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New Billy Mann-Hosted Podcast ‘Yeah, I F–ked That Up’ Bows From Warner Music Group’s Interval Presents: Exclusive

There’s a saying that people learn more from their failures than their successes. If so, prepare to be enlightened by Yeah, I F–ked That Up, the latest podcast from Interval Presents, Warner Music Group’s podcast network. 

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Hosted by hit songwriter-producer-entrepreneur Billy Mann, the podcast features artists and executives — including Kelly Rowland, Steven Van Zandt, L.A. Reid and Peter Asher — sharing mistakes in their careers that led to teachable moments and growth. The series, produced by Silver Sound and available on all major podcast platforms, premieres July 11 with the first two episodes, which will feature Rowland and Van Zandt. New episodes release every Tuesday. 

“In a small screen world of autotuning faces and voices where we tend to only post our highlights, my goal in creating this show is to remind listeners that it’s actually the scary, vulnerable moments of self-doubt and failure that often turn out to be the best breeding ground for growth and success,” said Mann in a statement.  “I’m so excited to partner with Interval Presents to share these inspiring — and sometimes surprising — anecdotes from so many favorite names in entertainment with an audience that is surely navigating its own unique paths and obstacles.” 

In his 30-year career, Mann went from being an artist on A&M to a Grammy-nominated songwriter and producer, working with such acts as P!nk, Cher, John Legend and Celine Dion. In addition to holding executive positions at EMI and BMG, he has also started a number of music companies including Stealth Entertainment (sold in 2007), Green & Bloom Music Publishing, Topline Songs, Ready Set Songs, Manncom Creative and independent label icons+giants

Other podcast guests include Renée Elise Goldsberry, Liz Gillies, Aly & AJ, Hari Kondabolu, Evan Handler, Jill Kargman and Chely Wright. In the audio trailer, Van Zandt talks about how he thought his life was over when he left Bruce Springsteen & The E Street Band, while Goldsberry talks about unsuccessfully auditioning for The Lion King multiple times.  

YIFTU Series Key Art

Courtesy of Interval Presents

“I was really intrigued by Billy’s idea for Yeah, I F–ked That Up, a heartfelt and inspirational show with compelling stories about not only regret and loss, but also triumph and success,” said Allan Coye, general manager of Interval Presents and WMG’s senior vp of digital strategy & business development. “Authenticity is important for every Interval Presents show and we know this series will resonate — the topics will touch many chords, but do so from a place of care, vulnerability and thoughtfulness.” 

The podcast joins Interval’s existing slate that also includes Drink Champs, co-hosted by N.O.R.E. and DJ EFN, Rap Radar featuring Elliott Wilson and Brian “B.Dot” Miller; Holding Court with Eboni K. Williams, and The Last Resort narrated by Xiuhtezcatl. Forthcoming podcasts hosted by Oscar-winning actress Lupita Nyong’o and Grammy-nominated singer Jason Derulo are in the works.

Pulse Music Group and Concord Launch Pulse Records

Pulse Music Group, which already houses music publishing and artist management arms, has started Pulse Records with Concord. Pulse Music Group co-CEOs Scott Cutler and Josh Abraham, along with Ashley Calhoun, president and head of creative, will lead the label, which will be part of Universal Music Group-distributed Concord Label Group.

The deal builds on a partnership between Pulse and Concord started in 2020 when Concord’s music publishing division acquired a stake in Pulse Music Group to form a joint venture that included Concord administering Pulse’s catalog and future signings. 

Pulse is in talks with a number of acts to join its label roster.  “We have been looking to grow our Pulse Music Group brand into the records space for a while now. Given our background as producers and songwriters in our own right, we bring a unique perspective to working in the label space—but we knew we had to get our footing right,” said Abraham and Cutler in a joint statement. “Now with the 15-year success of our publishing division, a company we have built from scratch, we are surrounded by the very best in emerging talent and a highly curated roster.”

