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Harry Styles’ Love On Tour Raises More Than $6.5 Million for Charity

Harry Styles spread the love to more than just fans who attended his Love On Tour shows. Following the conclusion of the pop star’s impressive two-year run on the road, his team announced that the international trek raised more than $6.5 million for dozens of charities across the globe, benefiting reproductive health, environmentalism, gun safety and many more causes.

The donated proceeds were raised over the course of 173 shows in Europe, North America, Australia, Asia and Latin America starting in September 2021, several of which were grouped as mini-residencies in iconic venues such as New York City’s Madison Square Garden and Los Angeles’ The Forum — both of which have permanent banners hanging from the rafters commemorating 15 consecutive Love On Tour concerts. As of a couple weeks ago, the tour had earned more than $590 million total, becoming the fourth highest-grossing tour of all time, according to the Billboard Boxscore.

Among the charities benefited by Love On Tour: Planned Parenthood, Choose Love, Physicians for Reproductive Health, Rebuild Foundation, REVERB, Black Voters Matter Fund – Capacity Building Institute, The Afiya Center, International Rescue Committee, Intermission Youth, Save the Children, CARE, Every Town for Gun Safety, and several more.

Styles officially closed out the run of shows with a jam-packed finale performance in Reggio Emilia, Italy, on July 22, during which he thanked fans in an emotional speech. “You guys being here tonight, I know you wanted to make it special for me. You make it special for me every single night,” he said during his last moments on a Love On Tour stage. “The atmosphere that you have created, the family that you have created, this safe space that you have created … I want to thank you for everything.”

After his final performance, the three-time Grammy winner shared a sweet video capturing some of the best fan moments from his shows, promising on his Instagram Story that he’ll “see you again when the time is right.”

“Treat People With Kindness,” he added. “I love you more than you’ll ever know.”

How BRIC Plans on Protecting Hip-Hop’s Legacy for Years to Come (Guest Column)

Hip-Hop is turning 50 this year, and so am I.

I grew up fully immersed in the world of Hip-Hop and, like many other people, I don’t know anything else. Fifty years on, our culture rightly reminisces about and celebrates the iconic songs, performers, and cultural moments from over the years – but for me, and so many others, Hip-Hop is about more than just the music.

For me, it is the lens through which I view the world. I am a student of KRS-One. “Rap is something you do. Hip-Hop is something you live,” KRS famously said. That expansive view of the word, the sound, the dance, the visual art, the fashion, the business politics, philosophy, technology is what defines me.

Hip-Hop to me is, of course, the foundational “Four Elements” that we all recognize: MCing, B-Boy/B-B-Girling aka Breakdancing, Graffiti and DJing. But beyond these core tenants of the genre, it’s about so much more. Hip-Hop is about the energy and will of the people that cannot be stopped or controlled by any external system – and how we define and create the Culture on our own terms.

It is also how A.I. (Allen Iverson) played basketball. How he arrived at the games, with his hair braided by his mother. How the league changed the dress code to control his expression only to birth an even more powerful expression of fashion and expression we see today.

Hip-Hop was how Barack Obama moved on stage with Michelle and the family. The syncopation of his voice and the pregnant pauses caused the world to hang on his every word with the way he delivered a speech – it felt like rhyming. If he wanted to, Barack would have been an ill MC. Just as I imagine if Hov wanted to run for office he could be Mayor. It is this energy – that multifaceted, multidisciplinary power of Hip-Hop that BRIC looks to celebrate this year and for years to come.

2023 marks the 50th anniversary of Hip-Hop, a huge moment for the Culture. But what happens after the big weekend of celebrations planned for the summer? At BRIC, we’ve been having thoughtful conversations about our own contributions to this moment, particularly with my background as the founder of the Brooklyn Hip-Hop festival and BRIC’s rich history as a place for artistic exploration, incubation, and presentation. As a leading Brooklyn arts and media institution whose work spans contemporary visual and performing arts, media, and civic action, BRIC is uniquely positioned to plug into this moment across the spectrum of arts and culture. For over 40 years, our institution has shaped Brooklyn’s cultural and media landscape by presenting and incubating artists, creators, students, and media makers. As a creative catalyst for our community, we ignite learning in people of all ages and centralize diverse voices that take risks and drive culture forward.

