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Liberty Media to Create Liberty Live Tracking Stock for Live Nation Stake

John Malone’s Liberty Media Corp. said Thursday that its board of directors has authorized management to pursue a split-off of the Atlanta Braves and its associated real estate development project and the creation of a new Liberty Live Group tracking stock, which will house the company’s 31 percent stake in Live Nation Entertainment, among other things.

Tracking stocks are designed to let investors track specific businesses that are part of a larger company. Liberty has used such tracking stocks in the past in the hopes of highlighting the performance and value of parts of its wide-ranging portfolio of assets.

“We plan to split off the Atlanta Braves into an asset-backed stock to better highlight its strong value. Additionally, post-split-off, we plan to recapitalize all of Liberty Media’s remaining common stock into three tracking stock groups,” said Greg Maffei, Liberty Media president and CEO. “These actions will provide greater investor choice and enable targeted investment and capital-raising through more focused currencies, while maintaining an optimal capital structure for Liberty Media and preserving optionality with respect to our subsidiary SiriusXM and our Live Nation stake.”

The split-off will be accomplished “through the redemption of Liberty Media’s existing Liberty Braves common stock in exchange for common stock of a newly formed company to be called Atlanta Braves Holdings Inc.,” the firm said. “Atlanta Braves Holdings would hold all of the businesses, assets and liabilities currently attributed to the Braves Group, including Braves Holdings LLC, which is the direct or indirect owner and operator of the Atlanta Braves Major League Baseball Club, certain assets and liabilities associated with the Atlanta Braves’ stadium and mixed-use development project, The Battery Atlanta, and corporate cash.” In connection with the Split-Off, Liberty Media would redeem each outstanding share of its Series A, Series B and Series C Liberty Braves common stock for one share of the corresponding series of common stock of Atlanta Braves Holdings. As a result of the Split-Off, Liberty Media and Atlanta Braves Holdings would be separate publicly traded companies. It is expected that the intergroup interests in the Braves Group held by Liberty Media’s existing Liberty SiriusXM Group and Formula One Group would be settled and extinguished in connection with the Split-Off in a manner to be determined.”

Following the completion of the split-off, Liberty Media wants to create a new tracking stock group, the Liberty Live Group. It would then have three tracking stocks: the Liberty SiriusXM Group, Formula One Group and the Liberty Live Group. The company said the third one would include “its interest in Live Nation Entertainment Inc., corporate cash, certain public and private assets currently attributed to the Formula One Group, Liberty Media’s 0.50 percent Live Nation exchangeable senior debentures due 2050, margin loan obligations incurred by its wholly owned special purpose subsidiary, which are secured by shares of common stock of Live Nation Entertainment Inc., together with other assets as may be determined from time to time by Liberty Media.”

Liberty Media said it expects to complete the split-off and the tracking stock reclassification in the first half of 2023.

This article was originally published by The Hollywood Reporter.

Publishing Briefs: Sheltered Buys Share of ‘Burning Love’ Writer Catalog; Warner Signs Scissor Sisters

Sheltered Music Publishing has acquired “significant” interest in Dennis Linde‘s musical catalog, including hit songs like “Burning Love,” (Elvis Presley) “Goodbye Earl” (The Chicks) and “Callin’ Baton Rouge” (Garth Brooks). “It is not often that a catalog as distinguished and diverse as Dennis Linde’s becomes available,” said Sheltered Music svp, Darrell Franklin. “As a music publisher, this is the quality of work we all aspire to represent. I’m honored to be able to do that with this music and to help further raise awareness and appreciation of one of Nashville’s greatest songwriting talents.”

Downtown Music Services has signed Masego to a global publishing administration deal. The new agreement includes Masego’s Grammy-nominated back catalog as well as his future works, including his upcoming album, set for release in February 2023. Masego says of the new signing, “Sarah McCann [svp, international creative at Downtown Music Services] is the reason why I chose to work with the publishing company. Through her, I saw that Downtown and me shared a similar vision of creating global, unique, and impactful art.”

Warner Chappell has signed the catalog of Scissor Sisters. A popular early aughts pop group, Scissor Sisters’ works includes hits like “Laura” “Comfortably Numb” “Take Your Mama” and “I Don’t Feel Like Dancin’.” The band, whose membership include Jake Shears and Ana Matronic (vocals), Scott ‘Babydaddy’ Hoffman (multi-instrumentalist) and Del Marquis (guitar/bass), has also appointed Fascination Management as their legacy managers.

