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U2, Gladys Knight, Amy Grant and More Feted at Kennedy Center Honors

U2 was in the house, and so were George Clooney, Gladys Knight, Amy Grant and Pulitzer Prize-winning composer and conductor Tania Leon. To say expectations were high for Sunday night’s (Dec. 6) 45th iteration of the Kennedy Center Honors would be an understatement.

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And they were largely, if unevenly, met at the star-studded event attended by President Biden, First Lady Dr. Jill Biden, Vice President Kamala Harris and Second Gentleman Doug Emhoff. House Speaker Nancy Pelosi was accompanied by her husband Paul Pelosi, donning a hat and glove on one hand, who made his first public appearance since being beaten in October in their San Francisco home.

Knight had performed for 2020 honoree Garth Brooks, who hosted this year’s State Department dinner the preceding night where the honorees received their medallions, and he returned the courtesy by performing her hit “Midnight Train to Georgia,” while schooling the audience on the song’s country roots.

Ariana DeBose talked about how she listened to Knight’s music growing up in North Carolina before launching into “Heard It Through the Grapevine.” And a teary-eyed Patti LaBelle honored her “sister-friend” with stories of their personal and professional bond through six decades before launching into “That’s What Friends Are For.”

LL Cool J had high praise for one of his musical heroes. “Like stars in the night’s sky, Gladys Knight illuminates everyone in her orbit,” he said, adding, “I once heard Gladys sing the ABCs and I thought I was in church.”

On the red carpet before the show, Knight was all smiles about getting to spend time with the current President. ”I feel like he’s my brother. We go back, and he has such a tender heart,” she said.

Julia Roberts set the stage for the Clooney tribute wearing a gown embellished with photos of her longtime friend. After doing a bit of good-natured roasting she applauded him for being “profoundly present and attentive to the world outside of himself” and calling Clooney “the best combination of a gentleman and a playmate.”

The roasting continued with Richard Kind declaring “we could solve world problems if everyone could agree” the way they do about Clooney’s failed run as the Dark Knight in 1997’s “Batman & Robin,” and Matt Damon sharing that Clooney once dedicated in Kind’s kitty litter box and stole stationery from then-President Bill Clinton and wrote notes to fellow actors on it.

But there was plenty of focus on Clooney’s humanitarian efforts, which began at a very young age. His father, Nick Clooney, shared a story about how a 7-year-old George gave up all his toy guns because he was so heartbroken after Martin Luther King was assassinated in 1968. Don Cheadle spoke about his efforts working with Clooney to help the people of Sudan’s Darfur region and how the two recently co-founded a school.

Asked before the show whether being in D.C. had made him reconsider a once-rumored second career in politics, Clooney turned to his wife Amal and said, “Nah. We have a very nice life.”

Cuba-born Leon, who won the Pulitzer Prize for composing the orchestral work “Stride” that was inspired by the activism of Susan B. Anthony, was feted by pianist, producer and composer Chloe Flower and the Kennedy Center’s artistic director for jazz Jason Moran, among others.

Speaking before the show, Leon said she was inspired by the opportunity to be in the White House, which she’d never visited as a tourist. “All this is going to hit me. After I get home and I settle in and have a little bit of tea, I know this is going to do something to me,” she said.

Grant is the first contemporary Christian artist to be bestowed a rainbow lanyard. Outspoken in her support for the LGBTQ+ community, she’s been pushing musical and cultural boundaries for decades. Of her guiding principle, she told Billboard, “My mother said to me, and what I say to my children, ‘You have to wrap your arms around your own life, and no one can hear your heart but you.’ “

Her segment focused on her dedication to faith and family. Katie Couric called her “the perfect elixir for troubled minds and troubled souls.” Sheryl Crow noted, “Amy taught me it’s possible to be funny, irreverent and Christian at the same time” before breaking into a rendition of Grant’s No. 1 hit “Baby Baby,” which, it turns out, Grant was inspired to write when one of her daughters was an infant.

Gospel duo BeBe & CeCe Winans lent their soaring vocals to a medley of Grant tunes, as did all of the Highwomen—Brandi Carlile, Natalie Hemby, Maren Morris and Amanda Shires.

