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Humbe, Maluma, Anuel AA & More: What’s Your Favorite New Latin Music Release? Vote!

This week, our New Music Latin roundup—a compilation of the best new Latin songs, albums, and videos recommended by the Billboard Latin and Billboard Español editors each week—is powered by new music from Humbe, Myke Towers and Maluma, to name a few.

The list includes full-length albums by Myke Towers and Humbe. The former released his 23-track La Vida Es Una (Life is One), where he moves away from his trap and hip-hop core and experiments with alternative, EDM, and funk, as well as collaborations with Daddy Yankee, Ozuna, J Balvin, Arcángel, and more. The latter’s ESENCIA is home to 11 tracks that fuse beautiful atmospherics with Humbe’s signature pop sound, resulting in an album full of introspection — or in his own words via a press release, he had to “search through his own story to deliver his essence.”

Meanwhile, power couple Rauw Alejandro and Rosalía dropped their three-track EP RR, a swoon-worthy, open-hearted slice of Latin pop that’s swirled together with adventure, lust, and romance — giving any love skeptics hope. The official music video to the set’s “Beso” even came equipped with their engagement announcement.

Also on the list are exciting collaborations such as Andrés Cepeda and Gusi’s “Duele,” Grupo Firme and Junior H’s “Trotando Ligas,” Bizarrap and Arcángel’s “Arcángel: BZRP Music Sessions, Vol. 54,” and Maluma and Anuel AA’s “Diablo, Qué Chimba,” to name a few.

Vote for your new favorite release below, followed by our weekly New Music Latin playlist:

Ed Sheeran, Lana Del Rey, Luke Combs & More: Which Music Release Is Your Favorite? Vote!

Spring has officially sprung, and with it comes the arrival of new music from multiple artists on the first new music Friday of the season. Among them are brand new tracks and albums from Ed SheeranLana Del ReyLuke Combs and more.

Sheeran offers a preliminary look at Subtract, the final installment of his mathematics album series, with new track “Eyes Closed.” The song serves as a tribute to his late best friend, Jamal Edwards, who died suddenly from a heart attack, and offers a potent message of mourning after an unexpected loss. the British pop star worked with Aaron Dessner for the production, which combines Sheeran’s calling cards — acoustic guitar, sparse drum beats and memorable hooks — with whirring arrangements, making for a radio-friendly track, regardless of its sad subject matter.

Del Rey’s ninth album, Did You Know That There’s a Tunnel Under Ocean Blvd, also arrived on Friday. In the set, she muses on sex, devotion, family and American decay, but this time, with a series of guests providing an assist — Tommy Genesis, Jon Batiste and Bleachers to name just a few — showing that once again, she’s trying to challenge herself in ways she previously hasn’t. (Read a full review and tracks ranking of Lana Del Rey’s latest album here.)

The follow-up to Luke Combs’ Growin’ Up, the aptly titled Gettin’ Old, sees the country star further honing in on his songwriting skills, reflecting peacefully on his hometown, his career beginnings and the unfurling of a promising romance.

BTS’ Jimin, Rosalía with Rauw Alejandro, and Fall Out Boy also return with new music. Which new release is your favorite? Vote in our poll below.

Jon Hamm Joins ‘Mean Girls’ Movie Musical Cast

Jon Hamm is heading to North Shore High. The actor will be joining the cast of the upcoming Mean Girls movie musical as Coach Carr, the gym teacher and bungling sex-ed teacher, according to The Hollywood Reporter.

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Hamm will star alongside Tina Fey and Tim Meadows, who will reprise their respective roles as Ms. Nordbury and Principal Duvall in the musical adaptation of the beloved 2004 film. In a recent Late Night with Seth Meyers appearance, Fey said filming for the Lorne Michaels-produced movie began earlier this month with a cast that also includes Angourie Rice (Cady Heron), Auli’i Cravalho (Janis Ian), Renée Rapp (who originated the role of Regina George on Broadway) and Jaquel Spivey (Damian).

