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Marilyn Manson Sued Over Allegations of Sexual Assault of a Minor

[Trigger warning: this article contains descriptions of domestic violence, as well as sexual and physical abuse.]

Marilyn Manson is the subject of a new lawsuit alleging sexual misconduct. The suit by the woman — identified anonymously as “Jane Doe” in the filing — alleges that the singer, now 54, groomed and sexually assaulted the then-underage girl during the early portion of his career.

Manson (born Brian Warner) is named as a defendant in the suit filed in Nassau County Supreme Court in Long Island, New York, alongside former labels Interscope and Nothing Records in a filing that includes accusations of sexual battery and intentional infliction of emotional distress against the singer, and negligence and intentional infliction of emotional distress against the labels.

The suit says Doe, then 16, first met Manson in 1995 after a show in Dallas when she waited outside his tour bus and the singer invited her and “one of the other younger girls” onto his tour bus where he allegedly asked for their ages and school grades while jotting down their phone numbers and addresses.

A spokesperson for Manson and the singer’s lawyer had not returned a request for comment on the Doe lawsuit at press time, and a spokesperson for Interscope/Universal Music Group had not yet responded to a request for comment.

“While on the tour bus, Defendant Warner performed various acts of criminal sexual conduct upon Plaintiff, who was a virgin at the time, including but not limited to forced copulation and vaginal penetration,” the lawsuit claims. At the time, the age of consent in Texas was (and still is) 17 and the suit notes that one of Manson’s band members watched “Defendant Warner sexually assault Plaintiff… Plaintiff was in pain, scared, upset, humiliated and confused. After he was done, Defendant Warner laughed at her. … Then Defendant Warner demanded Plaintiff to ‘get the f–k off of my bus’ and threatened Plaintiff that, if she told anyone, he would kill her and her family.”

More than a dozen women have accused Manson of sexual, emotional and physical assault, including actress Evan Rachel Wood, who was the subject of the two-part HBO documentary Phoenix Rising last year that delved into her claims of the abuse she claims she allegedly suffered at the rocker’s hand during an on-and-off relationship that began when she was 18.

Manson and one of his accusers, actress Esme Bianco, recently reached a settlement to end her sexual assault lawsuit, and earlier in the month a judge dismissed another sexual abuse suit from model Ashley Morgan Smithline over her failure to find a new lawyer. Last May, an L.A. Superior Court judge dismissed a suit against Manson filed by a former personal assistant alleging sexual assault, sexual battery, sexual harassment and intentional infliction of emotional distress. Manson has denied the allegations.

The new Jane Doe lawsuit alleges that a member of Manson’s crew gave her a 1-800 number and a password so she could meet up with the singer again, noting that the teen began using drugs and alcohol soon after the alleged sexual assault, and continued to do so for years after. The suit also alleges that Manson would call and chat online with the teen while asking her for explicit photos of her and her friends.

In the same year they met, Doe claims that Manson convinced the teen to meet him in New Orleans, where he “groomed” her by complimenting her artwork before he became more “aggressive and again sexually assaulted Plaintiff, including kissing, biting her breast, oral copulation, and penetration,” the complaint alleges. “After the second assault, Defendant Warner acted in a kinder manner nicer to Plaintiff and told her that he wanted to see her again.” As with Texas, the age of consent in Louisiana at the time was, and is, 17.

Doe said she continued to be in touch with Manson and his band, and when she was 18 moved to Los Angeles and began dating then-Nine Inch Nails drummer Chris Vrenna. (Billboard has reached out to Vrenna for comment.) In 1999, she allegedly attended a Manson show in New Orleans, describing a typical backstage scene that included “the availability of large amounts of drugs for her and others to use.” The suit claims that the woman then spent the next month on the road with Manson, taking drugs and spending time with the disgraced singer during which he would “groom, harass and sexually abuse” her.

The suit goes on to describe Manson’s increasing psychological control over Doe, in which he allegedly “purposefully and intentionally laid the groundwork necessary to intimidate and control her … As he did on countless occasions, Defendant Warner exploited this vulnerability to keep Plaintiff under his control. Defendant Warner often made Plaintiff feel alone and isolated by telling her that no one understands her other than him, which included her family. At the time, Plaintiff believed Defendant Warner and was compelled to keep following him.”

The suit claims the alleged controlling and grooming behavior continued — including “coerce[ing] Plaintiff to have sex with him and other band members or his assistant at the same time,” while “providing Plaintiff with drugs.”

