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Universal Music Drops Band After German Magazine Reveals Act Has Ties to Right-Wing Music Scene

BERLIN — Universal Music Group Germany made a distribution deal with the rock band Weimar — then dropped it this week after an article in German magazine Der Spiegel revealed that the group has ties to the right-wing scene in Germany and that at least one of its members previously performed in a neo-Nazi band. 

The group’s lyrics refer to violence and portray the media as “bought puppets” as well as wolves and rats — echoing anti-Semitic imagery used by the Nazis. At least one member of Weimar previously played in a band with outright racist and anti-Semitic lyrics, according to Der Spiegel. Another member, Christian P., has been accused of illegally possessing weapons and spreading neo-Nazi propaganda, according to Der Spiegel. Universal has said that Christian P.’s name wasn’t on the band’s recording contract and his exact role in the group is unclear — partly because the band often performs and poses for photographs in masks. 

The group’s album came out in May and went to No. 5 on the German albums chart, and its website lists spring tour dates. The band did not respond to an inquiry from Billboard sent to its Twitter account.

“Based on the information we recently learned from a journalist’s inquiry, we terminated our relationship with Weimar, which consisted of distribution of one album,” Universal Music Group says in a statement. “That has been stopped with immediate effect. The information that has come to light made clear that any relationship with the band was absolutely unacceptable to us and inconsistent with our values. We feel deceived by the band. If we knew then what we know today, we would never have released the album in the first place.” 

UMG’s decision comes one week after The New York Times revealed how German label BMG signed a rapper known to have Holocaust-denying and anti-Semitic lyrics, Freeze Corleone, to a one-album deal in 2021 and then abruptly terminated the relationship the day before BMG was due to release the project’s first single. BMG executives had debated internally the pros and cons of signing the French artist and had known that UMG had signed and then dropped Corleone in 2020 after distributing his previous album, La Menace Fantôme (The Phantom Menace), for a week. BMG executives in Berlin ultimately overruled their French team after thoroughly reviewing his older music. 

In the case of Weimar, several members come from the neo-Nazi scene in the state of Thuringia, according to Der Spiegel. Konstantin P., who Der Spiegel says goes by the name Till Schneider in Weimar, was previously in Dragoner, a neo-Nazi band that recorded songs that denied the Holocaust.  

Dragoner was watched by the German Office for the Protection of the Constitution, a domestic intelligence organization charged with protecting German democracy. Steffen P., who Der Spiegel says goes by the name Kurt Ronny Fiedler in Weimar, came to the attention of Thuringian law enforcement when he attended a right-wing concert in 2005.   

It’s unclear what Christian P’s role in the group is, but Der Spiegel says he has known both Steffen P. and Konstantin P. for years, and that they previously played together in the group Uncore United, which has songs that sound similar to those of Weimar. Christian P. has been accused of illegal weapons possession and “forming armed groups.” Der Spiegel says that in 2002 he released an album under the name Murder Squad that featured a swastika on the cover and included anti-Semitic lyrics that denied the Holocaust took place — both of which could make it illegal to distribute in Germany. 

Weimar’s relationship with Universal was a one-album distribution deal through the band’s label, Harder Entertainment. The article in Der Spiegel suggests that the deal might have been made by the manager of Frei.Wild, a band from South Tyrol, Italy, that has been associated with right-wing imagery but has distanced itself from right-wing politics. UMG did not comment on this at publication time. 

From Taylor Swift to Paramore, What’s Your Favorite New Release of the Week? Vote!

Everyone from Taylor Swift to Paramore dropped new music just in time for Valentine’s Day, and Billboard wants to know which release you plan on having on repeat going into the holiday.

Swift continues riding the wave of her newest single “Lavender Haze” with a dance-heavy remix for the Midnights opener by Felix Jaehn. (Prior to being tapped by the superstar, the German producer was likely most familiar to U.S. audiences for helming Omi’s 2015 No. 1 hit “Cheerleader.”)

