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John Legend, Tony Bennett & More Remember Harry Belafonte: ‘He Worked So Hard & Did So Much’

Harry Belafonte died on Tuesday morning (April 25) at 96 in his Manhattan home from congestive heart failure. According to the actor, singer and producer’s longtime spokesperson, Ken Sunshine, Belafonte’s wife, Pamela Frank, was by his side, Billboard confirmed.  

As news of his death spread, musicians remembered the artist and civil rights activist. John Legend, who spoke about Belafonte after learning of his passing at the Time100 Summit, wrote on Twitter, “I loved Mr Belafonte and I’m so grateful for his revolutionary work and his massive influence on our nation and the world … He worked so hard and did so much. May he get his well-deserved rest.”

Questlove shared a few words on his Instagram account, posting few snapshots from the late star’s lifetime. “Shining example of how to use your platform to make change in the world. Hi$ activi$m was crucial for the civil rights movement. His activism was key in the anti apartheid movement,” The Roots frontman wrote, adding that the late artist “represented many things to us: fun calypso music, iconic acting (I came to know him as #GeechieDan in the iconic #UptownSaturdayNight as a child)—-but most importantly he taught me to think in terms of ‘WE’ not ‘I.’”

Tony Bennett also shared a photo of himself with the “Day-O” singer and recalled the beginning of their friendship. “Met Harry in 1948 and knew then he would be a huge star. More than that, he fought for social justice and equality and never, ever gave up,” he wrote. “Our dearest of friends, he will be deeply missed by myself and so many for all he contributed to the world.”

See reactions to Harry Belafonte’s death, from Patti LaBelle, Bootsy Collins and more below.

Lindsay Lohan Shows Off Her New Baby Bump in Crochet Maxi Dress

Lindsay Lohan is basking in her pregnancy glow! The star took to her Instagram Stories on Tuesday (April 25) to highlight her day at NYC’s Edition hotel, and kicked things off with a classic mirror selfie.

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In the photo, the Confessions of a Teenage Drama Queen actress is seen making a kiss face while sporting an ankle-length, green and white crochet dress. While she’s not posing from the side, her tiny baby bump is still seen peeking through the outfit.

See her Story before it disappears here.

Lohan revealed last month that she and husband Bader Shammas are expecting their first child. “We are blessed and excited!” she wrote alongside a surprise Instagram photo of a white onesie with the words “Coming Soon …” written on it. The pregnancy news comes less than a year after Lohan and Shammas tied the knot.

“We are very excited for our new family member to arrive and we are looking forward to this next chapter of our lives,” she later shared in a sweet statement to TMZ.

Speaking with People, the singer-actress’ mom was overwhelmed with excitement about the upcoming grandchild. “Lindsay has always loved kids, because I love kids and my mother loves kids; I’m one of four,” Dina Lohan explained. “We have a big family, so she’s always wanted children. And she’s so maternal. Isabelle, her niece, just runs to her when she sees her.”

Ice Spice & Nicki Minaj’s ‘Princess Diana’ Reigns on Hot Rap Songs Chart

Ice Spice and Nicki Minaj combine forces for a historic No. 1 on Billboard’s Hot Rap Songs chart as their collaboration, “Princess Diana,” becomes the first champ by two co-billed women in the list’s 34-year history.

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With the new champ, Ice Spice achieves her first career No. 1 on Hot Rap Songs upon her fourth visit to the chart. Minaj adds a 10th leader to her collection and becomes the first woman to reach the double-digit mark. On the overall count, she ties with Diddy and Kanye West for third place, while Drake (28) and Lil Wayne (11) occupy the top two slots.

“Diana” debuts at No. 1 on the April 29, 2023-dated Hot Rap Songs chart, which blends streaming, radio airplay and sales into its weekly rankings. The song was originally released as part of Ice Spice’s Like..? EP in January, before Minaj joined for the remix, which dropped on April 14. (All versions of the song are combined for tracking and chart purposes.)

In the latest tracking week of April 14 – 20, “Diana” scored 21.8 million official U.S. streams, according to Luminate, up 1,554% from 1.3 million streams (of solely the Ice Spice version) the week before. The eight-figure sum sparks the track’s No. 2 start on the Rap Streaming Songs chart and a No. 6 arrival on the corresponding, all-genre Streaming Songs list.

