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Miley Cyrus Didn’t ‘Make a Dime’ on Bangerz Tour: ‘I Paid For It All to Make It Exactly What I Thought I and The Fans Deserved’

Miley Cyrus learned early on that if you’re going to invest, invest in yourself. As part of her ongoing “Used to Be Young” TikTok series, Miley dove into the money-losing 2014 Bangerz Tour, the surreal 78-date celebration of her hip-hop inspired album of the same name featuring the hits “We Can’t Stop” and “Wrecking Ball.”

“The Bangerz tour was an investment in myself. A lot of these ideas were kind of so outlandish that no one really wanted to support me in making these pieces,” Cyrus said of the wild show that opened with her sliding down a giant slide in the shape of her own tongue and also included a parade of furries, a life-sized puppet of Big Sean and a giant flying hot dog, among other amusements.

“So I had big puppets, oversized beds, I came out of my own face on my tongue,” Miley recalled. The trippy fantasia was cooked up by Cyrus and creative director Diane Martel, with the latter asking Miley how she wanted to end the concert each night and getting an answer she likely didn’t expect.

“[Martel] goes, ‘How would you want to end this concert?’ Like, ‘The show is so big, how do you want to end it?’ And I wanted to end it in a Truman Show reference,” the singer said of the beloved 1998 Jim Carrey movie about a mild-mannered insurance salesman who slowly begins to realize his whole live has taken place inside a reality TV series.

“So I flew out on a giant hot dog, obviously, and I left through all the clouds and the exit sign, the way Jim Carrey does, because I felt like The Truman Show was really a reflection of my life.” The singer, who, like Truman Burbank, has spent her entire life in front of the cameras, was savvy enough at that age (21) to realize that the best money she could spend to promote her passion project was on her own, admittedly quirky, vision.

“‘Why are you doing this? You’re going to do like 100 shows and not going to make any money,’” Cyrus recalled being told. “I said there’s no one I would rather invest in than myself. So I paid for it all to make it exactly what I thought I and the fans deserved.”

Watch Miley talk Bangerz tour below.

Nicki Minaj Shares Sci-Fi Cover Art For ‘Pink Friday 2’

Nicki Minaj’s s long-awaited fifth album Pink Friday 2 is coming soon, and pink is definitely the mood.

The Grammy Award-nominated rap star rides the sky train for the album’s cover art, which she shared on her social channels.

In the image doing the rounds, Minaj holds on tight in an all-white combo, traveling on a roofless carriage that’s floating above the (pink) clouds. A gleaming city is visible in the distance.

Destination: Pink Friday 2.

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Curiously, there’s more to come. “Album cover #1 of 2,” she writes on her Instagram post.

Pink Friday 2 is scheduled to arrive Nov. 17, though Minaj has released a few cuts from it, “Super Freaky Girl,” “Red Ruby Da Sleeze,” and “Last Time I Saw You”.

Minaj already got her pink on for “Barbie World,” her hit collaboration with Ice Spice and Aqua, which appeared on the Barbie soundtrack.

Pink Friday 2 is the sequel to Minaj’s Billboard 200-topping debut studio album from 2010, and will serve as her first LP since 2018’s Queen, which peaked at No. 2 on the Billboard 200 and spawned singles including “Chun-Li” and “Good Form.”

She’s not lacking any confidence ahead of release date. “Just know that ‘Pink Friday 2’ is going to be the best album that’s been released in years,” she recently announced.

Earlier in the year, the Trinidadian artist expressing gratitude toward her fans and teased plans for a new tour slated for 2024. “I love you guys so much,” she said. “I am so grateful for the years of support & love you guys have given me. At times maybe I didn’t even deserve all that you have poured into me. Nonetheless, you. will. love. this. album. I will give tour deets closer to that time, but obviously the tour will start around the first quarter of 2024.”

Initially, she revealed the new LP would arrive in October, before the release date was pushed back to mid-November.

See the Pink Friday 2 artwork below.

Royal Blood Leads Midweek Chart With ‘Back to the Water Below’

Royal Blood is flowing in the U.K., where the British rock duo is favorite for the chart crown with Back to the Water Below (via Warner Records).

Comprising Mike Kerr and Ben Thatcher, Royal Blood takes a solid advantage into the second half of the week. According to the Official Charts Company, Back to the Water Below is currently outselling its nearest rival, The 1975’s self-titled LP, by a ratio of more than 2 to 1.

If it stays on course, Back to the Water Below will mark Royal Blood’s fourth consecutive leader, a streak that dates back to, and includes, their eponymously titled debut from 2014.

