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Anderson .Paak Confirms Mariah Carey Collaboration Amid Dating Rumors

Anderson .Paak and Mariah Carey are working on new music together.

During a Friday (May 2) appearance on the social media series Track Star — where guests try to identify mystery songs — the 39-year-old singer-songwriter and producer correctly guessed Carey’s “Always Be My Baby,” which reached No. 1 on the Billboard Hot 100 chart in 1996.

“This would be Mariah Carey. The Mariah Carey,” said .Paak, who was wearing a T-shirt featuring Mariah’s face. “I remember in like 5th grade, or something, watching the music videos and having a huge crush. We’re working on some music on her new album.”

News of a musical collaboration between .Paak and Carey, 56, comes after the two were seen holding hands after the iHeartRadio Music Awards in March 2025, People reports. .Paak helped the superstar singer onto the stage as she accepted the icon award at the ceremony.

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“Thank you iHeart for this incredible honor,” Carey said during her speech. “As a kid, I used to listen to my favorite artist on the radio and dream of being on the airwave myself. Now, for those of you who may not know what airwaves are, think of it as the non-Wifi version of streaming, OK?”

Around the same time, the pair were reportedly also spotted leaving a restaurant together in West Hollywood. Prior to that, .Paak and Carey were seen holding hands following the conclusion of her Christmas tour in December 2024, according to People.

Carey, recently nominated for induction into the Rock & Roll Hall of Fame, confirmed in an early April interview with the Associated Press that she’s working on a new album, but she did not share additional details. Her most recent studio album, Caution, was released in 2018.

In celebration of the 20th anniversary of The Emancipation of Mimi, Carey announced a special expanded edition of the album. The upcoming release will include bonus tracks, unreleased remixes and collaborations, instrumentals, a cappella versions, and live recordings. The two-disc vinyl edition is set to drop through Def Jam Records/UMe on May 30.

Cazzu Publishes Her First Book & More Uplifting Moments in Latin Music

From career milestones to new music releases to major announcements and those little important moments, Billboard editors highlight uplifting moments in Latin music. Here’s what happened in the Latin music world this week.

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Honored in Los Angeles

Earlier this week, Natalia Jiménez was honored by the City of Los Angeles with an Official Proclamation presented by District 14 Councilvmember Ysabel Jurado. The tribute took place at City Hall as part of the Fiesta Broadway celebrations, where the Spanish singer-songwriter was also named the 2025 Queen of Fiesta Broadway—she will also headline this year’s event. 

“It means so much to me because of my strong ties to Mexico and the entire Latino community,” she said in a press statement. “I’ve lived many years in both Mexico and the United States, and I understand what it means to migrate and seek new opportunities. I’m proud to be part of such a united community, especially in challenging times. Thank you for inviting me, for this recognition, and for allowing me to celebrate our culture and language with all of you.”

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Making History on Tour

In other L.A.-related news, Rauw Alejandro made history at the Intuit Dome as the first Latin artist to perform three consecutive sold out concerts. During his Cali shows—part of his Cosa Nuestra world tour—the Puerto Rican artist invited surprise guests Marconi Impara and Yan Block to perform “Espresso Martini” from his album Cosa Nuestra.  

Produced by Live Nation, the Broadway-inspired set — a nod to Rauw’s new musical era that symbolizes elegance, maturity and glamour —includes a live band in tow. The Cosa Nuestra stint wraps May 31 in Miami. The “Todo de Ti” hitmaker will perform a four-day sold-out residency from June 5 to 8 at the Coliseo de Puerto Rico José Miguel Agrelot in San Juan before taking the tour to Europe.

Rauw Alejandro

Rauw Alejandro

Marco Perretta

Heartfelt Bad Bunny Cover

Laura Pausini has paid a heartfelt tribute to Bad Bunny by releasing her own version of his song “Turista,” part of his chart-topping album Debí Tirar Más Fotos. Produced and arranged alongside her husband and musician, Paolo Carta, Pausini delivers a melancholic cover backed by weeping piano melodies and her potent vocals. “I listened to ‘Turista’ and instantly fell in love with it…so I sang it,” the Italian-born, Spanish-singing artist expressed on Instagram. “Some songs don’t need to be part of a new album or promoted as a single. When a song touches your heart, it’s good in any style, at any time. Bravo Bad Bunny.” Listen to the track below.

