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Tom Grennan U.K. No. 1 With ‘What Ifs & Maybes’

There are no ifs, no buts about it — Tom Grennan has the U.K. chart crown with What Ifs & Maybes (Insanity).

The leader at the midweek point, What Ifs & Maybes holds on to give the British singer and songwriter his second U.K. leader.

It’s the followup to Grennan’s Evering Road, which led the chart in 2021, and debut Lighting Matches, which peaked at No. 5 in 2018.

Grennan outmuscles some heavy rock in the form of Queens of the Stone Age, whose eighth studio set In Times New Roman (Matador) bows at No. 2. In Times New Roman becomes the sixth U.K. top 10 appearance for Josh Jomme and Co., and is the followup to Villains, which led the national chart following its release in 2017. In Times New Roman also starts at No. 2 on Australia’s ARIA Chart, behind homegrown blues-rock outfit The Teskey Brothers’ The Winding Way.

Closing out the U.K. top three is Harry StylesHarry’s House (Columbia), up 4-3.

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Meanwhile, London synth-pop veterans Pet Shop Boys check in for an 18th U.K. top 10 with their career retrospect, SMASH: The Singles 1985-2020 (Parlophone). It’s new at No. 4. Close behind, at No. 5, is Far From Saints’ eponymously titled album, via Ignition. Far From Saints is a project featuring Stereophonics singer Kelly Jones, along with the Wind And The Wave’s members Patty Lynn and Dwight Baker.

The top end of the latest Official U.K. Albums Chart, published Friday, June 23, is stacked with new releases. Among them, Texas’s compilation The Very Best Of – 1989-2023 (PIAS Recordings). The pop-rock outfit drops in at No. 6, as fans tune-in ahead of the Texas’ performance at Glastonbury’s main Pyramid Stage.

Further down the list is Gunna, who fires away for his third U.K. top 10 spot with A Gift & A Curse (Warner Records), new at No. 9.

There’s a touch of history on the chart as ATEEZ becomes just the second male K-pop band — after BTS – to snag a U.K. top 10 album appearance, with The World Ep.2: Outlaw (KQ Entertainment). It’s new at No. 10. The pop act — Hongjoong, Seonghwa, Yunho, Yeosang, San, Mingi, Wooyoung and Jongho — recently toured the U.K. with The Fellowship: Break The Wall Tour, an itinerary that included a sold-out concert at London’s The O2.

Finally, Taylor Swift fever is sweeping the U.K. once again as five of the American pop superstar’s albums impact the top 40, led by Midnights (EMI), unchanged at No. 8. The latest outbreak is triggered by the announcement last week of the U.K. leg for her The Eras Tour.

Migos’ Offset & Quavo Reunite at 2023 BET Awards for First Performance Since Takeoff’s Death

Offset and Quavo reunited at Sunday night’s (June 25) 2023 BET Awards to perform a Migos classic and pay tribute to their late bandmate Takeoff.

The unannounced performance came about an hour into Sunday’s show, when a floor-to-ceiling rocket appeared on the big screens and the two remaining members of Migos walked into a spotlight surrounded by smoke and lasers. Takeoff’s verse from “Hotel Lobby” — a 2022 song from Quavo and Takeoff’s 2022 spin-off project Unc & Phew — played as the duo danced.

“Do it for Take!” they shouted, pointing at the screen, which morphed from the fiery rocket to a photo of the late rapper, who was fatally shot at age 23 in November last year.

The duo then performed Migos’ lone Billboard Hot 100 No. 1 hit: the 2017 three-week leader “Bad and Boujee,” a 2018 Grammy nominee for best rap performance. The surprise set marks the first performance for Offset and Quavo together since Takeoff’s death. Also, Offset didn’t perform with Migos during their festival dates last year, so he and Quavo haven’t hit the stage together in at least a year.

Offset’s wife, Cardi B, showed her appreciation for the cultural moment on Twitter, writing, “I can’t take it right now,” along with crying emojis. “Proud of the boys.”

Watch highlights from the performance below and see Cardi’s reaction:

Glastonbury Crowd Assists Lewis Capaldi as He Struggles to Finish ‘Someone You Loved’

Lewis Capaldi returned to the stage for Glastonbury after taking a break to “rest and recover” over the past few weeks, and his return was aided by his fans.