“Diana” also begins with 77,000 downloads sales sold in the same period, the best sales week for any rap title since Minaj’s own “Super Freaky Girl” launched with 89,000 in sales in the tracking week of Aug. 12 – 18, 2022. (Along with Ice Spice’s solo version and the main version of the collaboration, “Diana” was also available in clean, explicit, extended, sped-up, slowed-down and instrumental versions of the Minaj remix for purchase in the tracking week.) As “Diana” debuts at No. 1 on the Rap Digital Song Sales chart, Ice Spice nabs her first leader there; she previously reached No. 2 with the Lil Tjay collab “Gangsta Boo” in February. Minaj, meanwhile, collects her 18th Rap Digital Song Sales No. 1, extending her record among women. Drake, the only act above her, leads with 22 champs.

On the radio front, “Diana” registered 2.4 million audience impressions in the same tracking period. The track has yet to make any Billboard radio chart, though it has not been officially promoted. Both acts have other active radio singles: “In Ha Mood” (Ice Spice) and “Red Ruby Da Sleeze” (Minaj).

With “Diana,” newcomer Ice Spice and established vet Minaj link up for the first equal-billed No. 1 collaboration by two women in Hot Rap Songs history, which dates to March 1989. Overall, “Diana” is the eighth leader featuring at least two solo women (including rappers and singers) in the chart’s archives. Here’s the full list:

  • “It’s a Shame,” Monie Love featuring True Image, two weeks at No. 1, beginning April 13, 1991
  • “4, 5, 6,” Sole featuring JT Money & Kandi, one, Nov. 20, 1999
  • “Hot Boyz,” Missy Elliott featuring Nas, Eve & Q-Tip, 18, Nov. 27, 1999
  • “Fancy,” Iggy Azalea featuring Charli xCX, 18, May 3, 2014
  • “Black Widow,” Iggy Azalea featuring Rita Ora, five, Oct. 18, 2014
  • “WAP,” Cardi B featuring Megan Thee Stallion, eight, Aug. 22, 2020
  • “Rumors,” Lizzo featuring Cardi B, one, Aug. 28, 2021
  • “Princess Diana,” Ice Spice & Nicki Minaj, one (to date), April 29, 2023

Elsewhere, “Diana” starts at No. 2 on the Hot R&B/Hip-Hop Songs chart and at No. 4 on the all-genre Billboard Hot 100.

Plus, Ice Spice’s Like..? EP, surges in activity thanks to the new remix’s popularity. The EP earned 28,000 equivalent album units in the latest tracking week, sparking its No. 4 re-entry on the Top Rap Albums chart (after previously reaching No. 13 upon its debut), No. 5 return on the Top R&B/Hip-Hop Albums chart and 187-15 rally on the all-genre Billboard 200.

They The Feds?: Pras, Fugees & John Forte Get Cooked Up Lovely On Twitter

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Former Rapper Pras Michel Goes On Trial For Conspiracy Charges In Washington, D.C.

Pras, also known as Pras Michel of Fugees fame, found himself at the center of a global conspiracy case where it became assumed that the rapper became an informant to the FBI. While that fact is currently being debunked by Pras’ legal team, that hasn’t stopped Twitter from roasting his Fugees bandmates Wyclef Jean and Ms. Lauryn Hill with John Forte catching strays in the process.

Pras Michel was recently in Washington to take the stand in his federal conspiracy trial where he faces up to 22 years in prison for allegedly involving himself in a global money laundering scheme and working with a foreign nation to influence U.S. government matters.

Pras did admit on the stand that he spoke with FBI agents regarding his connection to Malaysian financier and fugitive, Jho Low.

After examining the case further, Michel is actually on trial because he took Low’s money to the tune of millions and reentered a portion of those funds into President Barack Obama’s 2012 reelection campaign and then attempted to ask the Trump Administration to move away from investigating Kow and extradite Chinese businessman, Guo Wengui who was connected to former Trump ally, Steve Bannon.

Hip-Hop Wired also received a statement this week from Michel’s legal team correcting the perception that their client turned informant.

From the statement:

Simply stated, if Pras had been an informant for the government, he wouldn’t be on trial right now. The government does not prosecute and threaten its informants with more than two decades of jail time.

Pras never was an “informant” for the FBI.

Nothing could be further from the truth, and the reckless suggestion that he was an informant carries life-threatening implications in hip-hop circles.

