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Kenya Barris Reportedly Served Court Papers By His Own Sister During ‘You People’ Premiere
Source: Michael Buckner / Getty
Writer and director Kenya Barris reportedly ran into a little family drama during the premiere of his newest Netflix project, You People—ironically, a film about family drama.
A source told Page Six that after the film ended and while Kenya Barris was basking in the glory of his hit film while surrounded by his audience and photographers, a process server disguised as paparazzi hit the Black-ish creator with court documents filed by Barris’ sister, Colette Barris. And, well, that must have been em-Barris-ing. (Please don’t block me.)
From Page Six:
In court docs seen by Page Six, Colette has accused Kenya of “breach of contract.”
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Her court filing says that on Feb. 22, 2021, the siblings entered into a legal agreement, adding, “The parties in pertinent part agreed ‘not to communicate any disparaging remarks about each other or about any matters that led to this Agreement.’”
The papers go on to allege, “In or around June 2022, [Kenya] stated to a third party that (1) Plaintiff was a ’70-year-old no talent hack’ and (2) Plaintiff had not earned the ‘right to be a show creator’ but instead ‘ wanted to go to the front of the line.’”
However, the bad blood stretches back further, as they’ve reportedly been in at least one previous legal dispute.
Imagine having such an estranged relationship with your own sibling that you have to come to a legally-binding agreement not to talk bad about each other. Then you get sued for allegedly breaking that agreement.
Kind of makes you want to call up your sib just to say “I love you,” don’t it?
Well, let’s just hope the Barris family can work things out.
Anyway, the red carpet premiere was also attended by You People stars Eddie Murphy, Nia Long, Lauren London, Julia Louis-Dreyfus and David Duchovny, as well as guests Elliott Gould, Anthony Anderson, Cedric the Entertainer and rapper Yung Miami.
Rihanna Tells Patrick Mahomes ‘I Still Think You’re Great‘ After Super Bowl LVII QB Punk’d in Interview

Rihanna is down to joke, but the Super Bowl LVII halftime queen wasn’t laughing when league MVP and Kansas City Chiefs quarterback Patrick Mahomes was tricked into thinking she had called him the G.O.A.T. “That’s so mean. He is mean, O.K.,” Rihanna said when she was told about a bit where former NFL wideout Brandon Marshall punk’d Mahomes during a press event on Wednesday.
Marshall caught up with RihRih during her press day on Thursday (Feb. 9) and described how he told Mahomes that the singer had heaped praise on him before revealing that he was lying.
“I’m so sorry you went through that,” Rihanna said with a smile when Marshall asked her to actually say something nice about Mahomes. “I still think you’re great.”
“Rihanna came out and said that you are the greatest quarterback ever. Hearing that how does that make you feel?,” Marshall asked Mahomes during the QB’s Q&A session earlier this week. “It makes you feel great,” Mahomes responded. “Whatever Rihanna says is like the gospels. So I’m glad that she went with me for that honor.”
The two-time Super Bowl QB then turned KC red when Marshall added, “She didn’t. I was messing with you.”
Jokes aside, Rihanna is gearing up to blow minds on Sunday (Feb. 12) in Glendale, Arizona when Mahomes takes on the Philadelphia Eagles in the big game in her first live performance in seven years. “It feels like it could have only been now,” she said during a sit down with Apple Music’s Nadeska Alexis to talk about her Apple Music Super Bowl LVII Halftime Show set.
“When I first got the call to do it again this year, I was like, [hisses] ‘You sure?’ I’m three months postpartum. Should I be making major decisions like this right now? I might regret this,” she said. “But when you become a mom, there’s something that just happens where you feel like you can take on the world. The Super Bowl is one of the biggest stages in the world, so as scary as that was because I haven’t been on stage in seven years, there’s something exhilarating about the challenge of it all … It’s important for my son to see that.”
Check out Rihanna’s response and the original Mahomes video below.
SZA Is Billboard’s 2023 Woman of the Year

After dominating 2022 with viral TikTok tracks, Grammy wins and, of course, her seven-week Billboard 200 chart-topping sophomore album S.O.S., SZA has officially been named Billboard‘s 2023 Woman of the Year.
The honor will be given at the Billboard Women in Music Awards, which will take place March 1 at the YouTube Theater at Hollywood Park in Los Angeles.
