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On a bright, sunny day in May in the rural Santa Clarita Valley, a 45-minute drive north of Los Angeles, the quintet known as Fuerza Regida and its clan roll up in three luxury cars: a 2023 black Cadillac Escalade SUV, a graphite off-roader Lamborghini Urus and a white Chevrolet Corvette. As the band members made their way to the shaded area, sporting brands like Rhude and Dior along with custom-fitted Dodger caps, their necks and wrists sparkled, dripping in diamonds. 

Given their style, one could easily label the members of Fuerza Regida as rappers. But the group from San Bernardino, Calif., is a trailblazer of the burgeoning música mexicana (or regional Mexican, as the music is also known) movement that has taken over the Billboard charts since the beginning of the year. 

Born and raised in the United States, the members of Fuerza Regida — frontman and lead songwriter Jesús Ortiz Paz (known as JOP), lead guitarist Samuel Jaimez, second guitarist Khrystian Ramos, tuba player José García and tololoche player Moisés López — have become one of the main drivers of a homegrown music that celebrates Northern Mexican roots with a trap bravado. “We’re all American, so we like to dress with American swag. Whatever we sang about, it wasn’t the regular ranch stuff. It was about what’s going on in the hood, what’s going on in California, what’s going on in these different [U.S.] states. Then it just started growing,” JOP tells Billboard Español. 

“The worst enemy of a Mexican is another Mexican. There’s not as many duets now. You know why? Because in regional, they’re all enemies.”

— JOP, leader of Fuerza Regida and businessman

It grew so much that it outpaced any other genre. On the Billboard Hot 100 dated July 1, 17 Spanish-language songs appear on the chart, and 13 of them are música mexicana. In May 2021, Gera MX and Christian Nodal made history with “Botella Tras Botella,” becoming the first regional Mexican title to enter the all-genre list. Before 2021, only three regional Mexican acts had appeared on the Hot 100 since 1958, but they were classified as Latin pop in the charts. This year, however, consumption of música mexicana has skyrocketed: As of May 25, its popularity jumped by 42.1% in the United States, topping all genres but K-pop, according to Luminate. 

As for Fuerza Regida, the group earned its first entry on the Hot 100 in January with “Bebe Dame” alongside Grupo Frontera, a swaggering romantic cumbia jam with a grupera persuasion that peaked at No. 25. Since then, the group has placed three other tracks on the all-genre chart: “Ch y La Pizza” with Natanael Cano, “Igualito a Mi Apá” with Peso Pluma, and the band’s penultimate solo single, “TQM.”

And while Fuerza Regida’s music falls under “regional Mexican” or “música mexicana” — an umbrella term that covers Mexican music genres from accordion-based norteñas and brass-powered banda to corridos, cumbia, mariachi and sierreño — the band takes things a bit further by mixing in a hip-hop mentality and swagger into its norteño sensibility. 

“Fuerza Regida are transgressors in the música mexicana space, who really show us how the new generation of Mexican Americans in the U.S. have their own language, they know how to use it, how to reach fans. I feel that today they’re the voice of the people,” says Carlos Quintero, senior manager for artist relations and marketing at Sony Music. 

Today, the rugged desert scenery of our Santa Clarita location and the band’s high-end urban gear, bling and luxe cars all collide neatly to highlight the rustic borderland sound with a trap twist that Fuerza Regida has been brewing to global hype. 

Como En Familia 

Gathered around the snack table, the members of Fuerza Regida are messing around like rowdy cousins at a family carne asada function. They, along with Ángel Ureta and Diego Millan of Calle 24 — two artists that JOP signed to his label, Street Mob Records — place bets on what is clearly an exhilarating game of dice. “Boom! It happens, foo, it happens,” exclaims López, as he and García split a wad of $10 bills for their winning round. “That was a beautiful hand, bro,” says Jaimez. 

The name Fuerza Regida (pronounced REH-hee-dah, with the emphasis on the “e”) denotes, for its members, a dominant or ruling force, although the word “régida” does not exist in the dictionary of the Real Academia Española and “regida” without the accent means “governed.” But in the band members’ street language, it makes perfect sense.

The group tends to speak primarily in English, with smatterings of Spanish. “La neta [or “the truth,” in Mexican slang], I didn’t learn English or Spanish. I got bad vocabulary,” says JOP. “Me too,” adds López. “We all do,” echoes García. “Yeah, man, I’m not good at that. I probably have like third grade level,” JOP jokes. 

JOP navigates not just as a wildly entertaining and spontaneous frontman but also like a boss. He is assertive yet jokes around and doesn’t hold back when speaking his mind. “I wanted to be famous for whatever: a boxer or an actor. But I was like, ‘No, I’m going to go through the singing stuff, because I’ve been doing it since I was little with my dad,’ ” says JOP, who doesn’t shy away from making shockingly bold and controversial statements. 