During a portion of Pras’ nearly two days of testimony last week, Pras described from the stand a decision he made a handful of years ago to approach the FBI in regard to a narrow issue related to his wider case.

In law enforcement parlance, an “informant” is someone who works directly with an investigating law enforcement agency either to cut a deal for him or herself, or with the direct interests of that law enforcement agency as part of their own agenda.

As it stands, Twitter won’t care about all of that legal mumbo jumbo and is always hellbent on getting those jokes off. We’ve got some of them listed below.

Photo: Tasos Katopodis / Getty

Motherboard Connection: Technology’s Impact on Music Through the Decades

“We are living in an electronic age and electronics is changing the world.” This bold-for-the-time declaration, from the June 24, 1967, issue of Billboard, came from an unlikely source: Limeliters banjo player Alex Hassilev. For an acoustic musician, he was savvy about electronics: Over the years since, we’ve gone from classical compositions played on synths to music created by artificial intelligence. What’s next? Just ask ChatGPT!

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Come On, Moog!

A year after the Summer of Love, Billboard hailed the age of computer love. The Oct. 12, 1968, issue predicted that “computers would someday allow operators to obtain overnight, or at least weekly, reports of record popularity on jukeboxes.” A month later, Billboard reported that “[a]n electronic Bach album is being issued by Columbia Masterworks this month,” which “employs a specially adapted Moog synthesizer as its musical instrument.” That recording, Wendy Carlos’ groundbreaking Switched-On Bach, became “only the second classical record in history to sell more than 1 million units,” according to the June 8, 1974, issue.

Speaking on the Moog in the Dec. 20, 1969, issue, jazz drummer Chico Hamilton opined, “it’s up to the listener to decide if it’s music or not,” but quipped, “some people turn electricity off.”

Synths In the Key of Life

While the Sept. 30, 1972, Billboard reported that skeptics saw synthesizers as merely a “cheaper alternative to a real string section,” the Sept. 9, 1973, issue proclaimed that keyboards were now the “hot instrument” thanks to synthesizers becoming an “integral part” of Yes and Emerson, Lake & Palmer. By the late ’70s, Giorgio Moroder taught the Moog to move, and the July 30, 1977, issue praised the “incessant, spacey, machine-like beat” on Donna Summer’s “I Feel Love.”

One-Way Ticket

Synths were inescapable on the Billboard Hot 100 by the time of the March 24, 1984, issue, and Billboard ran a prescient headline with a phrase from Steve Jobs: “Computers Bound to Become ‘The Second Telephone.’ ” Another piece in the same issue covered the rise of “computerized [ticket-selling] outlets like Ticketron, Bass, Select-A-Seat, Ticketmaster and others,” noting that “the logistics of selling tickets becomes smoother; the service charge, however, is divvied up between more parties.”

Prog Rock and Prog-ROM

After Peter Gabriel released the musical computer game XPLORA1, the Jan. 8, 1994, Billboard hailed him as “the first major pop artist to actively participate in the creation of an interactive CD-ROM title integrating substantial amounts of music, video, still photos, text and ‘virtual touring.’ ” Not everyone was ready to get with the program, though. “We don’t see the point of participating in something if ‘the medium is the message,’ ” said The Cure’s Robert Smith about E-CDs in the Aug. 17, 1996, issue. “It’s an interesting idea, but is that art in itself?”

AI Think, Therefore AI Jam

A feature on digital recording in the Oct. 9, 1993, issue addressed fears of “sterile” mixes and “computer control supplanting the human touch.” “There is nothing spookier than facing something totally unfamiliar,” said producer John Hampton. “[But] you can let technology do so much of the work for you that you can sit back and look at the big picture.” A Berklee dean agreed: “What computers in general have done, is allowed us to take our minds off the mundane and concentrate on the creative.”

The same concern came back in a piece in the March 18, 2017, Billboard, which pointed out that “for songwriters, the subject of artificial intelligence is an especially fraught one.” The beat goes on, in other words — even if technology helps create it.

A version of this story originally appeared in the April 22, 2023, issue of Billboard.

Ed Sheeran Copyright Trial Begins With Accuser Teasing ‘Smoking Gun’ He Copied Marvin Gaye

Attorneys for Ed Sheeran and his copyright accusers sparred before a Manhattan federal jury Tuesday morning, kicking off a closely-watched trial over whether his “Thinking Out Loud” infringed Marvin Gaye‘s famed “Let’s Get It On.”