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The 1975 (Dirty Hit/Polydor) blasts to No. 2 on the midweek tally thanks to a multi-format reissue, timing to celebrate its 10th anniversary. The album originally debuted at No. 1 following its release in 2013, triggering the British band’s own streak of five consecutive No. 1 studio albums.

A midweek podium place is snagged by Everything Is Alive (Dead Oceans), the fifth album from veteran British shoegaze exponents Slowdive. It’s new at No. 3 on the Official Chart Update, and is set to give the Reading-raised band their first appearance in the U.K. top 10. Slowdive has cracked the top 40 on two occasions, with 1991’s Just for a Day (No. 32) and their 2017 comeback effort, Slowdive (No. 17).

Meanwhile, Sigur Rós’s latest release Atta (BMG) is on track for a No. 4 debut, for what would be the Icelandic act’s fourth top 10 appearance on the national tally.

Further down the chart blast, Jethro Tull’s 14th studio album The Broadsword and the Beast (Parlophone) is poised for a return at No. 6, thanks to its 40th anniversary reissue. The album peaked at No. 27 after its original release back in 1982.

Also eyeing a top 10 berth is Rivers of Heresy (Roadrunner), the first album from Empire State Bastard, a collaboration of Biffy Clyro vocalist Simon Neal and former Oceansize frontman Mike Vennart. It’s new at No. 7 on the midweek chart.

Finally, veteran Scottish pop band Deacon Blue could bag a seventh top 10 album with All The 45s: The Very Best of Deacon Blue (Cooking Vinyl). The career retrospective is set to drop in at No. 8, just in time for Deacon Blue’s new U.K. tour.

All will be revealed when the Official U.K. Albums Chart is published late Friday, Sept. 8.

Universal Music Taps Timothy Xu to Lead Greater China Operations

Timothy Xu is the new chairman and CEO of Universal Music Greater China (UMGC).

With effect from Monday, Sept. 4, the veteran executive takes the reins of Universal Music Group’s Greater China division, which covers Mainland China, Hong Kong and Taiwan.

As head of the biggest music company’s business in the world’s most populous market, Xu wields a resume stacked with major label and indie experience.

He joins UMGC from Taihe Music Group, the leading independent music company in China, where he served for the past five years as president and CEO.

Before that, he led Sony Music’ Greater China activities as chairman and CEO, from 2012-16. And earlier, he had roles with EMI Music, EMI Music Publishing China, and Warner Music China, having kicked off his career in 1992 with China National Publications Import & Export Corporation (CNPIEC).

Xu’s appointment follows the retirement of longstanding chairman Sunny Chang earlier in 2023.

“I am thrilled to welcome Timothy to lead our operations in Greater China,” comments Lucian Grainge, chairman and CEO of Universal Music Group in a statement.

“He’s a real music exec, given his deep experience generating creative and commercial success in the region. I’m confident Timothy be instrumental as we continue to drive growth in the exciting and vibrant Chinese music market.”

Adds Adam Granite, UMG’s executive VP, market development, “Having worked together in the past, Timothy’s unique and versatile experience across the sector will bring new opportunities to expand all areas of our business operations within Greater China, whilst also accelerating our focus on introducing Chinese music, culture, and artist talent to new markets and audiences around the world.”

In 2021, UMGC became the first major music company to establish multiple frontline label operations across China with the launch of Republic Records China, and re-launch of historical Chinese labels Polygram Records China and EMI China alongside Universal Music China.

Those moves would reinforce Universal Music’s “commitment to accelerating and introducing the next wave of Chinese music talent to the world across a variety of genres,” the company said in a press release at the time.

Vanessa Amorosi Signs With Dave Stewart’s ‘Bay Street Records,’ Preps New Bluesy Chapter With ‘Memphis Love’

For her next project, Vanessa Amorosi will unleash some Hall of Fame vibes.

The Australian artist’s new full-length studio album Memphis Love is slated for release Nov. 17, her first through Bay Street Records, Dave Stewart’s independent music label.

With Memphis Love, the powerhouse singer goes eight albums deep into a recording career that exploded out the gates in the late 1990s with “Absolutely Everybody.” Amorosi was just a teen at the time. The world opened up all at once, as the song crashed the U.K. top 10, and she was invited to perform on the biggest stages of them all, including the opening and closing ceremonies of the 2000 Sydney Olympics.

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Amorosi has called Los Angeles home for the past 13 years. Now she calls Bay Street Records her label home, joining such artists as Joss Stone.