Perreo: A Revolution

On the heels of dropping her ultra-personal, ultra-vulnerable, and ultra-experimental album Latinaje, Cazzu presents her first-ever book, Perreo: Una Revolución. “This book tells, vindicates, and denies the urban music industry specifically, about life as a woman in music or in any field. But above all, it aims to be a contribution to continue building equality,” she wrote on Instagram. “I dedicate it to the women who love reggaeton, to those who hate it, to those who want to sing, compose, or produce, to my female colleagues who barely made it and continue to resist […]  I also dedicate this to my male colleagues and the artists who inspired me,” she adds, admitting that thoughts of writing her own novel began four years ago. The book is available in all bookstores, as an ebook, and an audiobook (narrated by Cazzu). 

This $18 Fridge Magnet Can Be Personalized With Your Favorite Song (And Actually Play It)

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Instead of having tons of photos and memories stuck to your fridge, this tech-savvy magnet from Gaeshmide allows you to display up to nine photos — and it even plays the song of your choice. It’s definitely the best way to commemorate a night at a concert or a fun, affordable Mother’s Day gift.

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This magnet is the perfect way to display multiple photos in a way that is as cute as it is functional. At 3.86 by 3.86 inches, it is great for those that need to condense their collection of photos, and it allows you to choose how they are displayed. It also allows you to choose a song, which you can play by simply pressing a button built into the magnet itself. At $19, it would be a great way to integrate customization into a thoughtful gift, or to save display space on your fridge.

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Gaehsmide Custom Music Fridge Magnet

Since it plays music, it is conveniently rechargeable. A USBC charging cable is included, and provides the magnet with up to three hours of play time, which is the equivalent of playing a song once per day for an entire month. The sound itself is incredibly clear, especially for the compact size of the magnet.

You can choose between a few different photo formats, some of which feature graphics or collages that would be ideal if you’re creating it to showcase a special date or series of memories. Most of the options are in the shape of a tile, however you can also opt for a heart-shaped option for a little extra cute-factor. The magnet is also incredibly strong, so it would be a great choice for lockers due to its durability.

At only $19, it’s a great option for those hoping to truly customize a gift. Whether you’re shopping for someone special or just hoping to reorganize your photos, it’s sure to be a newfound staple in your home. Shop below.

HYBE Shares Jump Nearly 14% on Q1 Earnings as Music Stocks Gain for Fourth Straight Week

Though economic uncertainty lingers, some music companies’ stocks got boosts following their first quarter earnings releases this week, while a better-than-expected jobs report on Friday (May 2) lifted stocks across the board. 

K-pop companies were among the top performers of the week. Led by HYBE’s 13.8% gain following its first quarter earnings report on Tuesday (April 29), the four South Korean companies had an average share price gain of 10.3%. JYP Entertainment rose 11.7% and SM Entertainment, which announces earnings on Wednesday (May 7), improved 9.0%. YG Entertainment gained 6.6%. 

The 20-company Billboard Global Music Index (BGMI) rose 3.6% to 2,690.13, its fourth consecutive weekly improvement. At 2,690.13, the BGMI has improved 19.1% since a two-week slide and stands just 2.4% below its all-time high of 2,755.53 set during the week ended Feb. 14.

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Music stocks slightly outperformed the Nasdaq and S&P 500, which rose 3.4% and 3.1%, respectively. Foreign markets were mostly positive but more subdued. The U.K.’s FTSE 100 rose 2.2%. South Korea’s KOSPI composite index gained 0.5%. China’s SSE Composite Index lost 0.5%. 

