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23 Aug 2023

HHW Gaming: Atari Is Banking On Video Game Nostalgia With The Atari 2600+ Mini Console

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Atari Is Dropping Another Console, The Atari 2600+

Source: Atari / Plaion / Atari 2600+

One thing long-time gamers love is nostalgia, and Atari, with help from Plaion, is banking on it with the release of the Atari 2600+ retro home console.

With Plaion handling publishing duties, Atari is again dropping another console even after the failed attempt that was the Atari VCS, which flopped big time, but this attempt might fare a bit better.

The Atari 2600+ pays homage to the original console that arrived in 1977 and is essentially a mini-console on the same tier as Nintendo’s mini NES Classic, Super Nintendo Classic, PlayStation Classic, and Mega SG.

In the box will be the 2600+ console that ironically draws inspiration from the four-switch model from the 1980s that can play Atari 2600 and 7800 games. It also comes with a modern remake of the classic Atari CX40 joystick, the CX40+, and will feature support for a second player. If you want another controller, it will cost you an additional $25, and Atari notes a CX-30 Paddle is also in the works.



What Games Will Be On The Atari 2600+?

As far as games, the Atari 2600+ will come with a “10 Games in 1” cartridge that will feature Adventure, Combat, Dodge’ Em, Haunted House, Maze Craze, Missile Command, RealSports Volleyball, Surround, Video Pinball, and Yars’ Revenge. 

Interesting choices in games. Atari has included a list of compatible cartridges, so if you want to play classic Atari games like Frogger or Pitfall, you’ll have to spend some money in the resale market.

The Atari 2600+ will also have an HDMI output, widescreen support, and a larger socket to reduce cartridge sticking. As a nice touch, the Atari logo lights up when the console is powered on.

The Atari 2600+ launches on November 17 for $130. You can see more photos of the console in the gallery below.

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Photo: Atari / Plaion / Atari 2600+

1. Atari 2600+

Atari 2600+

Source:Plaion Games

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Atari 2600+

Source:Plaion Games

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Atari 2600+

Source:Plaion Games

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4. Atari 2600+

Atari 2600+

Source:Plaion Games

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5. Atari 2600+

Atari 2600+

Source:Plaion Games

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Atari 2600+

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Atari 2600+

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23 Aug 2023

RM Takes Fans Behind the Scenes of Colde’s ‘Don’t Ever Say Love Me’ Live Clip: Watch

BTS‘ RM took ARMY behind the scenes of his filming of the live clip for Colde’s “Don’t Ever Say Love Me,” on which he features, in a new video shared to BTS’ YouTube channel on Wednesday (Aug. 23).

Before launching into the days work, RM speaks to the camera and shares the agenda for the day, as well as how he feels about meeting up with Colde for the video. “I’m here to meet Colde today. To tell you how I feel right now … I really want to see him,” he says. “Make sure to listen to ‘Don’t ever say love me (featuring RM of BTS).’”

The pair linked up on a sparse set with nothing but black chairs and a gray background, and joked around, with Colde doing a mock interview with RM before preparing for the visual. RM later revealed that one of the scenes was shot in one take. After filming concluded, RM explains that the live video was made in place of a his cameo for the song’s official music video.

“I couldn’t make it for the MV of ‘Don’t ever say love me (featuring RM of BTS)’ because of a variety of reasons, so we said, ‘Let’s do a video of us singing live.’ But I didn’t know it’d be such a big project,” RM shares. “The scale has gotten a lot bigger — this video is in between a MV and a video of us singing live. I’m happy to be with my friend.”

Despite such an arduous day on set, the BTS star shared that he was thankful for the experience. “It’s been a while since I’ve worked, so I’m happy and it feels so new. It was fun to grab a mic and sing live for the first time in a while. I think it’ll be a good influence on my work as well,” he concludes.

Colde’s “Don’t Ever Say Love Me” was released as a track on his fourth EP, Love Part 2, which arrived on May 4. In the song, RM and Colde reflect on infidelity, and the fall out that ensues after it comes to light.

Watch the behind the scenes video of “Don’t Ever Say Love Me” live clip in the video above.

