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Def Leppard & Journey Are Teaming Up: How to Get Tickets to the Stadium Tour

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Def Leppard won’t be “Bringin’ on the Heartbreak” this summer. Instead, they’ve announced another tour with the legendary Journey. The two bands will be putting on a joint tour starting July 6 that will travel across North America — and you won’t want to miss out on scoring cheap tickets.

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The “Love Bites” band may have just wrapped up their joint tour with Motley Crue, but they’re ready to hit the road again with a 23-city trek that’ll have ’80s rock fans excited to sing top hits by them and Journey as well as songs from their 12th studio album, Diamond Star Halos. The tour will begin in St. Louis, Mo., and hit cities including Orlando, Atlanta, Chicago, Toronto, Boston, Houston, Phoenix, Los Angeles and more before wrapping in Denver on Sept. 8.

Def Leppard announced the joint tour on Instagram on Thursday (Dec. 7) with a video montage revealing official openers that include Steve Miller Band, Heart and Cheap Trick, which will vary by city.

“JUST ANNOUNCED!!! Def Leppard and @journeyofficial are teaming up to rock 2024 with @stevemillerband, @heartofficial, and @cheaptrick!” the captions read.

The official fan presale happens on Tuesday (Dec. 12), but Citi cardholders have the opportunity to participate in a member-exclusive presale beginning Dec. 13 at 10 a.m. local time. General tickets will go on sale on Friday (Dec. 15) at 10 a.m. local time through Ticketmaster. Prices for tickets will range from $49 to $549.

If you miss the presale and general onsale, you may be able to score ticket through resale retailers including Vivid Seats, StubHub and Seat Geek. Plus, you can score $10 off a purchase of $250+ on Seat Geek when you use the code BILLBOARD10 (valid on first purchases only).

YSL Defendant Shannon Stillwell Stabbed In Fulton County Jail

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Fulton County Jail in Atlanta, Georgia

Shannon Stillwell, a defendant in the YSL RICO trial, was stabbed multiple times in Fulton County Jail with reports going wide that the trial would be delayed. The jury in the trial was dismissed early on Monday (December 10) in connection to the stabbing incident.

FOX 5 Atlanta reports that Shannon Stillwell, also known as Shannon Brown or “SB,” was stabbed by inmate Willie Brown several times after the pair got into a fight. Officials are unaware of what started the fight but what has come out is that Brown is in jail for several violent crimes, including murder, and is being held without bond.

Stillwell is one of five defendants connected to the murder of Donovan Thomas Jr., who was shot and killed in 2015. Thomas was believed to be part of a rival gang to YSL with prosecutors claiming Young Thug rented the vehicle used for the drive-by shooting that also left a teen boy harmed.

According to reports, Stillwell is said to be in stable condition and his attorney assured that their side will not look for a delay in the trial as his client recovers.

“Out of respect for Shannon’s privacy, I will not go into specifics about his health other than to say that I was happy to be able to see him and converse with him this afternoon,” the attorney said. “I encouraged him to rest, as he will need to be strong as we continue to fight the false allegations contained in the RICO indictment. We have never and will not be asking for a delay in this trial, but also recognize that the doctors will let us know what is best for Shannon in the immediate future. I hope to reunite Shannon with his family and loved ones in short order.”

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HHW Gaming: E3 Is Officially Dead, Gamers Pay Their Respects To Beloved Video Game Convention

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US-TECHNOLOGY-ENTERTAINMENT-ECONOMY-E3

Source: FREDERIC J. BROWN / Getty / E3

The zombie that was E3 finally got the blow to the head to keep it from returning. The Electronic Entertainment Expo announced via X, formerly Twitter, that it has run out of extra lives for the convention.

The great Gene Park at the Washington Post broke the story before E3 confirmed the sad news that the beloved convention born in 1995 will not return.

“After more than two decades of hosting an event that has served as a central showcase for the U.S. and global video game industry, the Entertainment Software Association (ESA) has decided to bring E3 to a close,” the Electron Entertainment Expo said in a statement. “ESA remains focused on advocating for ESA member companies and the industry workforce who fuel positive cultural and economic impact every day.”

