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After a Mysterious 5-Year Hiatus, Pretty Lights Returns With 27-Date Tour & New Music

After nearly five years of silence, Pretty Lights has announced his return on Tuesday (April 4).

This morning, the elusive, New Orleans-based producer shared a two-minute video via social media announcing The Soundship Spacesystem Tour. The video also previews his first official new music since 2017’s “Rainbows & Waterfalls.” 

The Soundship Spacesystem Tour will hit nine stops: Denver, Lake Dillon, Atlanta, Philadelphia, Brooklyn, Chicago, Pelham, San Francisco, and New Orleans. Besides the stop at The Caverns in Pelham, Tenn., Pretty Lights did not yet give any detail as to which venues he would be playing or specific dates. Each stop will feature Pretty Lights playing multiple nights, with 27 shows in the nine cities in total.

Pretty Lights was also announced as one of the headliners of Suwannee Hulaween, the annual three-day music festival happening at the Spirit of Suwannee Music Park in Florida this October 26-29. (This performance, however, was not listed as a stop on the tour.) Capping off a big morning, Pretty Lights was today also named the headliner for a new festival, Cascade Equinox, happening this September in Redmond, Ore. This new show will be produced by the organizers of Arizona’s longtime Gem & Jam fest.

Meanwhile the official Pretty Lights tour will include two new types of performances: Pretty Lights in Dub and The Fantastic Pretty Lights, the latter of which is expected to be a collaboration with longtime friend Michal Menert and The Pretty Fantastics. 

The Soundship Spacesystem Tour announcement video features Pretty Lights performing a new, currently unnamed song with lyrics that seem to reflect his return to the scene: “I’ll fly a starship across the universe tonight/ And when I reach the other side/ I’ll find a place to rest my spirit if I can/ Perhaps I may become a pretty light again/ Or I may simply be a single drop of rain/ But I will remain/ And I’ll be back again.” Hear this track below.

Pretty Lights’ absence from the industry over the past five years has been a mysterious one. The producer, born Derek Vincent Smith, had last live appearance at Red Rocks Amphitheatre in 2018, where he headlined the venue with his live band over two sold-out nights. Following those shows, Pretty Lights wiped his social media and began an unannounced hiatus, leaving his cult following wondering when he would return. 

Throughout the duration of this hiatus, Pretty Lights made brief public appearances. In April 2020, shortly after the protests surrounding the death of George Floyd, Pretty Lights wiped his Instagram account and announced that he would be donating $10,000 to “help support the heroes on the frontlines of this movement.” He also vaguely mentioned how it was time to start participating again. 

Several months later, Pretty Lights appeared virtually during a live performance from friends and collaborators Break Science. On a screen behind the band, he remotely jammed with them for two of his songs, “Shining Bright Despite The Plight” and “High School Art Class.” Two years later, this past February, Pretty Lights appeared in a promotional video for Cervantes Masterpiece Ballroom, a small Denver venue that was celebrating its 20th anniversary. 

See Pretty Lights’ announcement below.

Elements Music Festival 2023 Adds REZZ, Lane 8, STS9 & More: See the Lineup

With festival season 2023 roaring currently roaring to life, Pennsylvania’s Elements Festival has thrown its hat in the ring with an expanded lineup for its upcoming event.

Elements 2023 — which takes place August 11-14 in Long Pond, Penn. — announced on Tueday (April 4) that it will feature Gorgon City, Lane 8, REZZ, Seven Lions, STS9, Eli & Fur, Giolì & Assia, Lotus, Will Clarke, Moore Kismet, Coco & Breezy, a live show from Manic Focus, Tony y Not and more.

These artists join a pre-existing lineup that feature Skrillex, Porter Robinson, John Summit, LP Giobbi, Chris Lake, Tokimonsta and many more.

The sixth edition of the camping festival is taking place roughly two hours north of Philadelphia. In addition to music, the festival will offer health and wellness activities including yoga, aromatherapy, dance, comedy and sound baths, workshops, art cars and a 24-hour food court featuring local, organic food provided by Pocono Organics, one of North America’s largest regenerative organic certified farms. Tickets for Elements 2023 are on sale now.

Elements made headlines during the pandemic for producing 250-person mini gatherings, using a robust system or protocols that founders say helped establish the show among agents and artists.

