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Maná Launches Social Impact Initiative & Honors Uvalde Victim During San Antonio Show 

Maná has launched a local social impact initiative as part of the second leg of the group’s México Lindo y Querido Tour. According to a press release, the iconic Mexican rock band will donate a portion of proceeds from their stint to 11 local service organizations that provide need-based services and four national advocacy and voter registration partners, including Latino Victory Foundation, Poder Latinx, Mi Familia Vota and Mamás Con Poder. Live Nation will also be contributing to the donation in select markets.

“At the heart of Maná is the belief that our music can be a vehicle for social good. Our concerts are a celebration of life and hope where all are welcome,” said Fher Olvera, Maná’s frontman. “Through this initiative we want to do tangible good in the communities where we perform by highlighting and financially supporting organizations that are striving to help the Latino community.”

Furthermore, Maná — comprised of Olvera, Alex González, Sergio Vallín and Juan Calleros — will donate a portion of the proceeds from their Texas shows to The Maite Yuleana Rodriguez scholarship offered by Texas A&M University-Corpus Christi. Rodriguez, a 10-year-old victim of the Robb Elementary School shooting, had dreams of becoming a marine biologist. Maná has worked extensively to support marine life in Mexico through their Selva Negra Foundation. The scholarship fund, established by the little girl’s mother, Ana Coronado, provides opportunities to Latino youth to follow their educational dreams.

Coronado was at the San Antonio show over the weekend, where she was invited to meet the group backstage, and later, joined them on stage when the band performed “El Reloj Cucú,” which Olvera wrote, inspired by the loss of his father. “Maite, this is for you,” Maná captioned a video of the heartfelt moment shared on social media. Watch it below:

Morgan Wallen’s ‘Last Night’ Wraps at No. 1 on Billboard’s 2023 Songs of the Summer Chart

Morgan Wallen’s “Last Night” reigns as the No. 1 title on Billboard’s Songs of the Summer chart for the 2023 summer season.

Notably, a country song tops the season-ending tally for the first time since 1974 — while, with Luke Combs’ “Fast Car” at No. 2, country hits claim the top two spots for the first time.

The 20-position Songs of the Summer running tally tracks the most popular titles based on cumulative performance on the weekly streaming-, airplay- and sales-based Billboard Hot 100 chart from Memorial Day through Labor Day (this year encompassing charts dated June 10 through Sept. 9).

“Last Night” claims the title on the 2023 Songs of the Summer chart after leading the weekly chart all 14 weeks this season. On the Hot 100, it dominated for 16 weeks – the most ever for a non-collaboration. It also topped the Hot Country Songs chart for 25 weeks.

The single is just the second that has hit the top 10 on both the Hot 100 and Hot Country Songs and won top seasonal honors on Songs of the Summer: It joins John Denver’s “Annie’s Song,” which reached No. 1 on the Hot 100 and No. 9 on Hot Country Songs in 1974.



Here is a rundown of the Songs of the Summer chart’s top 10 for 2023:

  • No. 1, “Last Night,” Morgan Wallen
  • No. 2, “Fast Car,” Luke Combs
  • No. 3, “Calm Down,” Rema & Selena Gomez
  • No. 4, “Flowers,” Miley Cyrus
  • No. 5, “All My Life,” Lil Durk feat. J. Cole
  • No. 6, “Cruel Summer,” Taylor Swift
  • No. 7, “Karma,” Taylor Swift feat. Ice Spice
  • No. 8, “Snooze,” SZA
  • No. 9, “Kill Bill,” SZA
  • No. 10, “Fukumean,” Gunna

Meanwhile, with Luke Combs’ cover of Tracy Chapman’s 1988 classic “Fast Car” at No. 2 on the final 2023 Songs of the Summer chart, country hits hold the list’s top two positions for the first time (dating to the Hot 100’s 1958 inception).

Morgan Wallen and Luke Combs

Morgan Wallen and Luke Combs attend the 2019 CMT Music Awards at Bridgestone Arena on June 5, 2019, in Nashville.

Jeff Kravitz/FilmMagic for CMT

Also, as noted above, Taylor Swift and SZA each boast two tracks in the Songs of the Summer top 10 for 2023: Swift with “Cruel Summer” and “Karma” (featuring Ice Spice), and SZA with “Snooze” and “Kill Bill,” respectively.

(“Cruel Summer” is also the first “summer”-titled Songs of the Summer chart hit since Calvin Harris’ “Summer,” which placed at No. 8 for 2014.)

Harry Styles’ “As It Was” ruled as the season-ending No. 1 on the 2022 Songs of the Summer chart, after BTS’ “Butter” glided to a top finish in 2021; DaBaby’s “Rockstar,” featuring Roddy Ricch, wrapped on top in 2020; Lil Nas X’s “Old Town Road,” featuring Billy Ray Cyrus, led in 2019; and Drake’s “In My Feelings” won in 2018.