In a post on X, E3 wrote, “After more than two decades of E3, each one bigger than the last, the time has come to say goodbye. Thanks for the memories.”

The once popular gaming convention has been on life support since COVID came through and shut down the in-person video game convention in 2020. The ESA tried to hand on for dear life with a virtual convention in June 2021 that everyone agreed was a mess.

The ESA did make a valiant attempt to bring the in-person convention back but failed in 2022 and 2023 due to the conference failing to attract exhibitors.

Before the then-raging pandemic officially killed E3, the convention was dying slowly. Game Awards founder Geoff Keighley, who claims he was at every E3 since its exception, pretty much assisted in taking down E3 by founding Summer Game Fest in 2020.

The last time there was an in-person E3 event, only 66,100 people came out.

Gamers Are Sharing E3 Memories

With the announcement, gamers and people in the gaming industry have shared their fondest memories while saying goodbye to the convention.

“I understand why this happened, but it’s heartbreaking all the same. E3 was like Christmas for gamers and having all the conferences take place in one week was such a treat. So many good memories spanning so many years. Thanks for everything, E3,” Sony Santa Monica writer Alana Pearce said on X.

“E3 has had a huge significance in my life,” Spawn On Me founder Kahlief Adams wrote in a post on X.

What a sad day for the gaming world. Attending E3 was a dream for me, and I was close to achieving it, only to learn this year’s convention was canceled.

So long E3.

You can see more reactions in the gallery below.

Photo: FREDERIC J. BROWN / Getty

Watch Olivia Rodrigo Gush Over Her ‘Twilight’ In-Ear Monitors With Robert Pattinson’s Face on Them

Long before she released her hit single “Vampire,” Olivia Rodrigo was repping her favorite fictional blood sucker on tour.  

In a Tuesday (Dec. 11) appearance on The Kelly Clarkson Show, the 20-year-old pop star gushed about the custom in-ear monitors she used while touring in support of her debut album, Sour. On both of her earpieces, a photo of Robert Pattinson’s famous Twilight character Edward Cullen is printed over a purple background.  

“That’s my baby,” she joked to Clarkson. “He’s my guiding light on tour — you know I have to have my lucky charm.” 

The Grammy winner embarked on her Sour Tour in 2022. For her performances this year, Rodrigo said on the daytime talk show that she used in-ears stamped with Kim Cattrall’s Sex and the City character Samantha Jones. 

Following the release of her sophomore album Guts, the “Bad Idea Right?” singer will go on tour again starting in February. But the face she’ll wear on her in-ears for the six-month trek is still up in the air, she told Clarkson, who suggested Betty White. 

Rodrigo’s Kelly Clarkson Show appearance comes on the heels of her Dec. 9 return to Saturday Night Live, where she served for the second time as musical guest and made a cameo in one of the night’s sketches. With introductions from the night’s host Adam Driver, the former Disney star sang “Vampire” and “All-American Bitch.” 

The star also recently made her return to NPR’s Tiny Desk concert series, this time performing in the actual Tiny Desk office room instead of the pandemic-necessitated warehouse she sang in two years ago. 

Watch Rodrigo on The Kelly Clarkson Show above. 

Billboard’s Greatest Pop Stars of 2023: No. 8 — Bad Bunny

For this year’s update of our ongoing Greatest Pop Star by Year project, Billboard is counting down our staff picks for the top 10 pop stars of 2023 all this week. At No. 8, we remember the year in Bad Bunny — who, with his unrelenting impact on the global music scene, continues to shape the fabric of contemporary pop culture.

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In the pop realm of 2022, there was no disputing Bad Bunny‘s indomitable reign — an accumulation of years since urbano’s global breakthrough that shot him to the forefront of the pop culture zeitgeist. With nearly 435 million grossed on the road and one of the biggest albums of the last decade, the 13-week Billboard 200-topper Un Verano Sin Ti, Benito Antonio Martínez Ocasio became the biggest star in the world, and our Greatest Pop Star of 2022, all while singing in Spanish.

The year kicked off in the afterglow of his 2022 triumphs. From casually tossing off collaborative hits alongside Ñengo Flow (the Christmas season-release of “Gato de la Noche”) and Eladio Carrion (“Coco Chanel”) to the now-infamous incident of throwing a fan’s cell phone into the ocean, Bad Bunny wasted no time making waves in 2023, effortlessly.