23 Aug 2023

Electronic Producer Oliver Anthony Skyrockets in Streams Due to… Well, You Can Probably Guess

Welcome to Billboard Pro’s Trending Up column, where we take a closer look at the songs, artists, curiosities and trends that have caught the music industry’s attention. Some have come out of nowhere, others have taken months to catch on, and all of them could become ubiquitous in the blink of a TikTok clip. 
 
This week: Oliver Anthony is way up in streams — no, not *that* Oliver Anthony — while October London brings the spirit of Marvin back to the airwaves and an ’00s R&B hit spikes due to a highly unexpected TikTok trend.

The Other Oliver Anthony: Viral Country Sensation Gives Bump to Similarly Named Electronic Producer

Folks who read about the chart-topping phenomenon that was Oliver Anthony last week and went on to buy or stream his 2021 EP Breaking Bread were likely a little disappointed – or at the very least, extremely confused. That’s because Breaking Bread was not released by the Oliver Anthony who connected with country fans (and right-wing signal-boosters) with his breakout hit “Rich Men North of Richmond” – the one whose artist name is officially Oliver Anthony Music, and who has only released singles thus far – but rather, by the producer Oliver Anthony, whose lone release on streaming services is a six-song, seven-minute, independently released set of unassuming lo-fi electronic instrumentals. 

Not much information seems to be publicly available about this other Oliver Anthony – there’s no biographical info on their Spotify page, their YouTube uploads are all automated and it’s not clear if they’re present on social media. But whoever they are, they’re enjoying a massive streaming bump from the Oliver Anthony Music confusion: The original Oliver Anthony netted over 36,000 official on-demand U.S. streams for the week ending Aug. 17, according to Luminate – up 523% from the under 6,000 the week before, and up 144,548% from the negligible amount of streams they posted the week before that. 

They also sold over 500 digital songs last week after a minimal amount the week before – and on iTunes, Breaking Bread has even reached the top 10 on their real-time albums chart. Hopefully those consumers looking for country-folk working-class anthems are also in the market for some low-intensity midtempo beats! – ANDREW UNTERBERGER

Marvin Reborn: October London Brings Gaye’s Classic Sound to Streaming and Radio

The soul singer October London is unburdened by the anxiety of influence: He titled his February album The Rebirth of Marvin (out on the famed Death Row Records), and it’s nearly heroic in its single-minded commitment to recreating the tone and texture of Marvin Gaye’s 1970s recordings (with one exception: album closer “You Look Better” leans more Barry White). R&B radio programmers have welcomed the homage to Gaye: The single “Back to Your Place” jumped from No. 3 to the top spot on Billboard’s Adult R&B airplay chart this week, dethroning Janelle Monae’s “Lipstick Lover.” 

“Back to Your Place” sounds like a nod to “Distant Lover,” a tower of yearning on the back half of Gaye’s Let’s Get It On album. It’s uncanny at times how closely London pitches his voice to replicate Gaye’s — the wails of “take me” during the chorus, the swelling harmonies that emphasize “your place.” Back in the second week of July, “Back to Your Place” was already piquing interest in core R&B markets, appearing high on the Shazam rankings in Washington D.C. and Atlanta. 

Audience impressions from airplay have more than doubled since then, according to Luminate, and interest in London has spread more widely, with “Back to Your Place” climbing into the Top 20 of the U.S. Shazam chart. Growth at streaming has been slow but steady: The single amassed 556,000 official on-demand U.S. streams in the tracking week ending August 17, up from just over 400,000 a week in early July. – ELIAS LEIGHT

Chrisette Michele’s “Epiphany” Twerks Its Way to Streaming Gains 

One of the most beautiful things about TikTok is how random catalog songs can experience resurgences due to trends that have absolutely nothing to with the song. Chrisette Michele, the Grammy-winning R&B star who experienced some controversy when she performed at then-President Donald Trump’s Inaugural Ball back in 2017, is the latest artist to benefit from this phenomenon. According to Luminate, “Epiphany (I’m Leaving),” the lead single from her 2009 sophomore studio album of the same name, has earned 329,000 official on-demand U.S. streams between August 11-17, a whopping 215% increase from just over 104,000 streams during the period of August 4-10. 