Speaking with Billboard pre-show, Carlile talked about how moved she was being able to perform for both Grant and U2 at the show.

“The thing about those two that touches me the most deeply is that they play out their music, their ambassadorship, their philanthropy through a faith-based lens, really the Christian faith, right on their sleeve, which is a difficult subject for me and people like me,” she said.

“We’ve all been a little bit marginalized by that faith and for some of us it’s a source of a lot of trauma. And so the way that U2 and Amy Grant have really come out and publicly supported LGBTQIA people, it’s been really healing and life-affirming for a lot of us. So it’s the least I can do to be here tonight.”

Which brings us to the show-closing tribute to U2 members Bono, The Edge, Adam Clayton and Larry Mullen Jr. Credit to Pearl Jam’s Eddie Vedder, who in prime Vedder form poured his all into “Elevation” and “One,” the latter of which was a last-minute addition after Mary J Blige had to bow out due to illness.

Just as things were picking up momentum and it seemed the audience may be ready to rise from their seats for some dancing, Sacha Baron Cohen appeared on stage in character as his alter-ego Borat Sagdiyev, the dimwitted journalist from Kazakhstan.

Yes, any time Borat shows up you can expect it to get weird and yes, he was hysterical, riffing on everything from his confusion that President Trump was no longer in office to Kanye West’s recent fall from grace: “He even tried to move to Kazakhstan, and he even changed his name to Kazakhstan-ye West. But we said no, he’s too antisemitic even for us.”

But his banter had very little to do with U2 and seemed an odd way to use the band’s allotted time. When Carlile came back out, joined by Hozier, to perform a rendition of “Walk On,” it felt like a bit of a rushed finale when many of the night’s previous performers appeared back on stage.

This is, after all, U2, one of the most celebrated rock bands of all time with 22 Grammys and 170 million albums sold worldwide. To not have included more music, no songs from their defining 1987 album The Joshua Tree, no crescendo’ing anthems, just seemed like a miss.

The 2022 Kennedy Center Honors will air Wednesday, December 28 at 8pm on CBS and stream on sister network Paramount+.

Stormzy Bags U.K. Chart Hattrick With ‘This Is What I Mean’

Stormzy scores his hattrick on the U.K. albums chart with This Is What I Mean (via 0207/Merky).

The Brit Award-winning grime star edges Cliff Richard’s Christmas With Cliff (EastWest/Rhino), to make it three-from-three — a streak that includes Stormzy’s 2017 debut Gang Signs & Prayer and its 2019 followup Heavy Is The Head.

This Is What I Mean completes a “nail-biting race,” according to the Official Charts Company, as the hip-hop LP summons a “last-minute surge” to beat Richard’s first Christmas-themed set in nearly two decades, since 2003’s Cliff At Christmas. Richard now boasts 47 top 10 albums chart appearances in his homeland, a result that includes seven leaders.

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Cliff At Christmas is one of several holiday-themed records making their mark on the Official U.K. Albums Chard, published Dec. 2.

Andrea, Matteo and Virginia Bocelli’s collection A Family Christmas (Decca) lifts 11-4, for a new peak; Andre Rieu & The Johann Strauss Orchestra’s Silver Bells (Decca) dips 4-8; Michael Bublé’s December juggernaut Christmas (Reprise) rises 26-13; a Christmas edition of George Ezra’s Gold Rush Kid (Columbia) is up 32-18; and Aled Jones & Russell Watson’s Christmas With Aled & Russell (BMG) improves 52-29.

The Cure‘s ninth studio album Wish (Polydor/UMR) is back in the top 10 (at No. 9), off the back of a 30th anniversary reissue featuring 24 previously-unreleased tracks.

Wish peaked at No. 1 following its release in 1992, and remains the Rock And Roll Hall of Famers’ only U.K. leader. The set also yielded the U.K. top 10 hits “High” (No. 8) and “Friday I’m In Love” (No. 6).