Billboard’s Greatest Pop Stars of 2023:
Introduction & Honorable Mentions | Rookie of the Year: Peso Pluma | Comeback of the Year: Miley Cyrus | No. 10: Drake | No. 9: Doja Cat

In February, the performer opened the 65th annual Grammy Awards with a historic Un Verano Sin Ti medley that paid homage to his beloved Puerto Rico. Running the gamut of Caribbean music — from merengue to plena and, of course, reggaetón — the superstar brought previously overshadowed genres to primetime television at the prestigious ceremony. (This also included a viral moment when the broadcast’s closed captioning described him as “singing in non-English.”)

Bad Bunny was up for best pop solo performance, best música urbana album, and the coveted album of the year awards. Despite not clinching the latter — memorably losing to Harry Styles’ Harry’s House — Bunny still made history as the first all-Spanish LP to receive a Grammy nomination for Album of the Year. (In October, he would tell Vanity Fair, “Maybe they weren’t ready for a Spanish-language album to win the big prize.”) The night was still a success as he secured the best música urbana award for the second year in a row.

Greatest Pop Stars, Bad Bunny

Stillz

Greatest Pop Stars, Bad Bunny

Stillz

Meanwhile, rumors of a romantic entanglement with Kardashian sibling and model Kendall Jenner began to swirl that month, when TMZ captured the couple leaving a restaurant in Beverly Hills. In March, after getting seen on another date in West Hollywood, US Weekly reported from a source that they were “not official,” however, they were “getting to know each other better.”

The pairing, however, was not universally embraced by all fans, especially Latina fans. Refinery29’s Somos wrote that fans felt a “collective sense of betrayal.” “For many Latina fans venting their grievances online, Bad Bunny’s recent dates with Jenner force them to think about the possibilities and limits of popular culture and what happens when the icons we love don’t love us back,” said scholar of gender and ethnic studies, Yessica Garcia Hernandez, in April. “There is no denying that Latina fans have branded Benito as a contemporary symbol of Latina feminisms, and now there seems to be a cultural expectation from fans that want Benito to remain committed to his social justice stardom.” Nevertheless, being half of one of pop culture’s preeminent power couples further reinforced his status as an A+ lister.

April marked another milestone for Bad Bunny, who became Coachella’s first-ever Spanish-language headliner. “Latinos have been rompiéndola (killing it) for some time now. I just did a tour last year that I never imagined I’d be able to do,” he said during his Coachella performance, alluding to his record-shattering World’s Hottest Tour. “I’ve been out for some time but [I’m back] and it feels cabrón to be here tonight and that you’re all here with me.” He brought the usual (as well as some unusual) suspects on stage, including Post Malone, Ñengo Flow, Jhayco, and Jowell & Randy — oh, while also jumping on a jet ski at one point.



Just a few days later, after his historic performance, the Puerto Rican hitmaker embraced the burgeoning música mexicana boom with Billboard’s December 2022 Latin artists on the rise, Grupo Frontera, on “un x100to.” The Edgar Barrera-assisted collaboration not only dominated across multiple Billboard charts — Hot 100 (No. 5), Global 200 (No. 1), Global Excl. US (No. 1), Hot Latin Songs (No. 2) — but further helped fuel the genre’s international explosion.

Breaking a social media hiatus in May, Bunny released the Jersey club one-off “Where She Goes,” produced by MAG, followed by collaborations such as the synth-driven “Mojabi Ghost” by Tainy, from the producer’s debut album Data; and “K-Pop” by Travis Scott, also with The Weeknd, a buoyant trap song with Afrobeat elements. While these tracks debuted well and showcased Bunny’s versatility, none reached the meteoric success of his previous hits.

Then came the reggaetón number “Un Preview” in September, setting the stage for his return-to-roots, Latin-trap-heavy fifth solo album, October’s Nadie Sabe Lo Que Va a Pasar Mañana. The album landed another resounding No. 1 debut on the Billboard 200, but also experienced a somewhat softer reception than Un Verano Sin Ti. (Nadie Sabe debuted with 185,000 units in its first week, roughly 90,000 shy of the 274,000 posted in May 2022 by Un Verano Sin Ti in its first frame.)