As he closed his festival set with chart-topper “Someone You Loved” this weekend, he appeared to be affected by involuntary movements and could not fully perform the song on his own. No worries, though: The audience stepped in where he left off.

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Capaldi has been candid about diagnosis of Tourette’s syndrome, which is a neurological disorder involving sudden repetitive movements or unwanted tics. In April, he revealed it might eventually force him to quit music altogether.

“My tic is getting quite bad on stage now,” Capaldi said in an interview with The Times that month. “I’m trying to get on top of that. If I can’t, I’m f—ed. It’s easier when I play guitar, but I hate playing guitar. I know, I’m a walking contradiction.”

“It’s only making music that does this to me,” he told the publication. “Otherwise I can be fine for months at a time. So it’s a weird situation. Right now, the trade-off is worth it.”

“But if it gets to a point where I’m doing irreparable damage to myself, I’ll quit,” Capaldi added at the time. “I hate hyperbole, but it is a very real possibility that I will have to pack music in.”

In early June, Capaldi canceled gigs in Glasgow, Dublin, London and Norway in a message that he said “hurts me a lot to have to type.”

He wrote, “The last few months have been full on both mentally and physically, I haven’t been home properly since Christmas and at the moment I’m struggling to get to grips with it all. I need to take a moment to rest and recover, to be at my best and ready for Glastonbury and all of the other incredible shows coming up so that I’m able to continue doing what I love for a long time to come.”

“Someone You Loved” reached No. 1 on the Billboard Hot 100 songs chart in 2019. Capaldi recently released his sophomore studio album, Broken by Desire to Be Heavenly Sent.

See the emotional Glastonbury moment below.

Rae Sremmurd Talks Performing Their New Song, Love for Outkast, Backstreet Boys & More | BET Awards 2023

Rae Sremmurd talks about performing their new song during the BET Awards pre-show, their love of groups like Outkast, Backstreet Boys, the Ying Yang twins, being excited to see Busta Rhymes being honored with the Lifetime Achievement Award, and more on the red carpet of the 2023 BET Awards!

Here Are the 2023 BET Awards Winners (Updating Live)

The 2023 BET Awards have arrived!

Drake and GloRilla enter the night as this year’s leading nominees — with seven and six nods each, respectively — but who will be the night’s big winner?

Stick with Billboard all Sunday night for our updating list of winners, below.

Album of the Year
Anyways, Life’s Great, GloRilla
Breezy, Chris Brown
God Did, DJ Khaled
Her Loss, Drake & 21 Savage
Mr. Morale & The Big Steppers, Kendrick Lamar
Renaissance, Beyoncé
SOS, SZA

Best Female R&B/Pop Artist
Ari Lennox
Beyoncé
Coco Jones
H.E.R.
Lizzo
SZA
Tems

Best Male R&B/Pop Artist
Blxst
Brent Faiyaz
Burna Boy
Chris Brown
Drake
The Weeknd
Usher

Best Group
City Girls
Drake & 21 Savage
Dvsn
FLO
Maverick City Music & Kirk Franklin
Quavo & Takeoff
Wanmor

Best Collaboration
“Big Energy (Remix),” Latto & Mariah Carey feat. DJ Khaled
“Boy’s A Liar Pt. 2,” Pinkpantheress & Ice Spice
“Call Me Every Day,” Chris Brown feat. Wizkid
“Can’t Stop Won’t Stop,” King Combs feat. Kodak Black
“Creepin’,” Metro Boomin, The Weeknd & 21 Savage
“F.N.F. (Let’s Go),” Hitkidd & GloRilla
“Tomorrow 2,” GloRilla & Cardi B
“Wait For U,” Future feat. Drake & Tems

Best Female Hip Hop Artist   
Cardi B
Coi Leray
GloRilla
Ice Spice
WINNER: Latto
Megan Thee Stallion
Nicki Minaj

Best Male Hip Hop Artist
21 Savage
Drake
Future
J. Cole
Jack Harlow
Kendrick Lamar
Lil Baby

Video of the Year
“We (Warm Embrace),” Chris Brown
“2 Million Up,” Peezy, Jeezy & Real Boston Richey feat. Rob49
“About Damn Time,” Lizzo
“Bad Habit,” Steve Lacy
“First Class,” Harlow
“Kill Bill,” SZA
“Tomorrow 2,” GloRilla & Cardi B