“Since she burst onto the scene in 2017, SZA has defied genres and continually released raw, powerful songs which have landed her music on the Billboard charts,” said Hannah Karp, Billboard’s Editorial Director, in a press statement. “The release of her latest album, ‘SOS’ has solidified her as a distinct force in contemporary R&B, and catapulted her into superstardom. We can’t wait to honor her as Woman of the Year.”
In 2017, SZA unveiled her major-label debut album Ctrl, which was celebrated by fans for its raw and honest lyrics, paired with the singer’s honeyed vocals. The album landed No. 1 on Billboard’s Top R&B Albums, No. 2 on Top R&B/Hip Hop Albums and No. 3 on the Billboard 200, and went on to be certified three times platinum by the RIAA. Ctrl has remained on the Billboard 200 chart since its release and holds the record for the longest run for any Black female artist’s debut album.
In the five years since, SZA won a Grammy for best pop duo/group performance for her Doja Cat collaboration “Kiss Me More” and received the Rulebreaker Award at the 2019 Billboard Women in Music Awards.
On Dec. 9, the 33-year-old dropped her long-awaited sophomore album, S.O.S., which immediately debuted at No. 1 on the Billboard 200, her first chart-topper. With more than 400 million streams in the U.S. during release week, S.O.S. became the second-largest streaming week for a female artist and third-largest of 2022 among all albums.
SZA is gearing up to embark on her first arena tour this year, which is slated to kick off just before the WIM ceremony on Feb. 21 in Columbus, Ohio.
The star joins previous Women of the Year honorees including Olivia Rodrigo (2022), Cardi B (2020), Billie Eilish (2019), Ariana Grande (2018), Selena Gomez (2017), Madonna (2016), Lady Gaga (2015) and Taylor Swift (2014).
The event, hosted by Quinta Brunson, will recognize music’s top female artists, producers and executives for their contributions to the music industry, their communities and beyond. Becky G will be honored with the Impact Award presented by American Express, Doechii with the Rising Star Award presented by Honda, Ivy Queen with the Icon Award, Kim Petras with the Chartbreaker Award, Latto with the Powerhouse Award, Lainey Wilson with the Rulebreaker Award, Lana Del Rey with the Visionary Award, and TWICE with the Breakthrough Award.
Tickets are available to the public, and can be purchased via Ticketmaster here, with more information at billboardwomeninmusic.com. Prices range from $85 to $275. Sponsors for the 2023 Women in Music Awards include American Express, Honda, Mugler, Nationwide, Bose and Smirnoff ICE.
Kevin Bacon and Kyra Sedgwick Give Miley Cyrus Her ‘Flowers’ With Sweet Acoustic Cover

Kevin Bacon and Kyra Sedgwick are like the rest of us: they can’t get enough of Miley Cyrus‘ “Flowers.” The husband-wife actors teamed up this week for a celebration of the Miley hit that has spent three weeks atop the Billboard Hot 100 by recording the latest edition of Bacon’s ongoing “Goat Songs” series of unplugged covers.
And while this time there are no actual goats wandering around, Sedgwick provides some barnyard accompaniment with a screaming toy as Bacon strums his acoustic guitar. “I usually try to buy @kyrasedgwick the flowers, but looks like she’s got that covered. Thanks @MileyCyrus,” Bacon wrote in a tweet accompanying the sweet clip.
“We’re not with the goats, but we thought we’d try a goat song anyway,” Sedgwick says to open the video. “We were good, we were gold/ Kind of dreams that can’t be sold,” Bacon croons before Sedgwick takes on the second couplet. Before the chorus kicks in, Sedgwick holds the plastic screamer up to the lens to provide some shouty accompaniment to their perfect harmony on the refrain “I could love me better, baby.”
Miley, of course, loved it, retweeting the homage with a “Love this” and a flower and heart emoji, which prompted Bacon to re-reply, “Clearly, so do we. Thanks for this tune.”
Cyrus celebrated the song’s continued run at the top of the charts this week with a post that read: “Flowers is spending [its] 3rd week at #1 & as magical as this moment feels I know it doesn’t happen by chance. This song & it’s success represents the power of YOU! This is your moment & it’s my honor to be the messenger.”
Check out the video and Miley’s response below.
Facing Fading Relevance, Brit Awards Tries Broadcasting On A Saturday For First Time

LONDON —Throughout its five-decade history, the Brit Awards, the U.K.’s biggest music awards show, have produced many headline-grabbing moments — from Pulp singer Jarvis Cocker wiggling his butt at Michael Jackson in 1996 to Adele flipping the bird at TV executives for cutting off her acceptance speech in 2012 — and featured unforgettable performances from Amy Winehouse, Stormzy, Dave, Kanye West and the Spice Girls.