Still, five years ago, the Billboard 200 had never had a Spanish-language album atop its rankings, and Bad Bunny has now done it three albums in a row, starting with El Último Tour del Mundo. And although the Nadie Sabe songs didn’t cling to the charts in the same way, it did become Spotify’s 2023 most-streamed album in a single day upon its release.

In a notable moment for mainstream American television, Benito also hosted and performed on Saturday Night Live the week after the album drop. Billboard’s chief content officer Leila Cobo wrote on the normalization of Spanish on one of the longest-running shows in American pop culture: “Thanks to a rapper from Vega Baja, Puerto Rico, Latin presence in U.S. pop culture has been mainstreamed for perhaps the first time since I Love Lucy in the 1950s,” said Cobo. “The big difference is, I Love Lucy used comedy as a vehicle to “translate” Desi Arnaz’s accented English, accompanied by boogaloo. In contrast, Bad Bunny makes no attempt at translation or compromise when he very matter of factly speaks in Spanish.”



As the year draws to a close, Bad Bunny is plotting the Most Wanted Tour for 2024, kicking off on Feb. 21 in Salt Lake City. Despite remaining one of the globe’s biggest and best pop stars, the excitement of his previous year seems to have waned, with increased competition from rising stars like Peso Pluma, who’s leading the música mexicana explosion towards American pop; and Karol G, who also had a historic Billboard 200 debut and dominated the highest-grossing Latin tours of the year. However, Benito still secured a top 5 ranking in Latin tours — he placed No. 28 on the all-genres 2023 year-end boxscore chart. But the singer/rapper still ranked No. 1 on Billboard’s year-end Top Latin Artists chart, with Peso coming in second, and Karol in third place.

And lest anyone forget, El Conejo Malo declared precisely one year ago, “I’m taking a break. 2023 is for me, for my physical health, my emotional health to breathe, enjoy my achievements.” As we stand at the culmination of this year-long journey — witnessing his triumphant return to the Coachella stage as a headliner, his exploration of diverse musical genres, his unyielding influence on pop culture — it’s evident that his version of “taking a break” is still an extraordinary metamorphosis.

Hot 100 First-Timers: BigXthaPlug Connects With Breakout Hit ‘Mmhmm’

BigXthaPlug lands his first appearance on the Billboard Hot 100 chart (dated Dec. 16) as his song “Mmhmm” debuts at No. 93.

The track, released Oct. 6 on BigXthaPlug/UnitedMasters, debuts almost entirely from its streaming sum: 6 million official streams (up 54%) in the United States in the Dec. 1-7 tracking week, according to Luminate. The bump can be partly attributed to a new remix with Finesse2Tymes, released Dec. 1 on BigXthaPlug’s new seven-track set, The Biggest. The cut also enters at No. 17 on Hot Rap Songs and jumps 33-20 on Hot R&B/Hip-Hop Songs.

The Biggest debuts at No. 138 on the Billboard 200 with 11,000 equivalent album units earned in its opening week. It’s BigXthaPlug’s first entry on the chart.

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TikTok has been a contributing factor to the song’s recent gains, as the track has been used in more than 20,000 clips on the platform to date.



“Mmhmm” samples the Whispers’ classic single “And the Beat Goes On,” which spent five weeks at No. 1 on the Hot R&B/Hip-Hop Songs chart and two weeks at No. 1 on Dance Club Songs in 1980. It also reached No. 19 on the Hot 100.

BigXthaPlug (real name Xavier Landum) hails from Dallas. He scored his first chart appearance in February with his debut studio album, AMAR. The set debuted at No. 34 on Independent Albums and No. 4 on Heatseekers Albums, before spending 13 weeks at No. 1 on the latter list; it ranks at No. 2 on the latest Dec. 16 chart, below The Biggest. He’s just the second artist ever to claim the top two spots of the survey simultaneously, after Slidawg in 2007. AMAR also reached No. 129 on the Billboard 200 in November.

