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ENHYPEN Enters the Pokémon Universe With ‘One and Only’: Watch

It’s game on for ENHYPEN, which enters the Pokémon universe with the collaborative new single “One and Only.”

Accompanying the new number is a shiny music video, which sees each member of the K-pop boyband team up with a Pokémon buddy, through a partnership with the so-called Pokémon Music Collective.

All the faves are there, including Pikachu, Charizard, Charmander and Snorlax.

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It’s as upbeat a song and clip as you’ll find. Channeling Al Jarreau’s “Mornin,’” the lads get about their daily routine with their animated friends in tow, and enjoy a camping getaway with an unexpected caravan flight.

Announced late June, the collab is “inspired by the sounds of the Pokémon series video game universe by artists across multiple genres,” per a press release.

“We are so delighted to participate in this project, given our love for Pokémon. ‘One and Only’ is a vibrant pop-genre track that perfectly complements the dynamic energy of both Pokémon and ENHYPEN,” the septet says in a statement.

Earlier this month, ENHYPEN announced the dates and venues for its FATE World Tour, which will include stops across cities in Asia and the United States.

The Asian swing of the jaunt— the group’s second world tour — will kick off with two dates at Seoul’s KSPO Dome July 29-30. Japan follows in early September, the first being a visit to Osaka’s Kyocera Dome Osaka Sept. 2-3. Less than two weeks later in Tokyo, K-pop stars will play a pair of dates at the Tokyo Dome on Sept. 13-14.

As previously reported, ENHYPEN will then head to the United States starting with an Oct. 6 stop at the Dignity Health Sports Park in Los Angeles. The group will also play shows in Glendale, Ariz.; Houston; Dallas; and Newark, N.J., before concluding the U.S. leg on Oct. 22 at Chicago’s United Center.

Comprising Jungwon, Heeseung, Jay, Jake, Sunghoon, Sunoo, and Ni-Ki, ENHYPEN is a creation of BELIFT LAB, making their debut in November 2020.

Since then, they’ve landed two top 10s on the Billboard 200, with 2022’s Manifesto : Day 1 (peaking at No. 6), and 2023’s Dark Blood (No. 4). Three more titles have landed in the top 40.

With “Utau,” J-pop producer imase last year kick-started the Pokémon Music Collective, an initiative of Universal Music Japan and The Pokémon Company.

Watch Pokémon X ENHYPEN’s “One and Only” below.



Lil Wayne & H.E.R. Perform, Angel Reese Wins at 2023 ESPY Awards (Complete Winners List)

The dividing line between music fans and sports fans was all but erased at the 31st annual ESPY Awards, which were presented at the Dolby Theatre in Los Angeles on Wednesday (July 12). Lil Wayne opened the show performing his 2008 hit “A Milli.” H.E.R. performed her latest single, the elegant power ballad “The Journey,” as a tribute to the 30th anniversary of basketball coach Jimmy Valvano’s inspirational speech at the first ESPYS in 1993 when he was terminally ill with cancer.

Several other music stars were also on board for the three-hour show, which was telecast on ABC. Quavo and Lil Dicky were among the presenters. Common narrated a segment paying tribute to Liam Hendriks, who battled back from Stage 4 non-Hodgkin lymphoma.

Angel Reese, who won best breakthrough athlete for leading the Louisiana State University women’s basketball team to the college title this past spring, has become a pop-culture star. Reese recently made a cameo in Latto’s “Put It On Da Floor Again” music video, in which featured act Cardi B raps, “I been ballin’ so damn hard could’ve went to LSU.”

This is the second year in a row that a woman has won in the gender-neutral best breakthrough athlete category. Skier Eileen Gu won last year. This is the first time in the history of the ESPYS that women have won back-to-back awards in this category.

Reese competed in the category with Iowa basketball star Caitlin Clark, her NCAA finals foe. But Clark also won an award this year – best college athlete, women’s sports.

Patrick Mahomes of the Kansas City Chiefs won two awards – best athlete, men’s sports and best NFL player. The Chiefs also won as best team. Argentina soccer superstar Lionel Messi also won two awards – best championship performance and best soccer player.

ESPN sports analyst Pat McAfee gave an opening monologue, though there was no formal host, due to the ongoing Writers Guild of America strike.

The show, which was co-produced by ESPN and Full Day Productions, was a lot like a music awards show in a couple of respects. Even with a generous three-hour time slot, it ran over by about 10 minutes. And only eight competitive awards were announced on the show. The other 14 competitive awards didn’t rate so much as a mention (but we have them here for you).

Here’s the full list of winners, including special awards and sports humanitarian awards.

Best Athlete, Men’s Sports
Nikola Jokić, Denver Nuggets
Aaron Judge, New York Yankees
WINNER: Patrick Mahomes, Kansas City Chiefs
Lionel Messi, Argentina

Best Athlete, Women’s Sports
WINNER: Mikaela Shiffrin, Ski
Sophia Smith, Portland Thorns
Iga Świątek, Tennis
A’ja Wilson, Las Vegas Aces

Best Breakthrough Athlete
Caitlin Clark, Iowa Women’s Basketball
Brock Purdy, San Francisco 49ers
WINNER: Angel Reese, LSU Women’s Basketball
Julio Rodríguez, Seattle Mariners

Best Record-Breaking Performance
–Novak Djokovic wins his 23rd Grand Slam title, breaking a tie with Rafael Nadal for the most major singles trophies in the history of men’s tennis.
WINNER: LeBron James surpasses Kareem Abdul-Jabbar for NBA career scoring record.
–Mikaela Shiffrin breaks the record for the most World Cup victories with her 87th win.
–Max Verstappen wins the Mexican Grand Prix, breaking the record for most wins in a season.

Best Championship Performance
–Leon Edwards, UFC – defeats Kamaru Usman by fifth-round KO to win UFC welterweight title, handing Usman his first UFC loss.
–Nikola Jokić, Denver Nuggets – 2023 NBA Finals MVP.
WINNER: Lionel Messi, Argentina – 2022 World Cup Final – scored two goals and scored in the penalty shootout to win Man of the Match. He won the Golden Ball as FIFA’s best player of the tournament.
–Rose Zhang, LPGA – defeated Jennifer Kupcho in a two-hole sudden death playoff, becoming the first woman in 72 years to win her first professional start.