I’m excited to share that, this fall, BRIC is launching a new curatorial lens called BRIC Hip-Hop. Across the organization, we’ve united around an ethos and a mission of creating an evergreen home for the education, expression, and evolution of Hip-Hop. Our programmatic focus will join others in the space by giving Hip-Hop a home for incubation, debate, and development not just during anniversary years, but for many years to come.

In many ways, Hip-Hop culture is built into the DNA of BRIC. For decades, it’s been central to how we operate, how we coordinate, how we curate. On the surface, we may not be here B-Boying or bombing trains, but we operate under the same tenets and philosophies that have fueled Hip-Hop culture for half a century. The fundamental idea is that we use arts, culture and education to communicate and build with our community. It is how we show up for the people—of all races and spaces, of all ages and means—every year, not just this year. Hip-Hop is how we grow, why we adapt, and what we hope to embody in the future. We institutionalize the spirit, diversity and beating heart of Hip-Hop into BRIC’s programming and through BRIC’s team.

We do this because it matters. Hip-Hop is innate to us, but it is also a choice. It is a choice to be multidisciplinary, to embrace art and creation in its many forms. It is a choice to be anti-racist, to embrace people from all walks of life who have found comfort and possibility in the enduring strength of community. It is a choice to be feminist, not to be ageist or transphobic or limit access because of a disability, but to view and operate with a goal of equality and equity of power, purpose and possibility.

By institutionalizing Hip-Hop, by ingraining it into everything we do, we’re seeking to build on its legacy and protect it for generations to come. We are celebrating the past by making entry points for creation in the present to better our collective futures. Maybe you’re a teenager. Maybe you’re a toddler. Maybe you’re grandparents. Maybe you’re from Flatbush or Park Slope or Bed-Stuy. It doesn’t matter. All are welcome.

New York is the birthplace of the Culture and we want to make sure people don’t forget about Brooklyn’s contributions to the story of Hip-Hop, both past and present. Many people walked up and down Fulton Street, from Masta Ace and Big Daddy Kane to Yasiin Bey to HOV himself for clothes, fame, and inspiration. And like those that came before us, we want to come together, cut through the madness of the world and do something real.

We’re beyond excited to share this new vision for BRIC’s contributions to the Hip-Hop space with our communities this fall and in the years to come. BRIC Hip-Hop will be a waystation for scholars, tourists, and artists this year and well into the future. Come join us at the Lena Horne Bandshell or at BRIC House, come down to the stoop, and find your place, whether it be something familiar or new. We can’t wait to have you be a part of the BRIC Hip-Hop conversation.

Wes Jackson has over 25 years of experience as a leader and innovator in entertainment and academia, previously working at Emerson College, The City University of New York, and consulting for Jazz At Lincoln Center. He is a Trustee of the Brooklyn Public Library and Board Chair of the Brooklyn Crescents, and has been leading BRIC — a multi-disciplinary arts and media institution anchored in Downtown Brooklyn — as its President since July 2022. On August 11 & 12, BRIC will commemorate Hip-Hop’s 50th Anniversary with free music performances, screenings, and more in Brooklyn at Prospect Park. Visit here for details.

Cardi B Clocks Fan With Microphone After Drink Tossed At Her

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Cardi B might have another career as a baseball pitcher if she ever decides to leave the rap game. The Bronx beauty was seen hurling her microphone at a fan who tossed a drink at her during a recent performance.

Cardi B was in Las Vegas, Nev. over the weekend for an appearance at Drai’s Beachclub and was just seconds into her performance when someone a bit too lit tossed some type of liquid onto the rapper. With immediacy, Cardi B tossed the microphone with pinpoint accuracy and appears to clock the fan. In the video, Cardi is seen giving the person a verbal lashing as only she can then security guards working near the front of the stage took the individual out of the venue.

As some noted after seeing the video that Cardi wasn’t actually rapping and instead was lip-synching over a pre-recorded track, which isn’t unheard of these days. That said, shortly after the rowdy fan was taken away, Cardi resumed her set and all appeared to be well.

It’s a shame the fan tossed the drink because the orange number and hair Cardi B was sporting looked glamorous in the Vegas sun.