Elsewhere, BigXthaPlug’s single “Whip It” places at No. 34 on the Mainstream R&B/Hip-Hop Airplay chart, after reaching No. 33. His new collaboration with Offset, “Climate,” also debuts at No. 48 on Hot R&B/Hip-Hop Songs.

Outside of his 2023 releases, BigXthaPlug has dropped three other collections: Bacc From the Dead in 2020, and Big Stepper and its remixed version Big Stepper (OG Ron C Chopped Not Slopped), both in 2022.

The Roots & Live Nation Urban Announce Roots Picnic: Hip-Hop is the Love of My Life For 2024

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2023 The Roots Picnic

The Roots and Live Nation Urban have announced a new event for next year that will be one of the hottest tickets around. The inaugural Roots Picnic: Hip-Hop is the Love of My Life event will take place next summer in Los Angeles and tickets go on sale this week.

The Roots have annually hosted the Roots Picnic in the band’s hometown of Philadelphia for years and is typically a star-studded affair with some of music’s best and brightest acts joining the band in delighting fans from all over.

For the Roots Picnic: Hip-Hop is the Love of My Life event, they’ll be joined by other musical giants such as Queen Latifah, Common, Digable Planets, Arrested Development, and other acts. The event will be held next June at the Hollywood Bowl in Los Angeles, Calif.

Ahmir “Questlove” Thompson, the drummer for The Roots, shared a statement about the upcoming Roots Picnic.

“The first time we played Hollywood Bowl was way back in 2011, and there was nothing like it. We came back to headline in 2019, and we’ve been talking about doing something there since. This idea for Hip-Hop is the Love of My Life came up, and we knew there was no better spot,” Questlove said.

This announcement comes just after many of the guest performers for the event showed up and rocked the house for the airing of the A GRAMMY Salute to 50 Years of Hip-Hop last Sunday.

Tickets for Roots Picnic: Hip-Hop is the Love of My Life go on sale this Thursday at 10 AM local time PST. You can purchase the tickets here.

The Roots Picnic: Hip-Hop is the Love of My Life Lineup is below:

The Roots

Queen Latifah

Common

Digable Planets

Arrested Development

The Pharcyde

Black Sheep (Dres from Black Sheep)

& more to be announced

Photo: Getty

Taylor Swift Kisses Travis Kelce in Newly Shared Photo

Looks like Taylor Swift and Travis Kelce may have been under some mistletoe recently. In a newly shared photo from the couple’s post-game celebrations Sunday (Dec. 10), the 33-year-old pop star kisses the 34-year-old tight end on the cheek while surrounded by colorful lights – a candid moment that looks straight out of a Christmas card. 

The adorable, slightly blurry snap shows Swift and Kelce wearing the same outfits they left Arrowhead Stadium in following the Kansas City Chiefs’ 17-20 loss to the Buffalo Bills. The “Anti-Hero” singer was spotted cheering on Kelce from her usual spot in a private box suite during the game, after which the pair headed to a local venue. 

The new kiss photo was shared Monday (Dec. 11) by Patrick Regan, Kelce’s barber, on Instagram. The hairdresser also posted a picture of himself and Swift watching Sunday’s game from their box suite, writing, “Thanks @taylorswift for the Pics of the Gameday Freshy for @killatrav ??❤️ I had an Amazing Time at Yesterdays Game ?” 

Regan told the TODAY show that the picture was snapped post-game at a Christmas-themed Kansas City spot. Posts on social media peg the night’s setting as Miracle Pop Up Bar, where Swift and Kelce previously went on a double date with Chiefs quarterback Patrick Mahomes and his wife, Brittany. 

Kelce and the 12-time Grammy winner have been dating since the summer, as confirmed by Swift in her recent TIME Person of the Year cover story. The kiss on the cheek might just become the couple’s signature pose; in October, a photo of the pair in a similar pose shared by Chariah Gordon, who is dating Chiefs wide receiver Mecole Hardman, sent the internet into a frenzy. 

The TIME interview was Swift’s first time speaking publicly about her relationship with Kelce. “When you say a relationship is public, that means I’m going to see him do what he loves, we’re showing up for each other, other people are there and we don’t care,” she told the publication. “The opposite of that is you have to go to an extreme amount of effort to make sure no one knows that you’re seeing someone. And we’re just proud of each other.” 