Check out the top 10 summer songs every year throughout the Hot 100’s history (from the chart’s start in 1958), the top 500 Greatest of All Time Songs of the Summer and this season’s final Songs of the Summer chart in its entirety.

Drake Gifts Fan $50,000 for Spending Their Furniture Money on Concert Tickets

Over the weekend, Drake’s altruism was on display during the Las Vegas stop of his It’s All a Blur Tour when he gifted a fan $50,000 after they spent their furniture money on concert tickets to his show.  

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The overzealous fan flaunted a sign in the crowd reading: “Drake I spent my furniture money on your two shows, OVO for life.” It caught the attention of Drizzy, who rewarded the OVO loyalist with $50,000 for their unbridled loyalty. “My manager is my DJ, right. Is he over there? He’s right there? You know what? My man, your furniture money, imma give you 50 bands tonight cause’ I love you. Make sure he gets his money tonight.”

He continued, saying, “Listen, this is what life is about. I’m trying to teach you something tonight. I want you to understand something tonight. You never know what the next person is going through. You never know what the person in front of you, to the left of you, to the right of you, behind you, is going through.”

Last month, Drake gifted a fan a a Birkin bag, and another Chanel purse during his L.A. tour spot at Crypto.com Arena. Priscela Izquierdo thanked the rapper after she posted a sign and noted that it was her birthday. “Drake Gave Me a Chanel Bag on My Birthday,” it read. According to Izquierdo, the 6 God caught wind of the sign and later delivered her a Chanel bag.

“He read it, and we made eye contact. And he said, ‘Happy birthday.’ And then, he was trying to kill me and gave me a Chanel bag,” she quipped while showing off the bag on TikTok.

Drake is readying his new album For All the Dogs, which will serve as a follow-up to his last solo effort, 2021’s Certified Lover Boy

‘Space Jam’ Lawsuits, Cardi B Beats ‘WAP’ Suit, Karol G Copyright Case & More Top Legal News

This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.

This week: The owners of the rights to the “Space Jam” theme song are demanding payment for a song that’s been heavily used in internet memes and online mashups; Cardi B and Megan Thee Stallion beat a copyright lawsuit over ‘WAP’; Karol G and Tiësto are sued for infringement over a little-known song; and much more.

Want to get The Legal Beat newsletter in your email inbox every Tuesday? Subscribe here for free.

THE BIG STORY: Everybody Get Up, It’s Time To Sue Now

The theme song to the movie Space Jam, performed by Florida hip-hop trio Quad City DJ’s, is a mid-1990s classic, with bass-heavy dance beats that instantly call to mind Michael Jordan and the characters from Looney Tunes squaring off in a basketball game against alien invaders. I know you can hear it now: Here’s your chance, do your dance, at the Space Jammmm….

But it’s also, weirdly, a mid-2000s classic. Somewhere in the hazy early days of social media, the theme embarked on a bizarre second act as a meme – the basis for hundreds or thousands of absurdist “slam remix” videos that combined the song with other audio and video, often inexplicably featuring NBA star Charles Barkley. By the early 2010s, the trend had largely faded away – most memes do. But many slam remixes still exist on YouTube, and whole websites dedicated to the art of slamming are still live in 2023.

Now, that might be something of a problem — because, two decades later, the Space Jam theme song has new owners who are carrying out an increasingly active legal campaign to demand payment from people who used it.

Watson Music Group, a company that bought the rights to “Space Jam” the song in 2019 from its three original songwriters, has filed three federal lawsuits in the last three months, accusing companies of infringing its copyrights by using the song on the internet without permission. It’s also sent legal threats to an unknown number of other alleged infringers, arguing that unauthorized users must pay a “retroactive license” to avoid legal liability.

For more about the legal campaign over the rights to “Space Jam,” go read our full story, featuring details about the latest lawsuit and a response from the company’s lawyer.

Other top stories this week…

CARDI & MEGAN BEAT COPYRIGHT CASE – A federal judge tossed out a lawsuit accusing Cardi B and Megan Thee Stallion of stealing the lyrics to their smash hits “WAP” and “Thot Shit” from an earlier track called “Grab Em by the P—-,” ruling that short lyrics like “p—- so wet” were simply too unoriginal to be covered by copyright law.

EARTH, WIND & FIRE NAME LAWSUIT – A tribute band that was sued earlier this year by Earth, Wind & Fire for trademark infringement is firing back with a bold counterargument: That the famed R&B act has actually abandoned any intellectual property rights to its name.

NICK CARTER ABUSE LITIGATION – The Backstreet Boys member, who is facing multiple accusations of sexual assault from the 2000s, was hit with a third such lawsuit, this time from an unnamed woman who claims he assaulted her when she was 15 years old. But Carter also won a ruling allowing him to proceed with a defamation countersuit, which claims he’s victim of “conspiracy” orchestrated by his accusers.