The pair added, “With Pulse Records we will continue to set a very high artistic bar. In addition to launching emerging talent, we have plans to work with artists that helped to redefine genres with whom we have created very strong relationships over the years that will soon be coming out of their existing deals… It takes the right business partners to build a business like this, and we couldn’t be happier to have the backing of Concord and the support and business acumen of its senior leadership team as we continue to grow Pulse Music Group and launch Pulse Records.”

Bob Valentine, Concord’s incoming CEO (he replaces outgoing CEO Scott Pascucci, effective July 1), added, “Scott, Josh, Ashley, and the team at Pulse have been a great collaborator with Concord in publishing some of the highest charting songs in the world. Globally recognized as one of the leading frontline creative teams and first-class incubators for culturally relevant music, Pulse Music Group is a company that Concord continues to greatly admire, and we couldn’t ask for more exceptional business partners as we work to launch Pulse Records.”

Pulse Records’ growing staff also includes senior vp/head of marketing Lauryn Caldwell, who joins from mtheory, where she was vp of marketing and artist partnerships. Sarah Ahmed, who was previously senior director of marketing at Atlantic Records, comes aboard as vp of marketing. Tazita Makuria, who joined Pulse in 2022, has been named vp of creative for both the publishing and label divisions, while former Almo Records exec Bel Masbahi will serve as creative director of A&R for both divisions. 

Pulse Music Group, which Cutler, Abraham and songwriter Anne Preven started in 2007, has been on a hot streak lately.  Isaac “Zac” De Boni & Michael “Finatik” Mulé (who goes by FNZ)  took home song of the year honors at BMI Pop Awards for The Kid LAROI & Justin Bieber’s “Stay,” while Tyler Johnson won the Ivor Novello Award for co-writing for Harry Styles’ “Stay.” Angel Lopez co-wrote “First Class” by Jack Harlow, while Gregory “Aldae” Hein co-wrote Miley Cyrus’s “Flowers.” 

Fuerza Regida: Photos From the Billboard Español Cover Shoot

On a bright, sunny day in May in the rural Santa Clarita Valley, a 45-minute drive north of Los Angeles, the quintet known as Fuerza Regida and its clan roll up in three luxury cars: a 2023 black Cadillac Escalade SUV, a graphite off-roader Lamborghini Urus and a white Chevrolet Corvette. As the band members made their way to the shaded area, sporting brands like Rhude and Dior along with custom-fitted Dodger caps, their necks and wrists sparkled, dripping in diamonds.

Given their style, one could easily label the members of Fuerza Regida as rappers. But the group from San Bernardino, Calif., is a trailblazer of the burgeoning música mexicana (or regional Mexican, as the music is also known) movement that has taken over the Billboard charts since the beginning of the year.

Born and raised in the United States, the members of Fuerza Regida — frontman and lead songwriter Jesús Ortiz Paz (known as JOP), lead guitarist Samuel Jaimez, second guitarist Khrystian Ramos, tuba player José García and tololoche player Moisés López — have become one of the main drivers of a homegrown music that celebrates Northern Mexican roots with a trap bravado. “We’re all American, so we like to dress with American swag. Whatever we sang about, it wasn’t the regular ranch stuff. It was about what’s going on in the hood, what’s going on in California, what’s going on in these different [U.S.] states. Then it just started growing,” JOP tells Billboard Español.

Read the full Fuerza Regida Billboard Español cover story here.

Morgan Wallen Scores New Career-Best 20th Week Atop Hot Country Songs With ‘Last Night’

Morgan Wallen’s “Last Night” adds a 20th week atop Billboard’s streaming-, airplay- and sales-based Hot Country Songs chart (dated July 1).

The song surpasses “You Proof,” which dominated Hot Country Songs for 19 weeks beginning in May 2022, for the longest-leading of Wallen’s seven career No. 1s.

Here’s a look at the songs that have led Hot Country Songs for 20 weeks or more since the chart became an all-encompassing genre survey in October 1958. Wallen is the only soloist with two titles on the list, while duo Florida Georgia Line is the only other act with two. (All seven songs below have reigned since the chart adopted the all-genre Billboard Hot 100’s multimetric methodology in October 2012.)