Following the death of Christine McVie on Nov. 30, at the age of 79, fans are finding comfort in Fleetwood Mac’s music. The band’s career retrospective 50 Years – Don’t Stop (Rhino) holds at No. 23, and their best-selling 1977 LP Rumours (Rhino/Warner Bros) climbs the chart, up 41-23, with a 43% week-on-week gain, the OCC reports.

Taylor Swift’s ‘Anti-Hero’ Hits U.K. Singles Chart For Six Weeks

Taylor Swift’s “Anti-Hero” (via EMI) is still the boss in the U.K., where it racks-up six consecutive weeks at No. 1.

The Midnights tune accumulated just shy of 4.9 million streams during the latest cycle, the Official Charts Company reports, to hold off Meghan Trainor’s “Made You Look” (Epic), up 3-2; and venbee, goddard and ArrDee’s “messy in heaven” (Columbia), up 5-3. Those are new peak positions for the podium finishers.

British singer and songwriter RAYE enjoys her first taste of the high life as an independent artist, as
“Escapism” (Human Re Sources) featuring 070 Shake races 31-6. It’s RAYE’s first appearance in the top 10 as a lead artist, following her assist on Jax Jones’ “You Don’t Know Me” (No. 3 in 2016), “Secrets” with Regard (No. 6 in 2020) and “Bed” with Joel Corry and David Guetta (No. 3 in 2020).

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The Londoner (real name Rachel Keen) was nominated for BBC Music’s Sound of 2017 award and is expected to drop 21st Century Blues, her debut LP, in 2023. Her debut mini-album, Euphoric Sad Songs was released in November 2020.

Stormzy is moving on up with “Firebabe” (0207/Merky), which roars 26-11 following the release of his third LP This Is What I Mean, new at No. 1 on the Official U.K. Albums Chart. Also, the record’s title track starts at No. 32 on the Official U.K. Singles Chart, published Dec. 2, for his 28th Top 40 title.

The Christmas spirit can be measured on the latest singles survey, as a string of holiday classics make their annual return.

Leading the way is Mariah Carey‘s “All I Want For Christmas Is You” (up 18-8 via Columbia), and Wham’s “Last Christmas” (up 23-9 via RCA), both former leaders.

Elsewhere in the U.K. top 40 are Ed Sheeran & Elton John’s “Merry Christmas” (up 40-15 via Atlantic), Brenda Lee’s “Rockin’ Around The Christmas Tree” (up 42-18 via MCA), Michael Buble’s “It’s Beginning To Look A Lot Like Christmas” (up 49-20 via Reprise), Shakin’ Stevens’ “Merry Christmas Everyone” (up 54-26 via RCA), Ariana Grande’s “Santa Tell Me” (up 55-28 via Republic Records), The Pogues featuring Kirsty MacColl’s “Fairytale of New York” (up 57-30 via Warner Bros), Kelly Clarkson’s “Underneath The Tree” (up 62-31 via RCA), Band Aid’s “Do They Know It’s Christmas?” (up 63-34 via Mercury), and Bobby Helms’ “Jingle Bell Rock” (69-36 via MCA).

That’s 11 Christmas-themed songs in the top 40, and there’s still time for the publication of three more weekly charts before Dec. 25.

Mark Rober, MrBeast Win Big at 2022 YouTube Streamy Awards (Full Winners List)

Inventor and engineer Mark Rober was the top winner at the 2022 You Tube Streamy Awards, which were held at the Beverly Hilton Hotel in Beverly Hills, Calif. on Sunday (Dec. 4). The awards, now in their 12th year, celebrate the year’s best online content and creators. Rober won four awards — creator for social good, collaboration, science and engineering, and Streamys Brand Awards: brand engagement.

Digital star MrBeast followed close behind with three wins — creator of the year for the third year in a row, creator for social good, and Streamys Brand Awards: brand engagement.

#TeamSeas, Cooking With Lynja, Markiplier and Old Spice each won two awards.

The show, presented by Streamlabs, streamed from master of ceremonies Airrack’s YouTube channel, marking the first time the show has live-streamed exclusively on a creator’s channel.

The show also included a performance by hip-hop star Yung Gravy who performed his hit “Betty (Get Money)” against a backdrop of creator videos to the viral song.