In details that bear a resemblance to allegations from a number of the other women who’ve accused Manson of abuse, Doe’s lawsuit claims that the singer employed “hostile and verbally abusive behavior,” as well as racially charged language mixed with the sharing of intimate personal details. The suit also claims that Interscope and Nothing Records “were well-aware of Defendant Warner’s obsession with sexual violence and childhood sexual assault,” and that the labels did not have a “reasonable system or procedure in place to investigate, supervise, or monitor its staff and/or agents, including Defendant Warner, to prevent pre-sexual grooming and sexual harassment, molestation, and assault of fans, including minors and women.”

The suit continues, “As a result of Brian Warner’s sexual abuse and assault, enabled and encouraged by Defendants Interscope and Nothing Records, Plaintiff has suffered severe emotional, physical, and psychological distress, including shame, and guilt, economic loss, economic capacity and emotional loss.”

Doe is seeking damages to be determined at trial and an order “enjoining Defendants from future unlawful business practices including, but not limited to, exposing minors and vulnerable adults to sexual abuse and exploitation.”

Stories about sexual assault allegations can be traumatizing for survivors of sexual assault. If you or anyone you know needs support, you can reach out to the Rape, Abuse & Incest National Network (RAINN). The organization provides free, confidential support to sexual assault victims. Call RAINN’s National Sexual Assault Hotline (800.656.HOPE) or visit the anti-sexual violence organization’s website for more information.

SZA and Miley Hold No.1 Spots On the Charts, Billboard’s Women In Music Lineup, Harry Styles To Perform At Grammys & More | Billboard News

SZA and Miley Cyrus hold the top spots on our Billboard 200 and Hot 100 charts with ‘S.O.S.’ and ‘Flowers’ respectively, we announce our star-studded lineup for our 2023 Billboard’s Women In Music event, Harry Styles is announced as a performer at the Grammys and more!

Zach Bryan’s ‘Something in the Orange’ Hits No. 1 on Hot Rock & Alternative Songs Chart

In its 40th week on the chart, Zach Bryan’s “Something in the Orange” tops Billboard’s Hot Rock & Alternative Songs survey for the first time, lifting from No. 2 to No. 1 on the ranking dated Feb. 4.

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“Orange” accumulated 17.2 million official U.S. streams (up 2%), 4.7 million radio airplay audience impressions (up 5%) and 4,000 downloads sold (up 1%) in the Jan. 20-26 tracking week, according to Luminate.

The song’s 40-frame trip to No. 1 is tied for the fourth-steadiest in the history of the chart, which began in 2009, alongside the rise of Bastille’s “Pompeii” in 2014. The only songs to build support over longer stretches? Glass Animals‘ “Heat Waves” (60 weeks, 2020-21), twenty one pilots‘ “Ride” (47, 2015-16) and Passenger’s “Let Her Go” (43, 2013-14).

Most Time to No. 1 From Debut on Hot Rock & Alternative Songs
60 weeks, “Heat Waves,” Glass Animals (first week at No. 1 in 2021)
47, “Ride,” twenty one pilots (2016)
43, “Let Her Go,” Passenger (2014)
40, “Something in the Orange,” Zach Bryan (2023)
40, “Pompeii,” Bastille (2014)
39, “Hey Look Ma, I Made It,” Panic! at the Disco (2019)
39, “Whatever It Takes,” Imagine Dragons (2018)
35, “Stressed Out,” twenty one pilots (2016)
32, “Ex’s & Oh’s,” Elle King (2015)
30, “Feel It Still,” Portugal. The Man (2017)

“Orange” is Bryan’s first No. 1 on the chart. Bryan first made the tally in 2020 with “Heading South,” which eventually peaked at No. 27 in March 2021.

“Orange” concurrently spends its fifth week atop the Hot Country Songs list. On the all-format Billboard Hot 100, it rises 13-11, after reaching No. 10 two weeks earlier. It also bullets at its No. 27 high on Country Airplay with 4.2 million impressions (up 5%).

“Orange” is the lead radio single from American Heartbreak, Bryan’s third studio album and major-label debut, released on Belting Bronco/Warner Records. The set debuted and peaked at No. 5 on the Billboard 200 last June 4 and ranks at No. 9 on the latest survey with 23,000 equivalent album units earned. It has earned 1.2 million units to date.

Billboard Explains: Grammys Best New Artist Award

The Grammy Awards’ best new artist category, also known as one of the Big Four awards of the night, often has lasting effects on an artists’ career. In fact, eight of the last 10 best new artist winners at the Grammy Awards have gone on to hit No. 1 on the Billboard Hot 100. But what is the criteria for being nominated for best new artist, and who are some of the past winners in the category? The latest episode of Billboard Explains breaks it down.