“It was a super small-scale event, but doing all of that, seeing how it went and working out all the kinks was a really smart thing, because now agents, artists and management are all really confident that we will pull off the safest festival possible,” Tim Monkiewicz, who founded Elements with Brett Herman, told Billboard in 2021. “There’s been a lot more camaraderie this time around, and it’s been a really nice feeling to feel that we’re on the same team, even though they’re trying to get more money for their client and I’m trying to get them for cheaper.”

See the full lineup for Elements 2023 below.

Elements lineup poster

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Anitta and Warner Music Group Agree to Go ‘Separate Ways’

Anitta and Warner Music Group are parting ways, both parties announced in a joint statement the Brazilian star posted on social media on Tuesday (April 4).

“After eleven years of successful partnership, we’ve agreed to go our separate ways,” reads the post. “Anitta would like to thank the Warner Music team for all their support. And the Warner team wishes Anitta all the best in the future.”

Anitta signed with Warner Music in the U.S. in 2020 after previously linking with Warner Music Brazil in 2013. Under the U.S. contract, she produced Versions of Me, which was executive produced by Ryan Tedder. The trilingual album was recorded mostly in English with a few songs in Spanish and one in Portuguese. It included the hit song “Envolver,” which reached No. 1 on Billboard’s Global Excl. U.S. chart and on Spotify’s Global list, making Anitta the first Brazilian artist to achieve either feat. Meanwhile, the self-directed video for the song claimed the top spot on YouTube’s Global Top Music Videos chart. It currently has more than 500 million views on YouTube.

The news comes after Anitta took to Twitter in March to say she would have “auctioned off her organs” to be let out of her Warner contract. “If there was a fine to pay, I would have already auctioned off my organs, no matter how expensive it was to get out. But unfortunately, there isn’t,” she wrote. “When you’re young and still don’t know a lot, you need to pay close attention to the things you sign… if you don’t, you could spend a lifetime paying for the mistake.”

It wasn’t the first time Anitta has complained about her relationship with WMG. According to Anitta, Warner refused to produce a video when they saw that the song’s performance on streaming platforms was falling below expectations.

“They only invest after it pays off on the internet,” Anitta said in an Instagram livestream in May. “Unfortunately, there are things I can’t get, that’s why I don’t buy millionaire cars, because when I want to do something, I pay for it.”

Recently, it was announced that Anitta has joined the Elite cast for season seven of the hit Netflix show.

Chloe Bailey Reveals Beyoncé ‘Gave Me Notes’ on Debut Album ‘In Pieces’

Most musicians can’t say that the most-awarded artist in Grammy history gave them pointers on their debut album, but Chloe Bailey can. The 24-year-old singer revealed at the premiere of her new movie Praise This that none other than Beyoncé listened to In Pieces, Bailey’s brand new solo record, before its release and provided constructive criticism that any rising star would kill for.

“Yes, I know she listened to the album,” Bailey shared when asked by ET if the “Break My Soul” singer had heard In Pieces yet. “She gave me notes on it before I released it.”

“I love her so much,” Bailey continued. “Dearly, dearly, and I’m so grateful to her for everything.”

Bey and Bailey have been friends for years, with the former serving as a mentor for the latter since 2015. It was that year when the Ivy Park founder took notice of Chloe and her younger sister, Little Mermaid star Halle Bailey, after the two covered “Pretty Hurts” from 2013’s Beyoncé. Bey later signed the duo to her Parkwood Entertainment management company.

Queen B even presented Chloe and Halle with the Rising Star Award at the 2020 Billboard Music Awards, gushing that she was “so proud” of the sisters. “You’ve done this with authenticity, with grace, with raw talent, and you manage to shine in every room you enter, and I’ll always love you,” Bey continued at the time.

Since being taken under Beyoncé’s wing, Chloe x Halle have released three LPs: 2017’s The Two of Us, 2018’s The Kids Are Alright and 2020’s Ungodly Hour. The elder Bailey went on to kick off a solo career with her 2021 debut single “Have Mercy.”

Bailey also opened up about how she’s feeling now following In Pieces‘ March 31 release. “I was so nervous, and now I just feel at peace,” the Swarm actress confessed. “I’m so happy it’s out. I got to say everything I wanted to say, and I hope people get an insight more into who Chloe is.”

UMG Nashville’s Royce Risser, Stephanie Wright and Brian Wright Exit

Three top Universal Music Group Nashville executives have exited their roles: executive vp of promotion Royce Risser, evp of A&R Brian Wright and senior vp of A&R Stephanie Wright, according to Country Aircheck. Representatives at UMG Nashville did not immediately respond to a request for comment.