During her time Stateside, she has immersed herself in gospel music, soul, funk and blues, sounds that influence this forthcoming collection. “It’s very, very different to what people are used to hearing me do in Australia,” she tells Billboard. “I’m really excited for this chapter to begin.”



Memphis Love is co-produced with Stewart, was recorded at Willie Mitchell’s Royal Studios in Memphis, TN, and features the gorgeous tones of Tennessee Mass Choir.

Lead single “Wolf,” which Amorosi co-wrote with Stewart one afternoon in downtown L.A., is a confident, blues number. It rolls with the punches and gives out a few of its own. At the top, Amorosi flexes with a howl, the kind of swagger that comes with having been there, done it. That animal instinct “kind of lightened the mood in the studio,” she recounts.

Stewart is a good guy to have your corner. As one half of the Eurythmics, the legendary British synth pop act elevated last year into Rock And Roll Hall of Fame, Stewart is a creative force. He’s a real-deal multi-hyphenate, whose resume includes production across TV, stage, feature films, operating venues, and a thirst for technology. The Brit also owns Dave Stewart Entertainment (DSE), a full-service production and management company, involved in music, commercials, film, music videos, documentaries, independent productions and more.

“He is fearless,” she explains. “He understands technology. He’s always looking for ways for artists to be able to generate income to make more art. And he’s always very proactive on trying to keep an artist making art. I learned so much from him, and he’s just the most incredible human being.”

Stewart feels the same way. “I’ve stood on stage next to Vanessa Amorosi on several occasions and I’m always immediately taken aback by the intensity and the power of her vocal delivery,” he says in a statement announcing the new LP. “In getting to know her as a friend and as a true artist, I’ve found that her vocal capabilities are just the tip of the iceberg.”

Memphis Love is the followup to Amorosi’s City Of Angels, which debuted at No. 7 on the ARIA Albums Chart in March 2022, for her fourth career top 10 appearance. Prior to that, her last top tier appearance on the national survey was with 2009’s Hazardous, also peaking at No. 7.

European dates are on the slate, and Amorosi is looking forward to a homecoming jaunt that includes the Grapevine Gathering festival tour, and a performance at the 2023 AWMA in Brisbane, on Sept. 27. Expect her to share some of that Memphis Love.

“It has all the soul and the feel and the groove,” she enthuses. “I’m really, really proud of this record. And I feel like it’s gonna make people feel good.”

Memphis Love tracklist
Wolf
How Long
Lift Us Up
Don’t Judge Me
Only So Much
Memphis Love
Shake
Too Much of a Heartache
Serious
What Do I Get

Cardi B and Megan Thee Stallion Announce ‘Bongos’: Here’s the Release Date

Get ready for Cardi B and Megan Thee Stallion to team up again, this time for “Bongos.”

“Bongos” will be here Friday (Sept. 8), Cardi and Megan just announced. The new track can be pre-saved now via streaming services Spotify and Apple Music.

They unveiled “Bongos” artwork with the announcement. The colorful visual shows the two rappers in coordinating blue and purple one-pieces and high heels, with their hair styled in playful, multi-colored curls, and lollipops in hand.

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Cardi and Megan haven’t shared further details yet, but this is their second collab — so fans are already hyped. Their first song together — the NSFW smash hit “WAP,” released on Atlantic Records — spent four weeks at No. 1 on the Billboard Hot 100 in 2020.

“Y’all remember when the FCC almost sued me cuz I performed WAP at the Grammys? What about when all the republicans literally harassed me over it? On the news everyday… Y’all remember? Oooohhh cuz I do,” Cardi reminisced over the summer. Last week, Cardi B and Megan won a court ruling tossing out a lawsuit that accused them of stealing the lyrics to “WAP” and Meg’s “Thot Shit” from an earlier track called “Grab Em by the P—-.”

Also in August, Cardi gave an update on her sophomore album that interestingly turned out to be a decoy — or maybe “Bongos” just came to be very recently.

“I’m not going to release any more collaborations,” she said for her Vogue México y Latinoamérica cover story. “I’m going to put out my next solo single. Right now, I’m working on the cover art and ideas for the next record because it’s definitely coming up. Everyone always tells me I should put the record out now. They did when I released ‘WAP’ [with Megan Thee Stallion] and when I released ‘Up,’ but I always let them know I’m not going to wait long after all these singles. So stay tuned because it’s coming out very soon.”

See the pair’s “Bongos” announcement and artwork below.

Burning Man Attendees Begin to Leave After Being Stranded in Muddy Nevada Desert

The scene at Burning Man 2023 has returned to relative normalcy, with its gate officially opened earlier on Monday (Sept. 4), allowing attendees to leave the event in the remote Nevada desert.