Universal Music Group (UMG) gained 4.3% to 25.86 euros ($29.23) following a quarterly earnings report showing that recorded music subscription revenue grew 11.5% and overall revenue improved 11.8%. JP Morgan analysts’ conviction on UMG “remains very high,” and the strong quarter “should help rebuild confidence and share price momentum” dented by Pershing Square’s sale of $1.5 billion in UMG shares, analysts wrote in an investor note on Tuesday.

Spotify finished the week up 3.7% to $643.73 despite its shares dropping 3.4% on Tuesday after the company’s first-quarter earnings report included guidance on second-quarter subscription additions that seemed to underwhelm investors. Gross margin of 31.6% beat Spotify’s 31.5% guidance. Loop Capital raised Spotify to $550 from $435, while Barclays lowered it to $650 from $710. UBS maintained its $680 price target and “buy” rating. Guggenheim maintained its “buy” rating and $675 price target. 

Live Nation, which reported first quarter earnings on Thursday (May 1) and predicted a “historic” 2025, gained 2.3% on Friday and finished the week up 0.7%. A slew of analysts updated their price targets on Friday. Two were upward revisions: Jefferies (from $150 to $160) and Wolfe Research (from $158 to $160). Two were downward revisions: Rosenblatt (from $174 to $170) and JP Morgan (from $165 to $170). 

Nearly all streaming stocks posted gains. LiveOne was the week’s top performer, jumping 18.0% to $0.72. Chinese music streaming companies Cloud Music and Tencent Music Entertainment gained 11.6% and 7.1%, respectively. French music streamer Deezer gained 1.4% to 1.44 euros ($1.63) after the company’s first-quarter earnings on Tuesday. Abu Dhabi-based Anghami fell 3.1% to $0.62.  

Cumulus Media fell 33.% to $0.14. Most of the decline came on Friday as the stock ceased trading on the Nasdaq and began trading over the counter. 

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In Canada: Billboard Music Managers to Watch Expands to Canada, CIMA Appeals to Mark Carney & More

Billboard Canada is getting ready to spotlight some of the most vital players in the music industry: music managers.

Managers to Watch — Billboard’s spotlight on the teams behind music’s biggest breakout artists — will expand to Canada for the first time at this year’s NXNE festival.

A special invite-only Managers to Watch reception will take place on June 11, directly before Billboard Canada Power Players. The event will build on Billboard Canada’s new partnership with Music Managers Forum, which is moving its Honour Roll celebration of the most legendary managers in the business to NXNE this year.

Both recognitions will be given out at the Managers to Watch reception, after which all invited managers will be invited to stay and mingle with the most influential members of the industry at Billboard Canada Power Players.

The event will foster community and opportunity for self-managed artists and managers, who play a critical role in the success of Canadian artists on the international stage.

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“We’re proud to partner with MMF Canada to spotlight the managers powering the next wave of talent,” says Mo Ghoneim, president of Billboard UK and Billboard Canada. “They’re key players behind many of the industry’s biggest breakthroughs, and we’re excited to recognize their contributions on a global stage through Billboard.”

The Music Managers to Watch list will feature a hand-selected list of artists and self-managed artists making waves in the industry. It will be chosen by the editorial team at Billboard Canada. Managers can submit for consideration using this form.

Find more info here. – Richard Trapunski

CIMA Makes an Appeal to Prime Minister Mark Carney

The votes were still being tallied in the Canadian federal election on Monday morning (April 29) when the Canadian Independent Music Association (CIMA) sprang into action. The trade org issued a press release congratulating Mark Carney and the Liberal Party of Canada on their electoral victory while urging Carney to, in its words, “make the investment in and promotion of Canadian-owned cultural businesses a top priority.”

The statement stressed that “the global cultural economy is changing rapidly, and with it come significant risks to Canada’s cultural and economic sovereignty. Recent developments — including TikTok’s decision to walk away from licensing negotiations with Merlin, a key representative of independent music worldwide; Universal Music Group’s acquisition of Downtown Music’s assets; and the legal challenge by global tech platforms, in partnership with foreign-owned multinational record companies, to avoid regulation under Bill C-11 — starkly illustrate the growing concentration of global corporate power in Canada’s cultural sector. If left unchecked, these trends threaten to erode Canadian ownership of intellectual property, diminish our global competitiveness, and compromise the future of Canadian cultural exports.”