Hayley Williams and her bandmates, meanwhile, deliver their long-awaited comeback album This Is Why. The pop-punk trio’s first follow-up to 2017’s After Laughter contains singles “This Is Why,” “The News” and “C’est Comme Ça.”

Elsewhere, Lizzo teams up with her bestie SZA for a new remix of “Special,” which finds Billboard‘s newly revealed Woman of the Year preaching, “Woke up this mornin’ to somebody judgin’ me/ No surprise they judgin’ me, don’t know who I’m ‘posed to be I’m just actin’ up, I’m crass as f–k, and never sayin’ sorry/ Found out in the end that I can only do it for me.”

Dove Cameron also joins forces with Khalid on the sultry new collaboration “We Go Down Together,” Luke Combs follows up his debut on the Grammys stage with”Love You Anyway” off his upcoming album Gettin’ Old, D4vd unveils the heartsick, pleading “Placebo Effect” and Mariah Carey cashes in on the viral resurgence of “It’s a Wrap” by dedicating an entire EP to the Memoirs of An Imperfect Angel fan favorite.

Vote for your favorite new release of the week in Billboard‘s poll below.

Rosalía & Coca-Cola Drop Limited-Edition Flavor: ‘It Reminds Me of My Favorite Fruit’

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Rosalía has a new collaboration dropping with Coca-Cola later this month. The beverage giant and the Grammy-winning, multi-platinum selling singer teamed up for a limited-edition Coca-Cola Creations flavor as part of the Coke Move campaign.

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Rosalía co-created the flavor, which serves up a unique twist on the classic taste, at the Coca-Cola headquarters in Georgia. “I went to Atlanta, and tried a thousand flavors and chose aromas,” she told Billboard Español. “The whole process of getting to the flavor that you are looking for is a lot of fun.”

“I gave in to the flavors that awakened something in me,” she added. “The ones that made me close my eyes when I tasted them and that seemed more delicious to me. It reminds me a lot of coconut, my favorite fruit, and one that I have always eaten since I was little.”  

The Coca-Cola collab includes an exclusive track, “Lie Like You Love Me,” which dropped on Jan. 27. Meanwhile, the special-edition Coke cans and bottles channel Rosalía’s lively personality, with vibrant colors and doodles hand-drawn by the singer. Additionally, fans scan a QR code on the collectible Coca-Cola Move can or bottle to access the digital Coca-Cola Creations Hub featuring exclusive, behind-the-scenes content from the making of “LLYLM” and more.

“Transformation as a means of self-expression is powerful and resonant for today’s generation, and music is the universal language for transformation” said Oana Vlad, Senior Director, Global Strategy at The Coca-Cola Company. “Partnering with the inspirational and genre-defying Rosalía to bring to life our latest drop under Coca-Cola Creations has been a blast and has broken new ground for Coca-Cola Creations. We hope our collective fans will love this drink!” 

Fans will also get a chance to bid on Rosalía memorabilia, including an autographed helmet, tour outfit, poster and other collectibles. Proceeds from the auction will support the Antonio Gala Foundation, a non-profit based in Rosalía’s home country of Spain that provides residency scholarships to young creators.

The new Coca-Cola Move flavor, available in cans and bottles, will be released in the U.S and in Canada on Feb. 20. Coca-Cola previously collaborated with DJ Marshmello on a limited-edition flavor last year. Aside from the signature flavor and limited-edition drops, Coca-Cola offers Coke vanilla, Coke cherry and cherry vanilla.

Rosalía has a lot in the works. Besides the beverage collab, the 30-year-old recording artist will take the stage at Coachella, which kicks off April 14-16. This year’s festival will be headlined by Frank Ocean, Bad Bunny, and BLACKPINK. Other names on the bill include Charlie XCX, Gorillaz, Burna Boy, The Chemical Brothers, Blondie, Becky G, Metro Boomin, Latto, Björk, Kali Uichi, Porter Robinson, Glorilla, Jai Paul and Jackson Wang.