The musical based on the teen comedy that starred Lindsay Lohan, Rachel McAdams, Lacey Chabert and Amanda Seyfried was turned into a hit coming-of-age Broadway musical in 2018 with a book by Fey after making its premiere at the National Theatre in Washington, D.C. in Oct. 2017.

The musical with music from Fey’s husband, composer Jeff Richmond, and lyrics by Nell Benjamin (Legally Blonde), features the songs “Where Do You Belong?,” “Meet the Plastics,” “Apex Predator,” “Stupid With Love,” “More Is Better” and “I’d Rather Be Me,” among others. Fey said the original compositions from the show will be adjusted for the film, with the actor/writer/producer promising that they will be more “pop.”

Nicky Jam Makes Regional Mexican Debut With Luis R. Conriquez: ‘It Seemed Like the Perfect Song for Me’

Luis R. Conriquez managed to do what few would have imagined: lead Nicky Jam to venture into regional Mexican music. The Mexican singer and the Puerto Rican urban star dropped their collaboration “Como el Viento” Friday (March 24), after recording it in Miami last month during the week of Premio Lo Nuestro.

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Written by Ángel Sandoval, Abbel and O’RLY, and released under Kartel Music, “Como el Viento” talks about being disappointed in a relationship and the attempt to overcome it. “But there I go like the wind/ I’m like a tornado picking up alcohol to overcome this fear/ Because you’re so pretty and I haven’t found the perfect substitute,” the stars sing in Spanish.

“I’ve always respected regional Mexican music. It’s not from my culture — in Puerto Rico you hear more salsa, merengue and Caribbean music, but I lived 10 years in Colombia, and over there you listen to it a lot. So they showed me this song and I thought it was the perfect one for me,” Jam exclusively tells Billboard Español.

“I used to listen a lot to Nicky Jam’s music,” Conriquez adds. “I remember a song that I particularly liked, ‘Dónde Están las Gatas’. Also, I saw the series about his life and I really liked knowing how everything was happening in his career, so meeting him in person when we made the video in Miami was awesome.”

During the shooting of the clip, both say they found similarities in their lives that created a chemistry between them. “He’s very authentic,” Jam says. “He comes from the barrio like me. … It felt like I was with a friend. We drank some tequilas and had a very good time”.

“It was very gratifying that he congratulated me on what I have achieved,” adds Conriquez. “We had a great time and you will see that in the video.”

This is Jam’s first team-up with a Mexican artist since 2016, when he recorded a cover of “De Pies a Cabeza” with the group Maná, but that was a pop song.

A believer in collabs, Conriquez has already teamed up with Grupo Frontera, Marca Registrada, Peso Pluma and Alfredo Olivas so far in 2023. And soon, he will be releasing others with Darey Castro and Fidel Rueda, two of his idols from regional Mexican.

He also hints that “Como el Viento” may not be his only effort with Jam — “very soon we could be doing another, more of the urban kind” — and reveals he is already working with other urban acts. “Collaborations are in the [making] with very important people like Farruko and El Alfa, to keep blending our regional Mexican with urban music,” he says.

Watch the music video for “Como el Viento” below:

Hailey Bieber Thanks Selena Gomez for ‘Speaking Out’ Against Feud Rumors: ‘I Believe Love Will Always be Bigger’

Hailey Bieber has broken her silence in the midst of reports of her alleged feud with Selena Gomez, who previously dated the model’s husband Justin Bieber.

The star posted a lengthy message to her Instagram Stories on Friday (March 24), thanking Gomez for “speaking out,” noting that the two have “been discussing the last few weeks how to move past this ongoing narrative between her and I.”

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Bieber’s note comes just hours after Gomez took to her own IG Story to urge fans to stop bullying the Rhode founder, after Hailey reached out to the Only Murders in the Building star to let her know that she’d been receiving death threats and “such hateful negativity.”

“This isn’t what I stand for,” Gomez said unequivocally. “No one should have to experience hate or bullying. I’ve always advocated for kindness and really want this all to stop.”