See the new photo of Swift kissing Kelce on Patrick Regan’s Instagram account.

Megan Thee Stallion’s New Release Strategy: Indie… With an Assist From a Major

After splitting with her original record label in October, Megan Thee Stallion is entering a new era: A source at Warner Music Group confirmed to Billboard that the artist has signed a distribution agreement with the company that includes services from a select global team.

For years, Megan Thee Stallion was embroiled in a legal battle over the deal she signed early in her career with 1501 Certified Entertainment, which released her music in partnership with 300 Entertainment. (300 was acquired by Warner Music Group in 2021.) In October, the rapper and 1501 “reached a confidential settlement to resolve their legal differences,” making Megan Thee Stallion — who is managed by Roc Nation — a free agent. “I’m so excited to be doing something for the first time independent since it was just me and my mama,” she said during an Instagram Live session. 

Artists prize distribution deals because they typically get to retain ownership of their recordings. At the same time, Megan Thee Stallion will still benefit from WMG’s global infrastructure, marketing muscle and longstanding relationships at radio and television. Her team will include some staffers from 300 Entertainment as well as others across the company. (A rep for Megan Thee Stallion did not respond to requests for comment.)

These types of distribution agreements within major label systems have become more common in the modern music industry once artists gain a certain amount of leverage. Some young acts that have fast-climbing viral hits are even able to negotiate similarly favorable agreements right at the start of their careers, which would have been unthinkable a decade ago.

There is a potential downside to these arrangements: Because labels stand to earn less revenue from distribution deals, they may be less incentivized to throw their full weight behind these artists. Still, this is a dream scenario for many artists because it inverts the traditional music industry power dynamic.

Historically, artists handed their recordings over to a label in perpetuity in exchange for an advance and the chance to become a household name. Now it’s possible to have the best of both worlds. “That’s an amazing position to be in, to keep your copyright and still be famous,” says Tab Nkhereanye, a senior vp of A&R at BMG. (BMG has long offered artists licensing deals; in these agreements, ownership of recordings typically reverts back to an artist after a set period, conditional upon recouping the costs of the deal.)

As a result of these shifts in the industry, though, the term “independent” has become so roomy as to be nearly meaningless. It now stretches from an act self-releasing homemade recordings on TuneCore for a handful of fans all the way to Bad Bunny, who fills stadiums and tops charts around the world while enjoying lavish funding from The Orchard, which is owned by Sony Music. Most basketball players probably wouldn’t group together Giannis Antetokounmpo and a decent guy in a local pickup game, but that’s sort of what happens on a daily basis in the music industry. Adding to the confusion — “indie” is now often used to describe a specific style of rock music, regardless of whether it’s released by a major or independent label.

In many cases, “I don’t know that [independent] is really an applicable phrase anymore,” says Lulu Pantin, founder of Loop Legal. “The big distinction is self-funding versus receiving funding from an outside source.” “Now it seems like you’re either an unsigned artist or an independent artist,” adds Todd Rubenstein, founder of Todd Rubenstein Law. 

Artists once required a hefty amount of financial support to record, manufacture, distribute, and market their music. Signing with a major record company meant acts had more resources at their disposal, while remaining independent signified a scrappier, bootstrapping approach, usually with a select group of labels — 4AD, for example, or Secretly Canadian. “Releasing on XL at one point was the height of independence,” says Ben Blackburn, who manages girl in red.

The initial outlay required to get a successful artist project off the ground plummeted with the rise of production programs accessible on laptops, digital distribution companies, streaming services, and social media platforms. Artists had a “newfound ability to compete on the same level without [the major labels], and in doing so, the ability to claim more control and literal ownership,” says Nabil Ayers, president of Beggars Group US.

“With digital distribution, artists weren’t going to keep doing perpetuity deals on the master side for five albums and an 18 point royalty,” adds Nick Stern, a longtime artist manager. “It was just a matter of time.”

In the second half of the 2010s, especially during the SoundCloud rap era, it became more common to hear about major labels chasing artists who were already amassing streams by the million. This meant that record companies had to give up a lot for the privilege of being associated with the artists, rather than the other way around.