Karol G Unveils Her New Album’s Tracklist & Announces the Release Date

Karol G‘s new album Mañana Será Bonito is set to drop Feb. 24, the Colombian star announced on Friday (Feb. 10). The chart-topping artist also unveiled the set’s colorful doodle-inspired cover and the tracklist.

The 17-song album, which kicks off with “Mientras Me Curo del Cora,” features collaborations with Quevedo, Carla Morrison, Sean Paul, Sech, Bad Gyal, Justin Quiles and Angel Dior. It also includes previously released singles “Provenza,” “Cairo” with Ovy on the Drums, “Gatubela” featuring Maldy, and the Romeo Santos-assisted “X Si Volvemos.”

“This is the face of my album,” Karol wrote on social media. “I present it with all my love and pride. To be honest, I can’t believe I was able to contain myself and not share the release date sooner but I can finally share it with you. I am happy and counting down the days.”

Mañana Será Bonito will be her fourth studio album. It will follow her 2021 Grammy-nominated KG0516, which scored Karol her first No. 1 on Billboard‘s Top Latin Albums. The set earned the biggest week for a Latin album by a woman since Shakira‘s 2017 El Dorado.

The “Provenza” singer nabbed the No. 1 spot on Billboard‘s 2022 year-end Top Latin Artists – Female chart for a fourth consecutive year. She was also No. 2 on the overall Top Latin Artists chart – the only female act in the top 10. Furthermore, Karol G’s $trip Love Tour became the highest grossing U.S. tour by Latin female act in history. It grossed $69.9 million and sold 410,000 tickets across 33 shows in North America (through the end of October), according to numbers reported to Billboard Boxscore.

See the album’s cover below:

First Spin: The Week’s Best New Dance Tracks From Jessie Ware, Flume, BLOND:ISH & Madonna & More

This week in dance music: Beyoncé made history in more than one way when she won the Grammy for best dance/electronic album, Diplo had some thoughts on the matter, we talked to the fast-rising RAYE, P!nk scored her first top 10 on dance/electronic songs and we got the backstory of a new study exploring the prevalence of neurodiversity in dance music.

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Is there more? You betcha. Let’s dig in.

Jessie Ware, “Pearls”

Albums heavily featuring house and disco sounds are winning Grammys? Jessie Ware has logged into the chat. After winning our hearts (and the title of Billboard’s top dance album of 2020) with her most-excellent album What’s Your Pleasure?, the sultry club chanteuse is back again with a new single, “Pearls” — and the announcement of her next album, That! Feels! Good!, due April 28 via PMR / EMI. (Ware previously released another of the album’s tracks, “Free Yourself,” last summer.)

Like its namesake, “Pearls” brings luxury to the disco, with gilded keys and elegant strings that soar with Ware as she belts the euphoric chorus: “Let me go! Let me dance!” Like her iconic inspirations for the song, Donna Summer, Evelyn “Champagne” King, Teena Marie and Chaka Khan, Ware delivers eyes-closed, disco-diva bliss in a song she says “doesn’t take itself too seriously, but demands you to have a dance.” — KRYSTAL RODRIGUEZ

Flume, “Things Don’t Always Go The Way You Plan 1.2 [2020 Export Wav]”

Seeing Flume live on stage is cool and all, but there’s no better Flume-fan feeling than pressing play on a newly released Flume production. His tunes are the type you need to absorb by putting on those headphones, turning off the lights and exploring every nook and cranny of textured sound. In that regard, this week was stellar, because the Australian envelope-pusher dropped a surprise 10-track mixtape of previously unreleased bits and bops. The vibes are varied — from gritty rumblin’-bass rap growlers to tweaked and freaked romantic ballads to side-winding sonic sound tunnels and every shade of strange, surreal and superfly in between. There’s even a song with Panda Bear of Animal Collective! For whatever reason, these tunes never made it onto any other official Flume releases. I guess that’s because they were destined for this. Hey, Things Don’t Always Go The Way You Plan, but they do always go — especially when it comes to Flume. – KAT BEIN

BLOND:ISH, Eran Hersh & Darmon, “Sorry (With Madonna)”

Madonna’s “Sorry” — the second single from her 2005 Confessions On a Dancefloor — gets an official edit today from BLOND:ISH and L.A.-based producer pals Eran Hersh and Darmon. With their rework, Madonna’s vocals get pitched way down “so the vocal was recognizable but not obvious,” says BLOND:ISH. “We really wanted the person listening to this to be like ‘Oh f–k, wait, I totally know this song!’”