Best Comeback Athlete
–Jon Jones, UFC – Jones’ first fight in the UFC since 2020. He was last seen in action against Dominick Reyes, where he defended his light-heavyweight championship at UFC 247.
WINNER: Jamal Murray, Denver Nuggets – Murray missed the entirety of last season due to a torn ACL in his left knee. He suffered the injury on April 12, 2021, and didn’t play in the 18 months since then.
–Alyssa Thomas, Connecticut Sun – 2022 WNBA Comeback Player of the Year. Thomas missed all but six games last season while recovering from a torn Achilles tendon. The eight-year veteran started all 36 of Connecticut’s games in 2022, and was an All-Star earlier this season.
–Justin Verlander, Current New York Mets / Houston Astros – 2022 NL Comeback Player of the Year, after being limited to only six innings in 2020 and missing the entire ’21 season due to Tommy John surgery, the Astros’ ace returned this season to go 18-4 with a 1.75 ERA.

Best Play
Michael Block Hole-in-One! GOLF
WINNER: Justin Jefferson with the Catch of the Century NFL
Ally Lemos with the perfect corner to tie the National Championship game NCAA
Trinity Thomas Perfect 10 Tying the All-Time NCAA Record NCAA

Best Team
Denver Nuggets, NBA
Georgia Bulldogs, NCAA Football
WINNER: Kansas City Chiefs, NFL
Las Vegas Aces, WNBA
Louisiana State Tigers, NCAA Women’s Basketball
Oklahoma Sooners, NCAA Softball
Vegas Golden Knights, NHL

Best College Athlete, Men’s Sports
Zach Edey, Purdue Men’s Basketball
Duncan McGuire, Creighton Soccer
Brennan O’Neill, Duke Lacrosse
WINNER: Caleb Williams, USC Football

Best College Athlete, Women’s Sports
Jordy Bahl, Oklahoma Softball
WINNER: Caitlin Clark, Iowa Women’s Basketball
Izzy Scane, Northwestern Lacrosse
Trinity Thomas, Florida Gators Gymnastics

Best Athlete With a Disability
Erica McKee, Sled Hockey Team
WINNER: Zach Miller, Snowboarding
Aaron Pike, Wheelchair Racing & Cross-Country Skiing
Susannah Scaroni, Wheelchair Racing

Best NFL Player
Nick Bosa, San Francisco 49ers
Jalen Hurts, Philadelphia Eagles
Justin Jefferson, Minnesota Vikings
WINNER: Patrick Mahomes, Kansas City Chiefs

Best MLB Player
Paul Goldschmidt, St. Louis Cardinals
Aaron Judge, New York Yankees
WINNER: Shohei Ohtani, Los Angeles Angels
Justin Verlander, Houston Astros

Best NHL Player
Jonathan Marchessault, Vegas Golden Knights
WINNER: Connor McDavid, Edmonton Oilers
David Pastrňák, Boston Bruins
Linus Ullmark, Boston Bruins

Best NBA Player
Jimmy Butler, Miami Heat
Joel Embiid, Philadelphia 76ers
WINNER: Nikola Jokić, Denver Nuggets
Jayson Tatum, Boston Celtics

Best WNBA Player
Skylar Diggins-Smith, Phoenix Mercury
Candace Parker, Chicago Sky (Current Las Vegas Aces)
Breanna Stewart, Seattle Storm (Current New York Liberty)
WINNER: A’ja Wilson, Las Vegas Aces

Best Driver
Brittany Force, NHRA
Kyle Larson, NASCAR
Josef Newgarden, IndyCar
WINNER: Max Verstappen, F1

Best UFC Fighter
Leon Edwards
WINNER: Jon Jones
Islam Makhachev
Amanda Nunes

Best Boxer
Gervonta Davis
Devin Haney
WINNER: Claressa Shields
Shakur Stevenson

Best Soccer Player
Aitana Bonmatí, Spain/Barcelona
Erling Haaland, Norway/Manchester City
WINNER: Lionel Messi, Argentina/PSG
Sophia Smith, USWNT/Portland Thorns

Best Golfer
Wyndham Clark
Nelly Korda
Jon Rahm
WINNER: Scottie Scheffler

Best Tennis Player
Carlos Alcaraz
WINNER: Novak Djokovic
Aryna Sabalenka
Iga Świątek

Special Awards

Pat Tillman Award for Service: Buffalo Bills’ training staff for helping Damar Hamlin recover from a devastating injury

Arthur Ashe Award for Courage: The U.S. Women’s National Soccer Team for successfully fighting for pay parity.

Jimmy V Award for Perseverance: Chicago White Sox pitcher and cancer survivorLiam Hendriks for battling back from a diagnosis of Stage 4 non-Hodgkin lymphoma.

Sports Humanitarian Awards

Muhammad Ali Sports Humanitarian Award:Jrue Holiday (Milwaukee Bucks) & Lauren Holiday (retired U.S. Women’s National Team)

Billie Jean King Youth Leadership Award: Jordan Adeyemi, Ashley Badis, Rishan Patel

Sports Humanitarian Team of the Year: San Antonio Spurs

Stuart Scott ENSPIRE Award Honoree: Dr. Richard Lapchick

Peso Pluma on His Rise to No. 1, Working With Bizarrap & More | The Power of No. 1 | Billboard Cover

Peso Pluma opens up about reaching No. 1 with his tracks “Ella Baila Sola” with Eslabon Armado and “BZRP: Music Sessions Vol. 55” with Bizarrap, how his life has changed since his recent success, achieving his dream and more.

Peso Pluma:
It was a dream to me. I’m very happy to be up there, but I think the most important thing is to stay and be consistent.

I’m Peso Pluma, and this is The Power of No. 1.

The first few times I stood up in front of a lot of people, in auditoriums and arenas, obviously I was nervous, it’s always there. My heart beats faster, I’ve always been like that. But once I hear people singing they push me to carry on. I wanted to become an artist and share what I feel, what I write from my soul, and what I am. I’m really grateful for this wave. It’s a new era, just as my new album is a GENESIS. It’s just the beginning of what we can do.