With Sheeran himself watching impassively, attorney Benjamin Crump repeatedly told the jury to use their “common sense” to see that the pop star had stolen the “magic” from the earlier song.

“If you remember nothing else about this case, simply remember it is about giving credit where credit is due,” Crump said during his opening statement, occasionally speaking directly to Sheeran just feet away.

Teasing testimony that will unfold during the trial, Crump said he would show jurors “smoking gun” evidence: a much-debated video of Sheeran toggling between the two songs at a concert.

“That concert video is a confession,” Crump said.

Firing back for Sheeran was attorney Ilene Farkas, who told the jury during her own opening statements that Sheeran had “independently created” his song. And more importantly, she said, the only overlap with “Let’s” were his use of “exceedingly common musical building blocks” that cannot be “monopolized” by his accusers.

“Plaintiffs do not own them, because nobody does,” Farkas said. “All songwriters draw from this same basic toolkit.”

Ed Sheeran

Ed Sheeran arrives at Manhattan Court to testify on the copyright trial where he is accused of copying Marvin Gaye’s song, in New York, United States on April 25, 2023.

Fatih Aktas/Anadolu Agency via GI

She said her clients had been “wrongly accursed of taking something they did not take,” and warned jurors that a verdict for Sheeran’s accusers would “change the what that songwriters are able to write.”

“We ask you not to let that happen,” Farkas told the jury.

Tuesday’s opening statements mark the start of a long-awaited trial in a copyright lawsuit filed way back in 2017 by heirs of Ed Townsend, Gaye’s longtime producer who co-wrote “Let’s Get It On,” over Sheeran’s “Thinking Out Loud” — a commercial and critical success that hit No. 2 on the Hot 100 before winning the Grammy Award for song of the year.

The case claims that Sheeran infringed copyrights by stealing the “heart” from one of the most “instantly recognizable songs in R&B history.” But the pop star’s lawyers say he simply used commonplace musical elements that are free for all to use.

The trial, taking place at the U.S. federal courthouse in Lower Manhattan, kicked off Monday with jury selection on Monday before actually getting under way with opening statements on Tuesday. Testimony is expected to run at least through Friday, meaning a verdict could arrive Friday or early the following week.

Testimony will continue on Tuesday afternoon, potentially with Sheeran himself taking the witness stand.

If found liable, Sheeran could be facing millions in potential damages. After a jury ruled that the 2013 megahit “Blurred Lines” had infringed Gaye’s “Got To Give It Up,” Robin Thicke and Pharrell Williams were ultimately ordered to pay a $5 million judgment, plus ongoing royalties from their song.

Samsung NXT 2.0 Continues Partnership All About ‘Supporting Creators From All Genres’

The success of Samsung NXT 2.0, the one-of-a-kind competition created by Billboard and Samsung in which unsigned artists across various backgrounds and sounds competed to stand out as a new-school superstar, was captured across five months of challenges beginning last year and a star-studded finale in February. After Nyla XO was crowned the winner of Samsung NXT 2.0, the singer-songwriter landed on the cover of a special digital issue of Billboard, and is now well on her way to showcasing herself under a brighter spotlight.

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That was always the goal of NXT, says Mike Van, president of Billboard – not only for a champion like Nyla XO, but for all of the artists who competed, or were inspired by those who did.

“This partnership with Samsung was borne out of this very genuine idea of supporting creators from all genres,” says Van. “The genesis of NXT was about finding the next social music star — because as we all know, so much engagement takes place on social media platforms, especially on mobile devices, now more than ever. As a result, we thought that there’s no better way to find the next social music star than to partner with Samsung and empower creators with tools that can help them in every step of their process.”

After contenders relied upon devices like Samsung’s new Galaxy Z Flip4 and Buds2 Pro to compete over multiple challenges, the Samsung NXT 2.0 grand finale took place on Feb. 17 at the El Rey Theater in Los Angeles in front of both a packed crowd as well as celebrity judges Natti Natasha, Eric Nam and Tinashe. Seeing the talent of the three finalists – Nyla XO, Julian King and Kyn Rose – onstage during the finale, Van says, crystallized “a perfect partnership between Billboard and Samsung to bring this platform to life.”

Following her victory, Nyla XO said that she felt “so seen in this moment,” especially as a long-aspiring artist. “I’ve walked away with the validation that people see me, the hard work I’ve put in over the years, my heart when I perform, and how my music makes them feel,” Nyla said in a statement. “To be recognized in this way as an artist is incredible!”