Longest-Leading Hot Country Songs No. 1s (since 1958):

  • 50 weeks, “Meant to Be,” Bebe Rexha & Florida Georgia Line, beginning in December 2017
  • 34, “Body Like a Back Road,” Sam Hunt, February 2017
  • 27, “I Hope,” Gabby Barrett, July 2020
  • 24, “Fancy Like,” Walker Hayes, July 2021
  • 24, “Cruise,” Florida Georgia Line, December 2012
  • 21, “10,000 Hours,” Dan + Shay & Justin Bieber, October 2019
  • 20, “Last Night,” Morgan Wallen, February 2023

“Last Night,” released on Big Loud/Mercury/Republic Records, drew 72.2 million radio airplay audience impressions (up 4%) and 29.8 million streams (up 1%) and sold 7,000 downloads (down 3%) in the June 16-22 tracking week, according to Luminate.

“Last Night” concurrently leads Country Airplay for an eighth week – tying for the chart’s second-longest command ever, below “You Proof” (10 weeks) – and bullets at its No. 8 high on both Pop Airplay and Adult Pop Airplay.

Unsurprisingly, the seven 20-week-plus Hot Country Songs leaders above have all received pop/adult crossover radio airplay support, as the chart reflects all-format airplay, in addition to streaming and sales data.

‘Car’ Ride

Concurrently on Hot Country Songs, Luke Combs’ cover of Tracy Chapman’s 1988 classic “Fast Car” holds at its No. 2 high. The cover attracted 21.2 million streams (up 4%) and sold 10,000 in the tracking week – as it hits No. 1 on the all-genre Digital Song Sales chart and rises to No. 2 on Streaming Songs.

The song, which Chapman solely authored, pushes 10-7 on the all-format Radio Songs chart, led by its No. 2 rank on Country Airplay, as it surged by 18% to 31.1 million in audience. It also bullets in the top 25 of Adult Contemporary, Adult Pop Airplay and Pop Airplay.

As previously reported, “Last Night” and “Fast Car” rank at Nos. 1 and 2, respectively, on the Hot 100, marking the first time in over 42 years that country songs have pulled off such a double-up.

Zimmerman’s 4th Top 10

Also on Hot Country Songs, Bailey Zimmerman scores his fourth top 10 as “Religiously” pushes 11-10. On Country Airplay, it climbs 16-14 for a new best (11.8 million, up 27%). It also drew 9.9 million official U.S. streams (up 6%) and sold 2,000.

Zimmerman made history on the Sept. 2, 2022-dated Hot Country Songs chart when he became the first artist to place three career-opening entries in the top 10 simultaneously. That week, “Rock and a Hard Place,” “Where It Ends” and “Fall in Love” ranked at Nos. 6, 7 and 10, respectively. The songs peaked at Nos. 2, 5 and 7.

On Country Airplay, Zimmerman has notched two No. 1s: “Fall in Love” led for a week in December 2022, followed by “Rock and a Hard Place,” which ruled for six frames starting this April.

Live Music Society Provides $500,000 to 17 Small Music Venues 

Non-profit foundation Live Music Society has announced the first recipients of the Music in Action grant program, which provides anywhere from $10,000-$50,000 to small venues. For 2023, 17 venues with a maximum capacity of 300 were provided with a total of $500,000 to develop and implement creative ideas to engage their communities, expand audiences, and generate new revenue sources. This year’s recipients include The Rebel Lounge in Arizona, Sunset Tavern in Washington, Happy Dog in Ohio, Café Coda in Wisconsin and more.

Since the start of the global pandemic in 2020, Live Music Society has provided $3 million in grants to small music venues. The first three rounds of funding were aimed at providing pandemic relief, but the new grant program, Music in Action, is pivoting to help venues succeed and not just survive.

