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Heavy Metal Rocker Unmasked on ‘The Masked Singer’

There was a lot of funny business going on with The Masked Singer on Wednesday night (Nov. 16), as Fox’s quirky show celebrated “comedy roast night.”

After accumulating the fewest number of votes, The Bride was sent packing early.

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The mask came off to reveal Chris Jericho, the former pro-wrestler and singer with heavy metal band Fozzy.

So why dress as a pink dinosaur in a wedding dress for national TV? “It’s always been inside of me, my whole life,” he said, staying in the ethos of comedy roast night.

“I was having a great time, this costume was amazing, it’s the best costume that I’ve seen on the show and I’m disappointed that I got beaten by an avocado.”

Avocado might have won that round, but he didn’t see the night out.

Following a battle royale with Snowstorm, in which the pair sang Rock Hall inductee Carly Simon’s “You’re So Vain,” Avocado went sent home.

Underneath the funny suit was Adam Carolla.

The comedian played his exit with good humor. “I gotta tell you,” he told host Nick Cannon, “somebody farted in this avocado suit and it wasn’t me. No, I know my essence.”

When asked why he wanted to join The Masked Singer, another quip. “Ever since I was a young lad growing up in north Hollywood, California, I dreamt of this moment. And a scant 47 years later here I am.” He continued, “so this is a dream realized. and if I die tonight… I’m gonna be pissed actually.”

Jericho and Carolla join the likes of George Foreman (Venus Flytrap), George Clinton (Gopher), Daymond John (Fortune Teller), the “Brady boys” Mike Lookinland, Barry Williams and Christopher Knight (Mummies), Montell Jordan (Panther), Jeff Dunham (Pi-Rat), Chris Kirkpatrick (Hummingbird), Eric Idle (Hedgehog) and William Shatner (Knight) as contestants revealed so far in the 2022 series.

TMS season 8 introduces several changes to its format.

For the first time, each episode features a completely new round of masked celebs with only one contestant moving forward by the end of the hour. Plus, the audience votes in-studio for their favorite performance of the night, and the singer with the lowest tally will then unmask in the middle of the show before taking his or her place in the new Masked Singer VIP section to watch the rest of the episode.

After First U.S. Tour, ENHYPEN Recognize the Importance of Each Member: ‘It’s So Genuine’

Even though ENHYPEN prepared heartfelt remarks to share with fans at their Radio City Music Hall concert, a stream of tears and a group hug were not part of their plan. But the unexpected and, according to the boy band, uncharacteristic wave of emotion led to a collective epiphany.

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While it’s standard for each member of a K-pop group to individually address the crowd throughout a concert, the final moments during an encore usually the most sentimental, ENHYPEN member Sunoo couldn’t hold back tears as he spoke to the group’s teamwork “as seven” and “the amount of love I received from my members as well as the love from the thousands of ENGENEs,” shouting out the group’s fandom name.

After group leader Jungwon quickly ran over to wrap Sunoo in a hug, ENHYPEN members Jay, Heeseung, Jake, Sunghoon and Ni-ki all huddled together, linking arms and patting one another on the back, as their band mate finished his speech.

With the sold-out crowd chanting their names, Jake told them, “Through our Seoul concert to the American tour, I feel like the seven of us have really grown stronger together because of all the incredible love and support you guys gave us.”

As ENHYPEN was showering one another with hugs and compliments while lending an occasional sleeve to wipe tears away, the K-pop act says they rarely open up to one another as they did in front of thousands on stage in NYC.

“It’s kind of cringey,” laughs the group’s eldest member Heeseung, who celebrated his “happiest” 21st birthday at their NY live debut that doubled as the final date in the U.S. leg of the group’s Manifesto tour. “I think it’s cringey when you compliment each other a lot.”

“We’re just 20-year-old boys so it’s a bit awkward for us,” adds Jake, 20, the group’s affable Australian native who took the lead in conversations with audiences on tour and in this Billboard interview, partly from being the most comfortable member with English but also from a puppy-like energy of excitement. “We don’t really compliment; we just sort of give each other feedback…but I feel like the times that we do show our love for each other is why it’s so genuine.”

After wrapping seven concerts in six states for the U.S. leg of their Manifesto world tour, the group notes their first time performing in multiple cities on the road together, highlighted the importance of all seven individuals that make up ENHYPEN.

“That’s really important for me because we started together as seven members and it has an absolute value for me,” Heeseung says of the multinational act with members representing Korea, America, Australia and Japan. “We spent a lot of time together and, each and every member, I hold them dearest to my heart. So, I think that after this tour I realized that it’s our golden time together. So, yeah, I really love my members” before, naturally, laughing as he adds a “cringe” to round out his thoughts.