And for those keeping scores, that wasn’t the only time Cardi ended up throwing her microphone, doing so once again over the weekend during another performance but we couldn’t determine the reasoning.

Check out the reactions to Cardi’s mic tosses from X (formerly known as Twitter) below.

Photo: Jemal Countess/GA / Getty

Lady Gaga Bringing ‘Jazz & Piano’ Show Back to Las Vegas For Summer/Fall 2023 Residency Run

Lady Gaga is rebooting her Jazz & Piano residency show at the Dolby Live at Park MGM. The singer announced on Monday morning (July 31) that the show will be back for 12 dates between August 31 and Oct. 5.

Gaga launched Jazz & Piano in Jan. 2019, playing shows interchangeably with her more elaborate pop-oriented Enigma show. The stripped-down show — whose set list veered between such Great American songbook selections such as “Luck Be a Lady,” “Mambo Italiano,” “La Vie En Rose” and “Fly Me to the Moon” with jazzy versions of “Bad Romance,” “Paparazzi” and “Born This Way” — continued into May 2022.

Little Monsters can sign up now for a pre-sale here for the upcoming gigs that kicks off on Tuesday (August 1). The general on-sale will begin on Friday (August 4) at 1 p.m. ET.

The step back into the jazz spotlight will come less than a month after the passing of Gaga’s friend and musical mentor, Tony Bennett. Over the weekend, Gaga paid loving tribute to Bennett, who died on July 21 at age 96 of undisclosed causes.

“I will miss my friend forever. I will miss singing with him, recording with him, talking with him, being on stage together,” Gaga wrote alongside an Instagram photo of Bennett giving her a warm hug. “With Tony, I got to live my life in a time warp. Tony & I had this magical power. We transported ourselves to another era, modernized the music together, & gave it all new life as a singing duo. But it wasnt an act. Our relationship was very real.”

Gaga performed with Bennett at New York’s Radio City Music Hall in August 2021 during two “One Last Time: An Evening with Tony Bennett and Lady Gaga” shows that marked the legendary crooner’s last live performances. The singer first teamed up with her musical hero on “The Lady Is a Tramp” from Bennett’s Duets II album. Gaga and Bennett also recorded two full-length jazz standards albums together, 2014’s Cheek to Cheek and 2021’s Love for Sale.

Watch the Jazz & Piano teaser video below.

R&B/Hip-Hop Fresh Picks of the Week: Amindi, tobi lou, Frsh Waters & More

The Sunday of summer is right around the corner and as the season begins to wind down, we’ve got a mellow roundup of Fresh Picks this week to help usher you into August. There’s an even mix of rap and R&B this week with Amindi, tobi lou and Frsh Waters representing the former while Tyla, Hamzaa and Josiah Bassey slow things down a bit. Regardless, you’re bound to have at least one of these songs on repeat to help power you through the week.

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Don’t forget to check out our July picks in the Spotify playlist, linked below.

Freshest Find: Frsh Waters feat. Ohana Bam & Benjamin Earl Turner, “Grace look good”



Frsh Waters has been giving himself grace. Sampling Omar Apollo’s “Evergreen,” the Chicago rapper recruits Ohana Bam and Benjamin Earl Turner for a boom-bap rap song about “a combination of overdue compassion and damage control,” Frsh tells Billboard. “It’s checkin’ to let folks know we all need grace. Benjamin set the perfect scene [and] me and Ohana took up the challenge to fill in the details.”

Amindi, “diddy crop”



Amindi’s new single “diddy crop” is inspired by her fondness of the mogul’s habit of cropping people out of photos. “P. Diddy is notorious for skillfully editing people out of his photos, and I think it’s hilarious and valid,” she shares in a press release. The Inglewood rapper-singer describes her sound as “pastel rap” due to how she pairs songwriting with her soft sound. “Diddy crop” is a perfect example of this and will appear on her upcoming mixtape Take What You Need.

tobi lou, “Some Things”



“I am a problem, and I feel like this song reflects that,” says tobi lou. Combining an uptempo beat with witty bars, the Chicago artist releases “Some Things” a week after his Rolling Loud Miami performance, where he previewed the song. 

