Author: djfrosty

At Taemin‘s concert at Kings Theatre in New York, the opening show for the K-pop star’s first U.S. tour as a soloist, the 31-year-old thrusts, lunges, and splays his body in an assortment of impromptu, interpretive positions that captivate the sold-out venue. A less experienced performer could have easily fumbled committing to such dauntless dancing. However, with more than half his life in the K-pop spotlight, Taemin appears as if he’s in complete control of every aspect of the theater stage and his body – seemingly aware of how each strand of his dirty blonde, slightly off-center middle part will land on his head after every move.

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Throughout his 17 years in the game, Taemin has long voiced his adoration of Michael Jackson with hit singles like “MOVE” and “Press Your Number” boasting clear MJ inspiration. But Michael didn’t become the King of Pop simply as a member of the Jackson 5, but years later when he broke out into a solo artist, eventually rising to universal acknowledgment and acclaim with Thriller, his fifth solo record, and solidifying his legacy in music history. Similarly, Taemin’s first U.S. live trek sees the star in a breakout moment of sorts.

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After 16 years signed as a soloist and member of boy band SHINee under SM Entertainment, Taemin opted not to renew his solo contract with the legacy label in March 2024 and signed with the relative newcomer BPM Entertainment. In under a year since his management change, Taemin released his most creatively involved work yet via his Eternal EP, launched his first-ever global trek in the Ephemeral Gaze world tour, and took on his first hosting job for the boy band competition series Road to Kingdom: Ace of Ace. Yet it’s not just the work that defines this past year as Taemin’s breakout moment but a shift in how he approaches work.

“Before, I felt like I was just executing tasks,” a cheery Taemin shares during a morning Zoom call from Seoul during his few days off from touring. “But now, I’m leading it and taking care of the different details…I feel now I’m becoming more independent.”

While feeling more powerful than ever as an artist, Taemin knows loads of eyes are on him, which inspired the concept of the Ephemeral Gaze tour but also serves as a reminder for viewers to see that his attitude has never shifted.

“I’m still doing the same performance, I’m trying to give it my all and I don’t like the attitude of just because you’re popular, you want to take some things easier,” he says. “No, even my body breaks, if I dislocate the shoulder; I want to give it my 100 percent and more as long as people come to cheer and see me.”

With packed houses at the tour’s multiple theaters, as well as one night at the Kia Forum arena in Los Angeles, for Taemin’s first U.S. tour, fans could see his empowered nature, his creative commitment, but also his humbleness to deliver the same amiable aura that resonates through this webcam chat.

After performing the sultry album cut “Not Over You” from 2023’s Guilty EP, Taemin took a breather to speak with the NYC crowd. The artwork for Taemin’s Ephemeral Gaze world tour plastered across the LED screens behind him catches his eyes, and he looks back at the audience and smiles, saying, “I’m Taemin.”

Of course, everyone knew who he was — the screams and cheers confirmed as much — but this new chapter of Taemin’s artist journey could indeed be a new person greeting us. Get to know Taemin today in the interview below.

Billboard: You performed concerts in South America at the top of February, and on Feb. 13, you’ll have five concerts across the U.S., but you’re back in Korea right now. What are you doing between legs?

Taemin: There are many tasks and work that I need to do in Korea that have been piling up, so I’m working on that, having different meetings and going through different schedules during my short time here. This might sound funny, but during my time off, I’m actually adjusting to New York’s time. I had just gotten used to Latin American time, and now I’m in Korea, but I’m about to go to the U.S. soon, so I’m adjusting my body for the New York time zone. But especially for this tour, where there are not many days in between, I had a lot of business I needed to take care of

How has your solo world tour experience been so far?

This is actually really my first time doing this kind of tour as a solo act, so I did have my doubts and concerns, like, “Can I successfully pull this off?” In a way, it is uncharted territory and, as you know, I did tour with groups including SuperM, but it has truly been a while, so I also had concerns about that. However, when I started performing, wow, did the fans embrace me. I felt like I could really feel their love and longing so wholly — like I felt their emotions so directly. So, with this warmth, I’ve been able to really actively interact with fans.