George Prajin:
I first met Peso at my studio in Anaheim. I had been pitched Peso three years prior, I thought that there was immense talent at that time. I just wasn’t at a point in my career, that I was going to be able to give a developing act the kind of attention that was needed. Fast forward three years later, when I saw him in person, I saw him play the guitar and I heard him sing everything just clicked and I knew that I had to take this opportunity.

Watch the full video above.

Juanes’ SummerStage Show Halted Due to ‘Excessive Crowds’: ‘I Was Very Eager to Play’

On Wednesday (Jul. 12) evening, Juanes took SummerStage as part of the LAMC summer series to perform in front of an overzealous crowd in a free, outdoor venue that was well-beyond capacity. However, just two songs in, the concert was halted due to “excessive crowds.”

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“Tonight, the Juanes show at SummerStage in Central Park drew a capacity crowd of 5,000 attendees inside the venue with an estimated overflow of 12,000 additional fans outside the gates,” Heather Lubov, executive director at City Parks Foundation SummerStage, said in an official statement sent to Billboard Español. “During the performance of his second song, with continued crowds at the gates and out of an abundance of caution, the show was halted and fans were asked to leave the venue.”

It was the “first time in 30 years SummerStage was required to stop a concert in progress for a non-weather related issue,” she continued. “SummerStage, LAMC and Juanes all agreed that the safety of fans and concert goers was of paramount concern and at the request of the NYPD, made the decision to cancel the show.”

The Colombian rockstar, who arrived clad in all black, opened up with his latest single “Gris” and followed up with mega hit “Mala Gente” to the thrill of thousands. As the excitement began to build, the show got abruptly canceled to everyone’s disappointment. 

“Inside and outside [the venue] we have to be calm, guys,” exclaimed Juanes after wrapping up his second song. “If we are not calm, they are going to stop the concert. Many people were left outside without being able to enter. We want to continue with the show. It’s possible, right?”, he said, turning around to a staff member near the stage.

Unfortunately, it was not. “Thanks for coming out, we’re sorry, we have to ask everyone to please vacate the venue immediately,” announced a staff member at SummerStage.  

Outside, thousands of people snaked around Rumsey Playfield with a line that seemed about a mile long.

“I’m sad because I was very eager to play,” Juanes told Billboard Español moments before its sudden cancellation. Although clearly disappointed, the Latin juggernaut still took the time to take photos with his fans and thank those for coming. 

Moments before making it inside the venue, it was clear that the intensity was high. Cops began to swarm by outside, and ambulances were on the scene. At the time of this report, Billboard Español is unaware of any injuries.

The LAMC and Summerstage headlining performance was going to be Juanes’ first live U.S. show of songs from Vida Cotidiana, his tenth studio album released in May.

Throughout his prolific and highly successful career, Juanes has earned three songs on the Billboard Hot 100 chart, and seven titles on the Billboard 200. He has has won 24 Latin Grammy Awards and three Grammy Awards.

Watch the moment Juanes finds out about the cancellation:

Audacy Starts Talks With Lenders to Restructure Debt

Radio broadcaster Audacy has begun talks with its lenders to restructure the company’s debt as a soft advertising market clouds its long-term outlook.

The discussions, first reported by the Wall Street Journal, follow the May 10 statement by chairman/president/CEO David Field during the company’s first quarter earnings call that Audacy was “finalizing its preparation to commence discussion with its lenders to explore the financing and strategies to manage” its debt load.

“As we have previously stated we intended to do, we have initiated discussions with our lenders to refinance our debt and optimize our balance sheet to position Audacy for long-term growth as we continue to invest in our people, platform, technology, content and growth initiatives,” the company said in a statement to Billboard.

Audacy warned in a May 10 10-Q filing that “challenging macroeconomic conditions” such as interest rates and soft advertising revenue had created “significant uncertainty in operations.” Field said during the earnings call that Audacy’s banks “have historically been willing to amend covenants to provide relief during recessionary periods” but added “there can be no assurance” the banks would do so in these negotiations.

A weak advertising market has required Audacy and other radio companies to cut costs, sell non-core assets and lay off some employees. Audacy’s first quarter net revenue of $259.6 million was down 5.7% year-over-year and 16% lower than the same period in 2019. The downturn only amplifies the strain of Audacy’s debt load. “The number one issue is too much debt in a secular declining industry,” Craig Huber, media analyst at Huber Research Partners, told Billboard in May.

Most of Audacy’s $1.88 billion of long-term debt came from its 2017 merger with CBS Radio. The deal increased Audacy’s revenue more than four-fold but also increased its debt from $468 million at the end of 2016 to $1.86 billion at the end of 2017. As of March 31, the company was in compliance with its debt covenants, according to its latest 10-Q filing. But Audacy warned investors that its forecasted revenue for the next 12 months “is unlikely to be sufficient” to maintain compliance with its covenants. Failing to meet those covenants would put the company in default and require waivers or amendments from lenders.

Wiz Khalifa “Peace and Love,” Blueface “House Arrest” & More | Daily Visuals 7.12.23

HipHopWired Featured Video

Wiz Khalifa

Source: Bernard Smalls / @PhotosByBeanz

Wiz Khalifa might be one of the few rappers in the history of the rap game that’s never found himself in a quarrel with another one of his Hip-Hop peers (that Kanye debacle doesn’t count), so it’s not surprising that he’s making records about positivity and good fortune as that’s what he’s known since coming into the game.

In his latest visuals to “Peace and Love,” Wiz Khalifa touches down in a rather interesting neighborhood where the women are much to his liking but everyone else is into their own weird and eclectic lifestyles. Regardless everyone seems to be enjoying life, and that’s the point, right?

Speaking of enjoying life, Blueface seems to be as content as could be in his crib and for his clip to “House Arrest” the controversial rapper spends time playing some PS5 and turning up with two thick young women who probably snuck in while Chrisean Rock was out doing a show or something. Y’all know if they’re there when she gets home it’s going to be a slugfest in that m*th*f*ck*.

Check out the rest of today’s drops including work from Hit-Boy, Big Hit and Jay Worthy, EARTHGANG and more.