The song’s sizable streaming gains are due to a TikTok trend where users flaunt how well they can twerk. The primary aim is to throw your backside in as perfect a circle as possible while Michele croons, “I think I’m just about over being your girlfriend.” On TikTok, the most popular “Epiphany” sound boasts over 60,000 videos. “Epiphany” is Michele’s first and only unaccompanied Billboard Hot 100 hit; in 2009, the song peaked at No. 89 on the chart, and also reached the top ten on Adult R&B Airplay (No. 9). – KYLE DENIS

23 Aug 2023

Hot 100 First-Timers: Cris MJ Debuts on Karol G & Ryan Castro Collab ‘Una Noche En Medellin’ Remix

Chilean singer/rapper Cris MJ is officially a Billboard Hot 100-charting hitmaker, as his new collaboration with Karol G and Ryan Castro, “Una Noche En Medellín (Remix),” debuts on the Aug. 26-dated chart at No. 68.

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The song, released Aug. 11 on Karol G’s new collection Mañana Será Bonito (Bichota Season), on Bichota/Interscope records, begins with 6.9 million official U.S. streams through Aug. 17, according to Luminate. It also starts at No. 12 on Hot Latin Songs, No. 68 on the Billboard Global 200 and No. 101 on Billboard Global Excl. U.S.

The song is a remix of Cris MJ’s original “Una Noche en Medellín,” released in January 2022. That version reached No. 24 on Hot Latin Songs in May 2022, as well as No. 16 on Global Excl. U.S. and No. 29 on the Global 200. It marked Cris MJ’s first Billboard chart appearance upon its debut.

Since then, Cris MJ has charted two other songs on Billboard’s global rankings: “Me Arrepenti,” with AKR:20 and Pailita, reached No. 63 on Global Excl. U.S. and No. 138 on the Global 200, and “Marisola,” featuring Standly, climbed to Nos. 38 and 70, respectively.

Mañana Será Bonito (Bichota Season) debuts at No. 1 on the Top Latin Albums chart and No. 3 on the all-genre Billboard 200 with 67,000 equivalent album units earned in its opening week. It earns Karol G her third No. 1 on Top Latin Albums, following KG0516 in 2021 and Mañana Será Bonito this March.

Cris MJ (full name: Cristopher Andrés Álvarez García), from La Serena, Chile, has released one solo studio album so far: Welcome to My World in 2022.

23 Aug 2023

Benzino Admits Denying Eminem 5-Mic ‘The Source’ Review

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Benzino has finally confirmed that he did deny Eminem a five-mic review in The Source as their beef raged in the 2000s.

The veteran rapper and co-founder of the magazine from Boston made the admission during his appearance on the My Expert Opinion podcast hosted by Math Hoffa. “I was the top of my muthafuckin’ food chain,” Benzino began. “Even [Russell Simmons], Lyor [Cohen], all these ni**as, Steve [Stoute] and everybody, they all had to answer to somebody. I was the top of a damn near $75 million company when ni**as wasn’t getting money like that. I got that big money first, and I was the top of that.”



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Benzino continued: “So, when the Eminem thing came through The Source, at this point, it’s getting disrespectful,” he said, addressing his issues with Eminem also known as Marshall Mathers. “So how the f**k am I gonna have this ni**a in my magazine? Would you? You’re not gonna put nobody in your magazine to give this ni**a five mics after this ni**a’s being disrespectful. You wouldn’t do it, man. Nobody would.”

Before the feud, The Source had been a strong supporter of Eminem, giving him acclaim in their “Unsigned Hype” column in 1998. The magazine would follow that up by giving a 4.5 mic rating to The Marshall Mathers LP album in 2000. But things soured when The Eminem Show was blocked from receiving the coveted five-mic review. “When the ‘Unsigned Hype’ column in The Source was like our only source of light/ When the mics used to mean somethin,’ a four was like/ You were the sh*t, now it’s like the least you get/ Three-and-a-half now just means you’re a piece of sh*t/ Four-and-a-half or five means you’re Biggie, Jigga, Nas,” Eminem said on “The Sauce.”

He’d elaborate further and mention Benzino by name: “Or Benzino — sh*t, I don’t even think you realize/ You’re playin’ with muthaf**kas’ lives/ I done watched Dre get f**ked on The Chronic/ Probably ‘cause I was on it/ Now you f**ked me out of my mics twice, I let it slide.”

For Benzino, there’s still animosity between the two, which he touched upon in a series of posts on X, formerly known as Twitter, last February. “To all you p—y ass Stans, we all know y’all are the most corniest non violent coward fan base hip hop has ever seen,” he wrote at the time. “I have a restaurant in Atlanta 5071 Peachtree Industrial Boulevard Chamblee GA. stop tweeting and pull up on me you p—ies.”