Nyla XO joins Bronze Avery, who emerged the champion of the original Samsung NXT competition and was on-hand at the NXT 2.0 finale – with more unsigned artists hopefully joining the winners’ circle in the future.

“It’s something that we also wanted to make sure would be continuous,” says Van. “This is something that both partners are going to continue to support, hopefully for years to come.”

Grandmaster Flash, Tanya Tucker & More to Headline SummerStage 2023

Capital One City Parks Foundation announced the 2023 roster for its SummerStage concert series on Tuesday (April 25) including Grandmaster Flash, Tanya Tucker, Noel Gallagher and more.

The season will kick off June 10 with a free performance by St. Paul and the Broken Bones in Central Park, and continue through the summer with 80 free shows and benefit concerts across all five boroughs of New York City.

Highlights this year will include a celebration of the 50th anniversary of hip-hop throughout the summer, starting with Mike bringing his Young World Festival to Brooklyn’s Von King Park on July 15 followed by Grandmaster Flash returning to the Bronx for a special hometown show on Aug. 2 in Crotona Park. A few days later, a Hip-Hop 50 Special Edition Showcase will head to Coney Island on Aug. 6.

“We are thrilled to present another vibrant season filled with captivating artists from around the world and introduce music fans to their diverse sounds,” said SummerStage executive artistic director Erika Elliott in a statement. “As we celebrate the 50th anniversary of hip-hop this year, we are excited to highlight the global impact that the genre has had on music and culture with an outstanding lineup of international artists and hometown heroes. SummerStage has been featuring hip-hop in our performances since the ’90s and is dedicated to giving a platform to showcase this important culture, shining a light on the genre every season.”

SummerStage won’t just be hip-hop, though. Noel Gallagher’s High Flying Birds and Garbage will join forces on July 10; Juanes will bring his Latin flair on July 12 as part of the Latin Alternative Music Conference; rising electronic Afro-Cuban/French duo Ibeyi will join The Comet Is Coming for a night of electronica-jazz stylings on August 2 and Tucker will close out the season-long series with her own headlining show in Central Park on Sept. 14.

Check out the SummerStage 2023 announcement below and get a look at the entire schedule of concerts here.

Caesars Superdome Renovations Aim to Modernize Stadium Without Losing Its 50 Year History

New Oreleanians traveling along US Route 90 may not suspect that the revered Caesars Superdome is on the cusp of a renaissance.

Since 2020, the nearly 50-year-old stadium has been going through a $450 million renovation, scheduled to conclude by the end of next year. According to Evan Holmes, general manager at Caesars Superdome, Smoothie King Center and Louisiana Stadium & Exposition District (LSED) Properties for ASM Global, as the Louisiana State University Tigers exited the building having clinched their fourth national football championship earlier this April, contractors were making their way in to pop off old ceiling tiles and get to work.  

The multi-phase, multi-year renovation has been moving forward since then — with minimal impact on events at the nearly 75,000-capacity venue — as the Superdome’s managers look to improve the guest experience and modernize amenities, without replacing the building’s architectural characteristics. 

“A lot of communities would kill to have something like [the Superdome], let alone something like this, for 50 years,” says Holmes.  

The exterior of the Superdome will remain unchanged, while the interior concourse is being expanded. Roughly 80,000 sq. ft. of ramps on each level – previously used for ingress and egress – are being pulled out and replaced with staircases to make wider concourses, with enhanced food and beverage options, more restrooms and better merchandise stations. The building has new field level suites that open to the endzone — “If [New Orleans Saints running back] Alvin Kamra scores a touchdown, he’s liable to jump on your lap,” says Holmes — and a field level club for games and private events, eight viewing decks with standing room overlooking the field with up-to-date ADA accommodations. So far, the East side of the building has undergone its renovations — and, by the 2024 Saints season, the West side will be completed, with new grab-and-go concessions and a new atrium.  

Working behind the walls for four years is a herculean task, but pales in comparison to the cost of a new NFL stadium. (The NFL’s newest stadiums, Allegiant in Las Vegas and SoFi in Los Angeles — both opened in 2020 — have cost roughly $2 billion and $5 billion, respectively). The $450 million renovations are being funded by the State of Louisiana, the LSED and the New Orleans Saints, subsequent to the team’s new lease agreement. By not closing the venue for renovations, the Superdome will hold on to valued college football events like the Sugar Bowl and the Bayou Classic, as well as Essence Fest, which brings half a million attendees to New Orleans.