Indeed we do, with the sleek as chrome original here taking on a tougher edge that pays homage to the dancefloor-centric ethos of the original and has the nod of approval from Madonna herself. “We soon started playing ‘Sorry’ at our shows, and the response was overwhelming,” BLOND:ISH continues. “So much so that I said, ‘You know, we must be only one degree of separation, let me try and get a hold of Madonna.’ As they say, ‘You’ll never know if you don’t ask’, so I knew I had to at least reach out to see if she would be interested in formally collaborating on this with us. A good friend of mine sent her a message directly and we made it happen just like that.” This fresh version for “Sorry” is out via Insomniac Records. — KATIE BAIN

Floorplan, “We Give Thee Honor”

Worship is back in session. Floorplan, the father-daughter duo of Robert and Lyric Hood, have returned to Luke Solomon’s Classic Music Company with their latest EP, We Give Thee Honor / Makes Me Wanna. It’s a high-energy showcase of their gospel roots with two tracks that summon a higher power to the dancefloor. A-side “We Give Thee Honor” is a stomper right out the gate, with driving percussion, organ stabs and piercing synth strings seemingly designed to bring you to the edge of sensory overload. Powerful yet soothing gospel-choir vocals and a looming, earth-swallowing wail—be it human or machine—takes listeners over the edge in the best way. Even when the club hits peaktime, “We Give Thee Honor” leads the way to a new level of house heaven. — K.R.

Chloé Caillet Feat. Poté, “Know Now”

If you’re looking to slink into the weekend with a vibe that’s equal parts runway model and shadowy figure in the back of the club, French DJ and producer Chloé Caillet’s “Know Now” is the dark and mysterious groove that can get you there. From her upcoming EP on CircoLoco Records, this absolute mood is hitting parts of our brain that haven’t been stimulated since The Knife dropped Silent Shout. It’s a little bit haunting, a little bit sexy, and definitely all the way stuck in our heads for the next few months. The song features a delicately cool vocal from her friend Poté. Look out for the rest of this EP coming in the spring. – K. Bein

Francis Mercier, “Kamili”

New York-based producer Francis Mercier is poised for his biggest year to date, with the Deep Root Records founder making his Coachella debut in April in the midst of a world tour powered by a string of excellent releases. That streak continues with today’s dreamy “Kamili.” Out via Diplo’s Higher Ground, the house track is a collaboration with Zimbabwean producer Nitefreak and Kenyan singer Idd Aziz, who delivers soulful lyrics in Swahili about his brother, who’s been missing for more than two decades.

“Kamili is undoubtedly my most exciting release to date. It is such an honor to be collaborating with the talented Nitefreak, Idd Aziz, and Higher Ground on this very emotional and powerful record,” says Mercier. “Bringing African musical excellence to the United States’ dance music community is truly exciting.” — K. Bain

Ava Max & Elle King Notch Their First Top 10s on Billboard’s Album Sales Chart

Ava Max notches her first top 10 on Billboard’s Top Album Sales chart (dated Feb. 11) as her latest release, Diamonds & Dancefloors, debuts at No. 8. The set sold 7,000 copies in the U.S. in the week ending Feb. 2, according to Luminate. The new effort is her second charting title, following the No. 12-peaking Heaven & Hell in 2020.

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Also capturing her first top 10 on Top Album Sales is Elle King, as her new Come Get Your Wife starts at No. 9 with nearly 7,000 sold. She previously topped out at No. 15 in 2018 with Shake the Spirit.