Live Music Society founder Pete Muller — who is also a touring musician — tells Billboard that the foundation understands that the economics for these small venues are difficult and the profit margins can be razor thin, even in non-pandemic years. Small venue owners, he believes, know their community and know the best ways to engage locals and bring people back to their rooms. This year’s ideas included The Stone Church in Vermont continuing their GRRLS 2 The Front program which dedicates the month of March to women and nonbinary-led groups and offers a stage management/sound engineering course. The Elastic Arts Foundation in Illinois will revive their Dark Matter performance series and enhance the AfroFuturist Weekend festival showcasing emerging and established Black artists across different neighborhoods of Chicago’s South and West Sides. Cafe CODA in Wisconsin will expand their COOL SCHOOL program, providing free music education activities and introducing a mobile stage for increased accessibility.

“We’re saying, ‘give us your idea and we will mitigate that risk by giving you money to do it,’ That’s what the grant is,” says Muller. “Hopefully that allows them to do something that’s inspiring and helps the club, but also inspires other places…. It’s seed money. Our return is not cash, it’s creating energy in this ecosystem.”

Funds for the grants come from Muller and other supporters. Live Music Society’s board selected the 17 venues and their programs out of more than 100 applications this year, focusing on ideas that champion historically marginalized groups such as BIPOC, Latinx, LGBTQ+ and people with disabilities.

Music in Action is about trusting that music venue owners know what they need to flourish, says Live Music Society executive director Cat Henry, adding “asking [venue owners] was important, not telling them.”

“One of the biggest things we’ve heard from venue owners is that this is unique. There’s not really a lot of funding opportunities, especially for for-profit [businesses],” says Henry. “It changes the way they think about things knowing that somebody cares about this, that there’s an advocate out there that is looking out for the sector as a whole.”

Live Music Society has also teamed up with trade association National Independent Venue Association for the second annual National Independent Venue Association conference set to take place in July in Washington, D.C. Live Music Society will do an introduction to their grantees at the NIVA ‘23 Independent Awards Gala, a panel discussion with key stakeholders from the small venue community and sponsorship of a Salute to Small Venues concert at Pie Shop. Additionally, they will provide a networking space called the Live Music Society Cantina, located across from The Anthem, the main venue hosting conference programming.

Check out a full list of 2023 Music in Action grantees below.

The 2023 Music In Action Grant Recipients:

Big Room Bar, Columbus, OH

Cafe Coda, Madison, WI

Caffé Lena, Saratoga Springs, NY

Chocolate Church Arts Center, Bath, ME

Club Passim, Cambridge, MA

Dazzle, Denver, CO

Drom, New York, NY

Elastic Arts Foundation, Chicago, IL

Happy Dog, Cleveland, OH

Hey Nonny, Arlington Heights, IL

Ivy Room, Albany, CA

Stone Church, Brattleboro, VT

Sunset Tavern, Seattle, WA

TAC Temescal Art Center, Oakland, CA

The Muse Performance Space, Lafayette, CO

The Parlour, Providence, RI

The Rebel Lounge, Phoenix, AZ

Clarence Avant, Dave Grusin and Charles Lloyd Feted By Jazz Foundation of America

Continuing its mission to honor “jazz and blues … one musician at a time,” the Jazz Foundation of America (JFA) celebrated the legacies of longtime industry executive Clarence Avant, tenor saxophonist Charles Lloyd and pianist-producer-composer Dave Grusin at its annual fundraiser on June 25. The combination dinner, live auction and concert was held at Los Angeles club Vibrato Grill Jazz.

JFA board member Dr. Daveed Frazier kicked off the evening, welcoming an audience that included Bill Withers’ widow Marcia Withers, veteran label executive/manager Phil Quartaro, music supervisor Joel Sill, film composer Richard Baskin, music producer Gregg Field, singer-songwriter Eric Benét and Vibrato Grill Jazz manager Eden Alpert, daughter of its founder and music legend Herb Alpert. After the dinner service, JFA executive director Joe Petrucelli opened the live auction, which saw guests bidding on items such as original art by artist/architect Jim Watt. His pieces were painted in real time in tandem with live music performed by jazz artists the Antoine Drye Quartet and Bill Frisell. The collaboration — launched as a means to benefit jazz musicians during the pandemic — is depicted in the 2021 film project 1000W.