Do you have different versions of the show depending on the continent or country?

There is a certain format, but let’s say depending on the vibe of the place, and especially the attitude of the fans, things change, I guess. I would say my expression or attitude towards the performance can change when I’m singing a ballad or just dancing…maybe today, I feel like taking advantage of the entire stage and walking around and exploring it. Ninety percent of the performance might be set, but it’s the 10 percent that widely differs according to my mood.

You mentioned you toured the U.S. with SuperM, I remember SHINee had some U.S. concerts and appearances, but now it’s a full U.S. tour for Taemin. So, what took so long?

I think my previous company had different market-based investments and made certain decisions. There could have been many different reasons, and that I don’t know clearly, but for some reason, we didn’t go to the States much. You mentioned the SHINee concerts from long ago and when we went there, I was pretty surprised. There were a lot of people waiting for and warmly embracing us. I felt not only touched, but how I really wanted to continue this and it felt like a shame that we didn’t. I was thinking a lot about the foreign fans waiting, which makes me feel thankful. I also don’t want this [experience] to be just forgotten as it would be a shame if it ends like this. So, I want to come back, but not just to have a single event; I’m talking about a series of long-lasting memories with all these people.

In under a year, you’ve performed across new countries, joined a new agency company, participated in new TV shows, and have new collaborators. Is there any big lesson that you’re thinking about throughout the tour?

Yeah, so many things learned. I mean, we can just even talk about what I’ve learned in promoting and the industry’s deeper inner workings. Before, I felt like, let’s say, I was executing tasks and just knowing that task. But now, in a way, I’m leading it and taking care of the different details. Not a whole concert, but I’m really learning the system, even when it comes to just the performance direction. I feel now I’m becoming more independent. Previously, I was a kid and now I’m learning what to do and how to care and think for myself.

Also not to mention, fans were waiting for a global tour and now I believe that it can work. To use a Korean expression, I’m no longer “a frog in a well.” I’m out in the real world. Internally, I feel even stronger and life is all about maturing as you gain experience. I feel like this is true for artists too because this idea of expression or creativity, it stems from experiences and I’ve been having numerous experiences.

We know you shine on stage, but seeing you as a composer on every Eternal song where you wrote more than ever was new. Can you relate anything from the recording process to these touring experiences?

Firstly, if I’m going to use this title as an “artist,” I really need to input the message into my music and express my emotions through this art. Although, of course, I had a great writers and producers helping  me to prepare this album. We were tight on time so there are a lot of things I wish we could have maybe spent more time on and such, but one thing I do want to say that I’m very looking at it quite positively is that it is truly an album that I really put my thoughts, my emotions and my experiences onto. And this is how I want to proceed from now on. You could say, I’m not doing albums that I am told to do. I’m not like a student at a school, but I’m really talking about my experiences and thoughts through my art. The tour is the same way, this “Ephemeral Gaze” has a message how people have a lot of different views of me and I’ve done nothing but try to do the best performances, art and make great music. But people can always view me in a skewed way, so, I guess that’s just the life of an artist — you’re receiving infinite love and attention, but along with that you can be seen in a distorted view.

For example, during the concert you’ll see there are many eyes and I am under these in a way; the view and scrutiny of these eyes. But on the stage, you will see me performing and trying to do my best. I haven’t changed. I’m still doing the same performance, I’m trying to give it my all and I don’t like the attitude of just because you’re popular you want to take some things easier. No, even my body breaks, if I dislocate the shoulder, I want to give it my 100 percent and more as long as people come to cheer and see me. I’ll add that age does play a factor on you, but this is how I feel. This is my attitude.

I think it’s a good attitude to have. I remember an interview where you said you want to make classic songs, songs that can be nostalgic for years to come. What makes a song a classic?