But like other entertainment awards shows, such as the Grammys and Academy Awards, the Brits are being forced to radically reinvent themselves to combat falling TV ratings and retain relevance with young music fans. Last year’s ceremony was watched by 2.7 million television viewers in the U.K., down from 2.9 million in 2021 — the Brit’s lowest-ever TV audience, according to industry publication Broadcast.
To try to arrest that slide, this year’s show at London’s O2 Arena takes place on a Saturday night for the first time in the Brit Awards’ 46-year history.
Organizers are hoping the move will breathe new life into the iconic ceremony, which this year has weathered controversy over a lack of female nominees; it will feature performances by Lizzo, Harry Styles, Lewis Capaldi, Stormzy, Sam Smith and Kim Petras.
“There’s been a desire [within the industry] for the Brits to be on a Saturday night for some time,” says Sophie Jones, chief strategy officer and interim CEO of labels body BPI, which runs the Brit Awards. “This year the pieces of the jigsaw fell into place, and it feels like a very exciting premium place for us to be.”
As in previous years, the two-hour show will be broadcast live on ITV in the U.K. The U.K. version of The Masked Singer, which is broadcast in the slot that precedes this year’s Brit Awards show, attracted 6.3 million viewers to last year’s season finale, according to ITV.
Outside the U.K., the 43rd edition of the show (The first ceremony took place in 1977, though the Brit Awards didn’t become an annual event until 1982) will be livestreamed internationally on YouTube for the 10th consecutive year, while a 60-minute red carpet show hosted by Nella Rose and Michelle Visage will be streamed on YouTube, Facebook and Twitter. The Brit Awards’ other digital partners include TikTok, YouTube Kids, Vevo and fan engagement platform Filmily.
Social media and digital platforms have enabled the Brit Awards to reach a far larger and younger global audience than it has ever reached on terrestrial television, says Jones. She points to 44 million views on the Brit Awards’ official YouTube channel for 2022’s performances and highlights, with more than 1 million people watching the accompanying red carpet show — marking a 25% jump from the previous year. Last year also saw 1.6 million visitors to BRITs World on Roblox.
The show’s continued importance to the U.K. record industry is illustrated by the spike in sales that winning acts and performers often experience. In the four days following 2022’s event, audio streams of songs performed on the night collectively increased 55% with 3.3 million additional streams, according to BPI data tracking. The highest uplift was for Ed Sheeran’s “The Joker and the Queen,” which saw a 699% increase in post-show streams.
“The shared experience moments that awards shows create are really special and the Brits still does that,” says Jones. “It’s a really important calling card for how much talent there is in the U.K.”
Lack Of Female Artists Sparks Backlash
In addition to battling falling TV viewership, the Brit Awards have increasingly found themselves caught up in controversies of their own making. This year’s nominations provoked a fierce backlash from artists and fans when they were announced on Jan. 12 because no female artists were named in the gender-neutral best artist category.
BPI says the lack of female nominations is a result of the strict eligibility criteria and relative shortage of high-profile British female stars putting out new music in 2022. The Brit Awards scrapped best male and best female awards last year in favor of gender-neutral prizes.
To be eligible for the best artist prize, an artist must have achieved at least one top 40 album or two top 20 singles in the U.K. over a 12-month period. Out of the 71 U.K. stars eligible for the award, only 12 were women — a list that includes Charli XCX and Florence + the Machine.
From that 71, a panel of around 1,200 voters — made up of artists, industry executives, journalists and retailers — pick their top five in order of preference. This year’s five nominees are Harry Styles, George Ezra, Stormzy, Central Cee and Fred Again.
“Clearly, it’s disappointing not to see any women nominated in the new gender-neutral category [but] it’s important we recognize the process by which those decisions are made,” Jones tells Billboard. She says that compared to 2022, when Adele won best artist and women or female-fronted acts won 10 out of 15 awards, the past 12 months have “seen fewer high-profile female artists within the release cycle and that has played itself through in the qualification list.”
In the wake of this year’s backlash, Jones says BPI will conduct a post-show review of its nominations criteria, eligibility thresholds and voting processes “looking at different potential approaches… to make sure that the awards are fully representative and celebrate success.” She says there are no plans to return to male and female categories for the best artist award but adds that nothing is “off the table.”