CIMA emphasizes four priorities for the most industry and suggests the government act quickly:

  • Prioritize Canadian ownership in cultural policy and investment frameworks;
  • Strengthen competition, trade, and copyright policies to protect Canadian IP holders;
  • Champion independent Canadian businesses in international markets;
  • Defend Canada’s right to regulate its cultural industries against multinational corporate resistance.

CIMA concluded by noting, “We are eager to work with your government to secure a strong future for Canadian culture — Canadian culture remains Canadian-owned, Canadian-created, and world-renowned.”

Read more here. – Kerry Doole

Black Eyed Peas’ Apl.de.Ap and Other Lapu Lapu Day Festival Performers Speak After Van Attack in Vancouver

Artists are sharing their heartbreak after a deadly attack at Vancouver’s Lapu Lapu Day festival.

The attack killed 11 people, leaving dozens more injured, when an SUV drove through the block party on Saturday (April 26.) A 30-year-old man has been charged with eight counts of second-degree murder.

Organized by Filipino BC, the festival is a celebration of Filipino hero Datu Lapu-Lapu and an annual occasion for the Filipino-Canadian community to celebrate resilience and cultural heritage.

The attack took place in the evening, following a day of performances from artists like The Black Eyed Peasapl.de.ap (the Filipino-American artist also known as Allan Pineda Lindo), multi-disciplinary artist Kaya Ko and R&B singer Sade Awele. Festival performers are sharing messages and calling for support for the B.C. Filipino community following the attack.

Apl.de.ap and Filipino singer J. Rey Soul had recently left the stage after finishing their headlining set when the attack took place.

“It’s hard to describe the shock and heaviness we feel,” they shared in a joint statement on social media. “Please keep the victims, their families, and the organizers in your prayers.”

“The one thing I have noticed, from the audience to the messages sent around, is the sense of community that wraps its loving arms around us.”

Festival chair RJ Aquino spoke about the support that’s been pouring in from around the world.

“It’s not lost on us … that the spirit of the festival was about that resistance, resilience, that courage, that strength,” he told reporters, per CBC.

“And you know, we’re going to have to call that up in ourselves.”

Awele shared her prayers for the B.C. Filipino community on Instagram. “I was barely able to sleep thinking about the tragic incident that occurred after the festival,” she said. “We can’t keep living like this — treating each other with hate and violence. We have to do better.”

Read more here. – Rosie Long Decter

FIFTY FIFTY Explain ‘Day & Night’ EP, Break Down ‘POOKIE,’ ‘ADONIS’ & More | Music You Should Know | Billboard News

FIFTY FIFTY released their newest EP, ‘Day & Night,’ and the group shares the inspiration behind the concept album, how they created the music video for “POOKIE” and more!

What do you think of FIFTY FIFTY’s ‘Day & Night?’ Let us know in the comments!

FIFTY FIFTY:

For ‘Day & Night,’ our album ‘Day & Night’ is something… It’s definitely something new that we wanted to show everybody. It has a bunch of different genres incorporated in it. There’s three songs, it’s a total of six songs, but three of those songs kind of go with the day concept and three of those songs go with the night concept, so it’s an album you can listen to all day round that goes with any time of day. There’s a song for any moment. When we recorded “POOKIE,” we really focused on bringing out the cute lyrics and the bouncy rhythm. I personally really liked the rap parts, and during recording, those parts really stood out to me. Well, since we’re one team, there’s a part in the song where we all go ‘da-da-da-da’ together. We really captured our chemistry in that moment, and expressions looked genuinely happy- so it became the most memorable music video shoot for me. The hardest part- well, not really hard, but since we had to bring “POOKIE” to life, we needed to make cute while we were monitoring each other and giving feedback like “this part looks good,” or”that one works better,” I think our team really stood out in that process. Honestly, instead of any real difficulties, what I remember more is the effort we put into everything. For me, if you listen to the song it’s very rhythmical, very exciting and just like a happy, vibey song. 