“The worst enemy of a Mexican is another Mexican,” he says bluntly. “There’s not as many duets now. You know why? Because in regional, they’re all enemies. I’m trying to tell everybody, ‘Hey, let’s get united,’ like we did a year back [when] the genre wasn’t popping like that,” he says. “The five, six that are on top [of the charts] don’t want to duet. Now that we got here, everyone’s like, ‘I’m cool, I’m cool,’ ” he says. While the Hot 100 is loaded with música mexicana collaborations, the skyrocketing money at stake has sparked more competition and caution among artists when selecting their collaborators, he alludes. 

The five San Bernardino natives met through “destiny,” in their words, and word-of-mouth at JOP’s old gig. “I used to cut hair, and one of my clients said, ‘Hey, I know this band that’s looking for a bass player,’ ” he recalls. “I came in and I played the bass during practice. Then they asked me, ‘Hey, do you sing?’ I sang them a song, and they were like, ‘Hey, you want to be the singer?’ I’m like, ‘Yeah, we’re a group!’ ” That was six years ago. 

With JOP’s raw, passionate vocals, Jaimez’s fiery requinto riffs, Ramos’ driving rhythmic guitar and García’s whirling yet powerful melodies on tuba, the first iteration of Fuerza Regida was born. In 2021, López, who’s about six years younger than the others (who are all either 26 or 27), joined the troupe on the tololoche (a kind of Mexican contrabass). 

The first-generation Mexican Americans loved regional Mexican music from a young age, although they were shy to admit it back then. “You had to only listen to it at home,” JOP admits. “Now, it’s the opposite. It’s taking over. Now, it’s bigger than rap.”

The Power Of Mexican

Mexican music has always been hugely popular in Mexico and the United States thanks to the large stateside Mexican American community that consumed the sounds and looks from home. Regional Mexican artists not only performed genres like banda and norteño but dressed the part with cowboy hats, boots and matching uniforms. But in the past decade, regional Mexican artists lost ground to a new Latin urban movement that took over the charts. 

In that climate, Fuerza Regida didn’t debut strong but instead steadily built momentum as its sound, and moxie, evolved. “We were the group that was the suckiest in town,” JOP recalls with a chuckle. “Although we sucked with the instruments, we had a unique style.” In 2018, Fuerza Regida released its first local hit — “Uno Personal,” a Chayín Rubino cover — and things began “popping off,” as the members say. That year, they also released their live debut, En Vivo Puros Corridos. 

During this time, a phenomenon on both sides of the U.S.-Mexico border began to occur. Música mexicana equipped with a trap beat began to cross-pollinate and dominate streaming services. In 2018, corridos tumbados pioneer Natanael Cano from Hermosillo in Sonora, Mexico, and California group Herencia de Patrones began out-streaming some of the most notable players in pop and hip-hop. 

Fuerza Regida also began making noise with its riveting corridos track “Radicamos En South Central” (2018), which was soon released by Rancho Humilde Records — the label that has been spearheading the música mexicana movement to unfathomable heights. “It really opened the doors for us,” JOP told Billboard in 2020. “Thanks to that song, Ramon Ruiz from Legado 7 discovered us and we got signed to two labels: his, Lumbre Music, and Rancho Humilde.” 

Another turning point for the wider visibility of the movement was the group’s studio album Del Barrio Hasta Aquí (2019), which emerged as one of the leading trap corridos releases. On the cover, the then-four-piece appears to be crossing a street in front of a Santa Fe, N.M., pawn shop, like the cover of The Beatles’ Abbey Road. Sonically, the group took the rancheras out of Mexico and gave them a street-style, bicultural spin with a rags-to-riches lyrical approach, while still fondly reflecting on its neighborhood hustle. The album wound up appearing on several year-end critics’ lists.

It’s a sound that’s attracting both U.S. and Mexican fan bases. In the month of June, Fuerza Regida clocked 343 million views on its YouTube channel. And in one year’s time, the group has accumulated a staggering 2.9 billion streams on the platform, with Mexico responsible for 1.6 billion views and the United States 872 million. Guatemala, Colombia and Honduras follow. The band’s top two streaming markets by city in the last 12 months are Mexico City, at 219 million, and Los Angeles, with 91.7 million. Following them are Mexican cities Guadalajara (65.4 million), Monterrey (61.7 million) and Tijuana (52 million), Dallas (49.7 million) and Guatemala City (47.4 million). 

On Spotify’s most-streamed list, Fuerza Regida is No. 196, as of June 22, gathering 24.2 million monthly listeners, with most from Mexico: Mexico City has 3.7 million listeners, followed by millions more in Guadalajara, Monterrey, Zapopan and Puebla. 