Eden Alpert and Jimmy Jam

Eden Alpert and Jimmy Jam at Vibrato Grill Jazz on June 25, 2023 in Los Angeles.

Lester Cohen/Getty Images for JFA

Then it was time to salute JFA’s 2023 lifetime achievement honorees. As Petrucelli noted before the video and live music tributes got underway, “We’re celebrating three singular forces in music. Their collective influence extends across the entire music industry and cultural landscape.”

Avant, aka The Black Godfather, was lauded in his video clip for being a ‘genius at connecting people and forging deals.” Among those deals: Avant signing a yet-unknown Bill Withers to his label, Sussex Records. Kori Withers, the late singer-songwriters daughter delivered an elegant take on two of her father’s classics — “Ain’t No Sunshine” and “Grandma’s Hands” — accompanied by a band that included Ray Parker Jr., Dean Parks, Patrice Rushen, Steve Jordan and Alex Al. Accepting the award on Avant’s behalf was Jimmy Jam, one-half of the Grammy-winning songwriting-production duo Jimmy Jam & Terry Lewis.

Said Jam of his and Lewis’ longtime relationship with Avant, “He’s truly been a mentor and godfather; there would be no Jam & Lewis if it wasn’t for Clarence. To this day, he continues to teach us.” Jam then brought Marcia Withers onstage. “I’m a cheerleader for Clarence, who deserves every accolade,” she said. “He recognized my husband’s talent when other record labels had turned him down.” 

Ray Parker Jr. and Kori Withers

Ray Parker Jr. and Kori Withers at Vibrato Grill Jazz on June 25, 2023 in Los Angeles.

Lester Cohen/Getty Images for JFA

In paying tribute to Lloyd’s unparalleled versatility, John Densmore noted that the tenor sax guru had recorded with Densmore’s group The Doors. Densmore then brought acclaimed saxophonist/composer Joshua Redmond onstage. With accompaniment from Rushen, Jordan and Al, Redmond delivered a riveting performance of Lloyd’s “Sax/Drums Duet” and “Forest Flower” followed by “Defiant,” which also featured musicians Dean Parks and Greg Leisz.

In addressing why he, a singer-songwriter, was presenting Lloyd’s award, rock icon Jackson Browne said, “I’m of a generation that grew up with jazz being performed at clubs like the Fillmore and at festivals … It’s been an honor and great gift to hear your music for all of these years.” Calling the award “a very touching and great honor,” Lloyd noted to audience laughter, “I never got good enough to quit. But I love music so much; it can change the world. And I believe in that.”

Dave Grusin and Alan Bergman

Dave Grusin and Alan Bergman perform at Vibrato Grill Jazz on June 25, 2023 in Los Angeles.

Lester Cohen/Getty Images for JFA

Rushen, Michael Bearden, David Paich and Jeff Babko were the featured keyboardists who performed a medley saluting Oscar- and 10-time Grammy winner Dave Grusin’s expansive career that includes scoring for film (The Graduate, On Golden Pond, Tootsie) and TV (The Wild Wild West, Good Times) in addition to recording solo albums and co-founding legendary label GRP Records. Guitarist Lee Ritenour, a frequent Grusin collaborator, also performed music from another Grusin-scored film, Three Days of the Condor, with musicians John Beasley, Tom Scott, Melvin Lee Davis and Wesley Ritenour

Capping the Grusin tribute was a surprise performance by the man himself. Calling the evening “such a gas” for getting the chance to see “old friends from all the years of trying to do this stuff,” a spry and humorous Grusin (“I better do this now before I totally drop off to sleep”) sat at the piano and beautifully played two of his songs, including the Oscar-nominated hit from the Tootsie soundtrack “It Might Be You,” whose lyrics were co-written by Alan Bergman and his late wife Marilyn. Bergman was also on hand to present Grusin’s award. 