For the creator for social good and brand engagement awards, Rober and MrBeast shared in their wins with #TeamSeas. The creator for social good award is presented by The Elevate Prize Foundation, who awarded the duo $50,000 to commit to a worthy cause of their choosing.

Ryan Trahan won the breakout creator award. He joins the ranks of past winners Bella Poarch, Charli D’Amelio, MrBeast, Emma Chamberlain, and Liza Koshy.

D’Amelio presented the award for show of the year to Rhett & Link for “Good Mythical Morning.”

Winners of the newly-launched Streamys gaming categories included streamer of the year (Kai Cenat), breakout streamer (IShowSpeed), competitive gamer (tarik), and variety streamer (Ludwig). Markiplier took the longstanding gamer award in addition to the award for scripted series.

For the third year in a row, the show featured Creator Honors, allowing past Streamys winners to present tributes to creators whose work resonated with them. The Game Theorists honored Backrooms mastermind Kane Pixels and Jaiden Animations honored fellow animator Ice Cream Sandwich.

Airrack was joined by creator guests including Bretman Rock, Cooking with Lynja, Kallmekris, Michelle Khare, the cheeky boyos, as well as his friends Tyler, Mack, and Beans.

Presenters included Alexa Rivera, Avani Gregg, Brad Mondo, Brandon Rogers, Brent Rivera, Charli D’Amelio, Colin & Samir, Dhar Mann, Enola Bedard, HasanAbi, Howieazy, Ian Boggs, Jarvis Johnson, Jay Shetty, Leo González, MissDarcei, Pierson Wodzynski, Quackity, RDCWorld, Rhett & Link, SeanDoesMagic, Sheena Melwani & The Real Indian Dad, and Thee BlackBadger.

RuPaul’s Drag Race alum Bob the Drag Queen served as the show’s live announcer. The 2022 YouTube Streamy Awards was produced by dick clark productions and Tubefilter.

Here’s a complete list of 2022 YouTube Streamys Awards Winners/Honorees

STREAMYS CREATOR HONORS

Kane Pixels from The Game Theorists

Ice Cream Sandwich from Jaiden Animations

OVERALL AWARDS

Creator of the year: MrBeast

Show of the year: Good Mythical Morning

Streamer of the year: Kai Cenat

International: Khaby Lame (Italy)

Short form: Sheena Melwani

Individual awards

Breakout creator: Ryan Trahan

Breakout streamer: IShowSpeed

Collaboration: Mark Rober, Jim Browning, Trilogy Media • Pranks Destroy Scam Callers – GlitterBomb Payback

Creator for social good: MrBeast and Mark Rober • #TeamSeas

Creator product: POPFLEX • Blogilates

Crossover: Gordon Ramsay

First person: Airrack

Just chatting: xQc

Variety streamer: Ludwig

VTuber: CodeMiko

SHOW AWARDS

Podcast: Call Her Daddy

Scripted series: In Space with Markiplier • Markiplier

Unscripted series: Challenge Accepted • Michelle Khare

SUBJECT AWARDS

Animated: MeatCanyon

Beauty: MissDarcei

Comedy: RDCWorld

Commentary: Danny Gonzalez

Competitive gamer: tarik

Dance: Enola Bedard

Fashion and style: Wisdom Kaye

Food: Cooking With Lynja

Gamer: Markiplier

Health and wellness: Doctor Mike

Kids and family: Rebecca Zamolo

Learning and education: Tom Scott

Lifestyle: Charli D’Amelio

News: HasanAbi

Science and engineering: Mark Rober

Sports: Jesser

Technology: Mrwhosetheboss

CRAFT AWARDS

Cinematography: Lyrical Lemonade

Editing: Cooking With Lynja

Visual and special effects: SoKrispyMedia

Writing: Brandon Rogers

BRAND AWARDS

Brand of the year: Old Spice

Agency of the year: Whalar

Brand engagement: #TeamSeas • MrBeast and Mark Rober

Branded series: Old Spice Writer’s Room • LOL Network

Branded video: Gorgeous, gorgeous people love Clé de Peau Beauté concealer! • Martha Stewart

Influencer campaign: The Ultimate Teammate • Tampax

Social impact campaign: Once Upon a Bi • Tinder

Dolly Parton Joins TikTok: ‘I Have Arrived!’