Also in the top 10, TOMORROW X TOGETHER, Grateful Dead, Sam Smith, Bob Dylan and Elle King all arrive with new releases, while Avril Lavigne’s Let Go re-enters the chart in the top 10 after its 20th anniversary reissue on vinyl.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

TOMORROW X TOGETHER snags its fourth No. 1 on Top Album Sales – and biggest sales week yet – as The Name Chapter: TEMPTATION enters with 152,000 copies sold.

The Name Chapter: TEMPTATION scores the largest sales week for any album since Taylor Swift’s Midnights debuted at No. 1 with 1.14 million copies sold on the Nov. 5, 2022-dated chart. Of The Name Chapter: TEMPTATION’s 152,000 sold, 98% were CD sales (148,500), while 2% were digital album sales (3,500). The set was not available to purchase in any other configuration (such as vinyl or cassette).

The CD configuration of The Name Chapter: TEMPTATION was issued in collectible packages (14 total, including exclusive editions for Barnes & Noble, Target and the Weverse webstore), each with a standard set of internal paper items and branded randomized mystery elements (photo cards, photo books, post cards). CD sales were also enhanced by autographed editions sold via the act’s webstore.

Grateful Dead’s latest archival live set, Dave’s Picks, Volume 45: Paramount Theatre, Portalnd, OR 10/1/77 & 10/2/77 debuts at No. 2 with 19,000 sold.

Dave’s Picks is the act’s continuing live archival release series, named for the group’s archivist, David Lemieux, that has been going strong since its first release in 2012. Releases in the series are issued exclusively on CD and in limited quantities.

On the Billboard 200 chart, Dave’s Picks, Vol. 45 debuts at No. 18, marking the band’s 55th top 40-charting album on the list. The act continues to have the most top 40 albums among groups since the chart began regularly publishing on a weekly basis in March of 1956. The band also surpasses Barbra Streisand to become the overall act with the third-most top 40-charting albums. The acts with the most top 40 albums on the Billboard 200 are: Frank Sinatra (58), Elvis Presley (58), Grateful Dead (55), Barbra Streisand (54) and Bob Dylan (51). (37 of Grateful Dead’s 55 top 40-charting albums are from the Dave’s Picks series.)

Taylor Swift’s former No. 1 on Top Album Sales, Midnights, falls 2-3 on the latest chart, with 18,000 sold (though up 4%). Sam Smith notches their fourth top 10-charting effort as Gloria bows at No. 4 with 14,000 sold.

Bob Dylan’s Fragments: Time Out of Mind Sessions (1996-1997) debuts at No. 5 on Top Album Sales with 11,000 sold. The effort is part of Dylan’s ongoing “Bootleg Series.” With this archival project, he revisits his 1997 album Time Out of Mind, presenting alternative versions and outtakes of songs from that album, in addition to other rare cuts and live performances.

Avril Lavigne’s debut album Let Go returns to the chart for the first time since 2004, and to the top 10 for the first time since 2003, as the set re-enters at No. 6 with 9,000 sold (up 3,586%). The album was originally released in 2002 and peaked at No. 2 that September. It bounds back onto the tally after it was reissued for its 20th anniversary on vinyl (nearly all of its sales for the week were from its vinyl LP configuration).

A charity effort A Philly Special Christmas vaults 24-7 (a new peak) on Top Album Sales with 9,000 sold (up 182%), largely owed to vinyl LP sales. Across all of its formats, the album has now sold 26,000 copies (15,000 on vinyl and 11,000 on digital download). The Philly album is led by Philadelphia Eagles players Jason Kelce, Lane Johnson and Jordan Mailata, the seven-track set includes renditions of holiday favorites like “White Christmas” and “Santa Claus Is Coming to Town.” All profits from the album benefit Philadelphia’s Children’s Crisis Treatment Center.

Rounding out the top 10 is Michael Jackson’s Thriller, which falls 6-10 with 6,000 sold (though up 10%).

In the week ending Feb. 2, there were 1.883 million albums sold in the U.S. (up 13.9% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.552 million (up 18.2%) and digital albums comprised 331,000 (down 2.7%).

