reputation in 2017: With just one day of sales, Midnights logs the largest sales week for any album in the U.S. since Swift’s own reputation debuted with 1.216 million copies sold in its first week (ending Nov. 16, 2017).

Reputation was also the last album to sell more than 1 million copies in a single week in the U.S., a feat that has become difficult to achieve in recent years as consumers transition to consuming music through streaming services. (Yearly U.S. album sales decreased in every year from 2012-2020.)

Since Luminate began tracking music sales in 1991, there have only been 23 instances – by 21 different albums – where an album sold at least 1 million copies in a single week. One of those albums, Adele’s 25, sold over 1 million in three separate weeks.

Modern-Era Vinyl Sales Record: Further, Midnights handily breaks the modern-era record for single-week vinyl album sales in the U.S., with over 400,000 copies sold so far. That’s the largest week for an album on vinyl since Luminate began tracking music sales in 1991. It surpasses the previous high, set earlier this year, when Harry’s House debuted with 182,000 vinyl copies (week ending May 26, 2021).

Midnights’ overall initial sales figures include any pre-orders of the album that were fulfilled to the customer through Oct. 21, as well as traditional in-store sales that were generated on the day of release.

Midnights arrived after months of pre-release promotion and pre-orders – and its initial sales figure is bolstered by an array of available versions and variants of the album.

Midnights is available to purchase in a standard digital album (both clean and explicit), an iTunes-exclusive version with a bonus track (clean and explicit), four standard CD editions (each with a different cover, both clean and explicit), four vinyl LP editions (each with a different cover and colored vinyl) and a cassette tape.

Target is also selling an exclusive “Lavender” edition of the album on CD and colored-vinyl LP, with the CD boasting three bonus tracks.

In addition, in the weeks leading up to release, Swift’s webstore sold pre-orders of signed copies of the four standard CD albums and the four standard vinyl LPs. Midnights is also available in a deluxe boxed set with a CD edition of the album and a Swift-branded T-shirt, exclusively for Capital One cardholders.

Three hours after Midnights arrived, Swift issued a deluxe edition of the album with seven bonus songs (20 tracks total) to streaming services and digital retailers (with the later including a digital liner notes booklet).

Madonna Reflects on ‘Sex’ Book Reaction From 30 Years Ago: ‘Now Cardi B Can Sing About Her WAP’

Madonna‘s 1992 album Erotica, released 30 years ago alongside her then-scandalous Sex coffee table book, paved the way for other female artists expressing their sexuality. Reflecting on that 30-year anniversary, Madonna shared her thoughts about the criticism she faced at the time of their release on Instagram Stories on Saturday (Oct. 22).

“30 years ago I published a book called S.E.X. In addition to photos of me naked there were photos of Men kissing Men, Woman kissing Woman and Me kissing everyone. I also wrote about my sexual fantasies and shared my point of view about sexuality in an ironic way,” she wrote.

“I spent the next few years being interviewed by narrow minded people who tried to shame me for empowering myself as a Woman,” Madonna continued in her note on Instagram. “I was called a whore, a witch, a heretic and the devil.”

“Now Cardi B can sing about her WAP. Kim Kardashian can grace the cover of any magazine with her naked ass and Miley Cyrus can come in like a wrecking ball,” Madonna pointed out.

She then shared an interview clip circa 1992 in which she was paired up with an interviewer incredibly uncomfortable with Sex.

“What did you get out of it?” Madonna countered when asked if there was a message in the book.

“I got afraid,” he admitted.

“Why?” she asked, to which he replied, “I’d never seen the likes of it.”

“You have so,” she teased. “You’ve never read Playboy magazine, or Penthouse, or anything like that?”

“Yes,” he said, “But it was different with you. The picture of you astride the mirror, masturbating — I thought that was horrible. It just strikes me as horrible.”

“I think people’s reaction to specific situations in the book was much more a reflection of that person than me,” she pointed out. (The full video, which aired on 60 Minutes Australia in 1992, is up on YouTube.)

“Erotica,” the album’s first single, peaked at No. 3 on the Billboard Hot 100 and hit No. 1 on the Billboard dance club single sales chart. A remix of the song was included on Madonna’s recent collection Finally Enough Love: 50 Number Ones.

Rhino Records is releasing a limited-edition Erotica 12″ vinyl picture disc, featuring a toe-sucking photo from her Sex book, for the project’s 30th anniversary.

Drake & 21 Savage Announce Joint Album ‘Her Loss’ in New ‘Jimmy Cooks’ Music Video

Drake and 21 Savage are releasing an album together this week.

The pair announced that Her Loss will be here on Friday (Oct. 28) in the middle of their new “Jimmy Cooks” music video, which arrived late Saturday afternoon, 21 Savage’s birthday.

At the 1:25 mark in the Mahfuz Sultan-directed clip, the pair snuck in the title and release date for the new album.

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OVO Sound and Republic Records both shared screenshots of the Her Loss album news on Twitter.

The Honestly, Nevermind track “Jimmy Cooks” (seemingly an ode to the character of Jimmy Brooks that Drake portrayed on Degrassi: The Next Generation) is the pair’s latest collab, and it debuted at No. 1 on the Billboard Hot 100 over the summer, making it Drake’s 11th Hot 100 No. 1 and 21 Savage’s second.

Watch Drake and 21 Savage’s “Jimmy Cooks” video and check out the album announcement below.

Joanna Simon, Acclaimed Singer, TV Correspondent and Carly’s Sister, Dies at 85

Joanna Simon, an acclaimed mezzo-soprano, Emmy-winning TV correspondent and one of the three singing Simon sisters who include pop star Carly Simon, has died at age 85.

Simon, the eldest of four, died Wednesday (Oct. 19), just a day before her sister Lucy died, according to Lucy’s daughter, Julie Simon. Their brother Peter, a photographer, died in 2018 at 71. All three had cancer.

“In the last 2 days, I’ve been by the side of both my mother and my aunt, Joanna, and watched them pass into the next world. I can’t truly comprehend this,” Julie wrote on Facebook.

Joanna Simon, who died of thyroid cancer, rose to fame in the opera world and as a concert performer in the 1960s. She was a frequent guest on TV talk shows. After her retirement from singing, she became an arts correspondent for PBS’s MacNeil-Lehrer News Hour, where she won an Emmy in 1991 for a report on mental illness and creativity.

“I am filled with sorrow to speak about the passing of Joanna and Lucy Simon. Their loss will be long and haunting. As sad as this day is, it’s impossible to mourn them without celebrating their incredible lives that they lived,” Carly Simon said in a statement Saturday.

She added: “We were three sisters who not only took turns blazing trails and marking courses for one another. We were each other’s secret shares. The co-keepers of each other’s memories.”

Joanna Simon was married to novelist and journalist Gerald Walker from 1976 until his death in 2004. She was the companion of Walter Cronkite from 2005 until his death in 2009.

On stage, she made her professional debut in 1962 as Cherubino in Mozart’s The Marriage of Figaro at New York City Opera. That year, she won the Marian Anderson Award for promising young singers. Simon took on a range of material. As a concert performer, she leaned into classic and contemporary songs of her time.

The siblings were born to publishing giant Richard Simon and his wife, Andrea. Carly and Lucy once performed as the Simon Sisters, opening for other acts in Greenwich Village folk clubs.

“I have no words to explain the feeling of suddenly being the only remaining direct offspring of Richard and Andrea Simon,” Carly Simon said. “They touched everyone they knew and those of us they’ve left behind will be lucky and honored to carry their memories forward.”