Dolly Parton is officially on TikTok.

Her first TikTok post, posted Sunday afternoon (Dec. 4), is a montage of clips of the country icon, ending with a “Hey, TikTok! It’s Dolly!” message.

“I have arrived!” Parton captioned the video.

Another new clip is a compilation of Parton greeting her fans. Others include a “Better late than never!” post, an “I’ve officially joined TikTok” video, a funny look at the many sides of Dolly across different social media platforms and a tribute to fans on TikTok who have featured the singer in their content, set to “9 to 5” — which Parton recently sang as a duet with Kelly Clarkson.

Coming up for Parton is NBC’s annual New Year’s Eve special: She’s ringing in 2023 with her goddaughter Miley Cyrus on the program that’s set to air Dec. 31 live from Miami.

See her first TikTok post below, and follow Parton to see them all here.

Bob McGrath, Original, Longtime Resident of ‘Sesame Street,’ Dies at 90

Bob McGrath, the Sing Along With Mitch tenor who portrayed the friendly music teacher Bob Johnson for more than four decades as an original castmember on Sesame Street, has died. He was 90. 

“Hello Facebook friends, the McGrath family has some sad news to share,” McGrath’s family posted on his Facebook page Sunday (Dec. 4). “Our father Bob McGrath passed away today. He died peacefully at home, surrounded by his family.”

Born on a farm in Illinois, McGrath was one of the four non-Muppet castmembers when Sesame Street debuted on public television stations of Nov. 10, 1969.

With no acting experience, producers always told him to be himself. Over the years, he sang dozens of the show’s signature tunes, including “Sing, Sing a Song” and “The People in Your Neighborhood,” and shared many a scene with Oscar, the grouchy Muppet voiced by Caroll Spinney.

McGrath and Oscar “were sort of like The Odd Couple,” he told Karen Herman during a 2004 conversation for the TV Academy Foundation website The Interviews. “Oscar was always having a rotten day, and I’m ‘Mr. Nice Guy.’”

He remained with the legendary kids show until it was announced in July 2016 that he would not return for its 47th season, though he continued to represent Sesame Street at public events.

“It took me about two minutes before realizing that I wanted to do this show more than anything else I could ever think of,” he said in 2015. “I was so overwhelmed by the brilliance of … Jim and [fellow Muppeteer] Frank Oz and everything else that was going on.”

McGrath and Loretta Long (as nurse Susan Robinson), Matt Robinson (her husband, science teacher Gordon) and Will Lee (candy store owner Mr. Hooper) taped five one-hour pilots that were shown to hundreds of kids across the U.S., and they went on to shoot 130 one-hour episodes during Sesame Street‘s first season.

“We knew we were on to something good almost from the get-go,” he said.

One of five kids, Robert Emmett McGrath (named for an Irish patriot) was born on June 13, 1932, on a farm between the towns of Ottawa and Grand Ridge. His mother, Flora, was a pianist who could play by ear, and when he was 5, he began performing in local theaters. At 9, he won a talent contest at an NBC radio station in Chicago.

McGrath had his own local radio show while he attended Marquette High School, and as a voice major at the University of Michigan School of Music, he became the first freshman soloist of the glee club.

After graduation in 1954, he was attached to the Seventh Army Symphony in Stuttgart, Germany, during his two-year stint in the service. Then, while working on his master’s degree in voice at the Manhattan School of Music, he was hired to teach music appreciation and theory to youngsters at the St. David’s School.

For the next two years, McGrath sang Gregorian chants at funerals; recorded with Igor Stravinsky; performed in the chorus for Leonard Bernstein, Robert Shaw and Fred Waring; did jingles for commercials; and sang on such TV shows as the Hallmark Hall of Fame and The Bell Telephone Hour.