WIZ KHALIFA – “PEACE AND LOVE”



BLUEFACE – “HOUSE ARREST”


https://youtube.com/watch?v=oXYGVn-cjck&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

HIT-BOY, BIG HIT & JAY WORTHY – “WATCH FOR THE RIDERS”



EARTHGANG – “BOBBY BOUCHER”



GAVLYN & NADIA ROSE – “AURMOUR UP”


https://youtube.com/watch?v=HlqUTMcvs6U&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

LAKEYAH – “WANT EM HOOD”



HURRICANE WISDOM & NLE CHOPPA – “REAL ME”



JACQUEES – “WOMAN’S WORTH”



HipHopWired Radio

Our staff has picked their favorite stations, take a listen…


Megan Fox Covers Up Tattoo of Ex-Husband Brian Austin Green’s Name

Megan Fox has officially covered a tattoo of her ex-husband Brian Austin Green’s name.

Tattoo artist Jesse Tattoo took to Instagram to share the new artwork he did on the Jennifer’s Body actress, which features a series of snakes and flowers down the side of her pelvic bone. “Coverup tattoo for @meganfox [snake emoji],” the artist wrote in the caption. “Was able to completely hide the old tattoo underneath the new snake and flowers she wanted… very grateful for all of the opportunity tattooing has given me and all of the cool people I’ve met along the way.”

See his post here.

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Fox was married to Green from 2010 to 2021, and the two shares three sons: 10-year-old Noah, nine-year-old Bodhi and six-year-old Journey. After their split but before the divorce was final, Fox met Machine Gun Kelly spring 2020 while they were filming the movie Midnight in the Switchgrass in Puerto Rico. The pair began officially dating that summer and later got engaged in January 2022.

In early 2023, rumors began to swirl that the couple’s relationship was on the rock after the actress deleted all of her Instagram photos with MGK and posted a video of a burning envelope with a caption quoting “Pray You Catch Me” from Beyoncé’s Lemonade, an album dedicated to the pain of being cheated on.

“There has been no third party interference in this relationship of any kind. That includes, but is not limited to…actual humans, DMs, AI bots or succubus demons,” Fox later clarified in another Instagram post. “While I do hate to rob you of running random baseless news stories that would have been much more accurately written by ChatGPT, you need to let this story die and leave all of these innocent people alone now.”

2023 Emmy Nominations: All Program Categories

Numerous music-related shows were nominated in program categories for the 75th annual Primetime Emmy Awards. The nominations were announced on Wednesday (July 12). The awards will be presented on Monday, Sept. 18.

The Apple Music Super Bowl LVII Halftime Show Starring Rihanna (Fox) is nominated for outstanding variety special (live), where it is competing with the Tonys (CBS), the Oscars (ABC), Elton John Live: Farewell From Dodger Stadium (Disney+) and Chris Rock: Selective Outrage (Netflix). Last year, The Pepsi Super Bowl LVI Halftime Show Starring Dr. Dre, Snoop Dogg, Mary J. Blige, Eminem, Kendrick Lamar, 50 Cent became the first Super Bowl halftime show to win a top program Emmy.

These are the first Primetime Emmy nominations for Rihanna and Elton John. If the British superstar wins, he’ll become an EGOT. Chris Rock is a four-time Primetime Emmy winner, including a 1997 award for outstanding variety, music or comedy special for Chris Rock: Bring the Pain.

Jimmy Kimmel Live! (ABC) received its 12th nomination for outstanding talk series, which puts it in a tie with Real Time With Bill Maher for the most nods in the category without a win (yet). Competing with Kimmel’s show this year are The Late Show With Stephen Colbert (CBS, its seventh nod in the category), The Daily Show With Trevor Noah (Comedy Central, its sixth), Late Night with Seth Meyers (NBC, its second) and The Problem With Jon Stewart (Apple TV+, its first).

Last Week Tonight With John Oliver, which won for outstanding talk series the last seven years in a row, was moved to outstanding scripted variety series, where it is nominated. Its chief competition in its new category is Saturday Night Live, which has won here the last six years in a row. The Emmys have thus shaken up two categories where there was very little suspense. The scripted variety series category is rounded out by HBO’s A Black Lady Sketch Show, nominated for the fourth year in a row.

NBC’s The Voice is nominated for outstanding reality/competition program for the 12th time, which constitutes a new record for a music or dance program. It tops Dancing With the Stars (11 nods), American Idol (nine) and So You Think You Can Dance (five).

Dear Mama (FX), a program about Tupac Shakur and his mother, Afeni Shakur, is competing for outstanding documentary or non-fiction series. Another series about a rapper, jeen-yuhs: A Kanye Trilogy, about Ye, formerly known as Kanye West, was nominated last year, but lost to The Beatles: Get Back.

George & Tammy (Showtime), about country music legends George Jones and Tammy Wynette, is nominated for outstanding limited or anthology series.

Weird: The Al Yankovic Story (The Roku Channel) and Dolly Parton’s Mountain Magic Christmas (NBC) are nominated for outstanding television movie. Dolly Parton’s Christmas on the Square won in this category two years ago. Other recent music-related movies to win in this category are Bessie (about gospel legend Bessie Smith, 2015) and Behind the Candelabra (about entertainer Liberace, 2013).

Carol Burnett: 90 Years Of Laughter + Love is nominated for outstanding variety special (pre-recorded). This is the seventh consecutive decade the TV icon has received a nomination. She landed her first nod in 1962 for her work on The Garry Moore Show.

The 75th Emmy Awards are set to telecast live coast-to-coast from Los Angeles on Monday, Sept. 18, (8:00-11:00 p.m. ET/5:00-8:00 p.m. PT) on FOX. Emmy winners Jesse Collins and Dionne Harmon and Emmy nominee Jeannae Rouzan-Clay of Jesse Collins Entertainment will executive produce the show.

Here are the nominees in all program categories.