Concord Music Publishing has signed Jennifer Wayne to a worldwide deal that includes her future works. Best known as part of the all-female country trio Runaway June, Wayne also has writing credits on songs for Keith Urban, Marie Osmond, Eric Paslay, RaeLynn, Brittney Spencer and The Shires. “I’m over the moon about signing with Concord. It’s a family and they are so passionate, creative, supportive, and work as a team to win for their writers,” says Wayne.

Bucks Music Group has signed Tom Webber to an exclusive worldwide publishing deal. The rising talent was awarded Best Demo at Glastonbury 2022, and has supported acts like Nick Lowe, Deacon Blue and Richard Hawley. Webber says of the deal, “I’m very happy to have signed with Bucks Music Group. Simon, Sarah, James and the team really helped me make the decision to join them an easy one.

Singer/songwriter Taylor Grey has signed a new worldwide publishing administration deal with Regard Music, including global sync and creative services for her existing and future catalog. She joins Regard Music’s boutique roster, which includes Robin Thicke, Lyle Lovett, Tom Kelly, meditation company Headspace, and more.

Sony Music Publishing Nashville has signed Songland season 2 champion Madeline Merlo to a publishing administration deal. The Canadian singer and songwriter caught the industry’s attention with “Champagne Night,” a country radio hit performed by Lady A, and soon after her work earned her a nomination for Canadian Country Music Association’s Songwriter of the Year Award. She also has released music of her own, including her new four-track EP Slide. “I am looking forward to working with this world class team that makes you feel like family every time you walk in the door! This is a huge next step for my career and truly is a dream come true,” says the songwriter.

‘Hyperrealistic’ Notorious B.I.G. Avatar to Headline VR Concert Featuring Diddy, The Lox, Latto

The Notorious B.I.G. will get virtually revived next month as an on-stage avatar in Meta Horizons World for a VR concert called “Sky’s the Limit” that will also feature his mentor/label boss, Sean “Diddy” Combs, as well as The Lox, Biggie’s Junior M.A.F.I.A. mate Lil Cease AND Latto, Nardo Wick, DJ Clark Kent and Eli Fross.

According to an announcement, the “jam-packed, hour-long” VR concert will take place on Dec. 16 at 9 p.m. ET in the Venues area of Meta Horizons Worlds. Variety reported that the show will find Biggie digitally re-animated as a “true-to-life, hyperrealistic” avatar that will come to life during a show that will air exclusively on Meta’s VR and Facebook platforms. The gig was arranged in collaboration with the B.I.G. estate, with the VR Biggie slated to perform songs from his catalog in a virtual recreation of 1990s Brooklyn dubbed “The Brook.”

“Having the ability to create a variance of new opportunity to showcase my son Christopher’s music through the advancement of technology is hard for me to grasp at times,” said the late MC’s mother, Voletta Wallace, in a statement. “However, I’ve found so much excitement in the process of developing his avatar, understanding the value added for fans to experience him in ways unattainable until now. Thank you to all who have contributed to bringing this project to fruition.”

B.I.G. (born Christopher Wallace), was killed in a still-unsolved drive-by shooting in 1997 when he was just 24 years-old. The show is a celebration of what would have been the rapper’s 50th birthday and it will be accessible via the Meta Quest 2 or Meta Quest Pro VR headsets; if you don’t have a Meta headset, you can watch a 2D version on the official Notorious B.I.G. Facebook page.

Variety reported that the show will allow the audience to follow a day in Biggie’s life through a narrative journey written and voiced by music journalist Touré.

Watch the trailer for the show here.

Anthrax Cancelled Fall European Tour Dates Because ‘Financially it Wasn’t Feasible’

If things had gone to plan, Anthrax would be back home by now basking in the glow of their first major European tour since 2019. But instead the group were forced to cancel 20 dates on their 40th anniversary Euro jaunt, instead playing just 8 gigs in the UK before packing things up.

“When I saw the numbers, they were literally triple what they originally started at,” bassist Frank Bello told TotalRock‘s Neil Jones about the scotched shows. “We would be coming home at such a loss. You don’t mind a little bit of a loss just to play to the fans, but such a loss — we would have been really bad off for a while. So it didn’t make sense.”