Keep watching for more!  

Mase Wants Fans to Vote If He Should Attend Diddy’s Trial

Mase is considering making an appearance at Diddy‘s upcoming trial.

The former Bad Boy artist opened a recent episode of his sports talk show It Is What It Is by asking viewers to vote on whether he should pull up or not. “I wanna put it out to the fans,” he said. “I’ll let the fans vote on it — unless you wanna vote on it, Killa. They’re asking me to come to the Diddy trial, You think I should go this week?”

His co-host Cam’ron then sarcastically answered, “It’s up to you, I don’t know your relationship. What is y’all relationship?” Mase then revealed that he had some folks reach out to him to see whether he was going and that he was actually being serious about his question. “Nah, just a few people reached out to me to ask me was I going. I was trying to figure out a way I could go at least a day,” he said to Cam, who then asked why Mase didn’t go to the 2023 MTV Video Music Awards where Diddy received the Global Icon Award.

“Why you ain’t go to the MTV lifetime achievement award when he won that?” Cam asked as everybody in the studio burst into laughter. “Because I see his son performing all y’all’s parts on the song. Why you didn’t go to that?”

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Mase then asked Cam why he just couldn’t answer the question. “What’s the question? If I’m going? I’ll go with you if you’re going. Yeah, I’mma go with you,” he answered. “Just me randomly going? Nah, I ain’t going by myself.”

The topic then went back to the MTV VMAs after their co-host Treasure “Stat Baby” Wilson said it was a funny question. “How do you feel about that? Now that I think about when somebody else wear they hat to the back, dress like you, and start spinning around on stage,” Killa asked, to which Murda answered, “I think it’s flattering. I think it’s a good thing.”

Diddy’s trial is set to begin on Monday, May 5.

You can check out the full episode below.

The 14 Best Record Stores in Minneapolis & St. Paul

One of the great music cities of America, the Twin Cities (Minneapolis and St. Paul, MN) gave us Prince, The Replacements, Jam & Lewis, Hüsker Dü, Soul Asylum, The Time, Semisonic, The Jayhawks, Atmosphere and more. Not to mention serving as early stomping grounds for Minnesota-born legend Bob Dylan and, more recently, a pre-fame Lizzo as she cut her chops.

Given that history, it’s no shock that the Twin Cities punches above its weight when it comes to record stores. While a lot of beloved spots have closed over the years, it’s a testament to the city’s thriving music culture that quite a few record stores have stayed open for 30-plus years now, still going strong after weathering the sharp decline in physical media consumption in the era of streaming (a trend that has happily begun to reverse). Even as Minnesota-based chain retailers such as Best Buy and Target have scaled back (or in some cases eliminated) their music offerings, these independent record stores are keeping physical music – CDs, vinyl and cassettes — alive in Minneapolis and St. Paul.

Whether you’re visiting and looking for a store to browse, a local collector looking for new crate-digging turf or someone just beginning to put together their physical music collection, these stores all come highly recommended. Some of them double as coffee shops, others include performances spaces – all of them are worth a trip (or 10). (On a personal note, it was at two of them – Eclipse and Cheapo – that I began to scoop up vinyl for a collection that’s now in the thousands.)

What follows is a breakdown of each store’s space, selections, prices and general atmosphere. The descriptions are by no means comprehensive of everything each store carries. For each store (listed in alphabetical order), please check out its website and/or socials before visiting to keep up to date on what days/times the store is open, whether they’re doing Record Store Day that year and what special events they may be hosting. Many of them sell titles online, too, and nearly all of them buy as well as sell.

GLAAD President Mourns Jill Sobule’s Death in Touching Statement: ‘She Was a Beacon for Queer Artists’

Following Jill Sobule’s tragic death on Thursday, the president and CEO of GLAAD released a statement honoring the groundbreaking singer/songwriter.