Outstanding Variety Special (Live)

The Apple Music Super Bowl LVII Halftime Show Starring Rihanna • FOX • Jesse Collins Entertainment, DPS and Roc Nation

Chris Rock: Selective Outrage • Netflix • Netflix / Tenth Planet

Elton John Live: Farewell From Dodger Stadium • Disney+ • Disney+ Presents in association with Rocket Entertainment / A Fulwell 73 Production

The Oscars • ABC • Academy of Motion Picture Arts and Sciences

75th Annual Tony Awards • CBS • White Cherry Entertainment

Outstanding Variety Special (Pre-Recorded)

Carol Burnett: 90 Years Of Laughter + Love • NBC • Silent House Productions

John Mulaney: Baby J • Netflix • Netflix

Lizzo: Live In Concert • HBO Max • HBO Max in association with LizzoBangers and Done+Dusted

Norman Lear: 100 Years Of Music & Laughter • ABC • Done+Dusted

Trevor Noah: I Wish You Would • Netflix • Bob Bain Productions, Day Zero Productions and Mainstay Entertainment for Netflix

Wanda Sykes: I’m An Entertainer • Netflix • Push It Productions for Netflix

Outstanding Talk Series

The Daily Show With Trevor Noah • Comedy Central • Central Productions, LLC

Jimmy Kimmel Live! • ABC • ABC Signature in association with Kimmelot

Late Night With Seth Meyers • NBC • Universal Television and Broadway Video

The Late Show With Stephen Colbert • CBS • CBS Studios

The Problem With Jon Stewart • Apple TV+ • Busboy / EDEN in association with Apple

Outstanding Scripted Variety Series

A Black Lady Sketch Show • HBO Max • HBO in association with For Better or Words, Inc., HooRAE, 3 Arts Entertainment and Jax Media

Last Week Tonight With John Oliver • HBO Max • HBO in association with Sixteen String Jack Productions and Avalon Television

Saturday Night Live • NBC • SNL Studios in association with Universal Television and Broadway Video

Outstanding Reality Competition Program

The Amazing Race • CBS • WorldRace Productions, Inc.

RuPaul’s Drag Race • MTV • World of Wonder

Survivor • CBS • MGM Television

Top Chef • Bravo • Magical Elves

The Voice • NBC • MGM Television and Warner Bros. Unscripted Television in association with Warner Horizon and ITV Studios; The Voice USA, Inc.

Outstanding Television Movie

Dolly Parton’s Mountain Magic Christmas • NBC • Warner Bros. Television in association with Magnolia Hill Productions and Sandollar Productions

Fire Island • Hulu • Searchlight Pictures Presents, a JAX Media Production

Hocus Pocus 2 • Disney+ • Walt Disney Pictures

Prey • Hulu • 20th Century Studios

Weird: The Al Yankovic Story • The Roku Channel • The Roku Channel, Funny or Die, Tango Entertainment

Outstanding Comedy Series

Abbott Elementary • ABC • Delicious Non-Sequitur Productions in association with Warner Bros. Television and 20th Television

Barry • HBO Max • HBO in association with Alec Berg and Hanarply

The Bear • FX • FX Productions

Jury Duty • Amazon Freevee • Amazon Studios

The Marvelous Mrs. Maisel • Prime Video • Amazon Studios

Only Murders in the Building • Hulu • 20th Television

Ted Lasso • Apple TV+ • Apple presents a Doozer Production in association with Warner Bros. Television and Universal Television

Wednesday • Netflix • A Netflix Series / An MGM Television Production

Outstanding Drama Series

Andor • Disney+ • Lucasfilm Ltd.

Better Call Saul • AMC • High Bridge, Crystal Diner, Gran Via Productions and Sony Pictures Television

The Crown • Netflix • Left Bank Pictures and Sony Pictures Television for Netflix

House of the Dragon • HBO Max • HBO in association with 1:26 Pictures, Bastard Sword, and GRRM Productions

The Last of Us • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog

Succession • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat

The White Lotus • HBO Max • HBO in association with Rip Cord and The District

Yellowjackets • Showtime • SHOWTIME Presents, Entertainment One

Outstanding Limited or Anthology Series

BEEF • Netflix • A Netflix Series / An A24 Production

Dahmer – Monster: The Jeffrey Dahmer Story • Netflix • Ryan Murphy Productions for Netflix

Daisy Jones & The Six • Prime Video • Hello Sunshine, Amazon Studios

Fleishman Is In Trouble • FX • ABC Signature

Obi-Wan Kenobi • Disney+ • Lucasfilm Ltd.

Outstanding Structured Reality Program

Antiques Roadshow • PBS • GBH

Diners, Drive-Ins And Dives • Food Network • Knuckle Sandwich and Citizen Pictures

Love Is Blind • Netflix • Kinetic Content for Netflix

Queer Eye • Netflix • Scout Productions Inc. and ITV Entertainment LLC for Netflix

Shark Tank • ABC • MGM Television in association with Sony Pictures Television

Outstanding Unstructured Reality Program

Indian Matchmaking • Netflix • The Intellectual Property Corporation (IPC) for Netflix

RuPaul’s Drag Race: Untucked • MTV • World of Wonder

Selling Sunset • Netflix • Done+Done Productions and Lionsgate for Netflix

Vanderpump Rules • Bravo • Evolution Media

Welcome To Wrexham • FX • Boardwalk Pictures

Outstanding Game Show

Family Feud • ABC • Fremantle

Jeopardy! • ABC • Quadra Productions in association with Sony Pictures Television

The Price Is Right • CBS • Fremantle

That’s My Jam • NBC • Universal Television Alternative Studio in association with Electric Hog Dog

Wheel Of Fortune • ABC • Quadra Productions in association with Sony Pictures Television

Outstanding Animated Program

Bob’s Burgers • The Plight Before Christmas • FOX • 20th Television Animation

Entergalactic • Netflix • Netflix / Mad Solar / Khalabo Ink Society / Edelgang

Genndy Tartakovsky’s Primal • Shadow Of Fate • Adult Swim • Cartoon Network Studios Rick And Morty • Night Family • Adult Swim

Rick and Morty LLC, Williams Street

The Simpsons • Treehouse Of Horror XXXIII • FOX • A Gracie Films Production in association with 20th Television Animation