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The best new artist category is almost as old as the Grammys itself. Introduced at the second annual Grammy Awards on Nov. 29, 1959, Bobby Darin was the first artist to ever receive the award. The category has been present at every single Grammy Awards since, with the exception of the 1967 ceremony.

Billboard’s Awards Editor Paul Grein summed up the purpose of the best new artist award for Billboard Explains. “What the best new artist nomination does is it puts a spotlight on people, for the vast Grammy audience, which consists of music fans, but also people who are maybe just casual music fans,” he said. “They’re probably being introduced to these artists.”

As for the award’s requirements, the original rules stated that a nominee must be an artist who has released a minimum of five tracks or one album, must not have submitted for the category more than three times and has made a significant breakthrough during a year’s eligibility period. These rules, however, have changed over the years. A notable instance was Gaga’s lack of nomination in the best new artist category because her single “Just Dance” was nominated in best dance recording in 2009. The rules were changed to state that an artist may be nominated as long as that artist has not previously released an entire album or won a Grammy.

The most recent winner of the best new artist was Olivia Rodrigo due to the success of her debut album SOUR and its hit single, “Drivers License.” Billie Eilish won in 2020, and became the second person and the youngest person to ever win all big four categories in the same year. Other winners include Dua Lipa, Megan Thee Stallion, Sam Smith, Adele and Mariah Carey. Going home with a best new artist award often sees the artist earning a boost in streams, album sales and/or performance on the Billboard charts.

After the video, catch up on more Billboard Explains videos and learn about the evolution of girl groupsBBMAsNFTsSXSW, the magic of boy bandsAmerican Music Awards, the Billboard Latin Music Awards, the Hot 100 charthow R&B/hip-hop became the biggest genre in the U.S.how festivals book their lineupsBillie Eilish’s formula for success, the history of rap battlesnonbinary awareness in musicthe Billboard Music Awardsthe Free Britney movementrise of K-pop in the U.S.why Taylor Swift is re-recording her first six albumsthe boom of hit all-female collaborationshow Grammy nominees and winners are chosenwhy songwriters are selling their publishing catalogshow the Super Bowl halftime show is booked and why Olivia Rodrigo’s “Drivers License” was able to shoot to No. 1 on the Hot 100.

Kelly Clarkson Is ‘Sorta Hopin’ That You‘d Stay’ for This Arctic Monkeys Cover

Kelly Clarkson let out her inner indie rocker on Monday (Jan. 30) to cover Arctic Monkeys’ “Do I Wanna Know?” on The Kelly Clarkson Show.

“Have you got color in your cheeks?/ Do you ever get that fear that you can’t shift the tide/ That sticks around like something in your teeth?/ Are there some aces up your sleeve?/ Have you no idea that you’re in deep?/ I’ve dreamed about you nearly every night this week/ How many secrets can you keep?” the talk-show host asked over the electric snarl of her backing band’s instrumentation.

Released as the second single off 2013’s AM, “Do I Wanna Know?” marked Arctic Monkeys’ very first entry on the Billboard Hot 100, where it peaked at No. 70. Of course, the English rockers had already long been a staple on the Official Singles Chart in their native U.K. by that point, thought it became their highest-charting hit in over a half-decade when it landed at No. 11 across the pond.

Later in the episode, Clarkson bonded with guest Hilary Duff, who confessed her 4-year-old daughter Banks is a diehard fan Harry Styles while promoting the new season of Hulu’s How I Met Your Father.

Other tracks the OG American Idol champ has dusted off recently for Kellyoke include CeCe Peniston’s club-ready ’90s anthem “Finally,” Hailey Whitters’ “Everything She Ain’t,” “She Drives Me Crazy” by Fine Young Cannibals and Taylor Swift’s “Better Man” from the Red (Taylor’s Version) vault.

Watch Clarkson rock out on Arctic Monkeys’ “Do I Wanna Know?” below.

Jonas Brothers Announce ‘The Album’ at Hollywood Walk of Fame Unveiling: Here’s When It Arrives

A new Jonas Brothers album is officially on the way! The sibling act announced the release date for their new studio set, titled The Album, on Monday (Jan. 30).

The big announcement came during the ceremony unveiling the JoBros’ star on the Hollywood Walk of Fame. “It’s nice to reflect on this nearly 20-year journey and to commemorate it here today, but we’re looking towards the future and what’s coming next,” Nick Jonas said from the podium in downtown Los Angeles. “So with that, I think that we should make a quick announcement. We are excited to announce today that our new album, The Album, will be coming out May 5th, and we can’t wait to see you on tour later this year.”