There were 723,000 CD albums sold in the week ending Feb. 2 (up 38.3% week-over-week) and 820,000 vinyl albums sold (up 4.9%). Year-to-date CD album sales stand at 3.053 million (up 0.4% compared to the same time frame a year ago) and year-to-date vinyl album sales total 4.499 million (up 28.2%).

Overall year-to-date album sales total 9.260 million (up 7.4% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 7.595 million (up 15.3%) and digital album sales total 1.664 million (down 18%).

All the Musicians Who Attended & Performed at Super Bowl LVII Events

Super Bowl LVII is taking over Glendale, Ariz., on Feb. 12, 2023, and leading up to the big game, musicians have been attending the plethora of events in the surrounding areas.

The 2023 Super Bowl will be held at the State Farm Stadium with kickoff set for 6:30 p.m. ET/3:30 p.m. PT. Rihanna is lined up to perform at the halftime show, and on Thursday (Feb. 9), the singer sat down with Apple Music’s Nadeska Alexis in front of a live studio audience to discuss all of the hard work she’s put into her first live performance in seven years.

“When I first got the call to do it again this year, I was like, [hisses] ‘You sure?’ I’m three months postpartum. Should I be making major decisions like this right now? I might regret this,” she said. “But when you become a mom, there’s something that just happens where you feel like you can take on the world. The Super Bowl is one of the biggest stages in the world, so as scary as that was because I haven’t been on stage in seven years, there’s something exhilarating about the challenge of it all … It’s important for my son to see that.”

Meanwhile, stars like Bleachers, Paramore, Kelly Clarkson, Lance Bass and many, many more took part in events like the Bud Light Super Bowl Music Fest and NFL Honors.

See below for photos of all the musicians at Super Bowl events this year.

First Country: New Music From Luke Combs, Megan Moroney, Darius Rucker & More

First Country is a compilation of the best new country songs, videos & albums that dropped this week.

Luke Combs, “Love You Anyway”

In this ballad from Combs’ upcoming March 24 album, Gettin’ Old, Combs maintains that even if his current love turned to heartbreak, it would all be worth it. Written by Combs with Ray Fulcher and Dan Isbell, the song features lyrics comparing a love to broken glass and ancient Rome, all melded together by Combs’ burnished vocal.

Megan Moroney, “I’m Not Pretty”

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While Moroney’s breakthrough hit “Tennessee Orange” continues to climb Billboard‘s Country Airplay chart, her new release is a cheeky, defiant clapback to her ex’s new lover, who seems intent on scrolling through her Instagram and tearing her down. Here’s she continues with the conversational lyrical stylings found in “Tennessee Orange,” as she sings, “Like the Queen of the Mean Girls committee/ But hey, whatever helps/ Keep on telling yourself I’m not pretty.”

Hannah Ellis, “Someone Else’s Heartbreak”

The initial lyrics on this smooth ballad make the listener think the song’s setup is a woman comforting her close friend with all the usual platitudes after a romantic breakup. But Ellis gives the storyline a twist, as it becomes clear that the advice she would give to a friend is hard to follow when it comes to her own fallout from a fizzled relationship. A sturdy, vulnerable release from Ellis.

Ernest, “This Fire”

Ernest offers up a continuation of his previous Flower Shops project, with Flower Shops: The Album (Two Dozen Roses), out today. The whole project melds traditional country with shades of sleek pop-country. Meanwhile, the rollicking “This Fire” portrays the impact of a heartbreak and alcohol-fueled bender, most keenly on the lyrics, “I’ve done it to myself, I dug a lonely grave/ I walk amongst the ashes of the bridges that I’ve made.”

Darius Rucker, “Lift Me Up”

Rucker lends his powerful, unmistakable voice to this cover of Rihanna’s “Lift Me Up,” from the soundtrack to Black Panther: Wakanda Forever. Rucker lends gospel overtones to this piano ballad, delivering an understated, yet wisened and fervent vocal rendering that elevates the song’s somewhat generic lyrics.