Tyla, “Water”



South African musician Tyla blended R&B and amapiano for her new track “Water.” “Make me sweat, make me hotter/ Make me lose my breath, make me water,” she sings. The new song is the perfect backdrop to a rooftop day party or tropical vacation.

Hamzaa, “Rush”



Hamzaa is on her healing journey. “I don’t wanna rush/I don’t wanna get into a fuss… Can’t scream anymore, can’t feel anymore,” she sings. Produced by 1SRAEL, the song appears on her new 5-song EP of the same name. “This project was born out of a discovery phase,” she writes on X (fka Twitter). “I needed to learn about who I was all over again. I needed to understand what it is I really care about… But the one thing I knew is that as urgent as getting my life together is, I cannot rush the healing process.” 

Josiah Bassey, “Here”



According to his Instagram bio, Josiah Bassey is a sincere romanticist — and his new song “Here” is proof. The single is stripped back with soothing guitar undertones that compliment his soulful singing voice. “Who cares if the stars don’t align?/ And even if the sun stops shining/ When it gets harder to try, we’ll be just fine/ ’Cause, I’ll be right here,” he sings.

Ed Sheeran Got Roasted While Serving Dogs At Chicago’s Legendary Weiner Circle: ‘Way Too Proper and Friendly’

There are way worse things you could be called than “too polite.” In fact, if you’ve been to Chicago’s legendary Weiner Circle hot dog stand anytime, but especially on a bleary late night/early morning for a double dog with all the fixins, you have likely been called way, way worse.

After all, the 40-year-old stand’s unofficial motto is “What the f–k do you want?”

So it made sense that when Ed Sheeran popped in on Saturday (July 29) to sling a few dogs before taking a ride downtown to play his sold-out gig at Soldier Field, the notoriously spicy staff had something to say about his weirdly well-mannered approach. “Our newest trainee @edsheeran has a lot to learn, he’s way too proper and friendly,” the stand tweeted on Saturday along with a pic of a beaming Sheeran behind the counter mobbed by Sheerios snapping pics.

Not surprisingly, the place was mobbed after posting a teaser earlier in the day when its sign read, “Do you want edchup with that?” Dropping in to Weiner Circle has become a right of passage for some stars visiting Chicago, but only if they’re willing to put up with the staff’s patented trash talk. And Sheeran definitely got it, posting a video of his kitchen crash with the caption, “This place is legendary is [sic] Chicago for serving hot dogs and insulting their customers. I loved it.”

Sheeran seemed to relish the chance, smiling sheepishly as a manager walked him through the kitchen, grabbed his arm and told patrons, “hey look motherf—ers, look!” while Sheerios screamed in delight in a video shared by the singer. “He’s nervous, because you won’t shut the f–k up!” the staffer later joked while giving Ed a ceremonial sprinkling with Weiner Circle holy water (aka pickle juice) and warning the mob to, “grab one dog, one picture and keep that s–t moving!”

Sheeran’s next show is on Saturday (August 5) at GEHA Field at Arrowhead Stadium in Kansas City, MO.

Check out some tweets about Sheeran’s dog party below.

Tiddy Whisperer: Drake Shouts Out Woman Who Threw 36L Bra Onstage

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Drake is currently in the midst of his It’s All A Blur tour and sparked an interesting trend at his shows that doesn’t show any signs of slowing down. After playfully calling out women for not throwing bras onstage during his sets, Drake encountered a bra size that left him baffled at the sheer size.

Drake recently completed a two-day run (July 28 & 29) in Washington, D.C. at Capitol One Arena and paused his set to discuss one woman’s bra that left him stumped. The Canadian superstar, clearly having a good time with the moment, shouted out the woman’s 36L bra size and launched into a hilarious monologue about how high the letters can go. TikTok user @threehana caught all the shenanigans on her phone.

“36L? L? How many letters does it go up to?” Drake asked, right before going into counting on his fingers how many letters were used for the bra. “There’s another one over there that looks big but we’ll talk about it later personally. Nah, this is custom work right here.”

Drake added, “This is crazy, this can’t be real, who’s is this?” before picking up a sizeable but still smaller 42H bra to compare the two sets. Apparently, there were two 42H bras thrown.

In part two of the video, Drake appears to think that women are just purchasing large bras to toss onto the stage.