ENHYPEN’s understated, soft-speaking leader Jungwon says private moments pointed out their compatibility to him. “The little things that I did with my members really cheered me up,” he explains. “We’d rehearse a lot, and saying things like, ‘Let’s go, together’ before we go on stage; those little things really lifted me up.”

Jake adds that the close quarters for concerts also created a natural camaraderie. “Between stages, we have like a little booth thing where we had to get changed really quickly but it’s really crowded and we can’t really move around,” he says. “But I can really sort of see our chemistry showing because we have to look out for each other—it’s always really messy in there.”

ENHYPEN was born out of the singing competition I-Land where 23 K-pop hopefuls fought for a spot in a new boy band with HYBE founder Bang Si-Hyuk overseeing the competition as Rain, BTS, Zico, SEVENTEEN and Tomorrow X Together guest mentored. Despite the high stakes of making the band, ENHYPEN never saw one another as rivals.

I-Land was sort of a competition, but I don’t think any of us really felt like it was,” Jake explains. “I feel like to the viewers that watched the show, it might seem like that but we had this feeling that we all had to do well and make good performances.”

Jay adds that some members already had an established brotherhood from their early days in the K-pop system. “I had trained with Heeseung for about four years, it already feels like he’s family.”

After I-Land wrapped in September 2020, the septet told an unfolding story as growing superstars through albums. From their debut EP Border: Day One discussing their start in the industry (and peaking at No. 14 on Billboard‘s World Albums chart in early 2021) to this past July’s Manifesto: Day 1 soaring to No. 6 on the Billboard 200 and earning the group their first No. 1 on Top Album Sales with 69,000 album copies sold in its first three weeks, global fans are growing with the band. Earlier this year, ENHYPEN scored their first No. 1 single on the Japan Hot 100 as well with their electro-pop/rock hybrid “Tamed-Dashed,” no doubt with help from Japan-born member Ni-ki, who’s loudest when making his band mates laugh throughout the interview as much as they do him.

“I feel like every album and every song we put out sort of portrays what we’re feeling in that moment and what we’re going through,” Jake says. “Our first album was about moving on from I-Land, becoming an idol, and debuting as an idol. Our second one [Border: Carnival] was sort of saying what we felt while performing as an artist. Now, it’s been two years since we became an idol and now we’re sharing our story to the whole world. Every album has its own meaning and I think that’s one of our strongest points.” Jay calls it ENHYPEN’s “history.”

When it came to Sunoo, one of the younger members known by fans for his cute and sunny disposition that radiates even during an early Monday morning interview, his concerns about completing the career milestone in ENHYPEN’s first U.S. tour were daunting. He says the tearful chat at the concert was more of a release of relief.

“Personally, I had a lot of concerns during the tour,” the 19-year-old says. “The main concern being, ‘Would I be able to successfully round up this concert?’ I think it would have been impossible to actually successfully wrap up this concert and tour without ENGENEs, members, and our staff members who always support me. So, I got teary-eyed because I was really touched by the fact that we really successfully ended this tour but I also want to mention that I also got a lot of energy from this tour.”

Jake adds their the tour experience played a big part in naturally rushing to Sunoo’s side: “We knew what he was going through. Before the last show, he would talk about being sort of tired and just not feeling 100 percent. We could all agree and sort of empathize.”

While Jay’s warm side comes through in concert and during this interview despite his deadpan delivery (he’s the first to say “never” when asked if the group opens up to each other), the Seattle-born star had his own worries about coming Stateside as well.

“I’ve been nervous because it was the first time I came back to States as an artist,” he says. “I already went to almost every city we performed, but it really feels different since I was a little boy. I think I was just proud of all of us doing performances in my home country; it really touched me a lot.” Jay told his members “all of us did incredible, all of us awesome” on stage at the concert’s end.

Looking ahead, the septet thinks and speaks excitedly about future directions after this first extensive tour.

The quieter but undeniably well-spoken Sunghoon, who’s gained fame in K-pop for his hosting abilities, says the tour experience opened his eyes to a new way of creating music. “Up till now, we’ve focused more on our music itself and the album itself,” he explains. “But after the U.S. tour, I thought that it would be good if we can actually envision our concert and performance while we make the album and that would improve our delivery.”

Heeseung is curious about adding city pop into the group’s sound. At the same time, Jungwon wonders how the group could fare if they opted for songs that mix fewer genres after blending punk-rock and electronic production on “Drunk-Dazed” or swirling influences of Chicago drill with dance-pop buildups on “Future Perfect (Pass the MIC).”

Either way, ENGENEs are sure to enjoy wherever the group’s story heads next which comforts the group and inspires them to look excitedly forward together.

“If we focus on our albums, concerts, and tours, the results will naturally follow,” Sunghoon believes. Jungwon says, “Charts and rankings are not something we can control, but what we can control is the focus on our performance and give a lot of happiness and entertainment.” Notably, no one has a funny comment or adds a “cringe” to their leader’s final words, perhaps because it’s an undeniable sentiment that they all feel comfortable and confident sharing with one another.