Reyna Roberts feat. Tayler Holder, “Another Round”

Roberts’ majestic voice is supported by Holder’s gravelly rendering, though their harmonies get slightly muddled through the chorus. Written by Roberts with Laura Veltz and Jimmy Robbins, this slow-burn track finds each vocalist concluding that — just like with booze — they know their limits and when they can’t take another round of a relationship that’s not serving their best interests.

Allie Colleen, “Honest Man”

“You say you love me, I’m calling you out/ Let’s set these plans with a stone,” Colleen sings in this lilting acoustic track, boldly willing to make an honest man of the guy she loves. Her voice is warm and a slightly rough around the edges, a perfect foil to the vulnerability and personal agency of the lyrics.

Michael Warren, What’s Country to You EP

Alabama native Warren’s new four-song EP operates along the same country-R&B lines that have made hits for artists like Thomas Rhett and Jimmie Allen. The radio-friendly title track (and Warren’s debut single), written by Dylan Schneider, Zac Kale and Jake Rose, rattles off a list of potential country bona fides and nods to the genre’s expanding boundaries. The EP follows with a trio of equally smooth tracks that showcase Warren’s agreeable, unassuming voice, including the pleasantly romantic “Another Round,” which namechecks Shenandoah, while “Chevy Shotgun” is nostalgic and bittersweet. “One Beer at a Time” blends elements of a soft R&B vibe as he declares he’s “gettin’ over you girl/ One beer at a time.”

A Timeline of Offset & J. Prince’s Ongoing Feud

Tempers flared earlier this week when Offset and J. Prince’s feud spilled over to social media in wake of Takeoff‘s murder last year.

While the Migos have issues of their own when it comes to repairing the relationship between Quavo and Set, they’ve agreed to keep quiet when it comes to the tragic shootout that tragically took the life of their family member.

On the other hand, J. Prince has attempted to debunk rumors and clear his family’s name surrounding the deadly shooting, which took place in his hometown of Houston during the early hours of Nov. 1, outside a local bowling alley. The Rap-A-Lot Records founder has publicly addressed Takeoff’s death on multiple occasions in different interviews, which angered Offset — who has remained publicly tight-lipped regarding the circumstances surrounding the incident.

Tensions were raised to another level this week when J. Prince and the Mob Ties family appeared on an episode of Million Dollaz Worth of Game earlier in February, where the Houston native dissed Set for allegedly not being there for his late groupmate.

While J. Prince maintains there was previously love on both sides from interactions throughout his career with the Migos, the fuse was lit, and that love went to the wayside as the war of words intensified — becoming a trending topic on social media, with Cardi B even chiming in this week. Cooler heads have since seemed to (hopefully) prevail, as Offset promised in his most recent warning shot at Prince that it would be the final time he speaks on him publicly.

Check out our timeline of the J. Prince and Offset feud below.

Queer Jams of the Week: New Music From Kelela, Ashnikko, Dove Cameron & More

As you prepare to watch Rihanna dominate the Super Bowl halftime show this weekend, why not get up-to-date on some of the latest offerings from your favorite LGBTQ artists? Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.

From Kelela’s return to the album format to Ashnikko’s biting new single, check out just a few of our favorite releases from this week below:

Kelela, Raven

After five long years away from the mic, Kelela makes her full return today. Raven, the electro-R&B star’s sophomore album, follows Kelela as she asks you to open yourself up to the possibility of love. Equal parts therapy session and night out at a rave, Raven mixes and morphs together sounds from dance (“Missed Call”), jazz (“Let It Go”) and R&B (“Enough for Love”) to craft a testament to the power of vulnerability and emotional availability. Artists looking to make a comeback, take note: Kelela is doing it right.

Ashnikko, “You Make Me Sick!”

You wouldn’t like Ashnikko when she’s angry — you’ll love her. While past tracks from the rising alternative star have seen Ashnikko gleefully shredding her foes to pieces, few have gone quite as far as “You Make Me Sick,” her frenzied new single. Throughout the apoplectic new song, Ashnikko rages against a former lover, scream-rapping about their manipulative behavior and dissecting them piece by piece. If you’re feeling even the slightest bit upset today, allow Ashnikko to help you channel that.