“Y’all just buying big bras and throwing them onstage. Are we just giving out tickets to women with the biggest t*tties in the world?” Drake continued before ending the monologue and launching back into his set.

The video from @threehana went viral on X (formerly known as Twitter) and we’ve got some reactions from the social media site below. Also, these women throwing the big bras must be rich, just saying.

Photo: Marcelo Hernandez / Getty

Lady Gaga Honors Tony Bennett in Loving Tribute: ‘He Was My Friend. My Real True Friend’

Though they were separated by more than five decades, Lady Gaga and Tony Bennett shared a special magic. The “Million Reasons” singer paid loving tribute to her good friend and collaborator on Sunday night (July 30), 10 days after Bennett’s death at age 96.

“I will miss my friend forever. I will miss singing with him, recording with him, talking with him, being on stage together,” Gaga wrote alongside a photo of Bennett giving her a warm hug. “With Tony, I got to live my life in a time warp. Tony & I had this magical power. We transported ourselves to another era, modernized the music together, & gave it all new life as a singing duo. But it wasnt an act. Our relationship was very real.”

Gaga added that, yes, of course Bennett taught her about music, and showbiz life, but she said he also showed her how to “keep my spirits high and my head screwed on straight. ‘Straight ahead,’ he’d say. He was an optimist, he believed in quality work AND quality life. Plus, there was the gratitude…Tony was always grateful. He served in WWII, marched with Martin Luther King Jr., and sang jazz with the greatest singers and players in the world. I’ve been grieving the loss of Tony for a long time. We had a very long and powerful goodbye.”

Bennett died on July 21 in his hometown of New York City of undisclosed causes after being diagnosed with Alzheimer’s disease in 2016; his family first shared the diagnosis publicly in 2021.

Despite the more than half-century that separated them, Gaga, 37, said Bennett was her confidant, age difference be damned.

“He was my friend. My real true friend,” she wrote. “Our age difference didn’t matter– in fact, it gave us each something neither of us had with most people. We were from two different stages in life entirely — inspired. Losing Tony to Alzheimer’s has been painful but it was also really beautiful. An era of memory loss is such a sacred time in a persons life. There’s such a feeling of vulnerability and a desire to preserve dignity. All I wanted was for Tony to remember how much I loved him and how grateful I was to have him in my life.”

She added, “But, as that faded slowly I knew deep down he was sharing with me the most vulnerable moment in his life that he could — being willing to sing with me when his nature was changing so deeply. I’ll never forget this experience. I’ll never forget Tony Bennett. If I could say anything to the world about this I would say don’t discount your elders, don’t leave them behind when things change. Don’t flinch when you feel sad, just keep going straight ahead, sadness is part of it.”

Gaga was there beside her friend at New York’s Radio City Music Hall in August 2021 when the pals headlined a pair of “One Last Time: An Evening with Tony Bennett and Lady Gaga” shows a decade after her dreams of collaborating with her childhood musical hero came true on their first duet on “The Lady Is a Tramp” from Bennett’s Duets II album; Bennett’s son/manager Danny Bennett, announced that his dad wold retire from touring after the Radio City gigs . Gaga and Bennett also recorded two full-length jazz standards albums together, 2014’s Cheek to Cheek and 2021’s Love for Sale.

If she could impart any knowledge, Gaga concluded, it’s to take care of your elders, and if you do, she promised, you will surely learn something special from them.

“Maybe even magical,” she said. “And pay attention to silence — some of my musical partner and I’s most meaningful exchanges were with no melody at all.”

Check out Gaga’s tribute below.

‘Barbie: The Album’ Sets U.K. Chart Record

It’s official: Barbie is slaying at the box office, and she’s also smashing the music charts.

Barbie: The Album (via Atlantic) leads the U.K.’s compilations chart and three tracks from it climb into the national singles chart top 5 — Billie Eilish’s “What Was I Made For” (up 10-3 on a 71% week-on-week gain in chart sales, via Interscope), Dua Lipa’s “Dance The Night” (up 15-4 on a 86% lift in chart sales, via Warner Records) and Nicki MinajIce Spice and Aqua‘s “Barbie World” (up 20-5 with a 115% boost in chart sales, via Atlantic/Capitol/Republic).