Bieber echoed Gomez’s sentiments in her note, writing, “The last few weeks have been very hard for everyone involved and millions of people are seeing so much hate around this which is extremely harmful. While social media is an incredible way to connect and build community, moments like this only create extreme division instead of bringing people together.”

She continued, “Things can always be taken out of context or construed differently than they were intended. We all need to be more thoughtful about what we post and what we say, including myself. In the end, I believe love will always be bigger than hate and negativity, and there is always an opportunity to meet each other with more empathy and compassion.”

See her post here before it disappears.

Rumors of a feud began when Gomez confessed on TikTok in February that she’d over-laminated her eyebrows. Kylie Jenner then shared a photo with her friend Hailey holding the camera close up to their own professional-looking brows.

Fans believed that the similarities between the posts was no coincidence, and that perhaps the reality star and model were making fun of Gomez. “This is reaching,” the Kardashians star commented about the situation on a TikTok. “No shade towards selena ever and I didn’t see her eyebrow posts! u guys are making something out of nothing. this is silly.”

At the time, Gomez added that she’s “a fan of Kylie,” though she has since commented on fan-made TikToks shading Hailey, writing “I love you” to one fan who slammed the Rhode founder for being a “nepo baby” and a “mean girl.” On a resurfaced video of Hailey pretending to gag at the mention of Taylor Swift’s music, Gomez replied, “So sorry, my best friend is and continues to be one of the best in the game.”

However, Gomez later encouraged her followers to be more empathetic. “Please, please be kinder and consider others mental health,” Selena commented on one of her recent TikToks sharing her makeup routine. “My heart has been heavy and I only want good for everyone. All my love.”

Justin Timberlake & Jessica Biel Go on ‘Date Night’ at SZA’s SOS Concert

Justin Timberlake and Jessica Biel were two of many famous attendees at the Los Angeles stop on SZA‘s hit SOS Tour on Thursday night (March 23).

Via Instagram Stories, the “Can’t Stop the Feeling” crooner shared a snap of the couple’s tickets to the show at The Kia Forum, writing “Date night” and tagging SZA. The following day, Biel also re-shared one of her hubby’s Stories from the show on her own account, showing the pair happily dancing along to SZA’s performance with grins on their faces.

However, the couple weren’t the only famous faces in the crowd for the “Kill Bill” singer’s second night at The Forum. Avril Lavigne also attended the concert — a fact that positively bowled SZA over once she saw the pop-punk princess’ Instagram Story of herself singing SOS top 10 single “Nobody Gets Me” from a floating platform high above the stage.

“@sza i’m obsessed with this song,” Lavigne captioned the video, which SZA re-posted, writing, “Can’t believe THEE avril was at my show” with an emoji face on the verge of tears.

Other celebrities who flocked to SZA’s final two concerts of her tour this week — which featured surprise onstage cameos from both Phoebe Bridgers and Lizzo — also included the likes of Jennifer Lopez, Justin Bieber and Hailey Bieber, Olivia Rodrigo, Adele, Pedro Pascal, Tate McRae, Kim Kardashian and Neon Trees frontman Tyler Glenn.

Hours before her show on Wednesday (March 22), SZA also stripped down as the latest model for SKIMS’ “Fits Everybody” underwear campaign.

Check out Timberlake, Lavigne and SZA’s Instagram Stories from the final night of the SOS tour here, here and here before they disappear.

R. Kelly Victim Granted First Dibs to Singer’s Sony Music Royalty Funds in Court Ruling

An R. Kelly victim who won a $4 million judgment against the singer will get first crack at pulling money from the singer’s royalty account with Sony Music — after the Illinois Supreme Court ruled that her claims should take priority over a Chicago landlord that’s also owed millions.

In a decision on Thursday (March 23), the state high court said Heather Williams was entitled to tap into Kelly’s account with Sony — valued at $1.5 million in 2020 — before Midwest Commercial Funding, a property manager that won its own separate $3.5 million ruling against Kelly over unpaid rent at a Chicago studio, can access it.