When Jones asked if it was a “Brexit thing” that forced the cancellations, Bello said, “it’s a human thing at this point, my God. I mean, it’s a budgetary thing.” Bello explained that the group were excited to play for their “great big” overseas fanbase, but once they did the budget before the shows went on sale things were totally upended by the global pandemic. “After COVID, when everything went crazy, money-wise, financially it wasn’t feasible to do it anymore,” he said.

“When [we] looked at it, we said, ‘All right. There’s better times ahead.’ And that’s the way to look at it now. Look, heating costs and everybody’s gotta put food on the table. I get it right now. So it’s just a really hard time for everybody.”

Bello said he can’t wait to return to Europe “the next time around,” but at this point no new dates have been announced for the run that was slated to run from Oct. 11-Nov. 5. Anthrax played a run of UK dates from Sept. 27-Oct. 8 after announcing on Aug. 31 that, “sadly due to ongoing logistical issues and 2022 costs that are out of our control, we have no other option but to cancel the European leg of our upcoming 2022 tour.”

Anthrax are a month a raft of acts who’ve opened up about the financial and logistical hardships of touring right now. Recently Lorde said things are “at an almost unprecedented level of difficulty” out there on the road, while earlier this year a number of smaller and medium-sized acts told Billboard that “out of control” gas prices were seriously eating into profit margins.

Watch Bello’s interview below.

Skittles Sends Sweet, Supportive Message to Harry Styles After L.A. Candy Pelting: Taste, Don’t Toss the Rainbow

Some things go without saying. Well, they should anyway. But after Harry Styles was pelted with a shower of Skittles while performing “Kiwi” at the Kia Forum in Inglewood, California on Monday night the candy company issued a very important bulletin on how to properly taste the rainbow.

“Didn’t think I needed to say this: Please don’t throw Skittles,” read a message from the official Skittles Instagram account on Thursday (Nov. 17) along with the comment “In case you didn’t see.” The winky post came after Styles dodged a fistful of the colorful candies during the show, causing him to cover his eyes amid the sugary assault.

A disgruntled fan who caught the moment on camera and tweeted, “whoever the f–k threw a solid object at his eye, u literally ruined kiwi bc he wouldn’t open his eye for the whole song.” Another worried fan, who shared video of the moment in slow motion, wrote, “like are you joking?? look how hard he recoils hope your eye is okay @Harry_Styles.”

Total pro Styles seemed to be okay, as he plowed ahead with the show while his bandmate Pauli the PSM shared an update about his condition during an Instagram Live DJ set later in the evening. “H came through, confirming his eye is okay,” Pauli said, adding, “But do me a favor, don’t throw no more Skittles on stage.”

Styles appeared to also have a good sense of humor about SkittlesGate. Tuning into Pauli’s Live, he commented, “See you tomorrow AVEC eye patch.” It’s just the latest on-stage incident in which Styles has been hit with stage shrapnel, coming after an August show at Madison Square Garden when a fan threw a handful of chicken nuggets on stage as well as the time last month when someone tossed an object that hit Harry in the groin area.

Check out the Skittles post below.

Latin Grammys Special Awards: Best Quotes From the 2022 Honorees

The Latin Recording Academy on Wednesday (Nov. 16) celebrated the fruitful careers of eight artists from diverse genres and nationalities who have left a deep mark on Latin music.

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Rosario Flores from Spain, Myriam Hernández from Chile, Rita Lee from Brazil, Amanda Miguel from Argentina and Yordano from Venezuela received the Lifetime Achievement Award, given to performers who have made contributions of outstanding artistic value to Latin music and their communities. While Spanish musician and executive Manolo Díaz, Cuban jazz player Paquito D’Rivera and Mexican bassist Abraham Laboriel received the Trustees Award, which recognizes individuals who have made outstanding contributions to Latin music, though not necessarily in an interpretive capacity. (D’Rivera and Laboriel, for example, are renowned instrumentalists).

“These are industry professionals who, with their work and life example, forge the true meaning of the word excellence,” said Manuel Abud, CEO of the Latin Recording Academy, as he opened the ceremony in Las Vegas. “This is one of those events that fills you with very special pride, because this award celebrates not a song or a specific achievement, but a great journey, a life journey that we know and remember forever.”