Video Director of the Year
A$AP Rocky for AWGE
Benny Boom
Burna Boy
Cole Bennett
Dave Free & Kendrick Lamar
Director X
WINNER: Teyana “Spike Tey” Taylor

Best New Artist
Ambré
WINNER: Coco Jones
Doechii
FLO
GloRilla
Ice Spice
Lola Brooke

Dr. Bobby Jones Best Gospel/Inspirational Award
“Bless Me,” Maverick City Music & Kirk Franklin
“Finished (Live),” Tamela Mann
“I’ve Got Joy,” CeCe Winans
“Kingdom,” Maverick City Music & Kirk Franklin feat. Naomi Raine & Chandler Moore
“New,” Tye Tribbett
“One Moment From Glory,” Yolanda Adams
“The Better Benediction (Pt.2),” PJ Morton feat. Lisa Knowles-Smith, Le’andria Johnson, Keke Wyatt, Kierra Sheard & Tasha Cobbs Leonard

Viewer’s Choice Award
“About Damn Time,” Lizzo
“Break My Soul,” Beyoncé
“First Class,” Jack Harlow
“Jimmy Cooks,” Drake feat 21 Savage
“Kill Bill,” SZA
“Last Last,” Burna Boy
“Super Freaky Girl,” Nicki Minaj
“Wait For U,” Future feat. Drake & Tems

Best International Act
Aya Nakamura (France)
Ayra Starr (Nigeria)
Burna Boy (Nigeria)
Central Cee (UK)
Ella Mai (UK)
Ko (South Africa)
L7nnon (Brazil)
Stormzy (UK)
Tiakola (France)
Uncle Waffles (Swaziland)

Viewer’s Choice: Best New International Act
Asake (Nigeria)
Camidoh (Ghana)
Flo (UK)
Libianca (Cameroon)
Maureen (France)
MC Ryan SP (Brazil)
Pabi Cooper (South Africa)
Raye (UK)
Werenoi (France)

BET Her
“About Damn Time,” Lizzo
“Boy’s A Liar Pt. 2,” Pinkpantheress & Ice Spice
“Break My Soul,” Beyoncé
“Her,” Megan Thee Stallion
“Lift Me Up,” Black Panther: Wakanda Forever – Music From And Inspired By – Rihanna & Ludwig Göransson
“Players,” Coi Leray
“Special,” Lizzo

Best Movie
Black Panther: Wakanda Forever
Creed 3
Emancipation
Nope
The Woman King
Till
Whitney Houston: I Wanna Dance With Somebody

Best Actor
Amin Joseph
Brian Tyree Henry
Damson Idris
Daniel Kaluuya
Demetrius ‘Lil Meech’ Flenory Jr.
Donald Glover
Michael B. Jordan

Best Actress
Angela Bassett
Coco Jones
Janelle James
Janelle Monáe
Keke Palmer
Viola Davis
Zendaya

Youngstars Award
Akira Akbar
Alaya High
Demi Singleton
Genesis Denise
Marsai Martin
Thaddeus J. Mixson   
Young Dylan   

Sportswoman of the Year Award
Alexis Morris
Allyson Felix   
Angel Reese
Candace Parker
Naomi Osaka  
Serena Williams
Sha’carri Richardson

Sportsman of the Year Award
Aaron Judge   
Bubba Wallace
Gervonta Davis
Jalen Hurts
Lebron James
Patrick Mahomes
Stephen Curry

Girl in Red & Taylor Swift Pose for Sweet Snapshot: ‘This Iconic Tour Is a Life Highlight’

Chicago, Detroit, Pittsburgh and Minneapolis are four cities that should always be memorable for Girl in Red, as it was there that the Norwegian singer graced Taylor Swift‘s Eras Tour stage as an opening act.

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Girl in Red (aka Marie Ulven) had her last tour date on the U.S. leg of Swift’s trek Saturday night (June 24). The pair met up backstage to pose for a photo together: Swift, ready to take the stage in her sparkly Lover bodysuit, put her arm around Ulven, who looked somewhat starstruck.

“not the 30 seconds after show pic,” Girl in Red captioned their snapshot on Instagram.

“i adore taylor’s music and being a part of this iconic tour is a life highlight,” she wrote. “thank you so much.”