KAROL’S COPYRIGHT CLASH – Karol G and Tiësto were hit with a copyright lawsuit over their song “Don’t Be Shy,” filed by a Cuban-American songwriter (Rene Lorente) who says their track features elements that are “practically identical” to his earlier tune called “Algo Diferente.”

TEXAS DRAG LAW BLOCKED – Following similar rulings in Tennessee and Florida, a federal judge in Texas blocked the state from enforcing a newly-enacted law restricting drag performances, ruling that the law likely violates the First Amendment.

Zach Bryan & Kacey Musgraves’ ‘I Remember Everything’ Debuts at No. 1 on Billboard Hot 100

Continuing his chart breakthrough that began in 2022, singer-songwriter Zach Bryan’s “I Remember Everything” featuring Kacey Musgraves launches at No. 1 on the Billboard Hot 100. The song – each singer-songwriter’s first Hot 100 leader – is from Bryan’s self-titled LP, which concurrently premieres at No. 1 on the Billboard 200 albums chart.

Luke Combs’ “Fast Car” keeps at its No. 2 Hot 100 high and takes over as the most-heard song on radio, a rare feat for a country hit.

Plus, Miley Cyrus’ “Used to Be Young” debuts at No. 8 on the Hot 100, marking her 12th career top 10.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Sept. 9, 2023) will update on Billboard.com tomorrow (Sept. 6, a day later than usual due to the Labor Day holiday in the U.S. yesterday, Sept. 4). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.



Here’s a look at the coronation of “I Remember Everything,” the 1,154th song to top the Hot 100 over the chart’s 65-year history, and the 70th to debut at No. 1.

Streams, sales & airplay: Released Aug. 25 on Belting Bronco/Warner Records, “I Remember Everything” drew 33.7 million streams and sold 10,000 downloads in the tracking week ending Aug. 31, according to Luminate. Not being formally promoted to radio, it also tallied 263,000 radio airplay audience impressions, with two-thirds (175,000) from reporters to Billboard’s Country Airplay chart.

The single also debuts at No. 1 on the Streaming Songs chart (notably, it snagged the top spot on Spotify’s New Music Friday playlist upon its release) and No. 4 on Digital Song Sales.

Bryan, Musgraves’ first No. 1: Bryan and Musgraves each achieve their first Hot 100 No. 1 with “I Remember Everything.” Bryan charted four entries prior to this week, with one hitting the top 10: His first charted song, “Something in the Orange,” reached No. 10 in January; with 66 total weeks on the tally (May 7, 2022-Aug. 5, 2023), it became the longest charting country hit by a solo male in the survey’s history. Plus, the U.S. Navy veteran, born in Okinawa, Japan, and raised in Oologah, Okla., won for new male artist of the year at the Academy of Country Music Awards in May.

Musgraves completes over a decade’s journey to No. 1 on the Hot 100, having first reached the chart with “Merry Go ‘Round” (No. 63 peak, 2013; it’s also her lone Country Airplay top 10 to date). She previously charted highest on the Hot 100 with “Follow Your Arrow” (No. 60, 2014) and added her other entry before this week, “Rainbow” (No. 98, 2019). The Golden, Texas, native has won six Grammy Awards, with her most recent LP, 2018’s Golden Hour, claiming album of the year honors at the 61st Grammy Awards.

A Hot 100, country and rock first: “I Remember Everything” concurrently opens at No. 1 on Billboard’s Hot Country Songs and Hot Rock & Alternative Songs charts (as well as Hot Rock Songs), which use the same methodology as the Hot 100. It’s the first song to top the Hot 100, Hot Country Songs and Hot Rock & Alternative Songs (dating to 2009, when the lattermost list began).

Bryan tops all three genre charts for a second time, after “Something in the Orange” led Hot Country Songs, Hot Rock & Alternative Songs and Hot Rock Songs for six, 20 and 20 weeks, respectively. Musgraves leads each ranking for the first time.

“I Remember Everything” is the 24th song to have topped both the Hot 100 and Hot Country Songs (dating to 1958, when the Hot 100 originated and Hot Country Songs became the country genre’s singular Billboard chart). Four such songs have led the Hot 100 in 2023, the most in a year since 1975.

Songs to Have Hit No. 1 on Both the Hot 100 & Hot Country Songs Charts:

  • “I Remember Everything,” Zach Bryan feat. Kacey Musgraves, 2023
  • “Rich Men North of Richmond,” Anthony Oliver Music, 2023
  • “Try That in a Small Town,” Jason Aldean, 2023
  • “Last Night,” Morgan Wallen, 2023
  • “All Too Well (Taylor’s Version),” Taylor Swift, 2021
  • “We Are Never Ever Getting Back Together,” Taylor Swift, 2012
  • “Amazed,” Lonestar, 1999-2000
  • “Islands in the Stream,” Kenny Rogers, duet with Dolly Parton, 1983
  • “I Love a Rainy Night,” Eddie Rabbitt, 1981
  • “9 to 5,” Dolly Parton, 1981
  • “Lady,” Kenny Rogers, 1980
  • “Southern Nights,” Glen Campbell, 1977
  • “Convoy,” C.W. McCall, 1975-76
  • “I’m Sorry,” John Denver, 1975
  • “Rhinestone Cowboy,” Glen Campbell, 1975
  • “Thank God I’m a Country Boy,” John Denver, 1975
  • “Before the Next Teardrop Falls,” Freddy Fender, 1975
  • “(Hey Won’t You Play) Another Somebody Done Somebody Wrong Song,” B.J. Thomas, 1975
  • “The Most Beautiful Girl,” Charlie Rich, 1973
  • “Honey,” Bobby Goldsboro, 1968
  • “Harper Valley P.T.A.,” Jeannie C. Riley, 1968
  • “Big Bad John,” Jimmy Dean, 1961
  • “El Paso,” Marty Robbins, 1959-60
  • “The Battle of New Orleans,” Johnny Horton, 1959

As Billboard reported in July, country music has surged this year: consumption for the genre in the United States was up 20.3% year-over-year in the first 26 weeks of 2023, according to Luminate. (Comparatively, country grew by 2.5% over the same period in 2022.)

Four country No. 1s in a row for the first time: On the newest, Sept. 9-dated Hot 100, “I Remember Everything” supplants Anthony Oliver Music’s “Rich Men North of Richmond” at No. 1, after the latter led the last two weeks (Aug. 26 and Sept. 2). Before that, Morgan Wallen’s “Last Night” rebounded for the last two of its 16 weeks on top (Aug. 12 and 19), directly following Jason Aldean’s one-week reign with “Try That in a Small Town” (Aug. 5).

Four country songs have topped the Hot 100 consecutively for the first time in the chart’s history, extending a record run for the genre. Previously, country hits reigned back-to-back twice: in 1981 (Dolly Parton’s “9 to 5” and Eddie Rabbitt’s “I Love a Rainy Night”) and 1975 (Freddy Fender’s “Before the Next Teardrop Falls” and John Denver’s “Thank God I’m a Country Boy”).

Zach, Kacey, Kenny and Dolly: “I Remember Everything” is just the second shared Hot 100 and Hot Country Songs No. 1 by a male and female artist together. It joins Kenny Rogers and Dolly Parton’s 1983 classic “Islands in the Stream” (written by the Bee Gees).

Zach, Kacey, Ed and Bey: Bryan and Musgraves also co-wrote “I Remember Everything,” which Bryan solely produced. It’s the first Hot 100 No. 1 by a male and female artist also boasting co-writing credit with no other billed writers since Ed Sheeran and Beyoncé’s “Perfect,” which reached the top of the chart dated Dec. 23, 2017. (Sheeran wrote and originally recorded the love song solo; Beyoncé joined for its remix and gained co-writing credit.)

Bryan begins atop Billboard 200 and Hot 100: Zach Bryan logs just the ninth instance of an act debuting at No. 1 on the Billboard 200 and Hot 100 simultaneously. As “I Remember Everything” opens atop the Hot 100, parent LP Zach Bryan soars onto the Billboard 200, likewise as his first No. 1, with 200,000 equivalent album units.

Bryan joins only Taylor Swift, BTS, Drake and Future and having scored such a double debut. Swift initiated the club and has earned the honor four times, while Drake has done so twice.

Artists to Have Debuted at No. 1 on the Billboard 200 & Hot 100 Simultaneously:

  • Zach Bryan: Zach Bryan, Billboard 200 & “I Remember Everything” (feat. Kacey Musgraves), Hot 100, Sept. 9, 2023
  • Taylor Swift: Midnights & “Anti-Hero,” Nov. 5, 2022
  • Drake: Honestly, Nevermind & “Jimmy Cooks” (feat. 21 Savage), July 2, 2022
  • Future: I Never Liked You & “Wait for U” (feat. Drake & Tems), May 14, 2022
  • Taylor Swift: Red (Taylor’s Version) & “All Too Well (Taylor’s Version),” Nov. 27, 2021
  • Drake: Certified Lover Boy & “Way 2 Sexy” (feat. Future & Young Thug), Sept. 18, 2021
  • Taylor Swift: Evermore & “Willow,” Dec. 26, 2020
  • BTS: BE & “Life Goes On,” Dec. 5, 2020
  • Taylor Swift: Folklore & “Cardigan,” Aug. 8, 2020

Zach Bryan also bows at No. 1 on the Top Country Albums, Top Rock & Alternative Albums, Top Rock Albums and Americana/Folk Albums charts.

Warner back at No. 1: With “I Remember Everything,” Warner Records rules the Hot 100 for the first time since the label notched three No. 1s in 2013, when Macklemore and Ryan Lewis’ “Thrift Shop” (featuring Wanz) and “Can’t Hold Us” (featuring Ray Dalton) led for six and five weeks starting that February and May, respectively (with the songs on ADA/Warner); in between, Baauer’s “Harlem Shake” (Jeffree’s/Mad Decent/Warner) reigned for five frames beginning that March.