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23 Aug 2023

BLACKPINK Releases New Song ‘The Girls’ & Music Video in ‘The Game’

After months of delay, BLACKPINK is finally able to release its new single “The Girls” as well as a music video, available now for players to watch in the girl band’s mobile app, “The Game.”

Originally teased back in May, the Aug. 23 video for “The Girls” finds animated avatars resembling Rosé, Jisoo, Lisa and Jennie repeating the phrase, “Don’t mess with the girls,” performing cartoon-ified versions of BLACKPINK’s real life trademark group choreography. For now, the visual and song can only be accessed in in “The Game,” however a poster shared by BLACKPINK’s official Twitter reveals that the digital single will arrive Friday (Aug. 25).

The four bandmates celebrated the long-awaited release of “The Girls” with a viewing party hosted on their YouTube channel. Before playing several games as a group, they watched their new music video for the first time together and marveled over how adorable their cartoon replicas are.

“The choreo is super cute,” said Lisa of the animated BLACKPINK’s dance number, according to YouTube’s Korean-to-English translation.

“Can we pull that off in real life?” added Rosé.

“The Game” launched back in May, with “The Girls” originally expected to arrive soon after. The app’s team, however, announced in July that work still wasn’t finished on the animated visual, apologizing to fans on Twitter for the “endless and frustrating” wait. “Our deep desire to present the highest quality of content flawlessly took longer than expected, and therefore our initial plan to release the M/V simultaneously with the game release was delayed significantly,” read their statement.

See BLACKPINK’s announcement for “The Girls” below:

23 Aug 2023

Echosmith Plays Never Have I Ever | Billboard

Echosmith siblings Sydney and Noah Sierota play Never Have I Ever with Billboard.

Sydney Sierota:
Hey, we’re Echosmith, and we are going to play Never Have I Ever.

Producer:
Never have I ever made a fake social media account…

Noah Sierota:
Definitely have.

Sydney Sierota:
I have.

Noah Sierota:
You have too?

Sydney Sierota:
Yeah. What do they call it? Like a Finsta? Where you make, like, a private Instagram for your friends and stuff. I don’t know if you’re invited to it, though.

Producer:
Never have I ever lied to get out of a speeding ticket…

Sydney Sierota:
Well, I have sort of a funny joke or story. It’s not a joke. I just got my license and I just wasn’t the best driver, so I think the officer thought that I was, like, drinking and driving because I was just swerving because I just wasn’t a great driver. I legit had never even tried alcohol at this point for real, anyway. And he was like, “Ma’am, have you been drinking?” And I was like, “No, I’m only 17.” He’s like, “That’s not what I asked you.” I did get a ticket. I thought they would send it to you in the mail. Apparently, you needed to, like, you know initiate it to pay it yourself, and it became a very expensive ticket because I didn’t pay it for too long.

Producer:
Never have I ever fallen on stage…

Sydney Sierota:
Oh, I have.

Noah Sierota:
Oh yeah. I fell on Warped Tour.

Sydney Sierota:
Never I have!

Noah Sierota:
I rolled on the stage.

Watch the full video above!

23 Aug 2023

YOASOBI’s ‘Idol’ Logs 19th Week Atop Billboard Japan Hot 100

YOASOBI’s “Idol” scores its 19th consecutive week at No. 1 on the Billboard Japan Hot 100, dated Aug. 23, extending its all-time record for most weeks atop the chart again.

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The duo headlined Japan’s Summer Sonic music festival over the weekend, closing out the Mountain Stage lineup in both Tokyo and Osaka. The “Monster” pair also entertained fans with its “Traveling Bookstore YOASOBI,” a collaborative endeavor with the mobile bookstore BOOK TRUCK, set up in the food area of the festival grounds.

On this week’s chart tallying the week ending Aug. 20, downloads for “Idol” slips to No. 2 (10,631 units), but the long-running hit continues to dominate streaming (13,100,852 weekly streams), video views, and karaoke. The Oshi no Ko opener also climbed 24-18 for radio, and while gradually losing points overall, the total continues to best the song at No. 2 by about 1.7 times.