“Everything is in the mix, and it would be right and proper of us to think about this from all angles and make sure that we are making the right decision, whatever that might be,” says Jones.
Despite the all-male best artist list, organizers point to the high number of female artists in the running for other prizes on Saturday night. They include alternative rock band Wet Leg, who received four nominations; Beyoncé and Taylor Swift, both nominated in the international artist and international song categories; and Nova Twins, who are competing against Arctic Monkeys, The 1975, Bad Boy Chiller Crew and Wet Leg for best group. In total, 42% of this year’s nominations went to female artists or female-fronted bands, compared to 46% last year, says BPI.
The London-based organization previously became embroiled in controversy in 2016 when no Black artists were nominated in any major categories, provoking the viral hashtag #BritsSoWhite. Since then, BPI says there have been widespread changes to its voting academy, which this year was made up of 52% women and 31% from Black, Asian or minority ethnic backgrounds.
A nine-person Brits Committee — made up of two-thirds women, highlights BPI — oversees the Brit Awards. This year, Damian Christian, managing director of Atlantic Records U.K., makes his bow as committee chair, replacing Polydor’s Tom March who held the role in 2022. (Each of the three major labels takes turns leading the committee, rotating every three years.)
Those structural reforms have helped make the event far more representative of the U.K. music scene, say organizers, with recent editions seeing hip-hop stars Stormzy, Dave and Little Simz take home major prizes and deliver some of the event’s most-talked-about live performances.
Linkin Park Announces ‘Meteora 20th Anniversary Edition,’ Shares ‘Lost’ Single With Chester Bennington Vocals
Twenty years after the release of Meteora, Linkin Park is revisiting their mega-selling sophomore album: Meteora 20th Anniversary Edition will be released through Warner Records on Apr. 7, the band announced on Friday (Feb. 10), and will include multiple previously unreleased songs in addition to several other fan-friendly collectibles.
One of those unreleased songs, “Lost,” arrives today as a fleshed-out, fully realized showcase for the band’s Chester Bennington, who passed away in 2017. Linkin Park recorded “Lost” for Meteora but the track didn’t make the final track list; while scavenging through hard drives for the 20th anniversary of the album, the group rediscovered the song and Bennington’s intensely riveting vocals that serve as its highlight.
“Finding this track was like finding a favorite photo you had forgotten you’d taken, like it was waiting for the right moment to reveal itself,” the band’s Mike Shinoda says in a press statement. “For years, fans have been asking us to release something with Chester’s voice, and I’m thrilled we’ve been able to make that happen in such a special way. I think they’re going to be floored when they hear and see all the incredible unreleased songs and video footage in Meteora 20.”
“Lost” will be among six unreleased songs on Meteora 20, in addition to demos, live shows, B-sides and previously unaired footage with the band. The project will be available in multiple variations, including a limited edition super deluxe box set, deluxe vinyl box set, deluxe 3-CD and digital download.
The 20th anniversary reissue of Meteora follows the 2020 release of Hybrid Theory: 20th Anniversary Edition, which toasted Linkin Park’s diamond-selling 2000 debut. “It’s a nice time to pause and think and focus on what it took to make that record, the impact it had, and the opportunity it allowed us to continue with our careers,” the band’s Joe Hahn told Billboard at the time. “For me, it’s a testament to the camaraderie between all the guys in the band, to our friendship, to our work ethic, to the values in how we approached not just making music, but the business of making music, and the way we interact with our fans.”
Released in March 2003, Meteora includes some of Linkin Park’s most enduring hits, from “Numb” to “Breaking the Habit” to “Faint” to “Somewhere I Belong” to “Lying From You” — all of which topped Billboard’s Alternative Songs chart — as well as essential fan favorites like “Nobody’s Listening” and “Easier to Run.” Meteora has earned 8.5 million equivalent album units to date, of which 6.5 million are in traditional album sales, according to Luminate.
To celebrate the Meteora 20 announcement and the release of “Lost,” Linkin Park will relaunch their official Discord on Friday, with a Q&A on the Discord Stage. The band is also teasing “more surprises” leading up to the April release.
Watch the official video for “Lost” — which was produced and animated by by pplpleasr and Maciej Kuciara’s Web3 studio, Shibuya — below:
Shania Twain’s ‘Queen of Me’ Debuts In Top 5 on Australia’s Albums Chart

Shania Twain’s long-overdue return to music has been warmly received in Australia, where Queen of Me cracks the top 5 on debut.
Queen of Me is Twain’s six studio LP and first album of new material since Now in 2017, and 2002’s Up before that.