Outstanding Documentary or Nonfiction Special

Being Mary Tyler Moore • HBO Max • Hillman Grad Productions, Debra Martin Chase Productions, The Mission Entertainment and Good Trouble Studios; Ben Selkow, Produced by; James Adolphus, Produced by; Lena Waithe, Produced by; Rishi Rajani, Produced by; Debra Martin Chase, Produced by; Andrew C. Coles, Produced by; Laura Gardner, Produced by

Judy Blume Forever • Prime Video • Amazon Studios Meredith Kaulfers, Executive Producer; Sara Bernstein, Produced by; Justin Wilkes, Produced by; Davina Pardo, Produced by; Leah Wolchok, Produced by; Marcella Steingart, Produced by

My Transparent Life • Prime Video • Elysium Media; Serena De Comarmond, Executive Producer; Evan Jenkins, Producer

Pamela, A Love Story • Netflix • A Netflix Documentary / A Dorothy St Pictures, Tripod Media, and Colony Entertainment Production; Jessica Hargrave, Producer; Ryan White, Producer; Julia Nottingham, Producer; Brandon Thomas Lee, Producer; Josh Braun, Executive Producer

Still: A Michael J. Fox Movie • Apple TV+ • An Apple Original Film in association with Concordia Studio; Nelle Fortenberry, Executive Producer; Laurene Powell Jobs, Executive Producer; Nicole Stott, Executive Producer; Davis Guggenheim, Produced by. Annetta Marion, Produced by; Jonathan King, Produced by; Will Cohen, Produced by

Outstanding Documentary or Nonfiction Series

Dear Mama • FX • FX Presents A Defiant Ones Media Group Production / An Amaru Entertainment Production in association with DreamCrew Entertainment, Interscope, MACRO, Polygram Entertainment; Lasse Järvi, Executive Producer; Nelson George, Executive Producer; Peter Nelson, Executive Producer; Jamal Joseph, Executive Producer; Ted Skillman, Executive Producer; Allen Hughes, Executive Producer; Stef Smith, Produced by; Loren Gomez, Producer; Joshua Garcia, Producer; James Jenkins, Producer

100 Foot Wave • HBO Max • HBO Presents, Topic Studios, Library Films, Amplify Pictures Maria Zuckerman, Executive Producer; Ryan Heller, Executive Producer; Joe Lewis, Executive Producer; Chris Smith, Executive Producer; Nancy Abraham, Executive Producer; Lisa Heller, Executive Producer; Bentley Weiner, Executive Producer

Secrets of the Elephants • National Geographic • Oxford Scientific Films LTD and Earthship Productions for National Geographic; James Cameron, Executive Producer; Maria Wilhelm, Executive Producer; Pamela Caragol, Executive Producer; Lucinda Axelsson, Executive Producer; Caroline Hawkins, Executive Producer; Jonathan Frisby, Series Producer; Dr. Paula Kahumbu, Producer; Kim Butts, Producer

The 1619 Project • Hulu • Onyx Collective, Lionsgate Productions in association with One Story Up Productions, Harpo Films and The New York Times; Nikole Hannah-Jones, Executive Producer; Roger Ross Williams, Executive Producer; Shoshana Guy, Executive Producer; Caitlin Roper, Executive Producer; Kathleen Lingo, Executive Producer; Helen Verno, Executive Producer; Oprah Winfrey, Executive Producer; Geoff Martz, Co-Executive Producer; Carla Gardini, Co-Executive Producer; Jonathan Clasberry, Producer

The U.S. and the Holocaust • PBS • Florentine Films and WETA; Sarah Botstein, Produced by; Lynn Novick, Produced by; Ken Burns, Produced by; Mike Welt, Produced by

Exceptional Merit in Documentary Filmmaking

The Accused: Damned or Devoted? • PBS • A 64th Street Media and Brook Lapping Production Mohammed Ali Naqvi, Produced by/Directed by

Aftershock • Hulu • ABC News Studios, Onyx Collective; Paula Eiselt, A Film by Tonya Lewis Lee, A Film by

Last Flight Home • Paramount+ • Interloper Films, MTV Documentary Films Ondi Timoner, Produced by; David Turner, Produced by

The Territory • National Geographic • National Geographic Documentary Films Presents a Documist and Associação Jupaú Film in association with Time Studios, Xtr, Doc Society Climate Story Fund / A Production of Protozoa Pictures, Passion Pictures, Real Lava; Alex Pritz, Produced by; Darren Aronofsky, Produced by; Sigrid Dyekjær, Produced by; Will N. Miller, Produced by; Gabriel Uchida, Produced by; Lizzie Gillett, Produced by; Txai Suruí, Executive Producer

Outstanding Hosted Nonfiction Series or Special

The Light We Carry: Michelle Obama & Oprah Winfrey • Netflix • A Netflix Special in association with Higher Ground Productions & Jesse Collins Entertainment; Michelle Obama, Executive Producer; Jesse Collins, Executive Producer; Dionne Harmon, Executive Producer; Tanisha Whitfield, Supervising Producer; Tonia Davis, Produced by; Ethan Lewis, Produced by; Oprah Winfrey, Host

My Next Guest Needs No Introduction With David Letterman And Volodymyr Zelenskyy • Netflix • A Jax Media and Worldwide Pants Production for Netflix; Tom Keaney, Executive Producer; Mary Barclay, Executive Producer; John Skidmore, Executive Producer; Justin Wilkes, Executive Producer; Michael Steed, Executive Producer; Razan Ghalayini, Co-Executive Producer; Tommy Alter, Producer

Stanley Tucci: Searching for Italy • CNN • CNN Original Series, RAW; Stanley Tucci, Executive Producer/Host; Shauna Minoprio, Executive Producer; Robin O’Sullivan, Executive Producer; Amy Entelis, Executive Producer; Lyle Gamm, Executive Producer; Jon Adler, Executive Producer; Katie Isaacson, Supervising Producer; Fiona Cleary, Series Producer; Nadya Mahdi, Series Producer; Francesco Ficarra, Producer

Taste The Nation With Padma Lakshmi • Hulu • Part2 Pictures, Delicious Entertainment; Padma Lakshmi, Executive Producer/Host; David Shadrack Smith, Executive Producer; Rachel Tung, Executive Producer; Lauren Budabin, Co-Executive Producer; Matthew Alvarez, Producer