So, music for just casual consumption are all great and they exist for a reason. The way I define something that’s, like, classic or everlasting is that it’s music I really feel and really sympathize with; something that gives me strength or comfort, it makes me relive memories. With that, I hope that my music can be a memory someone who can just take it and relive the memories by listening. Every musician has their own color and how you define and work on your color is a journey in itself. Everyone takes this approach differently — there are some people who can change directions, there are some who can explore and experiment, there’s some who keep going deeper into their specific color one piece at a time. I would say I’m more in the latter, going deeper and deeper, carving out a little bit deeper each time. I want to pioneer this as a gen-two [2nd generation K-pop] artist.

I also just want to add that the career of idols can be short and, often, there are a lot of idols that take a different path after. But I want to show that as a musician, you can really have this long run with this distinguished identity and I hope that this music eventually can give someone strength, comfort or hope, and help them relive memories. There are musicians like that for me like Michael Jackson. I mentioned earlier in this interview that I like doing things impromptu on stage and I also really see that in Michael Jackson. He had a song — what was it again? Oh, yeah — “Man in the Mirror,” where he was doing the performances in an impromptu [style] too. In a way, you can say the music wasn’t perfect. But the energy and passion? That was perfect. You don’t need to always be on pitch or on beat to have “perfection.” During those days, when they were lacking [sound] systems, he was just perfect. I would say he’s my role model. I still listen to his work.

Speaking of great performances, and in celebrating your kickoff U.S. date in New York, your first time performing in NYC was SMTOWN 2011 in Madison Square Garden. I was actually there covering for Billboard. Do you have fun memories from then?

I don’t remember the exact details like the press conference, it was over 13 years ago, but I remember Madison Square Garden. Doesn’t New York have those double-decker tourist buses? We rode that. And we went to the Times Square which was fun because we did it with all the artists in SM together. During that time, I was so jet lagged but I was like “No, I must do tourist activities.” My eyes could barely open but I was like “I need to be there. I need to look at Times Square with my eyes.”

Fast forward more than a decade later, it was cool to see you host the boy band survival show, Road to Kingdom: Ace of Ace — perfect name for Taemin. What was your experience as an established senior to these newer generations of artists?

It was interesting to see them because I could see really the determination they had and the pursuit for their dreams. I feel such empathy, sympathy and warmth for them, and also at the same time, I understand the pain and anxiety they live with at the same time; it’s quite a mix. But I admire and respect them doing their best to show the best performance to their fans.

Actually speaking of that, I don’t know maybe it’s the K-pop industry these days or just the whole pop system but, wow, it’s really great how it developed but their skills are. When these guys become older, their skills will be even more extraordinary.

And they can be sensitive; they’re at an age when you’re young and can be sensitive, but I just hope they don’t get hurt because the entertainment business, like any other business, are also in the business to make profit. While artists are in a job where they have to expend their emotions, I just hope they don’t get hurt and I hope they can make connections with their fans or giving positive image to world. That’s the process that I see them going through.

You have wisdom from being in the industry for so long but have made many changes lately. How do you know how to trust people or find those genuinely supporting you in the entertainment business?

So, I used to trust people a lot. I used to believe and rely on people a lot and I think I’ve also been hurt because of that. I’m just trying to believe in myself more. I’m so grateful for the people that are there as the people who support me, and I’ll always be grateful for them, however instead of just simply relying on people and dependent on them, I’m trying to become stronger on my own and stand up with on my two feet. 

Looking ahead, what does this year look like for you? Are you preparing things now so that when the tour finishes, you can get back to work?

[Laughs] Um, I have a lot planned.  After the tour, I want to finish with the Korean encore concert, which we will have, then the SHINee album will come out and we will have a SHINee show. I will also have my own album coming out…it’ll be quite exciting…it’s not confirmed if it’s a full album yet, but my solo album will come out.

I’m excited for all of it. Your last U.S. stop is in Honolulu. If possible, I hope you get to relax a little in Hawaii.

 I would like that too!