In 1961, McGrath joined the new series Sing Along With Mitch in the 25-man chorus. The NBC program was headlined by Mitch Miller, a classical oboe player and top Columbia Records A&R executive who conducted an orchestra and chorus performing old-time songs. Viewers were presented with lyrics at the bottom of the TV screen so they could sing along, which made for a “great family experience,” McGrath noted.

Two years into the show, McGrath sang “Mother Machree” for a St. Patrick’s Day telecast and was promoted to featured male soloist at double his salary. (Leslie Uggams, who started on the show when she was 17, was a featured female soloist.)

After Sing Along With Mitch concluded its four-year run in 1964, Miller and company performed at the Desert Inn in Las Vegas and then on a 30-date tour of Japan, where the program had aired on NHK television.

“We had four and five thousand teenagers at every concert,” McGrath recalled. “We were quite amazed — why are these teenagers listening to all these old songs? They watched the show because they were very anxious to learn English; we sang clearly, and the [lyrics were on the screen].”

When he sang in Japanese, he was greeted with chants of “Bobu! Bobu!” and learned that there were McGrath fan clubs all over the country.

After the tour ended, he returned to open the Latin Quarter and Copacabana nightclubs in Tokyo and would come back often during the next three years for concerts, albums, commercials and TV shows. He even performed at a small private dinner for Japan prime minister Eisaku Sato.

In the U.S., “voices like mine are not really in season,” he told The New York Times in 1967. “But [in Japan], they say an Irish tenor is just right for sentimental Japanese songs.”

McGrath said he couldn’t “pretend to speak Japanese” but studied song lyrics “phonetically and then with the meaning matched to the words.”

In 1965, he performed “Danny Boy” in Japanese on The Tonight Show — that went over big in his concerts — and later appeared on the game shows To Tell the Truth and I’ve Got a Secret.

McGrath said that his two favorite moments on Sesame Street were the 1978 episode “Christmas Eve on Sesame Street” that riffed on The Gift of the Magi and a poignant 1983 segment that addressed the death of Lee’s Mr. Hooper. (Lee, with whom McGrath had shared a dressing room, had died in December 1982 of a heart attack while the show was on hiatus.)

“On recording day, we rehearsed everything for several hours, totally dry with no emotion, just saying the words,” he recalled. “When it was time to go to tape, we filmed with full, raw emotions, which were very difficult to contain. We were barely able to keep it together, with tears in our eyes, because we were really reliving Will’s wonderful life on Sesame Street for all of those years.”

“When we finished filming, [writer-director] Jon Stone wanted to redo one little section. We got about two minutes into the segment before Jon told us to forget it. We couldn’t take it, we were all just breaking up. So what you see in the episode is the first and only take of that whole show.”

The sweater-loving McGrath also appeared in Sesame Street specials as well as in the films Follow That Bird (1985) and The Adventures of Elmo in Grouchland (1999); wrote several children’s books, including 1996’s Uh Oh! Gotta Go! (about potty training) and 2006’s Oops! Excuse Me Please! (about manners); released albums like 2000’s Sing Along With Bob and 2006’s Sing Me a Story; and performed with symphony orchestras all over the country.

He also hosted the annual CTV telethon Telemiracle, which benefits people with special needs in the Canadian province of Saskatchewan, every year but one from 1977 until 2015.

Survivors include his wife, Ann, whom he married in 1958 — she was a nursery school teacher at St. David’s when they met — three daughters and two sons, and eight grandchildren.

In his TV Academy Foundation interview, he talked about the “fame” that Sesame Street brought him.

“I had a little boy in a store one time and he grabbed my hand, I thought he had mistaken me for his father,” he recalled. “I said, ‘Hi,’ he said, ‘Hi.’ I said, ‘Do you know my name?’ He said, ‘Yeah, Bob.’ I said, ‘Do you know where I live?’ He said, ‘Sesame Street.’ … I said, ‘Do you know any of my other friends on Sesame Street? He said, ‘Oh, the number seven.’ I figure, I’m right up there with the numerals.”

He also described his “all-time favorite letter” that came to the show: “This parent wrote in and said their little 4- or 5-year-old girl had come running into their room waking them up one morning startled and said, ‘Mommy! Daddy! My pillow!’ And they said, ‘What is it?’ And she said, ‘It’s a rectangle!’ It was the discovery of her life.”