United Shades of America With W. Kamau Bell • CNN • CNN Original Series, Zero Point Zero Production, Inc. W. Kamau Bell, Executive Producer/Host; Christopher Collins, Executive Producer; Lydia Tenaglia, Executive Producer; Sandra Zweig, Executive Producer; Morgan Fallon, Executive Producer; Amy Entelis, Executive Producer; Lyle Gamm, Executive Producer; Dwayne Kennedy, Supervising Producer; Crystal Isaac, Producer; Andrew Ford, Producer

Outstanding Emerging Media Program

For All Mankind Season 3 Experience • Apple TV+ • Apple TV+ in association with Tall Ship Productions Apple TV+ Tall Ship Productions Antibody Elastic

Gorillaz Presents • Google • Nexus Studios, Google, Eleven Management Nexus Studios Google Eleven Management

MLK: Now Is The Time • Oculus • Time Studios, Meta, Flight School Studio Amy Seidenwurm, Executive Producer Ian Orefice, Executive Producer Matthew O’Rourke, Producer/Executive Producer Sulivan Parker, Producer Limbert Fabian, Director

The Notorious B.I.G. Sky’s The Limit: A VR Concert Experience • Facebook & Meta Horizon Worlds • A Gunpowder & Sky Production Gunpowder & Sky The Notorious B.I.G. Estate Alex Coletti, Executive Producer Elliot Osagie, Executive Producer

You Destroy. We Create | The War On Ukraine’s Culture • Meta Quest TV • NowHere Media, Meta Quest VR for Good NowHere Media

Outstanding Short Form Comedy, Drama or Variety Series

Awkwafina Is Hangin’ With Grandma • Comedy Central • MTV Entertainment Studios, Comedy Partners; Nora Lum, Executive Producer; Teresa Hsiao, Executive Producer; Emily Moffatt, Executive Producer; Harika Manne, Executive Producer; Minnie Bennett, Supervising Producer

Better Call Saul Filmmaker Training • AMC • AMC Networks Content Room, Bacon & Sons Film Co.; Dan Appel, Executive Producer; Melissa Bernstein, Executive Producer; Peter Gould, Executive Producer; Ariel Levine, Executive Producer

Carpool Karaoke: The Series • Apple TV+ • CBS Studios in association with Fulwell 73 and Apple; Ben Winston, Executive Producer; James Corden, Executive Producer; Eric Pankowski, Executive Producer; David Young, Co-Executive Producer; Blake Webster, Producer

I Think You Should Leave With Tim Robinson • Netflix • Netflix; Tim Robinson, Executive Producer; Zach Kanin, Executive Producer; Akiva Schaffer, Executive Producer; Ali Bell, Executive Producer; Alex Bach, Executive Producer; Alice Mathias, Executive Producer

Only Murders in the Building: One Killer Question • Hulu • 20th Television; Dave Roth, Executive Producer; Zuriht Serna, Executive Producer; Trisha Choate, Executive Producer; Jillian Novak, Executive Producer; Xavier Salas, Executive Producer

Outstanding Short Form Nonfiction or Reality Series

House Of The Dragon: Inside The Episode • HBO Max • HBO in association with 1:26 Pictures, Bastard Sword, and GRRM Productions; Anthony Mauro, Executive Producer; Cristina Catanzaro, Co-Executive Producer; Mia Hildebrand, Co-Executive Producer; Dan Storey, Supervising Producer; Ashley Morton, Supervising Producer; Dana Froome, Producer

The Last Of Us: Inside The Episode • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog; Emily Giannussa, Executive Producer; Julio Cabral, Executive Producer; Badger Denehy, Executive Producer; Eddie Maldonado, Executive Producer; Kathy Rocklein Sontag, Executive Producer

Saturday Night Live Presents: Behind the Sketch • NBC • SNL Studios in association with Universal Television and Broadway Video; Lorne Michaels, Executive Producer; Grace Shaker, Supervising Producer; Dina Moles, Supervising Producer; Dan D’Lauro, Producer; Matt Yonks, Producer; Mike Diva, Producer

Succession: Controlling the Narrative • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions; Chris Grasso, Executive Producer; Melora Soodalter, Executive Producer; Lindsay Nowak, Senior Producer; Jack Quinn, Producer

The White Lotus: Unpacking the Episode • HBO Max • HBO in association with Rip Cord and The District; Shanna Yehlen, Executive Producer; Jim Weiner, Executive Producer; Ximena Lopez, Co-Executive Producer; Katla McGlynn, Co-Executive Producer

At AI Hearing, UMG Asks Senate Judiciary to Protect Artists From Impersonation With New Regulations

Universal Music Group general counsel/executive vp of business and legal affairs, Jeffery Harleston, spoke as a witness in a Senate Judiciary Committee hearing on AI and copyright on Wednesday (July 12) to represent the music industry. In his remarks, the executive called for a “federal right of publicity” — the state-by-state right that protects artists’ likenesses, names, and voices — as well as for “visibility into AI training data” and for “AI-generated content to be labeled as such.”

Harleston was joined by other witnesses including Karla Ortiz, a conceptual artist and illustrator who is waging a class action lawsuit against Stability AI; Matthew Sag, professor of artificial intelligence at Emory University School of Law; Dana Rao, executive vp/general counsel at Adobe; and Ben Brooks, head of public policy at Stability AI.

“I’d like to make four key points to you today,” Harleston began. “First, copyright, artists, and human creativity must be protected. Art and human creativity are central to our identity.” He clarified that AI is not necessarily always an enemy to artists, and can be used in “service” to them as well. “If I leave you with one message today, it is this: AI in the service of artists and creativity can be a very, very good thing. But AI that uses, or, worse yet, appropriates the work of these artists and creators and their creative expression, their name, their image, their likeness, their voice, without authorization, without consent, simply is not a good thing,” he said.

Second, he noted the challenges that generative AI poses to copyright. In written testimony, he noted the concern of “AI-generated music being used to generate fraudulent plays on streaming services, siphoning income from human creators.” And while testifying at the hearing, he added, “At Universal, we are the stewards of tens of thousands, if not hundreds of thousands, of copyrighted creative works from our songwriters and artists, and they’ve entrusted us to honor, value and protect them. Today, they are being used to train generative AI systems without authorization. This irresponsible AI is violative of copyright law and completely unnecessary.”