Elton John Is Ready to ‘Go Out on a High’ With Final U.S. Tour Dates & A Pair of 2022 Top 10 Hot 100 Hits

Surrounded by newly designed Elton John tour merch mixed with luxury goods from Fendi and Balenciaga at a special Rocket Man-themed pop-up shop at The Webster in the Beverly Center, David Furnish — husband and business partner to the beloved pop star — joked that everyone thinks his house looks just like this Los Angeles shrine to Elton.

“We do have a Captain Fantastic pinball machine at our home in Windsor,” he conceded to Billboard, sitting in an alcove at The Webster with that very arcade game as “Philadelphia Freedom” played over the speakers. “But we don’t play Elton John music around the clock in our house.”

For the last near-decade, Furnish has been helping Elton plan his retirement from the road, after 50-plus years of touring the world, and this pop-up shop is one of many special flourishes to send him off. “Elton said he wanted to go out on a high,” Furnish says.

So that’s the plan: He’ll end his U.S. tour dates with a trio of concerts at Los Angeles’ Dodger Stadium, including Sunday’s final show being livestreamed by Disney+ and including special guests Dua Lipa, Kiki Dee and Brandi Carlile. And all along, R.J. Cutler will continue to film the Disney+ documentary Goodbye Yellow Brick Road, along with Furnish as producer under his and Elton’s Rocket Entertainment.

“L.A. has always had that professional resonance,” Furnish says of why Dodger Stadium is the last U.S. tour stop, 47 years after Elton was the first solo artist to play the ballpark. “You know, we have a home here. Our sons were born next-door [to The Webster] at Cedars-Sinai; they’re coming in next week to come and see the shows. We have our annual Oscar party here; we’ve raised $95 million for the Elton John AIDS Foundation with that event for over 25 years. And so LA is a very, very special place for us.”

Below, find highlights from Billboard‘s chat with Furnish, including why Elton is retiring now, his continued relevance on our charts, and how the couple hoped music would be a “great healer” for Elton’s latest duet partner, Britney Spears.

Why is Elton John retiring from touring now?

I think the most important thing, and the most significant thing for us, is what this means to our family. Because as long as I’ve known Elton, he’s been on the road, doing 90 to 100 shows annually. It’s a big commitment. Time, travel, rest between shows. And now we have two beautiful sons; they’re going to be 12 and 10. And we were able to take them with us in the early days. And now they have their own lives. And that’s really important that they continue to have their own lives, their own identity, to not have their life defined by their father’s career.

On Elton John’s love affair with the Billboard charts, including two top 10 Billboard Hot 100 hits this year: “Cold Heart” with Dua Lipa and “Hold Me Closer” with Britney Spears.

He gets your charts daily. He gets them printed out on hard copies. Because he goes through with highlighters. And he literally has different highlighters for different records he charts — ones from Britain, ones from America, the ones that are going up, ones that are his, ones that he has a connection to he. He watches it daily. It feeds a part of his soul. And he’s absolutely over the moon with the way these new records have performed. And you know, you’re gonna see more. Like, he’s not going to stop. And I’m excited for him and excited for what great music he can bring to the world. Our streaming numbers, to see that 58% of his music is now consumed by 18- to 35-year-olds — that is one of the things that I think of which he is most proud. That he’s written songs that survive, that stand the test of time, and that resonate with a whole new generation, that for him is is like, “Wow.”

Why Britney Spears was the perfect duet partner on “Hold Me Closer.”

During lockdown, we watched those documentaries that came out, and we weren’t aware of … we’d heard about the conservatorship, but we hadn’t understood the details and the practicality of it. It was really disturbing, like, “Oh my God, that poor girl, she’s just been in a prison for such a long time.” And as a recovering addict — both of us [David and Elton] are in recovery — we really understand the impact of trauma.

When I raised Britney [as a possible collaborator], [Elton] was like, “Oh, my God, she needs the hand to help take a step forward to get back onto the charts again.” And I think the outpouring that she got from her fans, you know, that it’s a great record, I know she’s genuinely chuffed to bits, as we say in England with the response that it’s had. And I hope and Elton hopes it gives her more courage and more of a sense to get back into the studio, because music is a great healer.

“Elton John Live: Farewell From Dodger Stadium” will livestream Sunday at 11 p.m. ET / 8 p.m. PT on Disney+.

Channing Tatum Gives Us One ‘Last Dance’ in ‘Magic Mike’ Trailer: Watch

With the holidays coming up, it’s easy to forget that Valentine’s Day is right around the corner. Thankfully, Warner Bros. gave Magic Mike fans the perfect early gift on Wednesday (Nov. 16) with a new trailer for the third installment of the popular franchise.