In his emotional remarks about his friend and collaborator, Bergman said, “There are some people in life who transcend the friend category and become family. Not only is Dave an inspiring melody writer, he’s an intelligent and discerning [writing] partner; a unique man. The moment he puts his hands on the keys, you know it’s Grusin.”

Dave and Central Cee Racing to Fourth Week at U.K. No. 1 With ‘Sprinter’

Barring any unforeseen hurdles, Dave and Central Cee’s “Sprinter” (Live Yours/Neighbourhood) is bolting to a fourth week atop the U.K. chart.

The record-breaking British hip-hop collaboration soaked up another 9 million streams last week, for a third consecutive cycle at the top. Based on sales and streaming data for the first half of the latest frame, the Official Charts Company reports, “Sprinter” should make it a full month at the summit.

If it continues to outpace J Hus and Drake’s “Who Told You” (currently No. 2), Calvin Harris and Ellie Goulding’s “Miracle” (No. 3), and the rest of contenders, “Sprinter” will equal the four-week run of Dave’s longest-reigning single, 2022’s “Starlight”.

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There’s movement on the chart blast for Dundee, Scotland DJ Hannah Laing and newcomer RoRo as “Good Love” (WUGD) looks set to rise in the top 10, up 11-8.

British rap stars Stormzy and Fredo should secure the highest debut of the week, with “Toxic Trait” (Def Jam), their first collaboration. It’s new at No. 10 on the chart blast.

It’s peak summer in the U.K., sun is (mostly) out, and Taylor Swift is on the climb with the seasonal gift “Cruel Summer” (EMI). The Lover cut is up to No. 13 on the Official Chart Update, and should eclipse the No. 27 best following its release in 2019.

Also on the way up is Dua Lipa’s “Dance The Night” (Warner Records) lifted from the original soundtrack of Greta Gerwig’s Barbie film. It’s shuffling just outside the top 10, up 16-14, for what would be a chart high.

All will be revealed when the Official U.K. Singles Chart is published this Friday, June 30.

Maisie Peters’ ‘The Good Witch’ Rides to U.K. Chart Lead

Maisie PetersThe Good Witch (Atlantic/Gingerbread Man) is working its magic on the United Kingdom.

The English pop singer and songwriter’s sophomore set leads the midweek chart, ahead of Harry StylesHarry’s House (via Columbia up 5-2) and Tom Grennan’s What Ifs & Maybes (down 1-3 via Insanity), respectively.

The Good Witch is the followup to Peters’ 2021 debut You Signed Up For This, which peaked at No. 2 on the Official U.K. Albums Chart. A chart crown would cap a huge half-year for Peters, who supported Ed Sheeran for stadium shows across Australia and New Zealand earlier in 2023.

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Also set for high entries this week are Young Thug’s Business Is Business (300 Entertainment), which could become his second top 10 appearance, at No. 9; and Kelly Clarkson’s Chemistry (Atlantic), which could net the U.S. singing star her sixth U.K. top 10, at No. 10.

The “Glastonbury effect” can be seen up and down the Official Chart Update.

Scottish singer and songwriter Lewis Capaldi is one of the beneficiaries of a high-profile slot at Glastonbury Festival last weekend, which powers his albums Broken By Desire To Be Heavenly Sent (up 16-4 via EMI) and debut Divinely Uninspired To A Hellish Extent (up 34-12) on the midweek tally.

Elton John is winding up his touring career in the coming weeks, and enjoyed a boisterous send-off at Glastonbury. Now, his hits compilation Diamonds (Mercury/UMC) is on track to appear in the top 5 again, up 15-5.

Celebrated British alternative rock act Arctic Monkeys are hanging high on the midweek chart, with AM (No. 6), Whatever People Say I Am, That’s What I’m Not (No. 20) and Favourite Worst Nightmare (No. 38) — all via Domino Recordings — on the bounce following their Friday night performance at the Eavis’ famous fest.