Today many rising artists and their managers are intent on giving away as little as possible. This means that the major labels have all beefed up their distribution-and-services offerings, making attractive deals like the one obtained by Megan Thee Stallion more prevalent. “All of these major players with power and money decided to head into the [distribution] fray,” says Blackburn. 

Sony Music has had the most success with the distribution-and-services model: It runs these deals through The Orchard, which enjoyed a bigger current market share in 2023 than any frontline label other than Republic and Interscope. The Orchard is hardly a loner, though; every major label group has at least one, if not more, distribution companies. (Warner has the Alternative Distribution Alliance, though Megan’s deal doesn’t run through ADA, according to a source with knowledge of the arrangement.)

“There are a lot of options out there for people to find those kinds of deals now that there weren’t even two years ago, and certainly weren’t five years ago when we started,” says J. Erving, a manager and founder of the artist services and distribution company Human Resources (which was acquired by Sony Music in 2020). “Initially a lot of artist managers and executives thought that type of deal was subpar in terms of your ability to have success. Now it’s something that’s sought after.”

A side effect of this new desirability, though, is “there really is no clear delineation of what it means to be truly independent,” Pantin says. “Independence now is a flexible term,” Blackburn adds. “It’s also a commodified term.”

This means the music industry would probably benefit from developing a new vocabulary to distinguish between artists with wildly different levels of financial support. “The record industry is currently lumped into two sectors: the majors and the independents, or ‘the rest,’” Ayers says. “‘The rest’ is actually a very disparate group of interests that don’t belong in a single bucket. We need a better way to describe the growing number of entities out there.”

Rubenstein agrees: “A deal with a major — or major independent label — is different than using a larger distributor that provides limited services, which is different than being your own ‘label’ and just loading your music up via DistroKid and jumping on TikTok,” he notes.

For now, as Blackburn puts it, “independence in the eye of the beholder.”

Hot 100 First-Timers: Gracie Abrams Scores First Entry With Noah Kahan Collab ‘Everywhere, Everything’

Gracie Abrams is officially a Billboard Hot 100-charting artist. The singer-songwriter scores her first career entry on the Dec. 16-dated chart thanks to her appearance on Noah Kahan’s “Everywhere, Everything,” released Dec. 1.

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The song, which debuts at No. 79, is a remix of Kahan’s original 2022 track from his breakthrough album Stick Season (released via Mercury/Republic Records). All versions of the song combined for 6.2 million official streams and 1,000 downloads sold in the United States in the Dec. 1-7 tracking week, according to Luminate.

The track also jumps from No. 21 to No. 6 on Hot Alternative Songs and 41-9 on Hot Rock & Alternative Songs, becoming Abrams’ first top 10 on each chart.



Abrams has grown her presence on Billboard’s charts over the past three years. She made her first Billboard appearance on Oct. 17, 2020, when “Friend” debuted at No. 37 on the Adult Alternative Airplay chart, eventually peaking at No. 16.

In April 2022, her EP This Is What It Feels Like reached No. 14 on Heatseekers Albums and No. 94 on Top Album Sales, marking her first appearance on Billboard’s album charts.

Abrams’ debut full-length LP Good Riddance, released in February on Interscope Records, debuted and peaked at No. 52 on the Billboard 200 and hit No. 1 on Heatseekers Albums, No. 3 on Vinyl Albums and No. 4 on Alternative Albums. The set’s single “I Know It Won’t Work” reached No. 28 on Hot Rock & Alternative Songs and climbed to No. 32 on Pop Airplay.

In September, her 2020 seven-track set Minor charted for the first time, reaching No. 73 on Top Current Album Sales. Its breakout song “I Miss You I’m Sorry” is the most streamed song of Abrams’ catalog, raking in 92 million U.S. streams to date.

The Los Angeles native, 24, served as an opening act on Taylor’s Swift’s Eras Tour in April-August. She’s slated to return to the tour next year, from October through December. In 2022, she opened for Olivia Rodrigo on the Sour Tour.

Abrams is nominated for best new artist at the upcoming 66th Grammy Awards — her first nomination — alongside Kahan, Fred Again.., Ice Spice, Jelly Roll, Coco Jones, Victoria Monet and The War and Treaty.