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In the two-and-a-half minute clip teasing Magic Mike’s Last Dance, Channing Tatum reprises his role as Mike Lane. After a lengthy hiatus, he meets a wealthy socialite played by Salma Hayek Pinault while working as a bartender in Florida. She’s blown away by his talent and gives him an offer to fly with her to London to start their own show. “With everything on the line, once Mike discovers what she truly has in mind, will he—and the roster of hot new dancers he’ll have to whip into shape—be able to pull it off?” the film’s description reads. The teaser is fittingly soundtracked by Donna Summer‘s 1978 track, “Last Dance.”

In the trailer, Hayek Pinaut’s character is heard encouraging Tatum’s Mike, saying, “People are alone, disconnected. We’re going to wake them up with a wave of passion they’ve never felt before.”

She adds, “I want every woman that walks into this theater to feel that a woman can have whatever she wants whenever she wants.” The original Magic Mike film was released back in 2012, and after significant commercial success, the Magic Mike XXL sequel was released in 2015.

The Steven Soderbergh-helmed film is set to hit theaters on Feb. 14, 2023. Watch the full trailer below.

Drake Ties Jay-Z for No. 1s on Top R&B/Hip-Hop Albums as Her Loss Debuts

Her Loss, his win.

As has become the norm, a new Drake album’s yields a monster week on Billboard’s R&B/hip-hop charts, extending multiple records already safely in the superstar’s possession and pushing him dangerously closer toward a few that still elude him.

Her Loss, a collaborative album with 21 Savage, was released on Nov. 4 via OVO Sound/Republic. The set debuts at No. 1 on the Top R&B/Hip-Hop Albums and all-genre Billboard 200 albums chart with 404,000 equivalent album units earned in the week ending Nov. 10, according to Luminate.

With the entry, 21 Savage obtains his third (and third consecutive) No. 1 on the list, after I Am > I Was led the list for two weeks in 2019 and Savage Mode II, with Metro Boomin, posted one week on top the following year.

Drake maintains his perfect run of 14 No. 1s among his 14 chart appearances, dating to the arrival of his first full-length album, Thank Me Later, in 2010. The achievement ties him with Jay-Z for the most No. 1s on the list among rappers, male artists and solo artists; only The Temptations, with 17 No. 1s, rank above the pair.

In the songs’ realm, “Rich Flex” leads the new recruits, as the title debuts at No. 1 on Hot R&B/Hip-Hop Songs. With the arrival, Drake secures his record-extending 26th champ on the list and creates more space between himself and the joint-second place holders, Aretha Franklin and Stevie Wonder, who each hold 20 leaders.

As Drake’s count increases, here’s the current leaderboard for most No. 1s on Hot R&B/Hip-Hop Songs since the chart became an all-encompassing genre survey in 1958:

26, Drake
20, Aretha Franklin
20, Stevie Wonder
17, James Brown
16, Janet Jackson
15, The Temptations
13, Marvin Gaye
13, Michael Jackson
13, Usher

21 Savage, meanwhile, picks up his fourth Hot R&B/Hip-Hop Songs No. 1, after a 14-week stay through his featured turn on Post Malone’s “Rockstar” (2017-18), a one-week reign with “My Life,” with with J. Cole and Morray (2021) and another week in charge with his prior Drake collab, “Jimmy Cooks,” this July.

Below “Rich Flex,” Drake and 21 Savage, either together or individually, fill out the rest of the Hot R&B/Hip-Hop Songs’ top 10 and land six more songs between Nos. 11 and 20. To recap all their Her Loss placements this week:

Position, Artist (all are Drake and 21 Savage, unless noted):
No. 1, “Rich Flex”
No. 2, “Major Distribution”
No. 3, “On BS”
No. 4, “Spin Bout U”
No. 5, “Pussy & Millions,” featuring Travis Scott
No. 6, “Privileged Rappers”
No. 7, “Circo Loco”
No. 8, “BackOutsideBoyz” (Drake)
No. 9, “Hours in Silence”
No. 10, “Broke Boys”
No. 12, “Treacherous Twins”
No. 13, “Middle of the Ocean” (Drake)
No. 14, “Jumbotron Shit Poppin” (Drake)
No. 15, “More M’s”
No. 16, “I Guess It’s F*ck Me” (Drake)
No. 19, “3AM on Glenwood” (21 Savage)

For the second time in his career, Drake runs a full shoutout of the Hot R&B/Hip-Hop Songs’ top 10. He previously managed the 10-for-10 on the chart dated Sept. 18, 2021, when tracks from his Certified Lover Boy album flooded the competition.

In addition to logging his 26th No. 1, the new haul pushes Drake’s already-record top 10 total to 117, and 21 Savage’s count climbs to 23 visits to the region.