This article originally appeared on The Hollywood Reporter.

The Weeknd Teases ‘Avatar: The Way of Water’ Project

The Weeknd has something in the works with Avatar: The Way of Water, the upcoming long-awaited sequel to 2009’s Avatar.

“12.16.22,” The Weeknd wrote on Sunday (Dec. 4) on Twitter, along with a 12-second music clip featuring the blue Avatar logo. Dec. 16 is the day the James Cameron-directed film is set to be released by Disney.

“#AvatarTheWayOfWater x @theweeknd,” the official Avatar account tweeted soon after.

Film producer Jon Landau also shared a snapshot with The Weeknd and wrote, “As the Na’vi say, ‘Zola’u nìprrte’ soaiane Avatar’… Welcome to the Avatar family.”

The original Avatar became the highest-grossing movie of all time ($2.92 billion worldwide) and received nine Oscar nominations, winning three of those awards: best art direction, best cinematography, and best visual effects.

The Weeknd last released new music with Dawn FM, his fifth studio album, which peaked at No. 2 on the Bllboard 200 albums chart in January 2022.

See the teaser tweets about The Weeknd’s involvement in the new Avatar film below.

Kenan and Kel Reunite Alongside Keke Palmer on ‘SNL’ for Dramatized Sitcom Reimagining ‘Kenan and Kelly’

Kenan Thompson, Kel Mitchell and orange soda reunited for the most recent episode of Saturday Night Live in a sketch that sees Keke Palmer and the two comedians caught in a soapy love triangle storyline with a pregnancy twist.

Thompson and Mitchell, who became teen stars thanks to their work on All That and later their beloved titular roles in the 1996 Nickelodeon sitcom Kenan and Kel, appeared on the Dec. 3 episode as part of a sketch reimaging the show decades after it went off the air. Dubbed Kenan and KellySNL host Keke Palmer is the one who pitched the faux series, which offers an aged-up dramatic spin on the comedic shenanigans the original kids show was known for.

The sketch opens with Palmer selling Thompson on the reboot that will see her replace Kel as “Kelly” in the title card. That’s right before the SNL cast member reveals that what he thought was going to be a “Jordan Peele-produced streaming series” was nothing of the sort.

“I had already sold the show before I even met Kenan,” Palmer hilariously reveals in a confessional. “I told the producers we wrote it together.”

Returning to the original series’ ridiculous antics, Palmer puts her own spin on the world of the popular ’90s sitcom — including swapping out Kel’s famous catchphrase “Aw, here it goes!” with “Oh, here comes the bus!” But she also adds darker, more dramatically soapy elements, including a store shooting and pregnancy storyline.

“Keke was gunning for an Emmy Award so she wanted gritty, dramatic moments in it,” Thompson says in his own confessional. “I thought, ‘That won’t work.’ And I was right.”

After Palmer — who incorporated her newly announced pregnancy into her character’s storyline — delivers over-the-top monologues about being pregnant with Thompson’s child and having a distraught, fatherless childhood, Kel seemingly arrives to reunite with his old screen partner but is overcome by his love for orange soda.

“Well, we just started and I think we have a tone issue, but people seem excited about it, I guess,” Thomspon remarks before fellow SNL cast member Devon Walker offers a spot-on impression of Mitchell’s character — braided wig and all.

The skit ends on a dramatic and comedic high note, with Kel getting shot while attempting to stop a store robbery and Palmer revealing the baby is actually his, not Kenan’s.

“The show is not good, but Jordan Peele called us,” Thomspon says before Mitchell adds, “He wants us to do a sequel to Nope.”

The reunion is the latest from the former onscreen duo, who also reunited at this year’s Emmys, appeared onstage at the 2019 NHL awards together and starred in a Good Burger skit on The Tonight Show Starring Jimmy Fallon in 2015.

This article originally appeared on The Hollywood Reporter.

Fans Choose RM’s ‘Indigo’ as This Week’s Favorite New Music

RM‘s debut solo album, Indigo, has topped this week’s new music poll.