There was laughter — mainly courtesy of D’Rivera — and also tears from the honorees and the audience. The emotional ceremony was hosted by salsa singer Víctor Manuelle and included artists such as Fito Páez, Carlos Vives, Cami, Ana Victoria, Ricardo Montaner and Sebastián Yatra as presenters. The only one missing was the Brazilian star Rita Lee, who sent word that she was “happy as a partridge,” according to Giulia Be, who presented her award.

The event preceded the 2022 Latin Grammy Awards, which take place on Thursday (November 17) at the Michelob Ultra Arena at the Mandalay Bay Resort and Casino in Las Vegas. The show will be broadcast live on Univision at 8 p.m. (Eastern Time) and will also be available on HBO Max.

Here are the five best quotes from the Latin Grammys Special Awards honorees:

Amanda Miguel, on finding peace after the passing of her husband, singer-songwriter Diego Verdaguer: “This is an award that gives me peace and fulfillment and the love that music returns to you. Music is that, it is God. It is the way to express ourselves without speaking, but with such beautiful, distinguished sounds. I thank God for making me a musician, a singer, a composer, for having given me that pleasure. Eternal thanks to all the people who made me who I am, because I did not do it alone — first and foremost my husband, Diego Verdaguer […] I share this with him because he was the creator, he was my biggest fan.”

Myriam Hernández, on the recent wave of female singer-songwriters hailing from Chile: “I come from a wonderful country, Chile, where making it in the music industry was very difficult for us. […] But today I see with great optimism and joy that there are many women from my country who are in music and I hope that one day they too will achieve this recognition that I am receiving today. I thank my country for having supported me, and above all, I thank God for giving us this gift.”

Paquito D’Rivera, on his idol Benny Goodman and the “carne y frijol” (meat and beans): “I remember one day my father, who was a saxophonist, came home with a Benny Goodman record and I asked him ‘What is that!?’ I fell in love with that music. He told me: ‘That’s swing, that’s jazz, and that’s New York, and that’s Carnegie Hall’. When he said Carnegie Hall, I understood ‘carne y frijol’ (meat and beans). […] Well, the point is that many years later I celebrated my 50th anniversary in music at the ‘carne y frijol’, the Carnegie Hall. And I remember once when Benny Goodman, who was my idol, was awarded a statuette like this one, he said something I could never forget: ‘It’s incredible to me that they’re giving me such an important award just for doing the only activity that I really enjoy doing’. Thank you […] for helping me to do the only thing that really interests me in life: playing music for you.”

Rosario Flores, on growing up in a family of artists: “For me today is an exceptional day because today I receive the award for my art, for my dedication since I was born. To my inspiration. To the energy of my mother (Lola Flores) […] of my brother Antonio and my sister Lolita. I take all of them with me, and because of them I am an artist, because they were all artists and they taught me what art was. I have many angels with me that are them. I honor art with every pore of my skin.”

Yordano, on singing what is hard for him to say: “I was a big stutterer when I was a kid. During my childhood and adolescence it was difficult for me to speak, and that was terrible because I would fall in love and it would become even worse. Every summer we would go to the beach and every summer I would fall madly in love, since I was 12 years old. I suffered a lot. I think that, thanks to that accumulated suffering, I managed to create many love songs.”

Pink Talks Touring With Kids, Dangling Off Buildings and More on ‘Kimmel’

Pink loves a challenge. Whether its learning a new instrument and playing it live, touring with her babies, or dangling from a building on national TV, Pink flicks a middle finger at her comfort zone.

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On Wednesday night’s (Nov. 16) episode of Jimmy Kimmel Live, the pop star relived some of her heart-stopping moments with the mic, and hinted at more to come.

Earlier in the week, the Philadelphia native announced a 21-date stadium tour of North America next year, under the banner Summer Carnival 2023. Special guests include Brandi Carlile and brand new Rock and Roll Hall of Famers Pat Benatar & Neil Girlado.

Does her family join her on the road? “Always, everywhere,” she explains. “They’re older now, so now I tour around Willow’s theater schedule.”

Touring with babies is a fool’s errand, working a routine where you step off stage at 11.30pm, you’re wired until 2.30am, and repeat it for 200 days. She’s managed it. “I can’t do everything,” Pink admits. “So you have to decide. Like okay, what is this one thing I’m going to give to myself and try not to feel guilty about, and for that it was breakfast.” With the help of sleep trainers, the super-mom, super-performer plan “worked brilliantly,” she explains.