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The event’s roughly 73,000 attendees were previously confined to the site after the event’s ingress/egress gate was closed following several rain showers that turned roads into thick, sticky mud, making them largely impassible.

As of Monday afternoon, the sun was shining over Black Rock City, and attendees who remained were disassembling the hundreds of camps that make up the event. Cars began leaving earlier in the day when the gate road officially opened, although many cars, trucks and RVs made their way out via the gate and a service road over roughly the last 24 hours. Several cars that had gotten stuck in the mud before the roads fully dried were seen around Black Rock City, with tow trucks also on site.

Such road traffic has made many of the streets in Black Rock City deeply rutted, although others remain flat and easier to pass. A volunteer at Burning Man’s official information booth could not advise on how long it’s currently taking for those exiting the event to make it out of the gate, but did say the wait in line could be “extreme.” (Last year, it took many leaving the event upwards of 12 hours to depart.)

The Burning Man airport also resumed service on Monday, with flights currently only traveling to Reno. The Burner Busses that transport attendees to and from Burning Man from cities including Reno and San Francisco also resumed service.

Organizers have opened up WiFi networks so that people can communicate with the outside world, and camps are also sharing passwords to their own networks with others. WiFi coverage doesn’t extend to the entire city, but attendees can walk around and have a pretty good shot of finding it.

The event’s namesake Man will burn Monday night at 9 p.m. The burn was delayed from its traditional Saturday night scheduling due to general wetness and the fact that emergency vehicles like fire trucks could not make it out to the Man structure in the mud. Another large-scale tower structure is also scheduled to burn this evening at midnight, with Burning Man’s temple — where Burners leave mementos of the dead and other heartbreaks — set to burn Tuesday (Sept. 5) at 5 p.m.

Around the site on Monday, groups of campers were heard making plans for bringing their art cars out to watch the Man burn. Bikes, the standard mode of transportation on the typically flat and hard-packed desert playa, are once again in motion. While Burning Man has had a difficult time getting those with electric bikes to abide by the citywide five m.p.h. rule, those with these e-bikes were seen moving quite slowly through the city to avoid being thrown off by the bumpy surface.

The spirit of community that’s core to Burning Man was also witnessed throughout Black Rock City, with many camps sharing leftover provisions — popsicles, pork tenderloin, Gatorade, stuffed animals — with passersby. Some also seemed keen to continue the party, with one remarkably fresh-looking woman remarking, “Oh no, they took the orgy dome down” upon arriving to the site where this structure once stood.

One death was reported at Burning Man, but according to the Associated Press, organizers said the death of a man in his 40s was not related to weather conditions. An investigation is underway, said the sheriff of nearby Pershing County; the man’s name and cause of death has not been provided.

Billboard also heard a confirmed report of an isolated electrocution incident after cables in the ground got wet in the rain. It was reported that the man who experienced this electrocution is in well and stable condition following the accident.

As is normal with the disassembling of Burning Man, Burners will be there for days, likely longer, taking down the rest of their camps and doing their best to ensure that the event’s “leave no trace” ethos is abided by. Sun is predicted for the remainder of the week.

Oliver Anthony Rolls Out ‘90 Some Chevy’ With Live Performance Video

Oliver Anthony Music is churning out the country tunes. His latest new video is a live performance of “90 Some Chevy,” a country love song that could be a classic.

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The singer-songwriter — who is from Farmville, Virginia, and whose stage name honors his grandfather — had previously uploaded a raw version of “90 Some Chevy.” The original was among the songs he’d only recorded on his cell phone, but it’s worth a listen in comparison to the updated, more polished “90 Some Chevy” that’s now on YouTube and available on music streaming services.

“90 Some Chevy” is one of Anthony’s lighter songs, with lyrics comparing his romantic interest — who is his Carter, while he’s her Cash — to a beloved Chevy.

He opens the song with a memorable hook: “That old darlin’ of mine is like a 90-some Chevy/ She rides just right when you turn her on/ The only thing sounds better than that old 350/ Is when she’s runnin’ up to kiss me when I get home.”

He later sings, “She’s hotter than hell, I’m higher than gas/ She’s sweeter than honey, I’m poor white trash/ She ain’t had a check that I couldn’t cash/ I guess if she’s my Carter, then I’m her Cash/ I’ve been sittin’ around and drinkin’ on it/ I guess I’m gonna have to get me a ring and get it on it.”

Since its upload two days ago, Anthony’s new “90 Some Chevy” video has accumulated 1.3 million views and counting.