During her first weekend opening for Swift, at Chicago’s Soldier Field, she shared a video from Swift’s set and promised in her caption that “i could and i WILL watch this video on repeat until i die.”

In the clip, the pop star is heard gushing over Girl in Red in a shout-out during her own set: “I actually have a really important thing happening tonight, which is it is the first show of the tour that Girl in Red opened up,” Swift told the crowd on June 2. “I absolutely love her … I know every single word to every single song on her album. She’s one of my favorite artists.”

See their cute photo together on Instagram.

Busta Rhymes, MC Lyte, Chloe x Halle & More Honored at 7th Annual Culture Creators Innovators & Leaders Awards Brunch

Busta Rhymes, MC Lyte, Chloe x Halle and more were honored at the seventh annual Culture Creators Innovators & Leaders Awards Brunch on Saturday (June 24) at the Beverly Hilton Hotel in Beverly Hills, Calif.

Hosted by journalist Gia Peppers, the Culture Creators Brunch not only celebrated the achievements of Black leaders in the entertainment industry but also commemorated the 50th anniversary of hip-hop. And there was no better way to kick off the event than by honoring MC Lyte as the first icon award recipient. Kash Doll and Lady London gave the veteran MC her flowers, commending her for how she “paved the way, broke barriers and shattered glass ceilings” for women in hip-hop in a “male-dominant music industry,” Doll said, and explaining the the metaphor “light as a rock.”

“It’s explaining how heavy your impact has been in my life and in my career,” London said. But when Lyte got up on stage and accepted her award, she caused the audience to roar with laughter when she commented on how “heavy” it was and passed it back to London.

“Thank you for the sisterhood and the friendship, it really means a lot to me,” she told the ladies who introduced her. “Thank you to this wonderful community of hip-hop for me, made up of artists, producers, videographers, dancers, DJs who break records, who have pushed the limits to get the genre where it stands today. Someone asked me, ‘Did I think hip-hop would make it this far?’ No, but here we are.”

Ryan Press, president of North America at Warner Chappell Music, presented the technology award to Troy Carter, whom he hailed as a “visionary, connector, entrepreneur, father, husband and friend” who “has made it his mission to push the boundaries of what’s possible in the music business and amplify the voices of creators and indie artists.” Before becoming co-founder and CEO of music and tech company Q&A, Carter was CEO/chairman of Atom Factory, the multi-dimensional branding, entertainment and artist management company. He also previously managed Eve, Lady Gaga, John Legend and more and was Spotify’s global head of creator services.

“It’s very, very special just being in this room of people who have really moved the needle, people who actually bended and shaped culture in so many crazy ways,” Carter said in his acceptance speech. He went on to specifically thank “my big brother Will Smith who taught me to always show up and to never let anyone box you into what they think you are,” “to the great Clarence Avant who taught me about fighting for the next generation and being gracious with my time and generous with my knowledge,” “to Russell Simmons who showed us that hip-hop could transcend television, fashion and finance,” “to the late Chris Lighty who encouraged me to stay in the game,” “to Eve who taught me about betting on potential,” “to the incredible Lady Gaga who taught me about endless possibilities” and “to Daniel Ek who always pushed me to think bigger when I thought I was thinking big.”

Culture Creators founder Joi Brown had the honor of awarding Chloe x Halle with the innovators of the year trophy, applauding them for “capturing our hearts and our minds with their fearless, fierce artistry” and becoming “symbols of strength and role models for young women, knocking down barriers and proving that dreams can be realized.” Chloe accepted on behalf of the duo because Halle’s flight from Paris was canceled.

“For us as little girls singing covers on YouTube and performing around our hometown of Atlanta, we were just doing what we loved. And that turned into Chloe x Halle, which over the past years has evolved into this whole thing. I remember we would discuss, ‘OK, are we going to go as Chloe x Halle, or are we going to come up with some group name or The Bailey Sisters?’ We couldn’t decide, but now, we’re Chloe x Halle,” she explained, later delving into how they’ve expanded the boundaries of their artistry “with me releasing my solo album, touring the country as a solo artist, and my sister inspiring young girls everywhere as Ariel in Disney’s The Little Mermaid. But we know that whenever we’re together as Chloe x Halle, it’s special. One of our favorite quotes is ‘Individually we are a drop, but together we are an ocean.’ Whether we’re doing our solo music or acting projects on our own, we are forever Chloe x Halle because our sisterhood is a forever thing.”