When other touring moms caught wind of her wins, she was asked her to write a playbook. That’s another win right there.

Pink also discussed her walk on the wild side… of a building, the JW Marriott in Los Angeles, for her performance of “Beautiful Trauma” at the 2017 American Music Awards. “That was a lot,” she recounts. “I was a lot higher than I wanted to be.” She had just three days to learn the ropes, we learned, and she had some Dutch courage before the performance, in the form of a nip of whiskey.

Pink also discussed forgetting words to her own songs (Willow keeps tabs on her blunders), life on the farm, the Nov. 20 AMAs (where she’ll perform a tribute to Olivia Newton-John), and she sang a never-before-seen number, written for “wing it and sing it,” a spot that left her “terrified.”

Pink’s Live Nation-produced North America tour will kick off on July 24, 2023 in Toronto at the Roger Centre and hit Cincinnati, Boston, New York, Pittsburgh, Chicago, Detroit, Nashville, San Antonio, San Diego and Los Angeles before wrapping up on Oct. 9 at Chase Field in Phoenix.

She recently released her second new song of the year, “I’m Never Going to Not Dance Again.”

Bad Bunny, Anitta, Rosalía and more: The Latin stars nominated to the 2023 Grammy Awards

Bad Bunny made history on Tuesday (Nov. 15) when Un Verano Sin Ti became the first Spanish-language album to be nominated for the Grammy Award for album of the year.

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It was one of three nominations the Puerto Rican superstar scooped for his mega-successful set, and many had anticipated it. Perhaps less expected was Anitta’s nomination for best new artist, since the Brazilian star debuted almost a decade ago with a self-titled album that was followed by four other LPs. 

However, the “Downtown” and “Me Gusta” singer has made a bigger impact in the American market, incorporating some English into her last two albums, 2019’s Kisses and 2022’s Version Of Me, as well as with songs like “Lobby” with Missy Elliott and “Envolver”, a Spanish-language hit that spent six weeks on the Billboard Hot 100 and 21 weeks on the Hot Latin Songs, where it peaked at No. 3. 

“Wow! Wow wow wow… never in my life would I have imagined that this moment would come. I’m from Brazil guys… I mean… wow! Speechless,” Anitta tweeted in response to her nomination in a category considered the most coveted of the Grammys. “Thank you, thank you, thank you… forever grateful. Winning or losing this is the biggest achievement I could imagine.”  

Bad Bunny, who leads the Latin Grammys nominations with 10 nods this year, will also compete for the Grammy for best pop solo performance for “Moscow Mule” — alongside the likes of Adele (“Easy on Me”) and Harry Styles (“As It Was”) — as well as Best Música Urbana Album. 

Another Latino up for the best new artist Grammy is Omar Apollo, a singer-songwriter of Mexican parents, who creates pop, alternative music and R&B. Apollo began his career uploading his songs to SoundCloud before releasing his first EP, Stereo, in 2018. Since then, he has since released the EP Friends in 2019, the mixtape Apolonio in 2020, and two productions in 2022: his first full-length album, Ivory, which spent seven weeks on the Billboard 200 chart, peaking at No. 128, and the EP Live at NPR’s Tiny Desk. His song “Evergreen” entered the Billboard Hot 100 in October, where it spent seven weeks and peaked at No. 51, as well as the Streaming Songs chart (four weeks, peak at No. 21). 

“Got nominated for best new artist omg,” he shared on Twitter with a series of emoticons to show how he feels. 

Rosalía was nominated for best Latin rock or alternative music album for Motomami, and also got a nod under the best music film category for Motomami (Rosalía TikTok Live Performance,) directed by Ferrán Echegaray, Rosalía Vila Tobella & Stillz. 

AGUILERA, Christina Aguilera’s latest Spanish-language album, got two nominations: best Latin pop album, and best immersive audio album (an award to the engineers.) 

Both Motomami and AGUILERA will compete Thursday (Nov. 17) for the album of the year Latin Grammy with Un Verano Sin Ti. (See the full list of nominees here

Under the Grammy’s Latin music categories there are other such favorites as Camilo, Sebastián Yatra, Rauw Alejandro, Christian Nodal and Marco Antonio Solís, the Latin Recording Academy Person of the Year of 2022. 