The label formed in 1958 and first reached No. 1 with The Everly Brothers’ “Cathy’s Clown” in May 1960. It rebranded from Warner Bros. to Warner Records in 2019, making “I Remember Everything” its first leader under its newer name.

Bryan’s Belting Bronco imprint scores its first placement atop the Hot 100.

We ‘remember’ ‘everything’: Here’s something to remember. Thanks to “I Remember Everything,” the word “remember” is in the title of a Hot 100 No. 1 for the first time. Previously, Madonna notched the highest charting such song, as “I’ll Remember” reached No. 2 in 1994.

Meanwhile, the word “everything” appears atop the Hot 100 for a ninth time (and for a second time by an artist with Bryan in his name):

  • “I Remember Everything,” Zach Bryan feat. Kacey Musgraves, 2023
  • “Give Me Everything,” Pitbull feat. Ne-Yo, Afrojack & Nayer, 2011
  • “Everything You Want,” Vertical Horizon, 2000
  • “(Everything I Do) I Do It for You,” Bryan Adams, 1991
  • “I’ll Be Your Everything,” Tommy Page, 1990
  • “Everything She Wants,” Wham!, 1985
  • “I Just Want to Be Your Everything,” Andy Gibb, 1977
  • “Everything Is Beautiful,” Ray Stevens, 1970
  • “Turn! Turn! Turn! (To Everything There Is a Season),” The Byrds, 1965



Luke Combs’ cover of Tracy Chapman’s self-written 1988 Hot 100 top 10 “Fast Car” adds an eighth week at its No. 2 high, steady in rank. It concurrently crowns the Radio Songs chart, rising 2-1 with 78.8 million in audience.

As it led Country Airplay for five weeks, the song is just the fifth – and the first by a solo male with no accompanying acts – to have topped the Country Airplay and all-format Radio Songs charts, dating to the surveys’ 1990 inceptions (and the latter list’s 1998 expansion to include country panelists, among other format reporters). Here’s a recap, with all five songs having achieved both country and pop radio success.

Radio Songs No. 1s That Also Topped Country Airplay:

  • “Fast Car,” Luke Combs, one week to date atop Radio Songs, 2023
  • “I Hope,” Gabby Barrett feat. Charlie Puth, one, 2020 (Barrett was solely credited on Country Airplay; Puth joined for its pop remix)
  • “Meant to Be,” Bebe Rexha & Florida Georgia Line, five weeks, 2018
  • “Need You Now,” Lady A, two, 2010
  • “You Belong With Me,” Taylor Swift, two, 2009

(As a writer, Chapman previously peaked as high as No. 2 on Radio Songs with her own single “Give Me One Reason,” in 1996.)

Doja Cat’s “Paint the Town Red” pushes from No. 5 to a new No. 3 Hot 100 high, as it wins top Airplay Gainer honors (up 25% to 28.2 million in airplay audience). It leads the multimetric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts for a second week each.

Morgan Wallen’s “Last Night” descends 3-4 on the Hot 100, following 16 weeks at No. 1 – the most ever for a non-collaboration; Taylor Swift’s “Cruel Summer” slips 4-5, after reaching No. 3; and Oliver Anthony Music’s “Rich Men North of Richmond” falls to No. 6 after spending its first two weeks on the chart at No. 1 (down 8% to 21.2 million streams and 71% to 34,000 sold, although it leads Digital Song Sales for a third week; it’s up 7% to 2.4 million in radio audience).

SZA’s “Snooze” returns to the Hot 100’s top 10, at a new No. 7 best, from No. 11, up 64% to 17.3 million streams following the Aug. 25 premiere of its official video, good for the chart’s top Streaming Gainer award. It leads the multi-metric Hot R&B Songs chart for a seventh week.



Miley Cyrus’ “Used to Be Young” bounds onto the Hot 100 at No. 8, with 25.9 million in airplay audience, 17.8 million streams and 19,000 sold from its release Aug. 25 through Aug. 31. It opens at No. 2 on Digital Song Sales, No. 9 on Streaming Songs and No. 19 on Radio Songs – it’s the second song to start in the Radio Songs top 20 this year, after Cyrus’ “Flowers” began at No. 18 in January (on its way to an 18-week command, the longest ever for a song by a woman).

Cyrus collects her 12th Hot 100 top 10. Her previous top 10s, including one under her former Hannah Montana alter ego: “Flowers” (No. 1, eight weeks, 2023); “Without You,” with The Kid LAROI (No. 8, 2021); “Malibu” (No. 10, 2017); “Wrecking Ball” (No. 1, three weeks, 2013); “We Can’t Stop” (No. 2, 2013); “Can’t Be Tamed” (No. 8, 2010); “Party in the U.S.A.” (No. 2, 2009); “He Could Be the One” (Hannah Montana; No. 10, 2009); “The Climb” (No. 4, 2009); “7 Things” (No. 9, 2008); and “See You Again” (No. 10, 2008).