The Album will be the Jonas Brothers’ official follow-up to their 2019 comeback Happiness Begins, which not only became their third career No. 1 album on the Billboard 200, but also spawned the band’s first-ever Billboard Hot 100 chart-topper with lead single “Sucker.”

Each of the Jonas Brothers’ wives, their parents and younger brother Frankie Jonas were on hand for the special occasion as well as collaborators Ryan Tedder and Jon Bellion, who each gave remarks during the ceremony.

“Nobody’s more deserving. These guys are, in 20 years of making records, the most professional, most thoughtful and consistent band I’ve ever worked with,” the OneRepublic frontman stated. Bellion added that “these are some cold mother f–kers and the [new] music is crazy.”

Just one day earlier, Joe shared a snippet of the band’s new song “Wings” in an Instagram Reel that saw him dancing around a studio with his older and younger brothers.

R&B/Hip-Hop Fresh Picks of the Week: Gloss Up, Flo Milli, Cordae & More

Happy Monday! Before we get lost in the whirlwind of Grammy Week, we’re here to highlight some of the best new music by emerging R&B/Hip-Hop artists from the past couple of weeks. Rap girlies like Gloss Up, Kari Faux and Flo Milli caught our ears this week along with smooth cuts by JGrrey and Maesu. Don’t forget to spread the wealth with our Spotify playlist, linked below.

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Freshest Find: Cordae feat. Anderson .Paak, “Two Tens”

Overtop a nostalgic hip-hop beat produced by none other than J. Cole and Grammy-winning producer Dem Jointz, Anderson .Paak opens “Two Tens” vivaciously, declaring, “Two friends and they both tens, lookin’ nice/ Too bent, I should call it quits but I’m not.” Both .Paak and Cordae toss the mic back and forth perfectly, displaying enviable synergy that leaves fans craving more collabs from the lively pair.

Gloss Up, “Head, Shoulders, Knees, Toes”

Gloss Up is on your head, shoulders, knees and toes. The nursery rhyme-inspired standout track appears on the rising Memphis rapper’s debut mixtape Before the Gloss Up — which also houses her single “Bestfrenn,” featuring real-life best friend GloRilla. The Quality Control signee is carving a lane for herself in the rap game, and is already proving to be a mainstay with her bars and wordplay, highlighted here.

JGrrey, “Theirs13”

With “Theirs13”, rising U.K. singer JGrrey touches on her various complexities through vocals similar to that of Macy Gray. The intoxicating single is a hazy meditation on love, identity, adoption and the transitional periods she’s faced as an artist and person, as she ponders the same question throughout: “Who am I?”

Taylor Hill, “i want you to know.”

After earning credits with big names like Justin Bieber, BTS, Summer Walker, producer/songwriter Taylor Hill is honing in on his own artistry. His funk-inspired new single “i want you to know.” explores the dichotomy of his personal point-of-view and God’s, sprouting from an argument he had with his now-wife at church.

Jordan Ward feat. Ryan Trey, “White Crocs”

“White Crocs” is the second single off of Jordan Ward’s upcoming debut album FORWARD. The rising singer tapped fellow St. Louis native Ryan Trey for the Lido-produced track, which sees the two trade thoughts on balancing a relationship while satisfying a partner’s expensive tastes. FORWARD, which will be released March 3, holds layers of significance for the artist both artistically and personally. “FORWARD, not only pushing our sound and creativity, but pushing to evolve and break cycles,” Ward says of the album title. “FOR WARD, a dedication to my family and our future. FOUR-WARD, my fourth project, but also a FOREWORD in my story being the debut album!”

Kari Faux, “Me First”

Kari Faux is putting herself first … as she should. “Me First” sees the Arkansas native expressing über-confidence as she delivers a self-love bop to set the tone for all the girls this year. Faux is one of many rap girls running laps around their male counterparts right now, with “Me First” being the latest addition to her arsenal.

TRAETWOTHREE, “Outside Like This”

On the precipice of Grammy Weekend, Cali upstart TRAETWOTHREE scripts a gripping tale set at a Grammy party, which could double as a Tyler Perry flick. “Outside Like This” is a cautionary tale about TRAE running into his ex-girlfriend at the awards-week festivities. The biggest blow? Seeing her chat it up with another dude right in front of his eyes.