“Jill wasn’t just a trailblazer in music—she was a beacon for queer artists, and I was incredibly lucky to call her a dear friend,” Sarah Kate Ellis wrote on Friday morning (May 2). “Long before it was safe or common, Jill was writing and singing about sexuality and identity with raw honesty and wit.

“At a time when doing so could have cost her everything, she chose truth,” Ellis continued. “That courage helped pave the way for today’s artists like Brandi Carlile, Tegan and Sara, Lil Nas X, Sam Smith, Adam Lambert, and so many others who now stand proud and open in their music.”

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After shouting out Sobule’s Drama Desk-nominated musical F*ck 7th Grade, the GLAAD executive concluded by writing, “Jill was a rare light—funny, fearless, and full of heart. Her impact will live on through her art and through everyone she inspired. Res in power, Jill. You are so loved.”

Sobule died in a house fire in Minnesota at age 66. The folk-pop singer became the first artist to crack the top 20 of a Billboard chart with an explicitly gay-themed song after her 1995 single “I Kissed a Girl” peaked at No. 20 on what is now the Alternative Airplay tally. She was also known for the single “Supermodel,” which was featured on the Clueless soundtrack.

Read GLAAD’s social media post paying tribute to Sobule’s life and legacy here.

Beyoncé Hit With Cease-and-Desist from Sphere Owner Over ‘Cowboy Carter’ Concert Footage

The owner of Las Vegas’ Sphere has hit Beyoncé with a cease and desist letter over fan-shot concert footage that shows the superstar picking up a computer-generated version of the iconic Las Vegas venue and briefly juggling it between her hands, Billboard has confirmed.

“Beyoncé — many orders of magnitude larger than the Sphere venue — leans over, picks up the venue, and looms over it,” the letter reads, according to the New York Post, which first reported the news, leading to “significant speculation that Beyoncé will end her tour with a Sphere residency.” (Billboard has not independently obtained the letter.)

The filmed sequence, which plays during an interlude at Beyoncé’s newly launched Cowboy Carter tour, irked Sphere Entertainment Co. executive chairman/CEO James Dolan because Sphere unsuccessfully lobbied the “Texas Hold ‘Em” singer to perform at the venue in the past, sources with knowledge of the negotiations tell Billboard.

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Attorneys for Dolan, who is also the chairman/CEO of Madison Square Garden Entertainment Group, want Beyoncé to cut the brief sequence from her three-hour concert, which she performed for a second time at SoFi Stadium in Los Angeles on Thursday (May 1).

The letter is addressed to Beyoncé’s production company, Parkwood Entertainment, on behalf of Sphere Entertainment Group and authored by Kathleen McCarthy of the law firm King & Spalding. In the letter, Spaulding accuses Parkwood of using imagery of the Sphere’s likeness “without permission” and accuses the singer of misleading her fans.

“It has recently come to SEG’s attention that a Cowboy Carter tour interlude video contains the unauthorized use of SEG’s intellectual property,” the letter reads. “SEG is sure that multiple aspects of the interlude video, including other brands, clips and music, were duly cleared by the tour with rights permissions from the rights holders whose works were used in the video, as is common practice. SEG, however, was never asked and the prominent appearance and manipulation of SEG’s Sphere™ venue in the video is unauthorized.”

“SEG demands that the tour cease and desist from using the Sphere™ venue in the video immediately,” the letter continues, demanding that Parkwood “refrain from using this imagery on any merchandise, promotional or marketing materials, or in tour movies, etc. Should you fail to do so, SEG reserves all rights to take further action as SEG deems appropriate without notice to you.”

Beyoncé has never played Sphere in Las Vegas, although her representatives reportedly held talks with officials at Sphere Entertainment about a possible residency at the venue several years ago. Those discussions never materialized into bookings and Beyoncé has instead opted to play Allegiant Stadium when her Cowboy Carter tour stops in Las Vegas on July 25 and 26.

Billboard reached out to representatives for Beyoncé and tour promoter Live Nation for comment, but did not receive a response by press time.