Until now, no film soundtrack has simultaneously landed three top 5 singles in the U.K.

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The first film soundtrack to bag three simultaneous U.K. top 10s was 1978’s Saturday Night Fever (“Night Fever,” “If I Can’t Have You,” “More Than A Woman”), and the Grease soundtrack from the same year launched three top 10 hits (“Summer Nights,” “Grease,” “Hopelessly Devoted To You”).

Disney’s Encanto from 2022 became the first animated film soundtrack to claim three simultaneous top 10s (“We Don’t Talk About Bruno,” “Surface Pressure” and “The Family Madrigal”).

It’s a good week for Aqua, with not one but two top 40 appearances. Powered by the popular Margot Robbie-starring film, “Barbie World,” which interpolates Aqua’s one-time U.K. No. 1 “Barbie Girl,” gives the Norwegian pop outfit their first U.K. top 5 spot in 25 years, since 1998’s “Turn Back Time,” the Official Charts Company reports. It’s Aqua’s sixth U.K. top 10 appearance, Minaj’s 15th and Ice Spice’s first.

“Barbie Girl,” meanwhile, reenters the top 40 for the first time in 25 years, at No. 40, with a 91% week-on-week uplift in combined sales, according to the OCC. The kitsch classic from 1997 is a member of the U.K.’s million-seller club, coming in at No. 16 on the all-time list.

Barbie playtime doesn’t end there; a total of six entries from the soundtrack appear in the U.K. top 40, published Friday, July 28, including cuts by Charli XCX, “Ken” actor Ryan Gosling, and Lizzo.

Barbie: The Album is the current No. 1 in Australia, where it becomes the first soundtrack since Encanto to lead the ARIA Chart.

According to The Hollywood Reporter, the Greta Gerwig-directed Barbie movie has raked in $774.5 million at the global box office in just 12 days.

At the top of the singles chart mountain in the U.K. is Dave and Central Cee’s “Sprinter” (Live Yours/Neighbourhood), which wins the chart race for an eighth consecutive week, ahead of Olivia Rodrigo’s “Vampire” (Geffen), which holds at No. 2.

Blur Breezes to No. 1 In U.K. With ‘The Ballad of Darren’

Blur is back on top in the U.K. as The Ballad of Darren arrives at No. 1, for the Britpop legends’ seventh leader.

The Ballad of Darren (via Parlophone) opens with 44,000 chart units, the Official Charts Company reports, with physical formats proving popular. Almost 90% of those first-week units were sold as physical copies.

That Blur would crown the chart on Friday, July 28 was virtually assured when, at the midweek point, the album was reported to be outselling the rest of the top 10 combined.

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The foursome, which also includes guitarist Graham Coxon, bass player Alex James and drummer Dave Rowntree, also hit No. 1 with Parklife (1994), The Great Escape (1995), Blur (1997), 13 (1999), and Think Tank (2003) and The Magic Whip (2015), while their first two albums, 1991’s Leisure and 1993’s Modern Life is Rubbish, reached No. 7 and No. 15, respectively.

With seven albums chart crowns, Blur joins the likes of Elton John, George Michael, Paul McCartney and Barbra Streisand, and they’re just one title short of the eight leaders accumulated by Oasis, Blur’s ‘90s nemesis. Oasis’ string of leaders does, however, including a greatest hits collection, 2010’s Time Flies – 1994-2009.

For frontman Damon Albarn, a second No. 1 of the year after his other band, Gorillaz, reigned over the Official U.K. Albums Chart in March with Cracker Island, a feat that places him in rare company. The likes of ABBA, Taylor Swift, The Beatles, Diana Ross and Robbie Williams have also landed two chart-toppers in a calendar year.

Meanwhile, American rockers Greta Van Fleet snag a second top 10 album with Starcatcher (EMI), new at No. 8. That’s an equal career high, matching the No. 8 best for 2021’s The Battle at Garden’s Gate, and beating the No. 12 peak for their 2018 debut Anthem of a Peaceful Army.

Finally, As December Falls enjoys its first appearance on the U.K. chart with Join The Club (ADF), new at No. 11, while K-pop girl group NewJeans land at No. 15 with their second EP Get Up.