“Thanks so much to everyone,” he captioned the performance. “Enjoy your Labor Day!”

Meanwhile, Anthony’s “Rich Men North of Richmond” remains a breakout hit: It launched at No. 1 on the Billboard Hot 100, where it’s so far been sitting pretty for two weeks. He’s the first artist ever to launch atop the Hot 100 with no prior chart history in any form. 

Watch the ’90 Some Chevy’ video below.



Here’s the Emotional New Song Taylor Swift Is Loving Right Now

Taylor Swift shared the song that she’s currently listening to on Monday afternoon (Sept. 4).

“damn griff i love this one,” Swift wrote in an Instagram Story.

She linked to Griff‘s new single “Vertigo,” potentially encouraging up to 271 million followers to click over to the track.

Griff responded excitedly to the co-sign: “What!! Is!! Happening!! I have no words,” she wrote, and then directed a whole lot of emojis Swift’s way. “Now everyone go do what the queen says and stream vertigo.”

Although Griff seemed surprised by the social media support from Swift, the two artists have connected before. They met and took photos together at the 2021 Brit Awards, where Swift was the recipient of the global icon award and Griff was named rising star. Swift has previously called Griff’s “Shade of Yellow” an “excellent” song.

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Griff recently told Dork that “Vertigo” is a “sad, heartbreak” sort of song.

“When someone leaves your life, you spend a lot of time asking if it was your fault. This song lists all those reasons why it could be, but it’s also about trying to reassure yourself that there was nothing you could have done to make it better. With the way it crescendos, I’ve always heard it as a bit of an emotional rollercoaster,” the singer-songwriter said of the new release.

“There’s a darkness to ‘Vertigo’ that maybe I haven’t tapped into as much before,” Griff continued. “It’s still major, but there’s something quite dark and moody about it too.”

Griff is working on her debut full-length album, which will be the follow-up to her 2021 mixtape, One Foot in Front of the Other.

“It’s the start of a new season for me, for sure,” she told Dork of the new music she’s been creating.

Check out Swift’s Instagram Story here, and see Griff’s “Vertigo” visualizer below.



Accusers in Japanese Boy Band Producer’s Sex Scandal Hope for Apology, Compensation

A group of men who say they were sexually abused by a Japanese boy band producer expressed hope Monday (Sept. 4) that the company will provide financial compensation and introduce measures to prevent a recurrence.

They say producer Johnny Kitagawa sexually preyed on young dancers and singers for decades, having them stay at his luxury home, handing them cash and leveraging promises of potential fame. The company, Johnny & Associates, is a powerful force in Japan’s entertainment industry.

The men said at a news conference Monday that they have been ignored for decades by the company, Japanese society and mainstream media.

Company Chief Executive Julie Keiko Fujishima released a brief statement on YouTube in May about the accusations but has not appeared before reporters. The company has set a news conference for Thursday.

“We want Julie to apologize, as the chief executive and company owner,” said Shimon Ishimaru, one of nine men who have formed a group demanding an apology and compensation from the company. “For a company behind this big a crime to do nothing is unimaginable.”

Johnny’s, as the company is known, is family-run and not publicly listed. Kitagawa, Fujishima’s uncle, died in 2019 and was never charged.

A special team set up by the Tokyo-based company recently spoke to 23 accusers, but has said the total will likely balloon to at least several hundred people. The team also recommended Fujishima resign.

Junya Hiramoto, another member of Ishimaru’s group, said they hope to set an example for others who have suffered.

“Our wounds never fade,” Hiramoto said. “Do you think we aren’t still hurting? Do you think we can forget? Do you know what it’s like for us to come forward like this, filled with shame?”

Over the years, persistent allegations against Kitagawa have generally been dismissed as malicious rumors. Mainstream media stayed silent.

The U.N. Working Group on Business and Human Rights has urged the Japanese government to act to make sure that Johnny’s provides an apology and compensation and that government oversight of businesses be improved. The government has yet to take action.

Japan tends to be behind the West on issues of gender equality, children’s rights and awareness about sexuality.

It was only after a BBC documentary about Kitagawa aired this year that the scandal again became a topic of scrutiny.

Another accuser, Kauan Okamoto, spoke at the Foreign Correspondents Club in April, saying he trusted foreign media more than Japanese media. Okamoto, like many others who have come forward, was part of a backup boys’ group called Johnny’s Jr.

The Associated Press does not usually identify people who say they were sexually assaulted, but Kitagawa’s recent accusers decided to be named publicly in news accounts.