Other Glastonbury performers enjoying a post-event albums blitz include Foo Fighters (But Here We Are at No. 16 via Columbia and The Essential Foo Fighters at No. 28 via Sony Music CG), Lana Del Rey (Born To Die at No. 36 via Polydor) and Guns N’ Roses (Greatest Hits at No. 37 via Geffen).

Finally, Taylor Swift’s The Eras Tour hasn’t yet reached the U.K., but anticipation is causing her hit albums to spike. According to the Official Charts Company, former leaders Midnights (No. 7), 1989 (No. 11), Lover (No. 14), Reputation (No. 22) and Folklore (No. 31), all via EMI, are on the climb.

All will be revealed when the Official U.K. Albums Chart is published Friday, June 30.

Rowdy Rebel ft. Fivio Foreign & Fetty Luciano “Posture,” Dave East & Young Chris “Peedi Peedi” & More | Daily Visuals 6.26.23

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2022 HBCU GAMERFEST

Source: Paras Griffin / Getty

While Bobby Shmurda’s been struggling to satisfy the hood with a brand-new street banger, his former co-d, Rowdy Rebel, has been doing his part in keeping the block buzzing with that goon music. And today is no exception.

Linking up with Fivio Foreign and Fetty Luciano for the visuals to “Posture,” Rowdy Rebel and company hit the block with some four-wheelers and motorcycles and remind everyone they’re more than willing to ride for their hood as they throw up their sets and pour up some drinks.

From Brooklyn to Harlem, Dave East collaborates with a Roc-A-Fella OG Young Chris and in their clip to “Peedi Peedi,” the two artists take the night with their respective crews, blaze some trees and sip some potion while NYPD creeps through the streets. Y’all can still get a ticket for drinking in public so be safe out there, b.

Check out the rest of today’s drops and some joints you might’ve missed over the weekend including work from Rae Sremmurd, Coi Leray and more.

ROWDY REBEL FT. FIVIO FOREIGN & FETTY LUCIANO – “POSTURE”



DAVE EAST & YOUNG CHRIS – “PEEDI PEEDI”



RAE SREMMURD – “NOT SO BAD”



COI LERAY – “GET LOUD”



MALCOLM MAYS FT. LIL BABY – “NOT LUCK”



JOYNER LUCAS – “BROSKI”



VADO – “PAREE PRADA”



ALBEE AL – “I’M WITH SHOOTERS”



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‘Life of Pi’ Composer Mychael Danna Receives Lifetime Achievement Award at SoundTrack_Cologne in Germany

Composer Mychael Danna received a lifetime achievement award at the SoundTrack_Cologne, which was held at the Comedia Theater in Cologne, Germany, on Friday. Previous recipients of the award include Rachel Portman, Bruce Broughton, Cliff Martinez and Michael Nyman.

Danna is best known for his score for Life of Pi, for which he won an Oscar in 2013 for best original score. He won a Primetime Emmy later that same year for outstanding music composition for a miniseries, movie or a special (original dramatic score) for the miniseries World Without End.

Journalist Daniel Kothenschulte presented the award to Danna, noting, “Mychael Danna came to film music [in 1987] when that changed decisively. We can also say that he has made a decisive contribution to the expansion of the sound language of cinema since the mid-1980s.”

He added: “Danna’s music knows no hierarchies … which makes it impossible to predict where his work will go after more than 80 scores.”

The Canadian-born composer is the older brother of composer Jeff Danna. The two have collaborated on 16 scores for film and television, including Lakeview Terrace, The Breadwinner, The Addams Family (2019) and its 2021 sequel and Onward.

Mychael Danna’s other collaborators on scores include Rob Simonsen ((500 Days) of Summer and Harry Gregson-Williams (Return to Space).

Danna has amassed seven Primetime Emmy nods, two Oscar nods and two Grammy nods. His other films include On the Basis of SexCapote and Moneyball.

This was the 20th edition of SoundTrack_Cologne. During the event, the WDR Funkhausorchestra played pieces by such film composers as Danna, Portman, Natalie Holt and Carlos Rafael Rivera.