Dove Cameron feat. Khalid, “We Go Down Together”

Peanut butter and jelly, macaroni and cheese, Batman and Robin and now, Dove Cameron and Khalid — some things just go great together. On “We Go Down Together,” Cameron and Khalid sound like a match made in heaven as they sing to one another about unwavering commitment. Cameron’s soft, smooth falsetto blends perfectly in with Khalid’s sonorous baritone, making “We Go Down Together” a must-listen musical experience.

Tove Lo, “Borderline”

Valentine’s Day often comes as a mixed bag — for some, it’s a wonderful day to celebrate your love for your partner; for others, it’s a bit much. Luckily, Tove Lo crafter a song for both those camps; “Borderline” sees Lo accessing the darker parts of love on this pulsating dance-pop bop. Pair that with the robot-revenge-fantasy sequel video to her 2022 video “No One Dies From Love,” and you’ve got another winner on your hands.

Pabllo Vittar feat. Anitta, “Balinha De Coração”

Don’t threaten Pabllo Vittar and Anitta with a good time, because they will take you up on it. “Balinha De Coração” (which translates to “Heart Candy”) sees these two Brazilian superstars going full chaos mode, embracing a hyperpop aesthetic to deliver you the pop treats you’ve been craving. The glitching beats and pitch-shifting vocals keep you on your toes throughout this wild track, as Pabllo and Anitta ask if you’d like a taste.

Rebecca Black, Let Her Burn

For the last few years, pop singer-songwriter Rebecca Black has been exploring as many new avenues as possible when it comes to new music, finding sounds that worked or didn’t. Let Her Burn, the singer’s long-awaited debut album, feels like the answer she’s been looking for. Infused with an electro-pop sensibility throughout and informed by Black’s own queer awakening, Let Her Burn takes the star to new sonic highs — and it is well worth your time.

VINCINT, “Romance”

Pop singer-songwriter VINCINT has made it a habit to write about love — the tender highs, the bitter lows and all the drama in between. But something about his latest single, “Romance,” feels different. Singing to a prospective, recently single partner, VINCINT confidently asserts that “I can give you romance.” But the music — a banging house beat with some of the singer’s sharpest vocals to date — gives the track a feeling of sexual urgency. There’s a confidence and swagger to this new VINCINT sound, and we can’t help but dig it.

Zolita, Falling Out / Falling In

Like it’s title might suggest, Falling Out / Falling In is an EP about duality. Rising pop singer Zolita splits her time evenly on the new project between pop-punk “f–k you” anthems (especially with the raucous single “Crazy Ex”) and tender sweet love songs (“Ashley,” in particular will pull at your heart strings). In this dichotomy, Zolita finds a clear narrative, telling her own story of moving through, out of and in between relationships; a pretty stellar feat to accomplish in six songs.

Moore Kismet feat. Anna Dellaria, “Three Little Words”

At a time of year where we often find ourselves talking about love, Moore Kismet wants to remind you that sometimes, love is toxic. “Three Little Words,” the rising dance phenom’s newest single, is filled to the brim the the bright, crisp sounds that the star has become so associated with. But listen to the words being sung by guest Anna Dellaria, and you’ll hear the story of a relationship you should not be in, yet just can’t help it. It’s fitting, then, that the song itself quickly becomes irresistibly catchy — no matter how hard you try to pry yourself away, you’re just going to want more from Kismet.

Chrissy Chlapecka, “I’m So Hot”

It’s time for an anthem for the bimbos of the world! Chrissy Chlapecka, the proud leader of Bimbo TikTok, wants you to wake up every day and declare “I’m So Hot,” as she does on this delicious new pop track. A campy, dance-fueled ode to the self, “I’m So Hot” oozes with the confidence and hilarious comedic energy that Chlapecka has perfected in her online videos, while also flexing a technical and creative prowess that proves she’s here for the long haul.

Check out all of our picks on Billboard’s Queer Jams of the Week playlist below: