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Tiesto & Tate McRae’s ‘10:35,’ Newly Remixed By Joel Corry, Surges on Hot Dance/Electronic Songs Chart

Tiësto takes top Streaming and Sales Gainer honors on Billboard‘s multimetric Hot Dance/Electronic Songs chart (dated Feb. 4) with “10:35,” featuring Tate McRae. The collab climbs from No. 6 to No. 5, returning to its highest rank, following the Jan. 19 release of its Joel Corry remix. The track earned 5.8 million official U.S. streams, up 23%, and sold 1,400 downloads, up 15%, while also drawing 3 million radio airplay audience impressions, up 53%, in the Jan. 20-26 tracking week, according to Luminate.

“10:35,” which debuted at No. 8 on the Nov. 19 tally and has remained in the top 10 since, is Tiësto’s eighth top 10, among 36 career entries (dating to the chart’s 2013 inception). It’s McRae’s second, after “You,” with Regard and Troye Sivan, reigned for eight weeks in June-August 2021.

Concurrently, “10:35” improves on Dance/Electronic Streaming Songs (5-3) and Dance/Electronic Digital Song Sales (5-4). Additionally, “10:35” clocks in at No. 72 on the all-genre Billboard Hot 100, debuting as Tiësto’s seventh song to make the survey and McRae’s sixth.

Continuing with Hot Dance/Electronic Songs, ILLENIUM and Nina Nesbitt notch the list’s highest entrance with “Luv Me a Little,” at No. 11. Now with 46 career entries, ILLENIUM ties Calvin Harris for the sixth-most; David Guetta leads with 73, followed by Kygo (61), Marshmello (54), The Chainsmokers (52) and Martin Garrix (51).

“Luv,” Nesbitt’s first showing on the chart, starts with 1.8 million streams. It’s from ILLENIUM’s self-titled album, due April 28.

Shifting to the Dance/Mix Show Airplay chart, Anabel Englund cruises to her eighth top 10, in as many tries, with “Need Me Right” (11-5). Since she first advanced to the top 10 with “So Hot” (12-7, May 2, 2020; the track ultimately peaked at No. 2), Englund matches Corry and Guetta for the most among all acts. Englund has two No. 1s, “Picture Us” (October 2020) and “Underwater,” with MK (April 2021).

“Need” is scoring core-dance airplay on Music Choice’s Dance/EDM channel, KMVQ-HD2 San Francisco and WZFL (Revolution 93.5, All Things Dance) Miami, among other signals. (The Dance/Mix Show Airplay chart measures radio airplay on a select group of full-time dance stations, along with plays during mix shows on around 70 top 40-formatted reporters.)

Meanwhile, Corry collects his ninth top 10 on Dance/Mix Show Airplay and Tom Grennan grabs his second with “Lionheart (Fearless)” (14-8). The song soars with notable core-dance airplay on SiriusXM’s BPM, Music Choice’s Dance/EDM and KNHC (C89.5) Seattle.

NBA YoungBoy Renounces Past Violent Music, Considering Mormonism

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NBA YoungBoy has the enviable position of being one of the leaders of Hip-Hop’s current youth movement and has the supportive fan base to prove it. However, the Louisiana rapper renounced the violent lyrics within his past music as he is reportedly soon to embrace Mormonism.

NBA YoungBoy was the centerpiece of a revealing profile piece in Billboard where his rise to fame as an artist and his growth as a man is examined at length. YoungBoy’s incredibly supportive fanbase keeps the rapper’s name in the music conversation despite being on house arrest in the snowy hills of Utah. What stood out immediately is that YoungBoy is now wedded to his girlfriend, Jazlyn Mychelle, and together have two little ones, the youngest among the rapper’s 10 children.

It is fair to note that YoungBoy fell into the pattern of many other street rappers with violent boasts both in song and within the confines of social media, but he’s turning his back on those moments as he slowly embraces the idea of becoming a Mormon.

From Billboard:

The past few months of YoungBoy songs are full of curious Utah-isms, like the Book of Mormon passage that opens his video for “Hi Haters” — “Now, as my mind caught hold upon this thought, I cried within my heart: O Jesus, thou Son of God, have mercy on me, who am in the gall of bitterness, and am encircled about by the everlasting chains of death” — or a recent line mentioning missionaries visiting his home. “I’m surprised they didn’t come in the process of this [interview],” he says when I ask about the latter reference. The first time the Mormon missionaries appeared on his doorstep, weeks ago, YoungBoy instinctively sent them away. Then he had second thoughts: “I wanted help very badly. I needed a friend. And it hit me.”

What comes across the piece is that NBA YoungBoy has changed for the better but the scars of his past, the things he witnessed as a youth, and the crippling paranoia he still suffers from still have a prominent place in his life. But there is beauty in learning more about the rapper beyond his boasts and threats of his past musical output.

Read the full profile by following this link.

Photo: Gary Miller / Getty

‘Groundhog Day’: How to Watch the ‘90s Comedy Online

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It’s Groundhog Day! Punxsutawney Phil saw his shadow on Thursday (Feb. 2), which means there are six more weeks of winter left. And if you’re not exactly thrilled about that, watching Groundhog Day might just boost your mood.

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Bill Murray, Andie MacDowell and Richard Henzel star in the ’90s comedy about a man trapped in a personal time warp where every day is Groundhog Day. Murray plays Phil, a grumpy weatherman sent to Punxsutawney, Penn., to report on the town’s annual Groundhog Day event.

The film delivers a nice mixture of bleak and hilarious moments that encapsulate that sinking feeling of another month and a half of winter. But there’s a not-so-hidden life lesson within the comedic plot, because Phil eventually learns how to approach life “like there’s no tomorrow.”

Groundhog Day will be airing on AMC all day today and on Saturday morning. (See the schedule here.) If you don’t have cable, stream Groundhog Day with a free trial to AMC+ or at AMC.com. You can also subscribe to a streamer that offers AMC and other cable channels such as Hulu + Live TV, Direct TV and Sling TV.

If you’re an Amazon Prime member, you have the option of streaming Groundhog Day on Prime Video for free through AMC+.

‘Groundhog Day’

$free with 7-day trial to AMC+

For those who don’t want to watch through AMC+, Groundhog Day is streaming as a video-on-demand rental ($3.99). You can rent or buy a digital copy of the film on Prime Video and other streamers like iTunes, Google Play and Vudu. Groundhog Day is also available on Blu-ray and DVD.

Not familiar with Groundhog Day? The annual tradition was brought to the U.S. by German settlers. The first Groundhog Day event was held in Punxsutawney on Feb. 2, 1887.

As for the movie, Danny Rubin initially wrote Groundhog Day to land a meeting with producers in hopes of getting other potential work. Director Harold Ramis worked with Rubin on retooling the script, but Murray wasn’t the first choice to play Phil. Michael Keaton, Tom Hanks and Chevy Chase all turned down the role before Murray signed on.

Groundhog Day grossed $105 million at the box office and went on to become one of the highest grossing films of 1993.

Bad Bunny Presents ‘Big Brother’ Noah Assad Billboard’s Executive of the Year Award

Bad Bunny was all smiles and nerves while presenting his longtime manager, Noah Assad, with the Executive of the Year award at Billboard‘s 2023 Power 100 event on Wednesday (Feb. 2) at Goya Studios.

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After being introduced by Leila Cobo, Billboard‘s Chief Content Officer Latin/Español, the global sensation, who typically opts to publicly speak in Spanish, decided to give English a try, lightheartedly joking with the crowd, “Tonight is a special night not because my friend is winning this award, it’s more because I’m making my first English speech ever.” He was met with supportive applause and cheers, with a handful of attendees encouraging him to speak in Spanish anyway. Nevertheless, El Conejo Malo found middle ground, sharing a heartfelt speech in a mix of both languages.

“I know my man doesn’t like this kind of thing — this attention, the speech, this corny s–t,” he said amidst laughter from the crowd. “This award means a lot to me, the same way that my own awards mean a lot for him. It’s because this award is the proof that I’m not working alone, that dreams come true, but it’s never only by yourself. It’s always about team work.”

Together, the dynamic Puerto Rican pair have achieved unprecedented heights in Spanish and English markets, including Bad Bunny’s first of two tours in 2022, El Último Tour del Mundo, boasting the top sales day for any tour on Ticketmaster (since Beyoncé and Jay-Z’s On the Run II tour went on sale in 2018), selling out nearly half a million tickets in less than a week. Four months after the tour closed, Bad Bunny commenced his World’s Hottest Tour stadium run, which made him the first artist to ever achieve separate $100 million-plus tours in the same calendar year. The global pop star’s 81 concerts in 2022 grossed $434.9 million, which marked the highest calendar-year total for any artist since the launching of Billboard Boxscore in the 1980s, posing it to become the biggest Latin tour ever.

“I came from a family of three brothers, I’m the oldest one,” Bad Bunny continued. “I never felt what it was like to have a big brother. So I want to thank Noah for being a friend, a partner and being like a big brother to me. I know that it’s tough, no soy facil, but I want to thank him for believing in me from the first day. Not just believing, but making those dreams and that vision real.”

Toward the end of his speech, the Puerto Rican phenomenon appeared to choke up under his sunshine-yellow New York Yankees fitted cap. “I want to thank him for inspiring me to dream bigger, to be a better person. To be more like you,” he directed to Assad. “There’s no big Bad Bunny superstar without Noah Assad. So if you ask me what it feels like to be the number one artist in the world, I have to say, I’m not. Noah is. We are the best. Lo mas hijo de p–a from Puerto Rico.”

As Bad Bunny foreshadowed in his sweet speech, Assad was a man of few words, more comfortable in the “big brother” role as Benito described it: in the wings cheering on his superstar friend. The pair shared a warm embrace before Bad Bunny playfully took the mic with him off stage to spare Assad the public speaking. “He had me crying in the corner,” Assad began. In the end, the mega exec offered a few profound words, shouting out his and Benito’s hometown of Carolina, Puerto Rico, and showering the rapper with praise, as the artist had just done for Assad.

“Everything we do, we do it to Puerto Rico, to the world. I’m honored to be the first Latin [to win this award] even though I don’t look like it,” he joked. “I want to thank Billboard. Billboard has always covered Latin. They never undervalue us in any way. They treat us as equal as the global American market. We have to be very grateful for that. At the end of the day, me and Bunny are products of thousands of people who work very hard on our island. All those walls they had to break down. There are a lot more stories to be told. This is only chapter one.”

Thanking his team back in Puerto Rico who couldn’t be at the event, Assad was brought to tears. “No one wins championships alone,” he says. “It kills me that [my team] isn’t here today. They’re everything.”

SiriusXM Reports Higher Revenue and Subscribers, But Expects ‘Softer’ 2023

SiriusXM reported its full-year 2022 revenue grew by 4% to $9 billion on Thursday, as increased numbers of streaming subscribers helped the company hit its financial targets for the year.

While key metrics like earnings before interest, taxes, depreciation and amortization (EBITDA) were up 2% at $2.8 billion, executives struck a cautious tone on a call with investors, saying they expect softness in the year ahead.

“We broadly anticipate a softer first half (of 2023) in terms of revenue, EBITDA, and subscriber growth as compared to the back half of the year,” SiriusXM chief executive Jennifer Witz said on the call. “We are not issuing subscriber guidance at this time, although we anticipate we’ll see modestly negative self-pay net adds for the year as economic and demand uncertainty persists, auto sales remain soft, and we moderate marketing spend for our streaming service early in the year ahead of planned product improvements late in 2023.”

SiruisXM reported net income of $365 million in the fourth quarter ending Dec. 31, up from $318 million the year prior. EBITDA for the quarter rose 10% to $742 million. The company reported 348,000 net new self-pay subscribers for the year.

The company said late last year it would embark on a broad effort to cut costs, as it invests in the back-end technology and user-friendliness of its SiriusXM app. Updating the app’s infrastructure so that the company can bring new products to the app quickly is a key part of the company’s growth strategy.

In a memo to staff last year, Witz said the company will be looking at all ways to trim costs, including possible job cuts, as it weighs how to handle macroeconomic challenges like declining advertising budgets and auto manufacturer delays.

Halsey Celebrates ‘Without Me’ Earning RIAA Diamond Status: ‘Here’s to More Tears & More Songs’

Halsey just earned her second Diamond Certified solo record with “Without Me,” but it’s not just a big moment for the pop star. It’s also a big milestone for the Recording Industry Association of America (RIAA), the organization known for awarding artists with Gold, Platinum and Diamond statuses based on song sales and streams, as “Without Me” marks the 100th song to ever reach the coveted Diamond benchmark.

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The RIAA presented Halsey with their Diamond Certification during a special ceremony Wednesday (Feb. 1), after which the “Eastside” singer shared photos on Instagram and thanked her fans, record label and more. “Yesterday was just a littleeee out-of-body,” they wrote. “Without Me is my second diamond record, Closer was my first, but my very first one solo!”

It probably goes without saying, but achieving Diamond Certification is no easy feat — that’s why only 100 songs have received the award since its introduction in the late ’90s, after all. A Diamond Certification signifies that a track has gone 10x Platinum, meaning it’s garnered 10 million certified units or more.

“There were a few other really special stats I learned as well including that I have 75x platinum certifications across my catalog,” Halsey continued in their Instagram post. “This whole thing is so surreal. Huge thank you to @riaa_awards for coming out to present this incredible award… [and] all of the fans n friends for making this type of thing possible.”

“Here’s to more years and more tears and more songs,” she concluded.

In honor of 100 Diamond Certified songs, the RIAA released a video recapping every song to ever reach 10x Platinum status, starting with Elton John’s “Something About the Way You Look Tonight / Candle In The Wind 1997,” for which the inaugural Diamond award was created. See which songs from Taylor Swift, Katy Perry, Bruno Mars, Cardi B, Lady Gaga, The Weeknd and more have gone Diamond by watching it on the RIAA’s website.

Why Is Country Music Underrepresented at the Grammys?

In 2018, the Recording Academy increased the number of nominees in the Big Four Grammy categories — album, song and record of the year and best new artist — from five to eight. Then, three years later, it boosted the pool from eight to 10.

These expansions were made to recognize more music creators and to represent more genres, according to the academy — yet for country artists, the benefits have thus far been nonexistent.

For the five Grammy Award nomination cycles (for ceremonies taking place in 2019-2023) since the first increase, there have been 196 total Big Four nominations, yet only six have gone to mainstream country artists or projects, with only one victory: Kacey Musgraves’ album of the year trophy for Golden Hour in 2019. In the five cycles before the increase (2014-2018), country artists scored seven nominations of the far smaller 125 total nods.

For the 65th Grammys, which will take place Feb. 5 in Los Angeles, country music is completely absent from the Big Four.

Genre classification can be blurry, but for this story, Billboard counted nominations that went to an artist or music that appears on Billboard’s Country Airplay, Hot Country Songs and Top Country Albums charts or is traditionally considered country. For 2023, that means Brandi Carlile’s album and record of the year nods don’t count in the country tally (though her 2020 song of the year nomination for co-writing Tanya Tucker’s “Bring Me My Flowers Now” did); same with song of the year nominee Taylor Swift, who is now considered a pop artist despite her country start. Best new artist nominee Molly Tuttle plays bluegrass, and while the genre is a branch of country music, her music doesn’t appear on those Billboard charts.

Previous years also have not-quite-country outliers: Maren Morris’ record of the year nomination for appearing with Zedd and Grey on “The Middle” didn’t count in the 2019-2023 tally since it was a pop hit. Though Sturgill Simpson doesn’t receive mainstream country radio play, A Sailor’s Guide to Earth debuted at No. 1 on the Top Country Albums chart and the set won the Grammy for best country album in 2017, so its album of the year nomination counts in the 2014-2018 tally. Similarly, Margo Price, whose albums chart on Top Country Albums, counts for her 2019 best new artist nomination.

Shelly Maree, the Recording Academy’s country awards manager, considers the low recent total cyclical, in part. “Right now, we’re in another lull period where you’re not hearing country played on top 40 [radio], so you’re not really hearing anybody break through like that, [while] rap and hip-hop and dance are having huge moments,” she says. “You can really kind of plop down into any decade or any five-year period in our top four nominations and you’re going to see reflected what is of the era at that moment.”

But for the country community, the absence of representation in the general field illuminates a bigger concern: that the genre doesn’t receive the broader attention it deserves, hurting its chances at nominations for those trophies. While the academy deems all Grammys equal, the four general-field categories carry more prestige and receive greater media attention.

“Generally speaking, country music remains outside of the large pop music tent, which includes many of the contemporary genres like pop and hip-hop and rock,” says Beverly Keel, Middle Tennessee State University dean of the College of Media and Entertainment and a former MCA Records Nashville executive. “I think a lot of Grammy voters may not even listen to country, and I think there is, in many voters’ minds, still a stigma about country that it’s not as sophisticated, hokey, the music of the conservatives.”

Additionally, despite the notable rise in streaming among younger country artists, the music lacks the global reach some pop-oriented genres enjoy. “Most country stars are not international stars like Beyoncé, Rihanna, Bruno Mars,” Keel says. “Country is largely limited to the United States and Canada, so it doesn’t have the reach, whereas a pop song may be No. 1 in 20 countries.”

As Mary Hilliard Harrington, manager for Dierks Bentley and Elle King, notes by email: “Even prior to 2019, country has been grossly underrepresented in the main categories. It has always been a problem.” The three mainstream country artists with the most career nominations are Willie Nelson (56), Dolly Parton (53) and Vince Gill (47) — but Nelson and Gill have each landed only one Big Four nomination (in 1983 and 2008, respectively), while Parton has earned two (most recently in 1988).

The current generation of country hit-makers hasn’t fared much better. Miranda Lambert, who is nominated in all four country categories this year, has never received a Big Four nomination despite 27 career nods. Only one of Chris Stapleton’s 17 nominations has been in the general field, when Traveller received an album of the year nod for the 2016 Grammys. And one of country’s biggest new stars, Morgan Wallen, didn’t compete at all in 2022: He was shut out from Grammy nominations after his 2021 smash Dangerous: The Double Album was mired in controversy.

Country music has recently fared best in the new artist category, with Price, Luke Combs, Ingrid Andress and Jimmie Allen nabbing nominations since 2019. For the 2023 awards, Zach Bryan, the top new country artist on Billboard’s year-end charts, and rising star Lainey Wilson were both considered leading contenders for best new artist, and their respective labels (Warner Records and BBR Music Group) ran campaigns accordingly. But when nominations were announced in November, neither earned a best new artist nod, nor did anyone else from the genre. Though Wilson made significant press and TV appearances in an effort to reach as broad an audience as possible, Bryan made almost none, which sources say may have limited his exposure to Grammy voters.

Significantly, the overall voting pool lacks enough country advocates to consistently propel the genre into the Big Four without strong support from allies. Of the current 12,000-plus voting members, less than 10% identify with the country genre, according to the academy, compared with pop (23%), jazz (16%), rock (15%), R&B (15%), American roots (13%), alternative (10%) and classical (10%). (Voters can identify with as many genres as they want.) All voting members can cast ballots for the Big Four.

While qualifying creators can still apply to join the academy, following the recommendation of its Task Force on Diversity and Inclusion, in 2018 the academy began inviting creators to join as voting members. The move was meant to make the voting pool more reflective of the diverse creative community and initially focused on women, people of color and those under 40.

In recent years, however, potential new members who identify as country have received fewer invitations than peers in other popular genres. Of the 2,710 invitations extended in 2021, 9% of recipients identified with the country genre, with 13 other genres ranking higher. The highest percentage of invited voters identified as pop (29%), followed by R&B (23%), jazz (18%), alternative (18%), rock (16%) and rap (15%). In 2022, the academy welcomed nearly 2,000 new voting members; 9% cited country as their focus, compared with pop (33%), R&B (22%), alternative (19%) and rap (15%).

The country community’s easiest way to increase its odds would be by boosting its presence in the voting membership. “A really good place to start is talk to your friends and [ask], ‘Are you a Recording Academy member?’ And then step two is, ‘Are you voting?,’ ” Maree says. “This year, we were really encouraging our active members to fulfill that responsibility and use their voices, especially [since] the first round of voting directly dictates our nominations now that we no longer have nominating committees. ‘Are they voting?’ is the first thing we always ask people when they have any kind of questions about what they see when it comes to nominations day.”

Although Keel says a Grammy is “what people grow up dreaming about winning,” for country artists, the conversation doesn’t begin and end with one awards ceremony. More so than many other genres, country music has numerous awards shows to fete its own accomplishments, including the Country Music Association Awards, the Academy of Country Music Awards and the CMT Music Awards. Those ample additional opportunities to bring home trophies could help lessen the sting of a Grammy snub, Harrington says.

“At this point — because it’s nothing new — [the omissions are] more of an eye roll than outrage,” she says. “The country community is truly the best in terms of supporting its artists, celebrating great music and producing our own network television award shows. Being part of the Grammys is cool and a bucket list dream for a lot of artists, but we have it pretty good in Nashville. If we aren’t invited to that party, we’ll just throw our own.”