Rounding out the Hot 100’s top 10, Dua Lipa’s “Dance the Night” holds at No. 9, after reaching No. 7, and Gunna’s “Fukumean” drops 7-10, after hitting No. 4.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated Sept. 9), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Sept. 6).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Diddy Hands Back Music Publishing Rights To Bad Boy Artists: Report

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Diddy has long been the target of criticism over holding the publishing rights who recorded and released music under his Bad Boy music imprint. According to a new report, Diddy will hand back the music publishing rights to a number of artists and other collaborators.

Variety gained exclusive intel from a source that says Diddy, real name Sean Combs, will give back the music publishing rights to the estate of The Notorious B.I.G., Faith Evans, Ma$e, and more.

Per the source, Diddy has “decided to reassign his Bad Boy publishing rights back to all Bad Boy artists and writers who helped build Bad Boy into the powerhouse it is today.”

While the full details of the shift in rights are not known, other acts include the likes of The LOX, 112, and a host of others that could be assumed to be songwriters, producers, and engineers.

The outlet added that the speculative worth of the rights could total up to hundreds of millions of dollars. The outlet’s source also adds that Diddy has received a number of offers for the publishing rights but instead shifted course and placed them back into the hands of the original creators.

Last week, we posted a story that Cam’Ron, who now works with Ma$e on a sports podcast, shared the news of his co-host signing paperwork regarding the transfer of his music publishing rights back.

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Calibre 50, Manuel Turizo, Myke Towers, Peso Pluma & More to Perform at 2023 Billboard Latin Music Awards

Calibre 50ChiquisEl AlfaEladio CarriónJustin QuilesLos Ángeles AzulesManuel TurizoMarshmelloMyke Towers, Peso PlumaTini and Yandel are confirmed to perform at the 2023 Billboard Latin Music Awards, set to take place Thursday, Oct. 5.

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Billboard and Telemundo announced Tuesday (Sep. 5) the first round of performers who will take the stage at the Watsco Center in Coral Gables, Florida. The show will be broadcast live on Telemundo and simultaneously on the Spanish entertainment cable network Universo, on Peacock and on the Telemundo app. Throughout Latin America and the Caribbean, it will be available on Telemundo Internacional.

This year, Mexican music sensation Peso Pluma leads the list of finalists with 21 nods across 15 categories, including Artist of the Year, Songwriter of the Year, Global 200 Latin Artist of the Year and Top Latin Album of the Year. His collaboration with Eslabon Armado, “Ella Baila Sola,” is up for six awards, including Hot Latin Song of the Year, Global 200 Latin Song of the Year and Sales Song of the Year. And his hit with Yng Lvcas, “La Bebe,” competes in five categories, including Hot Latin Song of the Year and Latin Rhythm Song of the Year.

Following Peso Pluma are Bad Bunny and Grupo Frontera with 15 nods each, including four together for their collab “un X100to,” while Karol G has 13, and Shakira and Fuerza Regida 12 each. See the complete list of finalists here.

As announced recently, Los Ángeles Azules will receive the Lifetime Achievement Award at the Latin Billboard Music Awards 2023, while Ivy Queen will be recognized with the Icon Award.

As has been the case for more than 20 years, the Billboard Latin Music Awards coincide with Billboard’s annual Latin Music Week, the single largest and most important gathering of the Latin music industry, taking place Oct. 2-6. The event will feature panels, conversations and workshops at the Faena Forum and exclusive performances and fan experiences throughout the week in Miami. Shakira, Myke Towers, Vico C, Grupo Frontera, Peso Pluma, Nicki Nicole, RBD and many more are confirmed to participate.

Purchase tickets to the 2023 Billboard Latin Music Week here.

Nirvana’s ‘In Utero’ 30th Anniversary Remastered Collection to Feature 53 Unreleased Tracks

Nirvana will celebrate the 30th anniversary of the trio’s final studio album, 1993’s In Utero with a massive box set. The raw collection that solidified the band’s mix of shimmering, urgent pop songwriting (“Sever the Servant,” “Heart-Shaped Box,” “Pennyroyal Tea”) and scorched earth punk (“Scentless Apprentice,” “Rape Me,” “Milk It”), will be reissued in a number of formats on Oct. 27 with a slew of previously unreleased material.

The bonus features on the remastered collection include 53 previously unreleased tracks, including two never-before-released full concerts from the In Utero tour. The album, originally released on Sept. 21, 1993, became Nirvana’s first No. 1 album on the Billboard 200 album charts following the surprise global success of their 1991 major label debut, Nevermind. The anniversary formats will include an 8LP super deluxe box set, 5CD super deluxe box, as well as a 1 LP + 10″ edition, 2CD deluxe edition and a digital super deluxe edition.