Flo Milli feat. Lola Brooke & Maiya the Don, “Conceited”

As if the original wasn’t epic enough, Flo Milli’s “Conceited” is back, with a few new it-girls. Enlisting buzzing Brooklyn newcomers Lola Brooke and Maiya the Don, Milli breathes new life into her viral summer 2022 anthem. All three distinct voices shine through, from Milli’s theatrical tone to Brooke’s husk and Maiya the Don’s laid back approach.

Maesu, “Sex on GPS”

“Sex with me on location please/ I’ve been away for weeks,” croons L.A.-based singer, songwriter, and producer Maesu, providing a simple enough plea to catch the attention of listeners. The afro-fusion number is smooth and sensual with tons of replay value thanks to Maesu’s addictive flows and Tejiri Akpoghene’s silky production.

midwxst & Denzel Curry, “Tally”

Indiana rapper midwxst channels his inner Old Hollywood crime boss in the visual for his latest single, “Tally.” Produced by Charlie Heat and Kennedy Sabin and centering latin guitar and horn melodies, the track’s emphatic production adds to the visual’s theatrics, perfectly underscoring midwxst and Denzel Curry’s loaded verses.

Memphis Police Disband Controversial SCORPION Unit

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US-POLICE-JUSTICE-DEMO

Source: SETH HERALD / Getty

The specialized SCORPION police unit whose officers were charged for the death of Memphis black man Tyre Nichols, was shut down permanently over the past weekend.

According to a statement from the Memphis Police Department issued Saturday (Jan. 28), Chief C.J. Davis met with officers of the SCORPION (Street Crimes Operation to Restore Peace in Our Neighborhoods) Unit. All agreed “unreservedly” to disband the unit in order to foster more healing and work with the community. Chief Davis also called for a review of all other specialized units in the department to take place. The full statement was later issued via their Twitter account.

The permanent abolition of the unit was one of the demands of the family of Tyre Nichols, protesters and other city officials as more details of the brutal beating became known. Attorneys Ben Crump and Antonio Romanucci, who represent the Nichols family, released an official statement later that afternoon.

The Nichols family and their legal team find the decision to permanently disband this unit to be both appropriate and proportional to the tragic death of Tyre Nichols, and also a decent and just decision for all citizens of Memphis. We hope that other cities take similar action with their saturation police units in the near future to begin to create greater trust in their communities,” the statement said.

The SCORPION unit was created shortly after Davis was hired as chief of police in 2021 as a way to lessen the number of homicides in the city with a focus on other crimes including reckless driving. Twenty-nine-year-old Nichols was confronted by five black officers from the unit at a traffic stop Jan. 7. Nichols was allegedly driving reckless and was pulled over.

Chief Davis would later state to NBC News that they were unable to find evidence for that stop on video. The five officers – Demetrius Haley, Tadarrius Bean, Emmitt Martin III, Desmond Mills, Jr., and Justin Smith – brutally beat him. Nichols was taken to the hospital in critical condition. He died of his injuries Jan. 10.

The city released the footage of the assault Friday evening (Jan. 27), sparking further outrage. That same day, all five cops posted bond and are out of jail ahead of their Feb. 17 court appearance.

Seth Rogen’s Donkey Kong Clowns Cat Mario In Teaser Trailer To ‘The Super Mario Bros. Movie’

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The Super Mario Bros. Movie

Source: Nintendo / The Super Mario Bros. Movie

Movies made from classic video games are always a toss up with most being complete trash (Resident Evil, Street Fighter, Doom, etc.). But the upcoming Super Mario BrosMovie seems like it might break that curse having gone the animated route instead of the live-action method. And we can’t wait to experience what Nintendo and Illumination Entertainment have in store for us.

Over the weekend, a new teaser trailer for the Chris Pratt starring film was released. In it we get our first look at Seth Rogen’s Donkey Kong taking on your favorite plumber from Brooklyn, and it’s as entertaining as you’d expect. Taking on Donkey Kong in an arena à la Super Smash Bros. and suffering a brutal beating, Mario knows he needs a power up to take down the angry gorilla and punches a question mark block in hopes of getting an assist.

But instead of getting a Fire Flower to shoot fireballs or even a Tanooki Leaf to become Racoon Mario, the pint sized hero gets a cat suit which in turn causes Donkey Kong to break into uncontrollable Seth Rogen laughter.

Don’t sleep on that cat suit from Super Mario 3D World because Mario can do some damage to enemies with it. Just how bad of a beating will Donkey Kong suffer at the hands of “Meow” Mario remains to be seen. But we already know Mario will emerge victorious by the end of the film.

Check out the teaser trailer for The Super Mario Bros. Movie below and let us know in the comments section below if you’ll be checking for it when it jumps into theaters April 7.