But Busta touched the entire ballroom when it was finally time for him to receive the second icon award, just 24 hours before he would receive the lifetime achievement award at the 2023 BET Awards on Sunday. After Big Daddy Kane and Mona Scott-Young praised him for having “the greatest flow in hip-hop” and being “the man, they myth, the dragon,” they said respectively, the lighting-fast rhymer was at a loss for words.

“I get a lot of love because I’m a giver of love…. But I don’t get awards … not in this form. So it’s a little overwhelming for me because, Mona would know, a lot of times I would ask, ‘How much longer I gotta wait?’” he said while growing emotional and finding the words to describe the indelible impact of Black people across every industry. “We are the founders of civilization, the makers and the owners of the planet, the gods of the universe. Our culture is the greatest. And with that being said, even when they gave us nothing, we created every culture.”

Busta also revealed he was releasing a new album “in the next eight weeks,” which would mark his first album in three years since 2020’s Extinction Level Event 2: The Wrath of God. He also shouted out his new Hitmaka-produced single “Beach Ball,” featuring Bia, but rather than continuing to “plug and promote” his own music, he preached about the modern-day music industry’s dependence on social media algorithms, follower counts and other numbers dictating the art.

“Don’t get me wrong, I get it and I understand ’cause we all gotta be swift and changeable in order be remainable. But don’t allow that to dictate the soul,” he said while being met with a round of applause. “What I want is for the execs to come back to being a human first. Yea, we gon’ capitalize off the algorithm. But how many Biggies, Tupacs, Nas and Busta Rhymes is y’all gon’ miss if their algorithm ain’t jumping? The people dictated what the culture did, not the computer. Let’s get back to that y’all. ‘Cause I’m always going to be there to give you the friendly reminder that the computer can’t dictate sh– Busta Rhymes got goin’ on. I’mma bust its a– regardless!”

Other honorees included Karl Kani, Candace Rodney, Flau’jae Johnson, Stephen Hill, Laurieann Gibson and Chris Robinson.

Morgan Wallen’s ‘One Thing at a Time’ Hits 14 Weeks Atop Billboard 200, Most Since Adele’s ’21’

Morgan Wallen’s One Thing at a Time clocks a 14th nonconsecutive and total week atop the Billboard 200 albums chart (dated July 1), marking the most weeks at No. 1 for any album since Adele’s 21 logged 24 nonconsecutive weeks in charge in 2011-12.

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One Thing at a Time earned 110,000 equivalent album units in the U.S. in the week ending June 22 (down 1%), according to Luminate. One Thing at a Time is now Republic Records’ album with the most weeks at No. 1 ever on the Billboard 200, surpassing the 13 weeks of Drake’s Views in 2016. One Thing at a Time was released via Big Loud/Mercury/Republic, while Views was issued via Young Money/Cash Money/Republic.

One Thing at a Time debuted at No. 1 on the Billboard 200 chart dated March 18 and spent it first 12 weeks at No. 1. It then stepped aside for two weeks, and then returned to the top for the last two consecutive frames (June 24 and July 1-dated charts).

Also in the top 10 of the new Billboard 200 albums chart, ATEEZ scores its highest-charting set yet as The World EP.2: Outlaw bows at No. 2, Gunna lands his fifth top 10-charting effort as A Gift & A Curse debuts at No. 3 and Queens of the Stone Age log their fourth top 10 as In Times New Roman… launches at No. 9.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new July 1, 2023-dated chart will be posted in full on Billboard‘s website on June 27. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of One Thing at a Time’s 110,000 equivalent album units earned in the week ending June 22, SEA units comprise 103,500 (down 1%, equaling 139.04 million on-demand official streams of the set’s 36 songs), album sales comprise 4,500 (down less than 1%) and TEA units comprise 2,000 (down 2%).

One Thing at a Time has earned in excess of 100,000 equivalent album units in all 16 of its chart weeks. Since the Billboard 200 began ranking titles by equivalent album units in December of 2014. The set ties Bad Bunny’s Un Verano Sin Ti in 2022 for the most weeks north of 100,000 (since Dec. 2014).