The super deluxe editions will include 72 tracks, including the Live in Los Angeles (1993) concert and the band’s final Seattle performance, 1994’s Live in Seattle; there will also be six additional bonus live tracks from shows in Rome, Springfield and New York. Seattle producer and engineer Jack Endino — who was behind the boards for the band’s 1988 debut, Bleach — reconstructed the live tracks from stereo soundboard tapes, according to a release announcing the sets.

The album’s original 12 songs — which also include “Frances Farmer Will Have Her Revenge On Seattle,” “Dumb,” “Very Ape,” “Tourette’s” and “All Apologies” — as well as five bonus tracks and b-sides were newly remastered from the original analog master stereo tapes by Bob Weston at Chicago Mastering Services; Weston assisted In Utero engineer Steve Albini during the original sessions.

The physical super deluxe edition box also has a removable front acrylic panel with the album’s iconic angel cover art, as well as a 48-page hardcover book with unreleased photos, a newly designed 20-page fanzine, an L.A. tour poster lithograph by hot rod artist Coop and replicas of the 1993 record store promo angel mobile. The sets will also pack in three gig fliers, two ticket stubs for L.A. and Seattle shows, an all-access tour laminate and four cloth sticky tour backstage passes.

The second LP will feature five bonus tracks and b-sides: “Gallons of Rubbing Alcohol Flow Through the Strip,” “Marigold,” “Sappy,” “Moist Vagina” and “I Hate Myself and Want to Die.”

Check out the track listing for the 8-LP super deluxe edition below (and the rest of the editions here):

LP 1
IN UTERO
Original Album Remastered

SIDE 1

1. Serve The Servants
2. Scentless Apprentice
3. Heart-Shaped Box
4. Rape Me
5. Frances Farmer Will Have Her Revenge On Seattle
6. Dumb

SIDE 2

1. Very Ape
2. Milk It
3. Pennyroyal Tea
4. Radio Friendly Unit Shifter
5. tourette’s
6. All Apologies

LP 2:
BONUS TRACKS & B-SIDES
Remastered

SIDE 1

1. Gallons Of Rubbing Alcohol Flow Through The Strip
2. Marigold
3. Sappy 
4. Moist Vagina
5. I Hate Myself And Want To Die

BONUS LIVE 1993/1994

SIDE 2

1. Serve The Servants (Live in Rome)*
2. Scentless Apprentice (Live in Rome)*
3. Heart-Shaped Box (Live in Rome)* 
4. Very Ape (Live in Rome)*
5. Milk It (Live in Springfield)*
6. tourette’s (Live in New York)*

LP 3-5
LIVE IN LOS ANGELES
Great Western Forum – December 30, 1993

SIDE 1

1. Radio Friendly Unit Shifter*
2. Drain You*
3. Breed*
4. Serve The Servants*

SIDE 2

1. Come As You Are*
2. Smells Like Teen Spirit*
3. Sliver*
4. Dumb*

SIDE 3

1. In Bloom*
2. About A Girl*
3. Lithium*
4. Pennyroyal Tea*

SIDE 4

1. School*
2. Polly*
3. Frances Farmer Will Have Her Revenge On Seattle*
4. Rape Me*
5. Territorial Pissings*

SIDE 5

1. Jesus Doesn’t Want Me For A Sunbeam*
2. The Man Who Sold The World*
3. All Apologies*
4. On A Plain*

SIDE 6

1. Heart-Shaped Box
2. Blew*
3. Feedback Jam*

*previously unreleased

Did Offset Tease Solo Album Release Date With Michael Jackson-Inspired Outfit at Beyoncé Renaissance Tour Date?

Fans have been eagerly awaiting any information about Offset‘s upcoming solo album, his first full-length since 2019’s Father of Four. After the recent release of his latest team-up with wife Cardi B, “Jealousy,” the timing seemed right for an update on the as-yet-untitled album and some fans think the Migos member secretly spilled the news via a Michael Jackson-inspired outfit he wore to Beyoncé’s Renaissance tour show in Los Angeles over the weekend.

In a series of Instagram photos posted on Saturday, Offset stood on a street in a black outfit covered with a silver breastplate, arm shields and several silver belts that were reminiscent of the military-like costumes favored by the late King of Pop. But what caught fans’ eyes was a white armband ‘Set sported on his left arm.

It read “1013,” leading to speculation that the collection could be released on Oct. 13, which is a Friday, the day that albums typically drop; at press time Offset had not revealed any additional details about the release date and a spokesperson for the rapper could not be reached for comment. The photos also included Offset standing with four male dancers dressed in black pants and white jackets, their faces obscured by white gas masks.

The final slide was from the rapper’s performance before Beyoncé’s set — with the masked dancers — of Migos’ 2016 hit “Bad and Boujee” with DJ Khaled during the latter’s pre-Bey warm-up set, which also included slots from 2 Chainz, Wiz Khalifa, Lil Wayne, Coi Leray and others.