With its No. 5 debut on the ARIA Chart, published Feb. 10, the Canadian country star bags her sixth top 20 in the land Down Under, a feat that includes three leaders — Come On Over (1997), Up, and Now.
The national albums chart is led by Taylor Swift’s Midnights, up 2-1; with SZA’s SOS (up 3-2) and Harry Styles’ Harry’s House — which enjoys a post-Grammys lift (up 6-3) — filling the podium positions respectively.
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Meanwhile, Red Hot Chili Peppers’ recent stadium tour of these parts has seen fans tune in to the California rockers’ classics, and latest. RHCP’s Greatest Hits from 2003 vaults 22 places to break into the top 10 at No. 10, while 2022’s Return Of The Dream Canteen roars 152-31.
Over on the ARIA Singles Chart, Miley Cyrus’ “Flowers” beds down for a fourth consecutive week at No. 1, ahead of SZA’s “Kill Bill” (unchanged at No. 2), and Sam Smith and Kim Petras’ “Unholy,” which enjoys a post-Grammy Awards bump, up 5-3. Also noteworthy is Harry Styles’ “As It Was,” which climbs 15-9 after his winning ways at the Grammys.
The Kid Laroi makes a chart leap with “Love Again,” up 14-6 in its second week. It’s the Sydney-raised singer and rapper’s sixth top 10 single in Australia, a tally that includes leaders “Stay” and “Without You.”
“Love Again” is lifted from his forthcoming debut studio album, The First Time, due out later this year.
Finally, British producer Fred Again created a lot of frenzy in Australia in recent days with a string of “secret” shows which sold out in minutes and had fans scrambling for tickets. The buzz behind those gigs have translated to a new chart peak for “Delilah (pull me out of this),” up 69-37.
Paramore’s ‘This Is Why’ Album Is Here: Stream It Now
Paramore is finally back. The trio, consisting of Hayley Williams, Zac Farro and Taylor York, returned from their hiatus to their first album together in six years, This Is Why, via Atlantic Records on Friday (Feb. 10).
“’This Is Why’ was the very last song we wrote for the album. To be honest, I was so tired of writing lyrics but Taylor convinced Zac and I both that we should work on this last idea,” Williams previously said of the album’s title track in a press release. “What came out of it was the title track for the whole album. It summarizes the plethora of ridiculous emotions, the rollercoaster of being alive in 2022, having survived even just the last three or four years. You’d think after a global pandemic of f—ing biblical proportions and the impending doom of a dying planet, that humans would have found it deep within themselves to be kinder or more empathetic or something.”
The last time Paramore released an album as a band was 2017’s After Laughter, which features songs like “Hard Times” and “Rose-Colored Boy.” Since then, Williams dropped her own solo album, Petals for Armor, in 2020 and Farro has unveiled a number of solo works under the moniker Halfnoise.
In January, Paramore appeared on Billboard‘s digital cover, where the trio discussed their return as a band. “At this point, I don’t understand how we’re still doing it,” Williams shared. “Because it just feels like against all odds every single time — which, honestly, I feel like we’re the most annoying band in the world because it’s always like, ‘Oh, we overcame this, and now we’re making this album.’”
The new album feature’s previously released singles “C’est Comme Ça,” “The News” and the title track. Listen to Paramore’s This Is Why in full below.
Taylor Swift Drops ‘Lavender Haze’ Remix
Once again, Taylor Swift had fans meeting her at midnight on Friday (Feb. 10) for a new release — this time, a remix of Midnights album opener “Lavender Haze.”
The remix of the violet-hued love song comes just two weeks after Swift dropped the dreamy “Lavender Haze” music video, which she directed and co-starred alongside the sultry model and trans activist Laith Ashley. “This one really helped me conceptualize the world and mood of Midnights, like a sultry sleepless 70’s fever dream. Hope you like it,” Swift said of the inspiration behind the music video.
The original song, which was co-written by Swift, Jack Antonoff, actress Zoë Kravitz, Mark Anthony Spears, Jahaan Akil Sweet & Sam Dew, opens the 12-time Grammy winner’s 10th studio album, Midnights. With the album, Swift made one of the most historic weeks in the 64-year history of the Billboard Hot 100 songs chart, as she became the first artist to claim the survey’s entire top 10 in a single frame. “Lavender Haze” clocked in at No. 2, just behind lead single “Anti-Hero.”
Listen to the remix of “Lavender Haze” below.