Williams filed a civil lawsuit against Kelly in 2019, alleging that when she was 16 years old, the singer lured her into his studio with promises that she could be in a music video and then repeatedly had sex with her as a minor. In 2020, she won a judgment of $4 million against Kelly on those accusations.

Thursday’s decision upheld a lower court’s earlier ruling that Williams — and not Midwest Commercial — should be given priority access to the royalties because she was the first to properly demand the money from Sony. That earlier ruling had ordered Sony to hand over to Williams “any funds currently in Kelly’s royalty account,” and to keep giving her his royalties until the judgment was paid off.

Disbursement of Kelly’s funds held by Sony has been paused while litigation has played out; it’s unclear how much money is now in the account. The company is not named in any lawsuits and is not accused of any wrongdoing. A rep for Sony declined to comment on the ruling or on the status of Kelly’s royalties.

Following Thursday’s ruling, Kelly’s attorney, Jennifer Bonjean, tells Billboard that she’s currently seeking to overturn the underlying $4 million judgment. She says the award to Williams — a so-called default judgment, meaning it was issued after Kelly failed to respond — “never should have been entered.”

“I’ve never in my career seen such a flouting of the rules to deny him even the opportunity to defend these civil cases, even when the courts were fully aware that Kelly was incarcerated, unrepresented at points, and facing multiple criminal indictments,” Bonjean says. “Indeed, much of these civil proceedings occurred without Kelly’s knowledge.”

But the $4 million judgment was already upheld once by an appeals court, and Bonjean said she faces an “uphill battle” to overturn the judgment because of the actions of Kelly’s prior lawyers.

An attorney for Williams declined to comment on the litigation. An attorney for Midwest Commercial Funding did not return a request for comment.

Though Thursday’s decision gave priority to Williams over Midwest Commercial Funding, it’s unclear whether she’ll enjoy similar priority over a slew of additional monetary penalties that Kelly owes to victims as a result of his federal criminal convictions.

After he was sentenced last summer to 30 years in prison for sex trafficking and racketeering in New York, Kelly was ordered to pay more than $480,000 in fines and restitution; after he was sentenced in February on child pornography charges in Illinois, another $42,000 was tacked on. Last fall, prosecutors confiscated nearly $30,000 in Kelly’s prison account in an effort to start paying those penalties.

A representative for the U.S. Attorney’s Office in New York declined to comment on the impact of Thursday’s ruling or the status of federal restitution efforts against Kelly. A rep for the Us Attorney’s Office in Illinois did not immediately return a request for comment.

‘The Last of Us’ Takes No. 1 on Top TV Songs Chart With A-Ha Classic

A-ha’s “Take on Me” gives The Last of Us its first No. 1 on Billboard’s Top TV Songs chart, powered by Tunefind, reigning on the February 2023 ranking.

Rankings for the Top TV Songs chart are based on song and show data provided by Tunefind, and ranked using a formula blending that data with sales and streaming information tracked by Luminate during the corresponding period of February 2023.

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“Take on Me” was heard in the seventh episode of the HBO series’ first season, which aired Feb. 26.

It follows a pair of bows for the freshman show on the January 2023 survey: Linda Ronstadt’s “Long Long Time” at No. 5 and Depeche Mode’s “Never Let Me Down Again” (No. 7).

In February 2023, “Take on Me” earned 15.1 million official on-demand U.S. streams and 3,000 downloads, according to Luminate.

The song was a-ha’s top charter in the U.S., reaching No. 1 on the Billboard Hot 100 in October 1985.

It’s one of four songs from The Last of Us to reach the February 2023 tally. Agnes Obel’s “Fuel to Fire,” from episode five (Feb. 12), leads the group, hitting No. 5 (378,000 streams, 1,000 downloads).

The highest non-The Last of Us entry is TALK’s “Run Away to Mars,” which appears at No. 2. It was heard in the seventh episode of the 19th season of ABC’s long-running Grey’s Anatomy, which premiered Feb. 23.