Offset was also front-and-center in what will surely be one of the most famous electric slide videos of all time, shot on Friday’s opening night of the three-night stand at L.A.’s SoFi Stadium. In the clip, ‘Set moves side-to-side alongside Jay-Z and Kris Jenner while Bey performs her take on Frankie Beverly and Maze’s “Before I Let Go” behind them.

Check out Offset’s outfit below.

Sean ‘Diddy’ Combs to receive Global Icon Award & Perform at 2023 VMAs

Sean “Diddy” Combs is set to receive the Global Icon Award and perform at the 2023 MTV Video Music Awards, airing live from Prudential Center in Newark, N.J. on Tuesday, September 12 at 8 p.m. ET/PT.

Diddy is third recipient of the Global Icon Award, following Foo Fighters (2021) and Red Hot Chili Peppers (2022). MTV got the idea for the award from MTV’s Europe Music Awards (EMAs).

This will mark Combs’ first performance on the show since 2005, when he did double duty as host and performer. Diddy led an orchestra into a performance featuring Snoop Dogg on stage and the late Notorious B.I.G.  on video.

Combs opened the VMAs in 1997 with a memorable tribute to Biggie, who had been shot to death just six months previously. Combs performed Big’s “Mo Money Mo Problems” with Ma$e, and then performed “I’ll Be Missing You” with Faith Evans, 112 and Sting, who wrote “Every Breath You Take,” the song on which “I’ll Be Missing You” was based. Combs returned to the VMAs stage in 2002 to perform a medley of “Bad Boy for Life,” “Pass the Courvoisier (Part 2)” and “I Need a Girl (Parts 1 & 2).” He was joined in that segment by Usher, Busta Rhymes and Pharrell.

 

Diddy is nominated for four competitive VMA awards this year – best collaboration for both “Gotta Move On” (featuring Bryson Tiller, Ashanti, Yung Miami) and Metro Boomin’s “Creepin’ (Remix),” on which he is featured along with The Weeknd and 21 Savage. “Gotta Move On” is also nominated for best rap; “Creepin’ (Remix)” is also nominated for best R&B.

In 1997, Diddy won a Moonman for best R&B video for “I’ll Be Missing You.” The following year, he won the Viewer’s Choice award for “It’s All About the Benjamins (Rock Remix)” (featuring The LOX, Lil’ Kim, The Notorious B.I.G. and Fuzzbubble).

Diddy’s VMAs performance comes just three days before he drops The Love Album: Off the Grid. The new album is Diddy’s first major album release since Last Train to Paris, a 2010 collab with Dirty Money.

In addition to hosting the 2005 VMAs from Miami, Diddy hosted the 2002 MTV Europe Music Awards 2002 from Barcelona, Spain.

Combs has had two No. 1 albums on the Billboard 200 (No Way Out in 1997 and Press Play in 2006). He has amassed five No. 1 singles on the Billboard Hot 100 – “Can’t Nobody Hold Me Down” (featuring Ma$e), “I’ll Be Missing You (a collab with Faith Evans featuring 112), The Notorious B.I.G’s “Mo Money Mo Problems” (on which he was featured along with Ma$e), “Bump, Bump, Bump” (a collab with B2K) and “Shake Ya Tailfeather” (a collab with Murphy Lee).

Diddy isn’t the only rapper who will perform on this year’s VMAs. Lil Wayne is also on the bill. And there have been reports, not yet confirmed by MTV, that there will be (yet another) 50th anniversary salute to hip-hop.

The VMAs’ performer lineup also includes Doja Cat, whose sound incorporates hip-hop, as well as Anitta, Demi Lovato, Karol G, Kelsea Ballerini, Måneskin, Shakira, Stray Kids and TOMORROW X TOGETHER. Additional performers to be announced.

Shakira will receive MTV’s Video Vanguard Award and will perform live on the show for the first time since 2006. MTV has yet to announce the host of this year’s show. Last year’s show was co-hosted by LL Cool J, Nicki Minaj and Jack Harlow

Taylor Swift leads the 2023 VMA nominations with 11 nods, counting three she received on Friday (Sept. 1) in social categories. She is followed in the total nominations count by SZA (eight); BLACKPINK, Doja Cat, Miley Cyrus, Nicki Minaj, Olivia Rodrigo (six each); Kim Petras and Sam Smith (five each); and Beyoncé, Diddy, Drake, Ice Spice, Karol G, Metro Boomin, Shakira and TOMORROW X TOGETHER (five each).

General fan voting is now closed; voting remains open for social categories and best new artist.

Bruce Gillmer and Den of Thieves co-founder Jesse Ignjatovic are executive producers of the 2023 MTV Video Music Awards. Barb Bialkowski is co-executive producer. Alicia Portugal and Jackie Barba serve as executives in charge of production. Wendy Plaut is executive in charge of celebrity talent. Lisa Lauricella is music talent executive.

Check out the Diddy Global Icon video preview below.