Risser was promoted to evp in 2018. He began his career as an intern at MCA Records in 1991 and climbed the ranks as director, NE regional promotion, then director of national promotion and vp of promotion before assuming the role of svp of promotion for UMG Nashville in 2007.

Stephanie Wright joined UMGN more than two decades ago and previously served as vp of A&R. During her tenure with the label, Wright worked with artists including Kacey Musgraves, Luke Bryan and Sam Hunt, and was instrumental in albums including Musgraves’ Same Trailer Different Park and Hunt’s Montevallo.

Brian Wright also joined UMGN over two decades ago and was promoted to his evp role in 2018 and worked closely on albums including Jamey Johnson’s Lonesome Song, George Strait’s Troubadour and Chris Stapleton’s Traveller and From A Room Vols. 1 and 2.

The exits of the Wrights — who are married — and Risser come as Cindy Mabe officially began her role as UMG Nashville chairman/CEO on April 1, following former UMGN chairman/CEO Mike Dungan‘s retirement. Mabe was named president of UMGN in 2014 and with her rise to chairman/CEO, she becomes the first woman to serve as chairman/CEO of a Nashville-based major label group.

Earlier this year, Katie Dean left UMG after a two-decade tenure with the company; Dean had led MCA Nashville’s promotion team since 2015. In 2022, UMG Nashville’s Rachel Fontenot exited her role as vp of marketing and artist development, while vp of marketing Brad Turcotte left UMG Nashville to become partner at 615 Leverage + Strategy.

Meanwhile, former Arista Nashville artist Brad Paisley recently signed a deal with UMG’s EMI Nashville imprint.

German Rights Body GEMA Posts 13% Jump in Revenue

Despite a challenging economy and the lingering effect of the pandemic on the concert business, the German collecting society GEMA took in 1.178 billion euros ($1.25 billion) in revenue in 2022, a 13% increase over 2021. This year, for the first time, the organization’s distributions will exceed a billion euros. 

“This is a record result,” said GEMA CEO Harald Heker in a statement. “The resurgence of events and music performances means a relief for our members after three hard years.”

Some of this increase reflects the continued growth of streaming, but some of it is due to the recovery from the pandemic.

GEMA collections from public music performances, its biggest category of revenue, grew to 357.5 million euros ($381.6 million), up 43.7% over 2021 (but still below the 407.4 million euro high of 2019). Online, the organization’s third biggest category, grew to 301.3 million euros ($321.6 million), up 26.5% over 2021. (Radio and television collections, the second biggest category of revenue, dropped 3.9% to 325.1 million euros [$347 million].) The amounts of money GEMA collects from levies on computers and items with blank memory, as well as from physical goods, both declined – by 27.7% and 9.2%, respectively.  

GEMA is one of the first international collecting societies to announce its 2022 results, but its counterparts are expected to report good years as well, for some of the same reasons. Last month, ASCAP reported a 14% increase in collections over 2021, to $1.52 billion. (Collecting societies report their results differently, so exact comparisons can be difficult.) While organizations struggled to maintain revenue during the pandemic, the comeback of the concert business – and public life in general – should now boost all of them.  

GEMA’s good news comes at an interesting time for the organization. As the 2014 EU directive on collecting societies continues to push them into competition with one another online, GEMA has emerged as one of the bigger and more successful organizations. In addition to its own operations, GEMA operates the online licensing and collecting hub ICE with STIM (Sweden) and PRS for Music (UK). Heker has led GEMA since 2007 and is expected to retire by the end of the year, and there is talk that GEMA will name its next CEO by summer.

Like many collecting societies and organizations of publishers and songwriters, GEMA believes that music-streaming is unfair to their side of the business, and rewards labels and artists disproportionately.

“The trend towards streaming must not lead to authors’ rights being undermined,” Heker said in the same statement. “GEMA’s most important task is and remains to stand up for fair remuneration in all areas and thus at the same time to secure conditions for a lively and diverse musical and cultural landscape.” 

Jonathan McReynolds & Dante Bowe Tie for Gospel Songwriter of the Year at 2023 BMI Trailblazers of Gospel Music Awards

Dante Bowe and Jonathan McReynolds tied as BMI’s Gospel Songwriter of the Year at the 2023 BMI Trailblazers of Gospel Music Awards, which were held at Flourish in Atlanta on Thursday, March 30. Mike O’Neill, BMI’s president and CEO, and Catherine Brewton, vice president, creative, Atlanta, hosted the event.