Last year, the band signed a bigger deal with Sony Music Latin through Rancho Humilde, whose founder, Jimmy Humilde, “transmits the emotion he has for the music and the genre,” says Quintero. “From the first song I heard by them in 2019 up until now, I’ve always thought they’re artists with the street cred and language that makes them very current in Mexican music.” 

But the group is looking to go beyond that. “We’re actually trying to manifest [a collaboration] with Karol G,” says JOP. “We got that song ready for her whenever she wants to hop on. We would love to expand our relationship with other genres and make this bigger than what it is now.” 

When Billboard Español spoke to Fuerza Regida in May, the band was fresh off releasing its latest hit, “TQM.” The song debuted at No. 35 on the Hot 100 and No. 19 on the Billboard Global 200. The group was also in between tour stops on its Mexico trek, preparing to embark on its first arena tour in the United States. The Otra Peda Tour (or “Another Drunken Tour” in Mexican slang) begins July 7 and has already sold out multiple stops including the band’s first two shows, in Dallas at the Dos Equis Pavilion and in Los Angeles at BMO Stadium. 

“[The fans] all need to be lit,” JOP says excitedly. “If they’re not lit, I got to get them lit — and make sure they’re all singing each song. If they’re not singing it, I got to figure it out and change that. They go to turn up, not to be bored,” he says, before adding with a smirk: “I love drinking too much on tour.”

Through it all, JOP has made big efforts to support up-and-coming talent, which he mentors under his label, Street Mob Records, founded in 2018 in partnership with Rancho Humilde. This year, Street Mob signed a distribution deal with Cinq Music, which will be working label artists including Chino Pacas, Calle 24 and Ángel Tumbado. 

“Regional Mexican is one of the hottest and fastest[-growing] genres in the world right now, so to have that relationship with someone like Jesús means a lot to us,” says Cinq Music president Barry Daffurn. “From the time we first started working in regional Mexican music and the first time I sat down with Jimmy of Rancho Humilde, our goal was to bring this music global. The vision at that point was not to make it regional Mexican music, but more música mexicana, expanding it outside that network, to all the countries outside of [Latin America].” 

The multiple deals are very much in line with how Jimmy Humilde works. “He’s like a mini me,” he says of JOP. “He listens to me a lot, and he’s a firecracker. He works very, very, very hard. We work together, we plan everything together.” 

JOP’s artist Chino Pacas recently entered the Hot 100 with his groundbreaking song “El Gordo Trae El Mando,” a testament to the label’s support and JOP’s business acumen.

“I started my label a year after my career,” he says, “because I’ve always liked…” 

“Business,” García chimes in. 

“…Money,” JOP adds. “Hard work beats talent, always. A little bit of luck, a little bit of talent, and hard work. I consider myself an artist, but I got to work a little harder because I’m [also] an entrepreneur. I’m a businessman. I got my whole company. I’m doing these big deals with my artists. I’m probably going to make more money with my label than I ever did with my career, with Fuerza Regida, but that’s fine because I enjoy being an artist.” 

“[JOP] is an entrepreneur, and now he has his own label,” Quintero says. “But independent of anything else, he’s on TikTok, on Reels, on the YouTube charts, everywhere, always sharing his music. I think that’s the big key to success for this new generation of música mexicana, and he’s a big leader in that.” 

There’s even a YouTube clip of the band visiting the Tijuana border crossing and performing in the line of cars awaiting entry like músicos callejeros, or buskers. That’s where they met one of JOP’s latest signees, Chuy Montana. “We went to the line because we wanted to experience how it felt to play for the cars,” JOP says. “[Montana] used to work there about a month ago. Now he’s in concert with us.”

In December, Fuerza Regida ambitiously released two full-length albums a few days apart, Pa Que Hablen and Sigan Hablando. The band supported the releases with publicity stunts like performing on the rooftop of a supermarket in San Bernardino. “Thousands” showed up, according to Quintero. “They really are the voice of the people when it comes to música mexicana today,” he says. 

And increasingly, the group is becoming the voice of the people beyond Mexican and Mexican American audiences. 

“Artists like Natanael Cano, Fuerza Regida and [others] are writing about things that are different from the stories in Mexico or about drug cartels [like traditional corridos or narcocorridos],” says Krystina DeLuna, Latin music programmer at Apple Music. “[JOP] is very proudly Mexican American, but he has always had that global mindset, [so] their approach to música mexicana is innovative. Whether they do a more traditional-leaning song or take risks and push boundaries, their essence always comes through and connects.” 

Being Mexican American, JOP says, means that “you hit the gold pot. It’s the best.” 

“I wouldn’t want to be Mexican. I wouldn’t want to be American,” he says. “I’m perfect.”