Tatsuya Kitani’s “Where Our Blue Is” holds at No. 2 this week. The Jujutsu Kaisen Season 2 opener continues to improve in karaoke, jumping 62-37, and collected points in a balanced way: holding again at No. 38 for sales, No. 2 for streaming (9,232,884 streams), and No. 6 for video, slipping 3-4 for downloads (7,562 units) and 32-95 for radio.

Bowing at No. 3 is Kazuya Kamenashi’s first solo single in four years called “Cross.” The track launched with 105,544 copies to hit No. 1 for sales, and is off to a good start coming in at No. 22 for downloads and No. 40 for radio.

Gen Hoshino’s “Life” debuts at No. 7. The superstar singer-songwriter curated the Beach Stage at Summer Sonic in Tokyo on Saturday (Aug. 19), highlighting and collaborating with such artists as Jacob Collier, UMI, Camilo, and Sam Gendell. His latest track rules downloads (13,713 units) and radio this week, while hitting No. 38 for video.

Another debut on this week’s Japan Hot 100 is Colorful Diamond’s “Amakyun,” bowing at No. 5 after selling 76,514 CDs in its first week.

The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.

See the full Billboard Japan Hot 100 chart, tallying the week from Aug. 14 to 20, here. For more on Japanese music and charts, visit Billboard Japan’s English Twitter account.

23 Aug 2023

Alice Cooper Calls Gender-Affirming Care for Trans Kids a ‘Fad,’ Condemns ‘the Whole Woke Thing’

While he may be best known as one of the gender-bending faces of the shock rock movement, Alice Cooper revealed that he’s not in favor of real gender-affirming care.

In a new interview with Stereogum, the 75-year-old rock star shared his opinions about best-practice medical care for transgender youth, saying that he was “afraid that it’s also a fad.” Using common anti-trans talking points to elaborate, the star said that he felt children were not mature enough to make major decisions about their gender identity.

“I find it wrong when you’ve got a 6-year-old kid who has no idea. He just wants to play, and you’re confusing him telling him, ‘Yeah, you’re a boy, but you could be a girl if you want to be,’” he said. “I mean, if you identify as a tree … I’m going, ‘Come on! What are we in, a Kurt Vonnegut novel?’ It’s so absurd, that it’s gone now to the point of absurdity.”

Cooper then took aim at “the whole woke thing” at large, claiming that society has taken progressive language too far. “Who’s making the rules?” he asked. “It’s getting to the point now where it’s laughable. If anybody was trying to make a point on this thing, they turned it into a huge comedy. I don’t know one person that agrees with the woke thing.”

The “School’s Out” singer even shared anti-trans rhetoric about access to public bathrooms, claiming that allowing transgender people to use the bathroom that corresponds with their gender identity would lead to violent crimes.  “A guy can walk into a woman’s bathroom at any time and just say, ‘I just feel like I’m a woman today’ and have the time of his life in there,” Cooper said. “He’s just taking advantage of that situation … Somebody’s going to get raped.”

Despite Cooper’s claims, research shows that gender-affirming care significantly reduces rates of depression and suicidality among transgender youth. Meanwhile, medical professionals providing gender-affirming care point out that minors are not able to make these life-altering decisions by themselves, and that the Endocrine Society and the World Professional Association for Transgender Health do not recommend gender-affirming surgery for anyone under the age of 18.

“Prior to any gender-affirming medical or surgical intervention, all minors must have an intake with a knowledgeable mental health provider internal to our system,” Dr. Joshua D. Safer told Billboard last year. “Once deemed ready for a medical/surgical intervention, the processes we have for adults are then brought into play.”

The “No More Mr. Nice Guy” singer is far from the first rocker to share anti-trans sentiments over the last year. In May, Kiss guitarist Paul Stanley called gender-affirming care “a sad and dangerous fad,” making similar claims to Cooper about children “playing” with gender rather than understanding their identity. Twisted Sister lead singer Dee Snider backed up Stanley’s comments, saying “there was a time where I ‘felt pretty’ too. Glad my parents didn’t jump to any rash conclusions.” Both rockers have since walked back their comments.

23 Aug 2023

Will Hozier Stop Travis Scott’s Billboard 200 ‘Utopia’? 