This story will appear in the Feb. 4, 2023, issue of Billboard.

31 Milestones in Hip-Hop Awards History: Star-Studded Grammy Salute, Super Bowl Halftime Show & More 

The announcement on Thursday (Feb. 2) that the Grammy Awards on Sunday, Feb. 5, will include a star-studded segment celebrating the 50th anniversary of hip-hop is just the latest in a long series of milestone moments for the genre on awards shows.

LL Cool J will introduce the segment, which will include performances by Big Boi, Busta Rhymes with Spliff Star, De La Soul, DJ Drama, DJ Jazzy Jeff, Missy Elliott, Future, GloRilla, Grandmaster Flash, Grandmaster Mele Mel & Scorpio/Ethiopian King, Ice-T, Lil Baby, Lil Wayne, The Lox, Method Man, Nelly, Public Enemy, Queen Latifah, Rahiem, Rakim, RUN-DMC, Salt-N-Pepa and Spinderella, Scarface, Swizz Beatz and Too $hort.

“For five decades, hip-hop has not only been a defining force in music, but a major influence on our culture,” Harvey Mason jr., CEO of the Recording Academy, said in a statement. “Its contributions to art, fashion, sport, politics, and society cannot be overstated. I’m so proud that we are honoring it in such a spectacular way on the Grammy stage.”

While this segment is one of the most lavish celebrations of hip-hop to date on an awards show, rappers have been winning awards and earning plaudits for decades. In September 2022, The Pepsi Super Bowl LVI Halftime Show Starring Dr. Dre, Snoop Dogg, Mary J. Blige, Eminem, Kendrick Lamar and 50 Cent became the first Super Bowl halftime show to win a Primetime Emmy for outstanding variety special (live).

Below, take a look at 31 milestones in hip-hop awards history. We’ll keep adding to this list as more history-making moments happen.

VP Kamala Harris, Rev. Al Sharpton Speak At Tyre Nichols Funeral

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Rev. Al Sharpton Holds Funeral For Tyre Nichols In Memphis

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The funeral of Tyre Nichols was held in Memphis, and Vice President Kamala Harris delivered remarks along with the Rev. Al Sharpton calling on officials to deliver justice.

The funeral service was held on Wednesday (Feb. 1st) at the Mississippi Boulevard Christian Church in Memphis, with hundreds attending. Nichols’ family was front and center, mourning the 29-year-old who died three days after being beaten to death by police officers during a traffic stop on January 7th. Other attendees included the families of those who also lost their loved ones to police brutality, including the family members of George Floyd, Breonna Taylor, Botham Jean, and Eric Garner who were there with officials from the city. Director Spike Lee was also in attendance along with Nichols family attorney Ben Crump.

Members of Nichols’ family took the podium to share their love for him. His mother, RowVaughn Wells spoke tearfully about her son. “Tyre was a beautiful person and for this to happen to him is just unimaginable,” she said. “I guess now his assignment is done. He’s been taken home.”

Vice President Harris spoke at the podium, first honoring Tyre Nichols’ parents before calling out the violence and police brutality that was the source of Nichols’ death. “This violent act was not in pursuit of public safety,” she said. “Was he not also entitled to the right to be safe? Tyre Nichols should’ve been safe.”  Harris continued by demanding that Congress pass the George Floyd Justice in Policing Act, created to increase accountability for misconduct by law enforcement nationwide, in addition to banning acts of excessive force such as chokeholds. “Joe Biden will sign it and we will not delay, and we will not be denied,” she said as Ms. Wells wept and clapped. “It is nonnegotiable.”

The Rev. Al Sharpton delivered the eulogy, forcefully calling out the five Black police officers involved in Nichols’ death. “In the city that Dr. King lost his life, not far away from that balcony, you beat a brother to death,” he said. “There’s nothing more insulting and offensive to those of us that fight to open doors than you walked through…and act like the folks we had to fight for to get you through them doors.”

He also called for an end to qualified immunity and echoed Harris’ calls for the George Floyd Justice in Policing Act to be passed. “Why do we want the George Floyd in Policing Act passed?” Sharpton asked. “You’d have to think twice before you beat Tyre Nichols. You’d think twice before you shoot someone unarmed.”