In February 2023, “Mars” earned 5.3 million streams and 4,000 downloads. Concurrently, it could be heard on a variety of U.S. radio formats; it peaked at No. 1 on the Adult Alternative Airplay chart for three weeks beginning Jan. 28 and also reached No. 6 on Alternative Airplay.

See the full top 10, also featuring music from YOU and Shrinking, below.

Rank, Song, Artist, Show (Network)

  1. “Take on Me,” a-ha, The Last of Us (HBO)
  2. “Run Away To Mars,” TALK, Grey’s Anatomy (ABC)
  3. “Heads Will Roll,” Yeah Yeah Yeahs, YOU (Netflix)
  4. “I Would Die 4 U,” Holly Humberstone, Shrinking (Apple TV+)
  5. “Fuel to Fire,” Agnes Obel, The Last of Us (HBO)
  6. “True Faith,” Lotte Kestner, The Last of Us (HBO)
  7. “Alone and Forsaken,” Hank Williams, The Last of Us (HBO)
  8. “Killer,” Valerie Broussard, YOU (Netflix)
  9. “I Know the End,” Phoebe Bridgers, Shrinking (Apple TV+)
  10. “Dangerous,” Big Data feat. Joywave, YOU (Netflix)

Lea Michele Sets Return to ‘Funny Girl’ This Weekend After Son Is Released From Hospital

Lea Michele shared a positive update on her two-year-old son Ever Leo’s health on Friday (March 24), two days after she revealed that her toddler was hospitalized due to an undisclosed health matter.

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“Thank you all for your well wishes this past week,” she wrote via her Instagram Stories, alongside a photo of the baby boy cuddling with a teddy bear in a hospital bed. “We are taking our boy home from the hospital soon. Thank you to all the amazing doctors and hospital staff.”

Michele concluded by noting that she’ll be returning to the Funny Girl broadway stage this weekend. See her post before it disappears here.

On Wednesday (March 22), the actress revealed the difficult news regarding her son. “I’m so sorry but unfortunately I will be out of @FunnyGirlBwy today. We are at the hospital with our son dealing with a scary health issue that I need to be here for,” she wrote on her Instagram Stories, revealing she’d be calling out of her starring role in Broadway’s Funny Girl for the evening. “I’m so sorry. Please send us some love and strength.”

Michele didn’t share what exactly sent her son with husband Zandy Reich to the hospital, but Funny Girl announced earlier this month that it will close this coming fall. After its final performance on Sept. 3, the show will hit the road for its very first North American tour.

Here Are the Easter Eggs on Taylor Swift’s The Eras Tour

It’s no secret that Taylor Swift is the queen of Easter eggs. Since the early days of her career, the superstar has regularly planted clues, hints and callbacks in her music videos, live appearances, interviews and even the liner notes in her albums.

“I love to communicate through Easter eggs,” Swift said in a 2019 interview with Entertainment Weekly to help kick off her Lover era. “I think the best messages are cryptic ones. … You know, when you plan something that far in advance, you’re kind of just flexing on planning. That’s what an Easter egg really does.”

So it should come as no surprise to Swifties that The Eras Tour is no exception to their queen’s masterminded penchant for hyper-specific planning and eye for gorgeous, perfectly plotted detail — all the way down to the colors painted on her nails during tour rehearsals.

As the U.S. leg of the wildly anticipated tour kicked off, fans at the first two shows in Glendale, Ariz. — and later across the internet, thanks to #SwiftTok — paid keen attention to each of the singer’s choices on stage. From her costumes to her choreography, and even the songs she included (or didn’t) on the setlist, nearly every detail elicited wild analysis and speculation for what it all could mean.

Below, Billboard rounds up an ongoing list of Easter eggs spotted by fans as The Eras Tour makes its way across America. Read on to discover what hidden messages and surprises many a Swiftie surmises the star could be sending from the stage.