The nominees are: 

Best Latin Pop Album: 

AGUILERA, Christina Aguilera 

Pasieros, Rubén Blades & Boca Livre 

De Adentro Pa Afuera, Camilo  

VIAJANTE, Fonseca 

Dharma+, Sebastian Yatra 

Best Musica Urbana Album: 

TRAP CAKE, VOL. 2, Rauw Alexander 

Un Verano Sin Ti, Bad Bunny 

LEGENDADDY, Daddy Yankee 

167, Farruko 

The Love & Sex Tape, Maluma 

Best Latin Rock or Alternative Album: 

El Alimento, Cimafunk 

Tinta y Tiempo, Jorge Drexler 

1940 Carmen, Mon Laferte 

Alegoría, Gaby Moreno 

Los Años Salvajes, Fito Páez 

MOTOMAMI, Rosalía 

Best Regional Mexican Music Album (including Tejano): 

Abeja Reina, Chiquis 

Un Canto por México – El Musical, Natalia Lafourcade 

La Reunión (Deluxe), Los Tigres Del Norte 

EP #1 Forajido, Christian Nodal 

Qué Ganas de Verte (Deluxe), Marco Antonio Solis 

Best Tropical Latin Album: 

Pa’llá Voy, Marc Anthony 

Quiero Verte Feliz, La Santa Cecilia 

Lado A Lado B, Víctor Manuelle 

Legendario, Tito Nieves 

lmágenes Latinas, Spanish Harlem Orchestra 

Cumbiana II, Carlos Vives 

For the Best Latin Jazz Album Grammy, the nominees are: 

Fandango at the Wall In New York, Arturo O’Farrill & The Afro Latin Jazz Orchestra featuring The Congra Patria Son Jarocho Collective  

Crisalida, Danilo Pérez with The Global Messengers 

If You Will, Flora Purim 

Rhythm & Soul, Arturo Sandoval 

Music of the Americas, Miguel Zenón 

Other jazz categories also have Latin nominees. Chilean saxophonist Melissa Aldana is nominated for Best Improvised Jazz Solo for “Falling”, from her album 12 Stars, and Puerto Rican double bassist Eddie Gómez appears in the Best Large Jazz Ensemble Album category for Center Stage, along with Steve Gadd, Ronnie Cuber & the WDR BigBand led by Michael Abene. 

For Best Instrumental Composition, Cuban maestro Paquito D’Rivera is nominated for “African Tales”, Puerto Rican Miguel Zenón for “El País Invisible”, and Panamanian Danilo Pérez for “Fronteras (Borders) Suite: AI-Musafir Blues.” 

As expected, Disney’s Encanto was also recognized, with nods for Lin-Manuel Miranda’s soundtrack and Germaine Franco’s original score. The movie’s mega-hit “We Don’t Talk About Bruno,” a Billboard Hot 100 No. 1, was nominated for Best Song Written for Visual Media.

Lin-Manuel Miranda is also up for the award for Best Audio Book, Narration, and Storytelling Recording for Aristotle and Dante Dive Into the Waters of the World

In other areas, singer-songwriter Miguel, whose father is Mexican, shares a nod with Diplo for Best Dance/Electronic Recording for “Don’t Forget My Love.” And Lucky Diaz and the Family Jam Band compete for Best Children’s Music Album for their EP Los Fabulosos, an upbeat bilingual effort that includes tracks like “Ridiculous” and “Me Gusta.” Up for Best Album Notes is Fernando González for his work for Astor Piazzolla’s The American Clave Recordings. 

Gang of Youths Win Australia’s J Award With ‘Angel in Realtime’

Gang of Youths’ third studio set Angel In Realtime wins triple j’s J Award for Australian album of the year.

The alternative rock act took the main prize at the national youth broadcaster’s annual J Awards, to beat out a list of LPs by the likes of Eliza & The Delusionals, Flume, Julia Jacklin, King Stingray, Meg Mac and others.

Angel In Realtime blasted to No. 1 on the ARIA Albums Chart in March, for their second leader.

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It’s the rockers’ first J Award win in three attempts. GoY’s debut album The Positions was shortlisted in 2015 (won by Courtney Barnett’s Sometimes I Sit and Think, and Sometimes I Just Sit); and again in 2017 with Go Farther In Lightness (won by A.B. Original’s Reclaim Australia).

“We’ve been nominated for this award before but for some reason this one feels super-meaningful because it’s about my dad,” frontman Dave Le’aupepe told triple j hosts Bryce & Ebony, adding he was “totally blown away.”