Music fans voted in a poll published Friday (Dec. 2) on Billboard, choosing the BTS member’s long-awaited full-length as their favorite new music release of the past week.

Indigo beat out new music by Morgan Wallen (One Thing at a Time), Lewis Capaldi (“Pointless”), Kelly Clarkson and Ariana Grande (“Santa, Can’t You Hear Me”), Latto featuring GloRilla and Gangsta Boo (“FTCU”), and others.

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The K-pop superstar’s new offering features guest turns from a wide array of global stars, including Erykah Badu (opener “Yun”), Anderson .Paak (“Still Life”), Epik High’s Tablo (“All Day”), South Korean singer-songwriter Kim Sawol (“Forg_tful”), and more.

Indigo recounts the stories and experiences RM has gone through, like a diary,” a news release revealed ahead of the album, promising to “present a different charm” to the rapper.

RM becomes the latest member of BTS to deliver a solo LP, just months after J-Hope dropped the 10-track Jack in the Box. He previously released his self-titled EP in 2015 and follow-up Mono in 2018.

Trailing behind Indigo on the fan-voted poll was Wallen’s three-track sampler, One Thing at a Time, with 7% of the vote. Placing third was Capaldi’s new romantic ballad “Pointless,” with 1% of the vote.

See the final results of this week’s new music release poll below.

Taylor Swift’s ‘Midnights’ No. 1 on Billboard 200 for Fifth Week, Holiday Albums Jingle Into Top 10

Taylor Swift’s Midnights logs a fifth week atop the Billboard 200 albums chart (dated Dec. 10), while a flurry of holiday albums jingles in the top 10. Midnights earned 151,000 equivalent album units in the tracking week ending Dec. 1 in the U.S. (down 15%), according to Luminate. The last Swift album with more weeks at No. 1 is Folklore, which notched eight nonconsecutive weeks atop the list in 2020. Since then, she’s claimed four more chart-topping albums: Evermore (four weeks at No. 1 in 2020-21), Fearless (Taylor’s Version) (two weeks, 2021), Red (Taylor’s Version) (one week in 2021) and Midnights (five weeks so far).

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Also in the top 10, catalog holiday albums powered by streaming activity make waves as Michael Bublé’s former No. 1 Christmas rises 10-4, Nat King Cole’s The Christmas Song vaults 18-8 and Vince Guaraldi Trio’s A Charlie Brown Christmas soundtrack jumps 17-10.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Dec. 10, 2022-dated chart will be posted in full on Billboard‘s website on Tuesday (Dec. 6). For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Midnights’ 151,000 equivalent album units earned, SEA units comprise 89,000 (down 24%, equaling 117.93 million on-demand official streams of the set’s tracks), album sales comprise 60,000 (up 5%) and SEA units comprise 2,000 (down 6%).

Five former No. 1s are Nos. 2-6 on the latest Billboard 200 chart. Drake and 21 Savage’s Her Loss holds at No. 2 (93,000 equivalent album units earned; down 22%), Bad Bunny’s Un Verano Sin Ti is stationary at No. 3 (52,000 units; down 7%), Bublé’s Christmas climbs 10-4 (47,000 units; up 55%), Lil Baby’s It’s Only Me falls 4-5 (43,000 units; down 10%) and Morgan Wallen’s Dangerous: The Double Album dips 5-6 (40,000 units; down 3%). The Weeknd’s compilation The Highlights descends 6-7 with 40,000 units (up 2%).

Cole’s The Christmas Song rises 18-8 with 36,000 equivalent album units (up 58%). The album, which includes such seasonal favorites like the title track and “O Holy Night,” peaked at No. 6 two holiday seasons ago, on the Jan. 2, 2021-dated chart. Harry Styles’ chart-topping Harry’s House falls 8-9 with 35,000 units (up 5%). Guaraldi Trio’s A Charlie Brown Christmas soundtrack jumps 17-10 with 33,000 units (up 45%). The seasonal set peaked at No. 6 nearly a year ago on the Jan. 1, 2022-dated list.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.