The Contenders is a midweek column that looks at artists aiming for the top of the Billboard charts, and the strategies behind their efforts. This week (for the upcoming charts dated Sept. 2), Travis Scott goes for his fourth week atop the Billboard 200 albums chart with his massive Utopia, while Hozier looks to earn his second consecutive debut atop the chart with new effort Unreal Unearth.  

Travis Scott, Utopia (Catcus Jack/Epic): It’s been three weeks, and Travis Scott is still not only ruling the Billboard 200 with his Utopia, the album posted a whopping 185,000 units in its latest frame – with a mighty 99,000 in sales, an very high number for an album in its third week out, and a 169% gain from the week before. The sales boost probably comes from his webstore (limited time) discount on the double-LP set from $50 to $5, resulting in 93,000 in vinyl sales last week – the biggest vinyl sales performance for a hip-hop or R&B album since Luminate began tracking sales in 1991.  

Scott’s sales are expected to stay strong – likely helped by another discount code, released and circulated among fans in time to impact this chart week — along with its streaming numbers, with four songs from the album still in the top 25 of Billboard’s Streaming Songs chart. The combination of sales and streams should make it tough to depose this week, without a new contender expected to put up particularly big numbers in both categories, and Morgan Wallen’s One Thing at a Time – still No. 2 on the chart this week, after 15 weeks at No. 1 – no longer posting units in the six digits.  

Hozier, Unreal Unearth (Rubyworks/Island/Columbia): Despite not scoring a major crossover hit since his No. 2-peaking Billboard Hot 100 smash “Take Me to Church” in 2014 – and only releasing one new album during the rest of the 2010s — Irish singer-songwriter Hozier has maintained both a devoted following and a major chart impact. His sophomore album, 2019’s Wasteland, Baby!, debuted atop the Billboard 200, while his 2023 single “Eat Your Young” debuted at No. 67 on the Hot 100.  

That song is on Hozier’s third album, Unreal Unearth, released on Aug. 18, and available on both CD and vinyl (including exclusive signed editions of both, already sold out on his webstore). The album is Hozier’s biggest-sounding to date, and will be supported by an upcoming U.S. tour that sees him playing some of the largest venues of his career. However, the kind of ticket bundles that helped power Wasteland to No. 1 won’t count towards the totals for Unearth, since Billboard changed its bundling rules in July 2020 – making it that much tougher to catch Utopia.  

J-Hope, Jack in the Box (Big Hit): The 10-track debut from BTS alum J-Hope has already appeared in the top 20 on the Billboard 200, entering at No. 17 in July 2022. But Jack in the Box is due to re-enter the chart next week – likely at a higher peak – thanks to the CD release of its deluxe HOPE Edition. The reissue, which makes for the first time the set will be released on CD, contains five bonus tracks (including a pair of instrumental versions of Jack tracks and a trio of live versions from J-Hope’s 2022 Lollapalooza set), as well as a photo and lyric book, sticker packs and more collectible goodies.  

IN THE MIX 

Jihyo, Zone (JYP/Republic): J-Hope isn’t the only member of a massive K-pop group likely to impact the Billboard 200 this week: Jihyo, of star nonet TWICE, released her solo debut set on Friday with the seven-track EP Zone. While the EP is not expected to score major streaming numbers, it should sell well – helped by the sale of three versions of the mini-album (“Z,” “Y” and “O”) on JYP’s webstore, dispatched at random per each order, and each containing different collectible elements (like lyric books, posters and bookmarks).  

Russ, Santiago (Diemon/Columbia): After breaking through in the late ‘10s with hits like “What They Want” and “Losin Control,” Russ has kept up a steady chart presence, hitting the Billboard 200’s top five with both 2018’s Zoo and 2020’s Shake the Snow Globe. The rapper/singer looks to make it three in a row next week with latest album Santiago – though the set features no Hot 100 hits or star features, with its only guest appearances coming from cult Bay Area rapper Rexx Life Raj and acclaimed singer-songwriter Bibi Bourelly.  

Quavo, Rocket Power (Capitol/Motown/Quality Control): The Migos rapper’s first album since the death of groupmate (and nephew) Takeoff may not sell as well as this week’s other big releases, since a physical release is not yet available. But it should put up pretty respectable streaming numbers for its 18 tracks, including Hot 100 hit “Turn Your Clic Up” (featuring Future), multiple cuts featuring the late Takeoff, and several more paying tribute to the hip-hop great.