The multiple ARIA Award-winning band “spent years working on this project,” Le’aupepe explained ahead of its release. Along the way, the Sydney act “scrapped it three times, recorded in various studios both commercial and informal in London, New Zealand and Budapest, and hopefully, have managed to capture something vital and beautiful in the process.”

Now based in London, GoY returned to Australia in July and August for a national arena tour. Several U.K. concerts are locked-in for this month.

The result is a recording loaded with textures and ideas on “Indigenous heritage and identity, family, god, life, death, grief, sport, forgiveness, and the Angel Islington,” he continued.

Also at the J Awards, Kenyan-born, Adelaide-based creator Elsy Wameyo scooped the Unearthed artist of the year prize; rock legends Midnight Oil won Double J’s artist of the year award; and electric Korean-Australian hip-hop act 1300 snag Australian music video of the year for “Oldboy,” directed by Raghav Rampal.

The J Awards were launched in 2005 to coincide with triple j’s 30th anniversary celebrations. The flagship award is given to the LP considered by a panel as the most “outstanding achievement as an Australian musical work of art – for its creativity, innovation, musicianship and contribution to Australian music.”

Here’s What Happened at the Inaugural Latin Grammys Best New Artist Showcase

The Latin Recording Academy hosted its inaugural “Best New Artist Showcase” Tuesday evening (Nov. 15) at the Mandalay Bay Convention Center in Las Vegas, where this year’s 11 nominees were present.

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Each of the nominees — Angela Álvarez, Sofía Campos, Cande y Paulo, Clarissa, Silvana Estrada, Pol Granch, Nabález, Tiare, Vale, Yahritza y Su Esencia, and Nicole Zignago — had the opportunity to perform in front of industry leaders, VIPs, and special guests during the hour-long private event.

The up-and-coming talents represent different regions of the world such as Mexico, Brazil, and Peru, and ages ranging from 15 to 95 years old.

“We like to support and open spaces for new artists and what better opportunity than this for the mission to come to life?” Manuel Abud, CEO of The Latin Recording Academy, said in his opening remarks. “At the Latin Grammys, what we want is to open diverse and inclusive spaces to all the artists that we have the opportunity to help.”

The nominees really shined on a two-part stage, where they were presented by dearest artists who have supported their rising careers, such as English singer-songwriter and record producer Elvis Costello who presented Colombian twin sisters Vale, and Miami-based artists Periko & Jessi Leon who presented Venezuelan songstress Tiare, whom they also manage under their indie label PJ Records.

Tiare

Tiare performs onstage at 2022 Best New Artist Showcase during the 23rd annual Latin Grammy Awards on November 15, 2022 in Las Vegas, Nevada.

David Becker/GI for The Latin Recording Academy

Musica popular artist Nabalez crooned the crowd with his 2020 debut single “La Correcta,” which happens to be a collab with Colombian pop group Morat; Silvana Estrada brought her authentic Mexican folk to Vegas with “Te Guardo;” and Angela Alvarez, the oldest-nominated artist for best new artist at 95, had all the attention on her when she powerfully sang a bolero dedicated to her country, Cuba, to name a few.

Meanwhile, Peruvian singer-songwriter Nicole Zignago kicked off the showcase with a rocking performance, while Spanish-French singer and actor Pol Granch closed the set after Alejandro Sanz presented him via a video message.

“You have been chosen among many proposals and this is the first step with which you begin to fulfill your dreams as musicians,” the evening hosts Jesse y Joy expressed.

The showcase, in partnership with MasterCard and produced by Ayleen Figueras, Nelson Albareda, and Loud and Live Entertainment, will evolve into a Latin American tour in 2023, to give fans a priceless night of new music.

The Latin Grammy Awards — which “promise to honor the legacy, celebrate the present and embrace the future of Latin music, with deliberate consciousness, paying-it-forward to the next generations of music creators,” according to a press statement — will be held Nov. 17 at the Michelob Ultra Arena at the Mandalay Bay Resort and Casino in Las Vegas, and will air live on Univision beginning at 8 p.m. ET.

Nicole Zignago

Nicole Zignago performs during the 2022 Best New Artist Showcase during the 23rd annual Latin Grammy Awards on November 15, 2022 in Las Vegas, Nevada.

David Becker/GI for The Latin Recording Academy