Bowe and McReynolds each wrote two of the most performed gospel songs of the previous year. Bowe was honored for “Joyful” and “Promises” and McReynolds for “Brighter” and “Grace.”

BMI Gospel Song of the Year went to “Believe for It,” written by CeCe Winans and Mitch Wong (APRA). The song spent 12 weeks at No. 1 on Billboard’s Hot Gospel Songs chart and garnered multiple accolades including two GMA Dove Awards and a Grammy for Best Contemporary Christian Music Performance/Song.

BMI’s Gospel Publisher of the Year went to Be Essential Songs for publishing award-winning songs “Brighter,” “Jireh,” “Promises” and “Something Has to Break.”

Gospel music superstars Tamela & David Mann and Dr. Bobby Jones received Trailblazer of Gospel Music honors.

The musical tributes to The Manns kicked off with Zacardi Cortez and Anaysha Figueroa-Cooper performing “Now Behold the Lamb,” followed by Lisa Knowles-Smith performing “Take Me to the King.” After accepting the honor, Tamela Mann surprised the audience with a performance of her hit “Change Me,” which spent 23 weeks at No. 1 on Hot Gospel Songs.

The tribute performances honoring Jones’ legacy kicked off with The Company singing “What a Friend,” followed by a rendition of “Bring it to Jesus” featuring Beverly Crawford.

During the ceremony, the late, legendary Otis Redding was honored with four BMI Million-Air Awards, a distinction that recognizes songwriters whose works have surpassed one million broadcast performances on radio. The songs were “Sweet Soul Music” (4 million performances), “Hard to Handle” (7 million performances), “Respect” (7 million performances) and BMI’s Song of the Year in 1968, the classic “(Sittin’ on) the Dock of the Bay” (12 million performances).  Family members, including Redding’s widow Zelma and their daughter Karla Redding-Andrews, accepted the honors on behalf of her father and the Otis Redding Foundation.

The luncheon began with McReynolds, Chandler Moore and Kirk Franklin performing a medley of three of BMI’s award-winning songs, “Grace,” “Jireh” and “Kingdom.”

Additional performances included a tribute to the late singer-producer-choir director Kevin Lemons, who was known for his work with Donald Lawrence and the Company, and his own group, Kevin Lemons and Higher Calling. Members of Higher Calling hit the stage for a performance of “Perfect Peace” accompanied by Donald Lawrence and The Company.

Other award-winning songs performed throughout the evening included “Just Like God” by Evvie McKinney, “Great” by Kelontae Gavin and “Wonderful is Your Name” by Melvin Crispell.

Sam Smith & Kim Petras’ ‘Unholy’ Crosses 1 Billion Spotify Streams

If you feel like you’ve heard Sam Smith and Kim Petras‘ “Unholy” approximately one billion times, new data might show you’re close to being right.

On Monday (April 3), Spotify announced that Smith and Petras were the latest inductees into the company’s Billions Club, after the pair’s viral hit single “Unholy” crossed the 1 billion streams mark. This is Smith’s fifth song to enter the Billions Club (following his tracks “Stay With Me,” “I’m Not the Only One,” “Too Good at Goodbyes” and “Dancing With a Stranger” with Normani, respectively), and Petras’ first.

To celebrate the news, Smith took to their social media to share a compilation video of the song’s success, showing off behind-the-scenes clips from the shoot of the music video, as well as viral dance challenges, beauty tutorials and covers of the track from TikTok. At the conclusion, Smith offered a simple message to their fans: “Thank you,” the text read.

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Along with achieving the milestone, Smith and Petras’ “Unholy” has been added to Spotify’s Billions Club playlist, which was created in 2021 in order to help fans discover songs that had reached the formidable goal. “Spotify has long celebrated artist milestones and we wanted to find a unique way to honor the artists and songs fans can’t stop listening to,” Ashley Graver, the then-global head of creative artist partnerships, told Billboard at the time.

While “Unholy” continues to rack up streams, both Smith and Petras are pursuing new creative endeavors. Smith is currently preparing to embark on their globe-spanning Gloria Tour, which kicks off its European leg on April 12 at Sheffield’s Utilita Arena. Petras, meanwhile, has been teasing new music for the last few weeks, putting out an image of her backside on Tuesday with the caption “all will be revealed on Thursday.”