Superdome

Gensler/Trahan Architects

If you’re building a new stadium, “you’re missing those big, high-impact events in the market. So, the hotels aren’t having that content, the restaurants don’t have [that content],” says Holmes. “There’s a cascading list of reasons why it makes sense for us not to take the building down.” 

In addition to keeping tenants and established events, updating the building means hanging on to “the skin,” as Holmes calls it, of the storied venue. The Superdome has hosted seven Super Bowls, as well as concerts from The Jacksons, Johnny Cash and June Carter, Aretha Franklin, Jimmy Buffet, Willie Nelson, Al Green, The Temptations, The Rolling Stones, Prince, Whitney Houston, KISS, Paul McCartney, Beyoncé, Taylor Swift and many more legendary artists. 

Holmes explains that the renovation is not to change the look of the Superdome or generate exorbitant amounts of money for the team, but to make a better overall experience for fans. “You’re competing for these big events and we think the Superdome, especially after this renovation, can do all the things that these other buildings can do operationally,” he says. “It may not have all the brand-new bells and whistles that they may have, but functionally we can do it all. We’ve got character that other buildings wish they had.” 

Caesars Superdome will once again host the Super Bowl in 2025 (it was originally scheduled to host the 2024 Bowl, but the schedule conflicted with New Orleans’ world-renowned Mardi Gras), just as the building celebrates its 50th anniversary. “It’s not just a football stadium,” says Holmes. “It means a lot of things to a lot of people, so we want to celebrate that.” 

Taylor Swift Fans Honor Swiftie Killed by Suspected Drunk Driver With Friendship Bracelets & GoFundMe

Swifties are teaming up to pay tribute to one of their own. Following the devastating news that a 20-year-old Taylor Swift fan named Jacob Lewis was killed by a suspected drunk driver while on his way home from an Eras Tour show in Houston, supporters have rallied to honor him with a special friendship bracelet project and personalized GoFundMe donations.

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The friendship bracelet project was started by @swifferwins on Twitter, who posted a screenshot of a conversation with Lewis’ sister April Bancroft on Monday (April 24). The direct messages showed Bancroft — who was with Lewis when he died after the pair attended Swift’s Friday (April 21) show at NRG Stadium together — sharing that she and her brother “had the most fun” dancing to “Shake It Off” and that she “looked over at him and saw the awe in his eyes watching her perform.”

“Jacob’s favorite song to dance to at the eras tour was shake it off,” wrote the @swifferwins account. “I think it would be a beautiful tribute to make some shake it off bracelets for each other to remember him, and to shake off the haters and live fully.”

Swifties have been exchanging friendship bracelets since the Eras Tour began in March as a way to make friends at concerts, taking inspiration from a lyric in Midnights Track 5 “You’re On Your Own, Kid”: “So make the friendship bracelets/ Take the moment and taste it.” The call to personalize some of those bracelets in Lewis’ honor has already received thousands of likes and hundreds of retweets in the 24 hours since it was posted, with Bancroft’s blessing.

Meanwhile, Swifties have been flooding a GoFundMe page started by a family friend on behalf of Lewis’ father with tailored donations and messages. In just two days, the page raised $110,000 for Lewis’ funeral costs, thanks largely in part to fan donations in the amount of the “Anti-Hero” singer’s famous lucky number 13.

Many of the Swiftie donations include touching messages borrowing relevant lyrics from Swift’s discography. “Long Live Jacob!! You will be Remembered!!” wrote one donor. “You were bigger than the whole sky. You were more than just a short time,” wrote another.

According to KHOU-11, Lewis and Bancroft were driving home from the show when they had car trouble on the freeway. As Lewis got out and began pushing the car, he was struck and immediately killed by 34-year-old Alan Bryant, who fled the scene. A tow truck driver who saw what happened followed Bryant, and he was eventually arrested by police.

“Jacob will be remembered as a loving and faithful young man who was loyal to his family and friends,” wrote Lewis’ father, Steve, in a heartbreaking Facebook post about his son’s death. “His last act was to push his sister to safety on a dark street. There is no way to describe the magnitude of this loss and the emptiness left in our hearts.”