Training is one of the most contentious areas of generative AI for the music industry. In order to get an AI model to learn how to generate a human voice, a drum beat or lyrics, the AI model will train itself on up to billions of data points. Often this data contains copyrighted material, like sound recordings, without the owner’s knowledge or compensation. And while many believe this should be considered a form of copyright infringement, the legality of using copyrighted works as training data is still being determined in the United States and other countries.

The topic is also the source of Ortiz’s class action lawsuit against Stability AI. Her complaint, filed in California federal court along with two other visual artists, alleges that the “new” images generated by Stability AI’s Stable Diffusion model used their art “without the consent of the artists and without compensating any of those artists,” which they feel makes any resulting generation from the AI model a “derivative work.”

In his spoken testimony, Harleston pointed to today’s “robust digital marketplace” — including social media sites, apps and more — in which “thousands of responsible companies properly obtained the rights they need to operate. There is no reason that the same rules should not apply equally to AI companies.”

Third, he reiterated that “AI can be used responsibly…just like other technologies before.” Among his examples of positive uses of AI, he pointed to Lee Hyun [aka MIDNATT], a K-pop artist distributed by UMG who used generative AI to simultaneously release the same single in six languages using his voice on the same day. “The generative AI tool extended the artist’s creative intent and expression with his consent to new markets and fans instantly,” Harleston said. “In this case, consent is the key,” he continued, echoing Ortiz’s complaint.

While making his final point, Harleston urged Congress to act in several ways — including by enacting a federal right of publicity. Currently, rights of publicity vary widely state by state, and many states’ versions include limitations, including less protection for some artists after their deaths.

The shortcomings of this state-by-state system were highlighted when an anonymous internet user called Ghostwriter posted a song — apparently using AI to mimic the voices of Drake and The Weeknd –called “Heart On My Sleeve.” The track’s uncanny rendering of the two major stars immediately went viral, urging the music business to confront the new, fast-developing concern of AI voice impersonation.

A month later, sources told Billboard that the three major label groups — UMG, Warner Music Group and Sony Music — have been in talks with the big music streaming services to allow them to cite “right of publicity” violations as a reason to take down songs with AI vocals. Removing songs based on right of publicity violations is not required by law, so the streamers’ reception to the idea appears to be voluntary.

“Deep fakes, and/or unauthorized recordings or visuals of artists generated by AI, can lead to consumer confusion, unfair competition against the artists that actually were the original creator, market dilution and damage to the artists’ reputation or potentially irreparably harming their career. An artist’s voice is often the most valuable part of their livelihood and public persona. And to steal it, no matter the means, is wrong,” said Harleston.

In his written testimony, Harleston went deeper, stating UMG’s position that “AI generated, mimicked vocals trained on vocal recordings from our copyrighted recordings go beyond Right of Publicity violations… copyright law has clearly been violated.” Many AI voice uses circulating the internet involve users mashing up one previously released song topped with a different artist’s voice. These types of uses, Harleston wrote, mean “there are likely multiple infringements occurring.”

Harleston added that “visibility into AI training data is also needed. If the data on AI training is not transparent, the potential for a healthy marketplace will be stymied as information on infringing content will be largely inaccessible to individual creators.”

Another witness at the hearing raised the idea of an “opt-out” system so that artists who do not wish to be part of an AI’s training data set will have the option of removing themselves. Already, Spawning, a music-tech start-up, has launched a website to put this possible remedy into practice for visual art. Called “HaveIBeenTrained.com,’ the service helps creators opt-out of training data sets commonly used by an array of AI companies, including Stability AI, which previously agreed to honor the HaveIBeenTrained.com opt-outs.

Harleston, however, said he did not believe opt-outs are enough. “It will be hard to opt out if you don’t know what’s been opted in,” he said. Spawning co-founder Mat Dryhurst previously told Billboard that HaveIBeenTrained.com is working on an opt-in tool, though this product has yet to be released.

Finally, Harleston urged Congress to label AI-generated content. “Consumers deserve to know exactly what they’re getting,” he said.

Some of Taylor Swift’s ‘Speak Now (Taylor’s Version)’ Vinyls Accidentally Played British Electronica Music

A small number of Swifties got a major surprise when they received their vinyl editions of Speak Now (Taylor’s Version), as the vinyls didn’t play Taylor Swift at all and treated listeners to British electronica music instead.

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The accidental mis-press of the vinyl was seen in action via a viral TikTok video posted by user @myschief_marauder. “Does anyone else’s ‘Speak Now’ vinyl not have Taylor Swift on it?” she says in her video before playing the record’s “Side A,” which ended up playing Cabaret Voltaire’s “Soul Vine (70 Billion People)” instead of “Mine (Taylor’s Version).”

“We are aware that there are an extremely limited number of incorrectly pressed vinyl copies in circulation and have addressed the issue. If you have purchased one of the affected goods, please contact customer service at your respective retailer for a replacement or refund,” Universal Music Group, which parents Swift’s label Republic Records, shared in a statement to Billboard.

Distribution company Above Board Distribution also addressed the mishap on Instagram, resharing @myschief_marauder’s original video with a Swift pun-filled caption. “Due to a delicate pressing blunder, some Taylor Swift fans received a misprinted copy of ‘Speak Now (Taylor’s Version),’ which we have learned features audio of our in house compilation ‘Happy Land (A Compendium of Music from the British Isles 1992-1996),’” the company wrote. “Never in our wildest dreams could we imagine this situation. While we know all too well this error was beyond our control, we sincerely hope anyone who received what is Not Taylor’s Version of the vinyl is enchanted by the blissful electronica. Keep your eyes peeled for this special edition we’re sure it’s going to be a Discogs rare pressing classic in years to come.”

Swift’s Speak Now (Taylor’s Version) was released on July 7 and earned over 575,000 equivalent album units in the U.S. in its first four days of release (July 7-10), according to initial reports to Luminate — marking the biggest week for any album in 2023.