Check out the video to Sam Smith and Kim Petras’ “Unholy” below:

Rosalía & Rauw Alejandro’s ‘Beso’ Makes Top 5 Debut on Hot Latin Songs Chart

Rosalía and Rauw Alejandro each add a new top 10 to their Billboard charts career history as “Beso” debuts at No. 4 on the Hot Latin Songs ranking dated April 8. The new achievement is their first as a couple, following five top 10s collaborative entries for Rosalía, and eight for Rauw Alejandro.

In total, “Beso” is Rosalía’s seventh top 10, and the 10th for Rauw Alejandro.

“Beso” is from the pair’s joint three-song release, RR, which arrived March 24 through Duars/Columbia/Sony Music Latin. The track, previously teased on Rosalía’s TikTok account on March 16, was accompanied by its music video, in which the couple announced their engagement.

The reggaetón-pop tune traces its high debut on the upper region on Hot Latin Songs — a blend of airplay, digital sales, and streaming activity– largely to 9.1 million official U.S. streams earned during the March 24-30 tracking week, according to Luminate. The sum makes for a No. 38 start on the all-genre Streaming Songs chart and a No. 4 on Latin Streaming Songs.

“Beso” also sold 2,000 downloads during the same period, making it the top-selling Latin song of the week with a No. 1 debut on Latin Digital Song Sales and a No. 36 on Digital Song Sales. On the former, it becomes Rosalía’s sixth No. 1 and Rauw’s fourth.

Radio, the third metric that contributes to Hot Latin Songs, also adds to “Beso’s” high start. The song registered 3 million in audience impressions in its third week. As such, it starts at No. 44 on the all-genre Latin Airplay chart.

“Beso” concurrently captures multiple top 10 entries across Billboard charts: No. 6 on Latin Pop Airplay, No. 10 on the Billboard Global 200, No. 7 on the Global Excl. U.S. chart. Plus, it makes its first chart appearance on Latin Rhythm Airplay at No. 17 and on the all-genre Billboard Hot 100 tally, at No. 52.

Hot 100 First-Timers: Lola Brooke & Billy B’s ‘Don’t Play With It’ Arrives, Sparked by Latto & Yung Miami Remix

Brooklyn rappers Lola Brooke and Billy B each score their first career entry on the Billboard Hot 100 chart (dated April 8), as “Don’t Play With It” debuts at No. 69.

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The song, originally released in May 2021 via Team Eighty/Arista Records (and billed as by Lola Brooke featuring Billy B), opens with 17.1 million radio airplay audience impressions (up 19%), 5.7 million U.S. streams (up 124%) and 600 downloads sold (up 194%) March 24-30, according to Luminate.

Spurring the song’s latest gains is its new remix, released March 24, with Latto and Yung Miami (both credited as lead artists on the Hot 100; Billy B is billed as featured).

The track concurrently jumps 22-11 on Hot Rap Songs and 33-21 on Hot R&B/Hip-Hop Songs.

Radio wise, the song rises 8-5 on Rap Airplay, 10-6 on Mainstream R&B/Hip-Hop Airplay and 13-9 on R&B/Hip-Hop Airplay and holds at its No. 20 high on Rhythmic Airplay. On the all-genre-format Radio Songs chart, the song rises 48-44.

TikTok has been a factor in the song’s growing profile, as a portion of the track has been used in nearly 450,000 videos on the platform. Another version, a mash-up with 50 Cent’s “Candy Shop,” has been used in nearly 600,000 clips. (TikTok does not contribute directly to Billboard‘s charts.)

Brooke and Billy B are both newcomers to Billboard’s charts, as “Play” became both acts’ first entries.

Brooke has been releasing music since 2018, starting with her breakout single “Bipolar.” She also appears on a new remix, released March 17, of Hitkidd, Gloss Up, K Carbon, Slimeroni and Aleza’s “Shabooya,” which ranks at No. 15 on Rap Airplay, No. 17 on Mainstream R&B/Hip-Hop Airplay, No. 19 on R&B/Hip-Hop Airplay and No. 24 on Rhythmic Airplay.

In December, Future brought out Brooke during his New Year’s Eve show at Brooklyn’s Barclays Center, generating a viral clip during her hometown performance and earning a co-sign from Missy Elliott on Twitter. Brooke signed to Arista, in collaboration with Team Eighty Productions, the following week.

“Lola is the rare talent whose presence matches her message,” Arista CEO David Massey said at the time. “Her music is larger than life, but her vision is just as powerful.”

Billboard named Brooke its R&B/Hip-Hop Rookie of the Month in February.