ATEEZ scores its highest-charting album on the Billboard 200 as The World EP.2: Outlaw bows at No. 2 with 105,500 equivalent album units earned — the Korean pop act’s best week by units. Album sales comprise nearly all of that sum — 101,000, which marks the group’s biggest sales week (and the top-selling album of the week). SEA units comprise 4,5000 — equaling 6.32 million on-demand official streams of the set’s six songs, while TEA units comprise a minimal sum.

The World EP.2: Outlaw is the third top 10-charting effort for the eight-member group, which previously hit the top 10 with Spin Off: From the Witness (No. 7 in January) and The World EP.1: Movement (No. 3 in 2022).

Like many K-pop releases, the CD edition of The World EP.2: Outlaw was issued in collectible CD packages (21 total, including exclusive editions for Barnes & Noble, Target and Walmart, as well as some signed editions), each containing a standard set of branded merchandise items and randomized branded elements (action cards, partner cards, photo cards). Of the album’s sales, 97.5% were on the CD format, with the remainder generated by digital download album purchases. The set was not released on any other retail format (cassette, vinyl, etc.).

The World EP.2: Outlaw is the 10th album to sell at least 100,000 copies in a single week in 2023. Of those 10, seven of them are K-pop titles, with sales largely driven by collectible CD variants.

Gunna earns his fifth top 10-charting set on the Billboard 200 as A Gift & A Curse debuts at No. 3. The title launches with 85,000 equivalent album units earned. Of that sum, SEA units comprise 84,000 (equaling 112.65 million on-demand official streams of the set’s 15 songs) while album sales comprise 1,000 and TEA units comprise a negligible sum.

A trio of former No. 1s is next on the Billboard 200 as Taylor Swift’s Midnights is a non-mover at No. 4 (60,000; down 13%); SZA’s SOS rises 8-5 (48,000; down 3%); and Morgan Wallen’s Dangerous: The Double Album climbs 9-6 (46,000; up 1%). Metro Boomin’s Spider-Man: Across the Spider-Verse soundtrack dips 5-7 (42,000; down 22%) and Lil Durk’s Almost Healed falls 7-8 (41,000; down 17%).

Queens of the Stone Age land their fourth top 10-charting effort on the Billboard 200 as In Times New Roman… debuts at No. 9 with 40,000 equivalent album units earned. Of that sum, album sales comprise 36,000, SEA units comprise 4,000 (equaling 5.68 million on-demand official streams of the set’s 10 songs) and TEA units comprise a negligible sum. Sales of the album were bolstered by its availability across seven vinyl variants, and combined, the set sold nearly 21,000 vinyl copies.

Rounding out the new Billboard 200’s top 10 is Swift’s chart-topping Lover, which is steady at No. 10 with 40,000 (up 6%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Lana Del Rey Apologizes to Glastonbury Fans After Showing Up Late: ‘My Hair Takes So Long’

Lana Del Rey‘s headlining set at the 2023 Glastonbury Festival on Saturday (June 24) was cut short after the singer showed up late to the performance.

The “Summertime Sadness” songstress, who was slated to perform at 10:30 p.m., according to the festival’s website, arrived about 30 minutes behind schedule, the Guardian reports. Del Rey blamed the tardiness on issues with her hair.

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“I was so f—ing late that I am about to rush this set to death,” she told the crowd. “If they cut power, I’m super f—ing sorry, my hair takes so long to do. Let’s keep on running the set as it’s supposed to go.”

Del Rey’s microphone was cut off at midnight while she was performing her 2012 track “Video Games,” forcing her to sing it a cappella alongside festival-goers. She then walked around the stage for a brief time before being gently escorted away by what appeared to be security and stagehands.

The singer returned to the live stage for the first time in more than three years at Rio De Janeiro’s MITA Festival on May 27. She performed 20 songs in Brazil, while her Glastonbury set only made it to 15 songs before its abrupt midnight ending.

Del Rey’s ninth album, Did You Know That There’s a Tunnel Under Ocean Blvd, debuted at No. 3 on the Billboard 200 albums chart in March 2023. The 16-song release includes guest appearances by Jon Batiste, Bleachers, Father John Misty, Judah Smith, Tommy Genesis, and SYML.

She is scheduled to perform at numerous other music festivals this year, including Lollapalooza, Outside Lands and the All Things Go festivals.

Watch Del Rey’s apology to Glastonbury fans below.